Portfolio Contributors
Abigail Goodman
Alicia Faxon
All Blogs
Amy Lilly
Anna Buckley
Anthony Merino
Anya Ventura
Arlene Distler
Art Basel Miami Beach
Bansie Vasvani
Bonita McBride
Bonnie Barrett Stretch
Bret Chenkin
Carl Little
Celina Colby
Christian Holland
Christina Wheeler
Collin Dunbar
Craig Stockwell
David Raymond
Debra Cash
Demelza Durston
Dennis Kois
Dina Deitsch
Donna Fleischer
Elizabeth Fennell
Ethan Gilsdorf
Fran Bull
Fran Siegel
Frances Folsom
Henry McMahon
Jenny Miller Sechler
Julia Kelley
Kat Kiernan
Kathleen Morrison
Kay Tobler Liss
Leah Triplett
Lois Tarlow
maggie jensen
Mark Gabriele
Martha Buskirk
Martha Hoppin
Mary Bucci McCoy
Miami 2012
Miami 2013
Monroe Denton
Natasha Bonfield
Olivia J Kiers
Pam Campanaro
Patricia Rosoff
Rebecca Uchill
Robert Moeller
Shawn Hill
Stephen V Kobasa
Susan Mulski
Susan Rand Brown
Trevor Fairbrother

ANE Portfolio Posts

May 30, 2017
"Katie Bell: Showroom" at The Saint-Gaudens Memorial

Katie Bell, Faded Flight, 2014, wood, foam, laminate, linoleum, aluminum, plaster, acrylic, drywall, ceiling tiles, rope, and nails on wall. Image courtesy Etienne Frossard.

By David Raymond

Marcel Duchamp’s sculpture In Advance of a Broken Arm altered its snow shovel identity when the artist named it and asserted the fluidity of language and art, claiming that the shovel was “elevated to the dignity of a work of art by the mere choice of an artist.” Duchamp challenged artistic practice to expand materially and intellectually.

Katie Bell, like Duchamp, repurposes ordinary building materials as artistic elements in her sculptural installations that are at once a coming together and a coming apart of parts. Katie Bell: Showroom at the Saint-Gaudens Memorial in Cornish, NH (through July 16) is an explosive abstraction...

©2018 Art New England, All Rights Reserved
Designed and Developed By: T. Montgomery