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Exhibitions

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Connecticut

Art Gallery, University of Saint Joseph

Through June 15: I WRITE YOUR NAME: The Amistad Center @ USJ, Part I. An exhibition of paintings, works on paper and sculpture from The Amistad Center for Art & Culture. June 26–August 31: I WRITE YOUR NAME: The Amistad Center @ USJ, Part II. Opening reception: Wednesday, June 25, 6–7:30 p.m. Also on view: Recent Gifts to the Art Gallery.

1678 Asylum Ave, West Hartford, CT

(860) 231-5399

usj.edu/artgallery

T, W, F, Sa 11–4, Th 11–7, Su 1–4

City Gallery

May 1–June 1: Meg Bloom: Mixing Memory with Desire. These new sculptural works find beauty in the imperfect or impermanent, acknowledge moments of change, and engage with the process of transformation. Bloom has developed her own method of making and assembling paper made from abaca and flax pulps into large sculptural forms and smaller collages. The final sculptures are a re-visioning of her memories. Opening reception: Saturday, May 3, 2–5 p.m. June 4–29: Kathy Kane: Life-Line. The exploration of line, its delicate nature and its ambiguous presence in the landscape, bring punctuation and life to Kane’s new paintings. Opening reception: Saturday, June 7, 2–5 p.m.

994 State St., New Haven, CT

(203) 782-2489

info@city-gallery.com

city-gallery.org

Th–Su 12–4

Top: Amy Arledge, Chance of Rain, 2013, encaustic with mixed media. At City Gallery. Bottom: Phyllis Crowley, Touching Bottom, pigment print. At City Gallery.

Top: Amy Arledge, Chance of Rain, 2013, encaustic with mixed media. At City Gallery. Bottom: Phyllis Crowley, Touching Bottom, pigment print. At City Gallery.

Florence Griswold Museum

Through June 1: Lyme Artists Abroad shares the sights, insights and experiences gathered abroad by Lyme Colony artists. March 21–June 1: Lucien Abrams: A Cosmopolitan in Connecticut, a retrospective organized by the Old Jail Art Center in Albany, Texas. An important figure in the evolution of American Impressionism in the 20th century, Abram’s work represents an attempt to maintain the vitality of such a key modern movement.

96 Lyme St, Old Lyme, CT

(860) 434-5542

florencegriswoldmuseum.org

See website for hours and admission

Housatonic Museum of Art

Widely considered as having one of the most significant art collections at any two-year college in the US, the Housatonic Museum of Art’s collection boasts such artists as Gustav Klimt, Andy Warhol, Pablo Picasso, Henri Matisse, Roy Lichtenstein, and more. The museum, a cultural gem within the Greater Bridgeport area, offers lectures, programs, and changing exhibitions in the Burt Chernow Gallery, which is free and open to the public. For more information regarding upcoming events and exhibitions, visit their website.

Housatonic Community College

900 Lafayette Blvd, Bridgeport, CT

(203) 332-5052

housatonicmuseum.org

M–F 8:30–5:30, Th 8:30–7, Sa 9–3, Su 12–4 Open 7 days a week during spring and fall semesters only. Admission is free.

Mattatuck Museum

A Feeling of Humanity: Contemporary Western Art from the Ken Ratner Collection. Opening reception: Sunday, March 30, from 2–4 p.m., March 13–April 27: Visual Poetry: Stephanie Brody-Lederman. March 13–April 27: Fancy This: Fashion Accessories from the Mattatuck Museum Collection, Curated by Mary Daniel. March 13–October 17: Stories and Journeys: The Art of Faith Ringgold and Aminah Robinson. March 30–June 8: Sponsored in part by The Coby Foundation, Ltd.

144 West Main St, Waterbury, CT

(203) 753-0381

mattatuckmuseum.org

Tu–Sa 10–5, Su 12–5

Faith Ringgold, Groovin High, 1996, Silkscreen, Courtesy of ACA Galleries, New York. At Mattatuck Museum.

Faith Ringgold, Groovin High, 1996, Silkscreen, Courtesy of ACA Galleries, New York. At Mattatuck Museum.

Mystic Arts Center

Through April 5: Young At Art. The region’s largest annual youth art exhibition will showcase creative work from hundreds of students ages 18 and younger. Original artwork in a variety of media from oil, photography, and sculpture to mixed media pieces. Submissions will come from all over New London County and Rhode Island with many group projects from area schools displayed. Reception: Saturday, March 8, 1–3 p.m. Through May 31: The Blues. Open juried theme show, open to the artist’s interpretation. Reception: Thursday April 17, 5:30–7 p.m.

9 Water St., Mystic, CT

(860) 536-7601

mysticarts.org

M–Su 11–5

New Britain Museum of American Art

Through March 2: Aloha: Hawaiian Art and Artifacts from the Sullivan Collection. Through April 13: NEW/NOW: Stephanie Lempert. Through June 8: James Prosek: Nature and the Spaces in Between. March 8–June 1: Click! Clack! Ding! The American Typewriter. April 19–July 20: NEW/NOW: Joe Fig. Free parking, café, museum shop. Open seven days a week.

56 Lexington St., New Britain, CT

(860) 229-0257

nbmaa@nbmaa.org

nbmaa.org

M–W, F 11–5, Th 11–8, Sa 10–5, Su 12–5

Silvermine Arts Center

Through April 6: Justin Wiest: Dreams Waking; Ashley Andrews & Natasha Karpinskaia: The Art of Mark Making; Brent Green: No Reasonable House Can Contain a Tornado; Selections from the Gabor Peterdi International Print Collection. April 13–May 24: 24th Annual Silvermine School of Art Exhibition: showcasing the artistic achievements of the Silvermine School of Art students of all ages, from youth to adult.

1037 Silvermine Rd, New Canaan, CT

(203) 966-9700 ext. 20

silvermineart.org

W–Sa 12–5, Su 1–5

Spectrum Gallery

Through May 26: Jammin’: a mixed media exhibit featuring artwork related to Jazz. Opening reception for the Arts Center Killingworth’s New Gallery and Artisan Store: April 18, 6:30–9 p.m. Live music, wine, and cheese.

61 Main St., Centerbrook, CT

(860) 663-5593

spectrumartgallery.org

W–Sa, 11–6, Su, 11–5

Michael Singletary, Billie Sings, 1990, acrylic, 18 x 24". At Spectrum Gallery.

Michael Singletary, Billie Sings, 1990, acrylic, 18 x 24". At Spectrum Gallery.

The Stamford Museum and Nature Center

March 22–May 27: BLACK-WHITE-COLOR-LIGHT: The Art of Rick Shaefer offers colossal life-size charcoal drawings of trees and a Bison by artist Rick Shaefer. The large scale charcoal on vellum drawings display a remarkable wealth of texture and detail while exploring assorted themes of sustainability and diversity. The Sun as Art: NASA Photographs: showing a series of dramatic high-resolution images of the sun captured by NASA scientists with interactive displays for exploring the range of color in the light spectrum. Opening reception: Friday, March 21, 6:30–8 p.m.

39 Scofield Road, Stamford, CT

(203) 322-1646

stamfordmuseum.org

M–Sa 9–5, Su 11–5

Rick Shaefer, American Bison, triptych, 2013, charcoal on vellum mounted on aluminum, 96 x 148". At the Stamford Museum and Nature Center.

Rick Shaefer, American Bison, triptych, 2013, charcoal on vellum mounted on aluminum, 96 x 148". At the Stamford Museum and Nature Center.

Tremaine Gallery at The Hotchkiss School

March 28–April 27: Darlene Charneco. Reception: April 5, 4-6 p.m. Multimedia artist Darlene Charneco’s work explores the interrelated aspects of our real and virtual lives. Drawing upon her own experiences as a participant in social media as well as her research into microbiology and evolutionary theory, Charneco creates organic patterns out of materials that include toys, nails, glitter, enamel, and resin. Coming in May: Simon Blackmore’s Sound Installations.

11 Interlaken Rd, Lakeville, CT

(860) 435-3663

hotchkiss.org/arts

M – Sa, 10-4; Su 12-4

Massachusetts

American Textile History Museum

Through June 22: MILL WORKS: Flowers in the Factory and Inventing Lowell. Flowers in the Factory is an innovative, large-scale, fabric art installation bringing historic ATHM photographs to life through ethereal, translucent silk-screened panels by artist Deborah Baronas. Inventing Lowell is an absorbing video series, produced by ATHM and Lowell Telecommunications Corp., that will be featured in the 2015 Places of Invention exhibit at the Smithsonian’s National Museum of American History.

491 Dutton St, Lowell, MA

(978) 441-0400

athm.org

W–Su 10–5

Deborah Baronas, Oscar, Emma and the Girls (detail), 2014, charcoal and pastel on paper, fabric dye on cotton gauze, 4 x 12'.

Deborah Baronas, Oscar, Emma and the Girls (detail), 2014, charcoal and pastel on paper, fabric dye on cotton gauze, 4 x 12'.

Artrageous!28 Auction Party

Montserrat College of Art’s Artrageous! has become the signature spring event on the North Shore. Guests will experience students creating artwork live at Art-In-The-Moment areas, engage with old and new friends, and bid on more than 250 incredible paintings, prints, photographs, sculpture, giftware, trips and more. Featured Artist: Steve Locke; Honorary Chair: Mary Puma, Chairman and CEO, Axcelis. Experience Where Creativity Works® at Montserrat’s Artrageous!

Shetland Properties

29 Congress St, Salem, MA

(978) 921-4242 x1114

montserrat.edu/auction28

Saturday, March 29, 6 p.m.

Steve Locke, monument #1, 2013, egg tempera and collage on wood with acrylic on verso 17½ x 12½ x 2½". Courtesy of the artist and Samsøn. At Montserrat’s Artrageous!

Steve Locke, monument #1, 2013, egg tempera and collage on wood with acrylic on verso 17½ x 12½ x 2½". Courtesy of the artist and Samsøn. At Montserrat’s Artrageous!

ArtSpace Gallery

March 5–29: French Impressions–Part II, an exhibit of color photographs of the South of France and Provence by Armen James with a focus on the landscape and architecture of the region. April 2–25: Call and Response, an exhibit by artists Jane McKinnon Johnstone and Michele Vitti and a poet, Susan Richmond, inspired by each other and their common muse, birds. Opening reception and mini-open studios: Saturday, April 12, 5–7 p.m.

63 Summer St, Maynard, MA

(978) 897-9828

artspace63@aol.com

artspacemaynard.com

W-Sa 11-3

Armen James, Houses. At ArtSpace Gallery.

Armen James, Houses. At ArtSpace Gallery.

Beard and Weil Galleries

March 5–April 15: The Observant Eye features work by Nathalie Miebach, Jane Marsching, Marina Mangubi, and Andrzej Maciejewski, who employ data translation or mathematical principles to create compelling narratives. Opening reception: Thursday, March 6, 5–7:30 p.m. See website for additional programs. April 23–May 17: Senior Art Majors Exhibition. Opening reception: Thursday, April 24, 6–8:30 p.m.

Wheaton College

26 East Main St, Norton, MA

(508) 286-3644

www.wheatoncollege.edu/Arts

M–Sa 12:30–4:30, closed during school breaks

Boston Sculptors Gallery

March 12–April 13: David A. Lang, The Shop: Where the Wheels Turn. Eric Sealine, Short Stories, 2012–2014: forced perspective constructions. Artists’ reception: Saturday, March 15, 5–8 p.m. April 16–May 18: Peter DeCamp Haines, Teddy Bears’ Picnic And Other New Bronzes. Leslie Wilcox, LOATHABLES: icons of misbehavior I love to hate. Artists’ reception: Saturday, April 26, 2–5 p.m.

486 Harrison Ave., Boston, MA

(617) 482-7781

bostonsculptors@yahoo.com

bostonsculptors.com

W–Su 12–6. First Fridays 3/7 and 4/4 from 5–8

Dennis Svoronos, Hard to swallow, archival inkjet print. Photo: Christina Hernandez. At Boston Sculptors Gallery.

Dennis Svoronos, Hard to swallow, archival inkjet print. Photo: Christina Hernandez. At Boston Sculptors Gallery.

Brickbottom Gallery

Through March 8: Muskat Studios: The First 20. See website for more information. March 16–April 12: Figure Found. Artists: Adina Bricklin, Amanda Brown, Kate Gartrell, Alexis Kochka, Matt Kushan, Christopher W. McDonald, Leila Namin, Jessie Vogel. Reception: Sunday, March 16, 4–7 p.m., with performances by Elizabeth Epsen in collaboration with Patchtax and Marcia Rotondo, 6p.m. April 24–May 24: Intuition: Brickbottom Artist Association Members’ Exhibition. Reception: Sunday, April 27, 4–6 p.m.

1 Fitchburg St., Somerville, MA

(617) 776-3410

brickbottomartist@rcn.com

brickbottom.com

Th–Sa, 12–5

Bromfield Gallery

March 5–30: David Kinsey: In Loving Memory of My Mother, Kathy Wooden Kinsey, mixed media, abstract drawings with explosive layers. Opening reception: Friday, March 7, 6–8:30 p.m. April 2–27: Ellen Wineberg: Worldview, oil stick paintings featuring animals in fantastic topographies; Charles Goss: 90 Days in Paris, photographs with text from the artist’s travels. Opening reception: Friday, April 4, 6–8:30 p.m.

450 Harrison Ave., Boston, MA

(617) 451-3605

info@bromfieldgallery.com

bromfieldgallery.com

W–Su 12–5

CAC Gallery (Cambridge Arts Council)

Through June: Let the Public Play: a fully interactive play space for all generations. As part of the city’s initiative to build a more playful city, and in large and small scale, Let the Public Play inspires us to make play a more integral part of daily life in Cambridge. Free and open to the public.

City Hall Annex

344 Broadway, 2nd Floor, Cambridge, MA

(617) 349-4380

cambridgeartscouncil.org

Cambridge Art Association

At the Kathryn Schultz Gallery: March 6–29: Pretty/Ugly, juried by Camilo Alvarez. Reception: Saturday, March 8, 12–2 p.m. April 8–May 3: REFUSED. Closing reception: Saturday, May 3, 5:30–7:30 p.m. At University Place Gallery: March 5–31: Mined Over Matter. Reception: Thursday, March 13, 6–8 p.m. April 4–May 2: Recycle Lab.

University Place Gallery (UP)
124 Mt. Auburn St., Cambridge, MA
M–F 9–5, Sa 9–1

Kathryn Schultz Gallery and Offices

25 Lowell St., Cambridge, MA

(617) 876-0246

info@cambridgeart.org

cambridgeart.org

Tu–Sa 11–5

Chandler Gallery/Maud Morgan Arts

April 1–May 9: Direct / Indirect: Small Works 2014, artwork combining print and drawing. “Drawing and printmaking have always been intertwined. What better than to make work that consciously reflects and pays homage to both—where the two meet in mutual respect while keeping a magical balance,” Bill Flynn, Juror. Opening reception: Sunday, April 13, 3–5 p.m.

20 Sacramento St, Cambridge, MA

(617) 349-6287x22

MaudMorganArts.org

Free and Open to the Public,M–F, 9–5

Jane Goldman, Parsing the Universe. At Chandler Gallery.

Jane Goldman, Parsing the Universe. At Chandler Gallery.

Copley Society of Art

Through March 13: Winter Members’ Show: Winter Visions. Through April 15 at the Boston Private Bank: Beth Dacey: That was Then. March 22–April 24: Soul Mining: Four Abstract Women Artists. Fresh Paint 2014: Sunday, April 27: Paint Day; Saturday, May 10: Fresh Paint Gala.

158 Newbury St, Boston, MA

(617) 536-5049

info@copleysociety.org

copleysociety.org

Tu–Sa 11–6, Su 12–5, M by appointment

Danforth Art, Museum and School

An intimate environment to experience, create and celebrate the expressive qualities of art. Through March 30: Robert Ferrandini. March 9–May 18: Jon Imber, Carry On; Stuart Williams, Looking Through All Over; Matt Brackett, New Waters; Wilbur Blair, Awake and Await; Michael David, Bearing Witness; Permanent Collection; Children’s Gallery, Pop-Up books. April 6–June 15: Lisa Kessler, In the Pink.

123 Union Ave, Framingham, MA

(508) 620-0050

danforthart.org

W–Su 12–5, F & Sa 10–5, Th 12–8:30

DeCordova Sculpture Park and Museum

Through April: The 2013 deCordova Biennial, a survey exhibition of dynamic works by 21 diverse artists and collaboratives living and working in New England. Through September: Rappaport Prize winner Orly Genger’s Red, Yellow and Blue, one million feet of paint-covered, hand-knotted nautical rope winding through the lawn, pathways and hillside.

51 Sandy Pond Rd, Lincoln, MA

(781)259-8355

decordova.org

W–F 10–4, Sa & Su 10–5

Dedee Shattuck Gallery

April 2–27: Paul Myoda, Jane South, and Jacqueline Ott: Myoda’s interactive sculptures are methodically designed to attract and surprise viewers using laser-cut acrylic, aluminum, 3D printed plastic, LED lights and electronics. South’s constructed relief sculptures are influenced by machinery, architecture, and theater tech. Her imaginative 3D works evoke drawings and mechanical plans. Ott thoughtfully combines marks and colors, creating harmonious and inquisitive works on paper, acrylic, and plastic.

1 Partner’s Ln., Westport, MA

(508) 636-4177

dedeeshattuckgallery.com

W–Sa 10–5, Su 12–5

Jane South, Blue Elipse, 2007, hand-cut paper, ink, acrylic and bass wood, 36 x 60 x 10". At Dedee Shattuck Gallery.

Jane South, Blue Elipse, 2007, hand-cut paper, ink, acrylic and bass wood, 36 x 60 x 10". At Dedee Shattuck Gallery.

Essex Art Center

Elizabeth A. Beland Gallery through April 17: ¡Qué Lastima! .2: Gensis Baez, Oscar Diaz, Julia Pimes, Mario Lopez Pisani, Eduardo Restrepo, Bryan Rodriguez, and Ximena Izquierdo Ugaz. Opening reception, Friday, February 28, 5–7 p.m. May 9–June 13: Site specific installation: Marguerite White. Chester F. Sidell Gallery through April 17: Dog Portraits. May 9-June 13: Paintings: Mark Hayden and Jeff Weaver. Opening reception, Friday, May 9, 5–7 p.m.

56 Island St, Lawrence, MA

(978) 685-2343

essexartcenter.org

M–F 10–6 Closed April 18

Fitchburg Art Museum

Through June 1: Jeffu Warmouth: NO MORE FUNNY STUFF, a mid-career retrospective packed with puns, parody and absurdist humor.
Warmouth’s photographs, videos and installations wittily demonstrate the transformative nature of the mundane in our everyday lives. This exhibition is made possible through a collaboration with Fitchburg State University. Meet the Artist and engage in lively discussion on Sunday, April 13, 1-3 p.m. Ongoing: Building a Collection: Photography at FAM and UFO: Unidentified Fascinating Objects, an exhibition of unfamiliar objects from around the world. Free First Thursday 3-7 p.m.

25 Merriam Pkwy, Fitchburg, MA

(978) 345-4207

fitchburgartmuseum.org

T–F 12–4 p.m. Sa & Su 11–5 p.m.

Jeffu Warmouth, Three Heads Are Better Than One, 2013, video monitors, live performance, 10 minutes. Courtesy of the Artist. At Fitchburg Art Museum.

Jeffu Warmouth, Three Heads Are Better Than One, 2013, video monitors, live performance, 10 minutes. Courtesy of the Artist. At Fitchburg Art Museum.

Fountain Street Fine Art

March 6–April 6: Kellie Weeks, Fabrications. Reception: Saturday, March 8, 5–7 p.m.
Artist talk: Saturday, March 22, 2 p.m. April 10–May 4: Nan Hass Feldman, The Garden and Beyond: New Paintings. Reception: Saturday, April 12, 5–7 p.m.

59 Fountain St, Framingham, MA

(508) 879-4200

fountainstreetstudios.com

Th–Su 11–5, and by appointment

Fountain Street Studios

Spring into art at Fountain Street Studios Open Studios Weekend. 50+ artists display their work for the entire weekend. The largest artist community under one roof in MetroWest. Painting, photography, sculpture, mixed media, hand-crafted jewelry, textile art, collage, installation art, paper cuts, assemblage, video, drawing and more! Free and open to all. Ample free parking. Friday, April 4, 5:30–9 p.m. Saturday and Sunday, April 5–6, 11 a.m.–5 p.m. Note: Fountain Street Studios are in an historic, walk-up building. Please plan accordingly.

59 Fountain St, Framingham, MA

fss@fountainstreetstudios.com

https://www.facebook.com/FountainStreetStudios

Th–Sun 11–5

Copy of fss_logo_final

Fruitlands Museum

April 14–June 8: The Changing Landscape: Fruitlands’ Fifth Collection. The story of Fruitlands is intimately connected to the land, which is a bridge to the past, and a critical interpretive entry point for visitors today. Recognized as the Museum’s fifth collection, the land plays a large part in understanding the past and envisioning the future. Opening reception: Saturday, April 19, 1 p.m.

102 Prospect Hill Rd, Harvard, MA

(978) 456-3924

fruitlands.org

M–F 10–4, Sa, Su & Holidays 10–5, closed T Main season opens April 16.

Fruitlands in the Land of R2D2, 2013, oil on canvas. Photo: Richard Kattman. At Fruitlands Museum.

Fruitlands in the Land of R2D2, 2013, oil on canvas. Photo: Richard Kattman. At Fruitlands Museum.

Fuller Craft Museum

New England’s home for contemporary craft. March 9–June 15: The Stories We Tell (Tommy Simpson, Binh Pho, Michelle Holzapfel). Reception: Sunday, March 9, 2–5 p.m. Through June 1: Machines and Mechanizations: Explorations in Contemporary Kinetic Sculptures. Ongoing: Mark Davis: Icarus and Traditions and Innovations, Fuller Craft’s permanent collection. March 22–June 29: Shine a Light: Artistic Expressions from Gateway Arts.

MBTA Commuter Rail to Brockton station,
then take Bus 4A

455 Oak St, Brockton, MA

(508) 588-6000

fullercraft.org

T–Su 10–5, Th 10–9, closed M

Galatea Fine Art

March 5–30: Arnold Trachtman: Portraits: Personal iconography. Stephanie Angelo: This Land is Your Land: History and truth. Ed Friedman: StreetWhys: A Personal View of Street Photography: Acute observations. Reception: Friday, March 7, 6–8 p.m. April 2–27: Clare Asch: Tidelines: You Can’t Fold a Flood and Put it in a Drawer: Paintings of chance and intent. Matthew Keller: Iconoclasm: Constructions and symbolism. Hannah Libman: Collage: Forests of painted layering. Reception: Friday, April 4, 6–8 p.m.

460B Harrison Ave., #B-6, Boston, MA

(617) 542-1500

galateafinearts@yahoo.com

galateafineart.com

W–F 12–6, Sa & Su 12–5

Gallery NAGA

March 7–29: Peter Vanderwalker: Interventions. Vanderwalker searches for, and captures, a sense of unsteadiness in both the built environment and the natural landscape. Opening reception: Friday, March 7, 6–8 p.m. April 4–May 3: Joseph Barbieri: New Paintings: intricately detailed, color saturated and irreverent portraits of anthropomorphic creatures and subdued landscapes. Opening reception: Friday, April 4, 6–8 p.m.

67 Newbury St, Boston, MA

(617) 267-9060

mail@gallerynaga.com

gallerynaga.com

Tu–Sa 10–5

Gallery Seven

April 15–May 23: Chroma: works by Janet Albert, Willy Garver, Kate Graham Heyd, Lee Pina, and Louis Henri Pingitore. Reception: Saturday, April 26, 7–9 p.m. Free and wheelchair accessible.

7 Nason St., Maynard, MA

(978) 897-9777

gallerysevenmaynard.com

Tu–F 10–6, Sa 10–5

Kate Graham Heyd, Emote, mixed media on canvas. At Gallery Seven.

Kate Graham Heyd, Emote, mixed media on canvas. At Gallery Seven.

Griffin Museum of Photography

March 6–30: Main Gallery, Atelier & Griffin Galleries: Photography Atelier 19. Opening reception: Thursday, March 6, 6:30–8:30 p.m. April 10–June 1: Main Gallery: Dominic Chavez. Opening reception: Thursday, April 10, 7–8:30 p.m. April 10–June 8: Atelier Gallery: Brian Alterio: Human Nature. Opening reception: Thursday, April 10, 7–8:30 p.m. Members’ talk with Brian Alterio at 6:15 p.m; Griffin Gallery: Clyde Heppner: The Ancients’ Views Portfolio. Opening reception: Thursday, April 10, 7–8:30 p.m.

67 Shore Rd., Winchester, MA

(781) 729-1158

griffinmuseum.org

T–Su 12–4

Hampden Gallery

March 30–April 27: CURCIO3. Opening reception: Sunday, March 30, 2–4 p.m. Curcio3 is actually three exhibits in one, from three intriguing artists. Holly Curcio: From Inside the Birdhouse showcases the artist’s narrative ceramic sculptural work. Sally Curcio: Recognition re-contextualizes everyday objects into the artistic. Mary Curcio: Water, Land and Air explores the mysteries and wonders of watercolor.

University of Massachusetts Amherst

131 Southwest Cir, Amherst, MA

(413) 545-0680

laprade@acad.umass.edu

fineartscenter.com/Online/HampdenGallery

Tu–F 1–6, Su 2–5

Holly Curcio, Egg Today, terracotta with laser printed decal. At University Museum of Contemporary Art.

Holly Curcio, Egg Today, terracotta with laser printed decal. At University Museum of Contemporary Art.

Iris & B. Gerald Cantor Art Gallery

Through April 6: Global Encounters in Early America. Global Encounters explores the global visual culture that circulated in early America before 1840. Curated by Patricia Johnston, the Rev. J. Gerard Mears, S.J., Chair in Fine Arts, and Holy Cross students enrolled in a curatorial seminar of the same title. April 25–May 23: The 2014 Senior Concentration Seminar Exhibition includes the work of graduating seniors who have participated in a yearlong seminar course. Find them on Facebook and follow them on Twitter.

College of the Holy Cross

O’Kane Hall, 1 College St., Worcester, MA

(508) 793-3356

holycross.edu/cantorartgallery

M–F 10–5, Sa 2–5

Kingston Gallery

March 5–30: Ann Wessmann: Memento. Center Gallery: Erica Wessmann: HUNGER. Members’ Gallery: Julie S. Graham: OUTSKIRTS. First Friday Opening reception: Friday, March 7, 5–8 p.m. April 2–27: Mary Bucci McCoy: New Paintings. Members’ Gallery: Linda Leslie Brown: New Work (with holes). First Friday opening reception: Friday, April 4, 5:30–8 p.m.

450 Harrison Ave., No. 43, Boston, MA

(617) 423-4113

kingstongallery.com

W–Su 12–5 and by appointment

Mary Bucci McCoy, In Green, 2013, acrylic on panel, 10½ x 8½ x 1". At Kingston Gallery.

Mary Bucci McCoy, In Green, 2013, acrylic on panel, 10½ x 8½ x 1". At Kingston Gallery.

Loading Dock Gallery

A cooperative gallery representing some of the artists at Western Avenue Studios. Main gallery: a wide, ever-changing array of member works. Through March 30: Showcase gallery: Light and Color on the Edge, photography from John Wren. April 2–27: Hat, Seen and Sewn, hats created by Jeanne Osborne and hats photographed by Jeffery Engel.

Western Avenue Studios

122 Western Ave, 2nd Floor of the A Mill , Lowell, MA

theloadingdockgallery.com

W–Sa 12–5:30, Su 12–4

new horizons

McCoy Gallery

March 22–April 24: CHRISTOPHER LOVELY: Terrains of the Imagination. This exhibition features the landscape as examined and imagined by Massachusetts painter Christopher Lovely. Based in studies and observations of real locations, Lovely’s paintings at first feel familiar and even comfortable until further inspection encourages what seems to be an engagement with a shift from the actual to something more internally felt. The paintings transport and suggest stories waiting to be told.

Merrimack College

315 Turnpike St, North Andover, MA

(978) 837-5255

merrimack.edu/mccoy

M–F 9–5

Mead Art Museum at Amherst College

Through June 29: New Arrivals: Modern and Contemporary Additions to the Collection. Through April 27: Kyohei Inukai, Robert Brackman, and Portraits of American Tragedy. Through June 1: The Attack on Port Arthur in Woodblock Prints.

41 Quadrangle Dr., Amherst, MA

(413) 542-2335

amherst.edu/mead

Tu–Th & Su 9–midnight, Fr 9–8, Sa 9–5

Andy Warhol, Mao Tse-Tung, 1972. Gift of Kate Butler Peterson. 2008.21. At Mead Art Museum at Amherst College.

Andy Warhol, Mao Tse-Tung, 1972. Gift of Kate Butler Peterson. 2008.21. At Mead Art Museum at Amherst College.

MIT List Visual Arts Center

March 18–May 11: List Projects: Pauline Curnier Jardin, three of Curnier Jardin’s most recent films as well as a selection of related objects. Pauline Curnier Jardin (b. 1980, France) works across the mediums of drawing, performance, music, installation, and film to create “movie-performances.” Using an approach combining ethnography and fantasy, her work looks particularly to how women have been portrayed in myths, folklore, film, and theater as, alternately, heroine, visionary, victim, and witch. Through April 6: Sonia Almeida: Forward/Play/Pause; Hourly Directional: Helen Mirra and Ernst Karel; Hans Op de Beeck: Staging Silence (2).

20 Ames St., Building E15, Cambridge, MA

(617) 253-4400

listart.mit.edu

T, W, F, Sa & Su 12–6, Th 12–8. Closed M.

Sonia Almeida, Silver Screen, 2013, oil on marine plywood, green LEDS, 64 x 82½". The Alfond Collection of Contemporary Art, Cornell Fine Arts Museum, Rollins College. At the MIT List Visual Arts Center.

Sonia Almeida, Silver Screen, 2013, oil on marine plywood, green LEDS, 64 x 82½". The Alfond Collection of Contemporary Art, Cornell Fine Arts Museum, Rollins College. At the MIT List Visual Arts Center.

New Art Center

April 5–May 9: The Flash of an Instant, a Curatorial Opportunity Program selection curated by Caitie Moore and Sarah Pollman, examines the space between reality and abstraction through interactions with art that challenge conceived constants of time, space and light. Works by Mark Dorf; John Gonzalez and Thomas Willis; Pablo Gnecco; Sharon Harper; Sam A. Harris; Robin Myers; John Steck Jr. Opening reception: Saturday, April 5, 5–8 p.m. Artists talk with Pablo Gnecco: Saturday, April 5, 3 p.m.

61 Washington Park, Newtonville, MA

(617) 964-3424

info@newartcenter.org

newartcenter.org

M–F 9–5, Sa 1–5

Sam A. Harris, Rebirth, 2012, Digital C-¬Type, 16 x 20". At New Art Center.

Sam A. Harris, Rebirth, 2012, Digital C-¬Type, 16 x 20". At New Art Center.

School of the Museum of Fine Arts, Boston

Through March 15: SMFA Faculty Exhibition featuring new work by 22 faculty artists created during recent sabbaticals. March 8–August 17: Students Curate Students: The Things We Carry–Objects in America, SMFA’s annual student exhibition in the Courtyard Gallery at the Museum of Fine Arts featuring pigment prints by five students. Artist talks: April 16, 6–7 p.m.

230 The Fenway, Boston, MA

(617) 369-3656

smfa.edu/exhibitions

Smith College Museum of Art

Through August 31: The Eye is a Door: Landscape Photographs by Anne Whiston Spirn. March 7–May 25: Works on Paper from the Permanent Collection: three floors of art spanning several centuries from the permanent collection.

Elm Street at Bedford Ter., Northampton, MA

(413) 585-2760

smith.edu/artmuseum

T–Sa 10–4, Su 12–4 Second Fridays 10–8 (4–8 free)

Anne Whiston Spirn (American, born 1947), Angle of Repose. Baker City, Oregon, May 2005, pigment print on paper. ©Anne Whiston Spirn. At Smith College Museum of Art.

Anne Whiston Spirn (American, born 1947), Angle of Repose. Baker City, Oregon, May 2005, pigment print on paper. ©Anne Whiston Spirn. At Smith College Museum of Art.

South Shore Art Center

Through March 23: Bancroft Gallery: National Juried Show: Love. Juror: Eric Aho; Dillion Gallery: Interior Spaces: Deedee Agee, Kim Alemian, Patricia Berube, Susan Denniston, Esther Maschio, James Baker; Faculty Feature: Nancy Colella. March 28–May 4: Bancroft Gallery: Organic Matters: Bailey Bob Bailey, Mike Carroll, Betty Carroll Fuller, Breon Dunigan, Jan Lhormer, Carol Odell, Francie Randolph, Bert Yarborough. Curated by Jan Lhormer; Dillon Gallery: CHROMA: Working in Color: Janet Blagdon, Irma Cerese, Andrea Kemler, Jeanne McKenna and Monice Morenz; Faculty Feature: Dorothy Amore Pilla. Opening reception: Friday, March 28, 6–8 p.m.

119 Ripley Rd., Cohasset, MA

(781) 383-2787

ssac.org

M–Sa 10–4, Su 12–4

The Art Complex Museum

Through April 27: Duxbury Art Association Annual Winter Juried Show Rotations: Objects from the Permanent Collection, including Shaker Items. Through May 18: Robert S. Neuman, Lame Deer Series: themes developed from inspirational cues throughout the artist’s life.

189 Alden St, Duxbury, MA

(781) 934-6634

artcomplex.org

W–Su 1–4

Shane Savage-Rumbaugh, Head still from Waiting Washing, animation video.

Shane Savage-Rumbaugh, Head still from Waiting Washing, animation video.

The Garner Center at New England School of Photography (NESOP)

February 24–April 4: Keith Johnson, Opening reception: March 5, 5–7 p.m. April 7–May 23: THE THREE AMIGOS: The Photography of Neal Rantoul, John Rizzo and Fred Sway. Opening reception: Wednesday, April 23, 5:30–7:30 p.m.

537 Commonwealth Ave., Boston, MA

(617) 437-1868

nesop.com

M, W & Th 9−5, Sa 10−4

The Oxbow Gallery

March 6–30: Richard Shultz, tin wall reliefs. Chris Bagg, landscape paintings. April 3–27: Front Gallery: Justin Kim, Travel landscape paintings: large mixed media on paper done over the past three years, combining the grand tradition of painting with a contemporary sensibility, exploring themes including pastiche, authenticity, physical presence and the relationship between technology and the artist’s hand. Kim’s work generates tension between artifice and reality while challenging traditional painting structures. Reception: Friday, April 11, 6–8 p.m; Back Gallery: Elizabeth Solley Caine, Grand Nature, dramatic landscape American West paintings, drawings and mono-prints.

275 Pleasant St, Northampton, MA

(413) 586-6300

oxbowgallery.org

Th–Su 12–5

David Rohn, can with brush, paper cup, 2005, 18 x 24

David Rohn, can with brush, paper cup, 2005, 18 x 24

Thompson Gallery

April 4–June 15: Milton Rogovin—Social Optometry. Reception: Friday, April 4, 4-7 p.m. Gallery talk: Saturday, April 26, 1-2 p.m. The Picturing the Invisible series explores photography as a tool of scientific, personal and social visualization. Social Optometry, the third and final exhibition in the series, examines the work of social documentary photographer Milton Rogovin, who unflinchingly used his photographs as a vehicle for creating social awareness of working class citizens.

The Cambridge School of Weston: Garthwaite Center for Science and Art

45 Georgian Rd., Weston, MA

(781) 398-8316

thompsongallery.csw.org

M–F, 9–4:30 or by appointment, school calendar applies

Milton Rogovin, Untitled, Working People series, Native American, 1976, silver gelatin print, 8 x 10". 
At Thompson Gallery.

Milton Rogovin, Untitled, Working People series, Native American, 1976, silver gelatin print, 8 x 10". At Thompson Gallery.

Trustman Art Gallery at Simmons College

March 17–April 17: Like Water, a solo show of photographs by Mary Lang. Lang’s meditative and chimerical works of uncertain scale and place allows one to pause and draw a long breath. Reception: Wednesday, March 19, 5:30–7:30 p.m. April 22–May 30: Rarified: drawings by Rebecca Doughty and Alice O’Neill, presenting essentialized markmaking. Reception: Wednesday, April 30, 5–7 p.m.

300 The Fenway, Boston, MA

(617) 521-2268

simmons.edu/trustman

M–F 10–4:30

Tufts University Art Gallery

Through April 27: Tanja Softić—Migrant Universe. Tanja Softić’s work combines images of nature with drawings based on appropriated visual material. Through May 18: Seeing Glacial Time: Climate Change in the Arctic. This group exhibition features artists who visualize the processes of climate change. Includes works by Subhankar Banerjee, Olaf Otto Becker, Resa Blatman, Diane Burko, Caleb Cain Marcus, Gilles Mingasson, Joan Perlman, and Camille Seaman.

Aidekman Arts Center

40 Talbot Ave., Medford, MA

(617) 627-3518

artgallery@tufts.edu

artgallery.tufts.edu

Tu–Su 11–5, Th 11–8

Unbound Visual Arts

March 13–May 5: Beasts of Burden. Presented by Unbound Visual Arts and New Art Center. Curator and artist Jane O’Hara along with 12 other artists tackle society’s schizophrenic relationship with animals showcasing differing uses of animal imagery in their work. March 18, 6 p.m.: Almitra Stanley moderates panel discussion with artists. April 12, 2:30–4:30 p.m.: Non-profits Mercy For Animals and Great Dog Rescue offer presentations. Opening reception: Thursday, March 13, 5:30–8 p.m.

Harvard Allston Education Portal Galleries

175 N. Harvard St., Allston, MA

(617) 496-5022

beastsofburden.org

M–Th 3–7 p.m., call for additional times

Raul Gonzalez lll, La Confianza, 2012, acrylic pastel, color pencil, 11.75 x 9'5". At Unbound Visual Arts.

Raul Gonzalez lll, La Confianza, 2012, acrylic pastel, color pencil, 11.75 x 9'5". At Unbound Visual Arts.

University Gallery at UMass Lowell

Through March 21: Jacob Tonski: Striking Balance, video and kinetic works exploring dynamic balance through metaphor. Artist’s talk: Monday, February 24, 3 p.m. Reception at 4 p.m. March 31–April 25: Out of the Box: The Photographic Resource Center Portfolio. Lecture by Professor Arno Minkkinen: Monday, April 2, 4 p.m., followed by a reception from 5–7 p.m.

McGauvran Student Center, First Floor

71 Wilder St, Lowell, MA

(978) 934-3491

uml.edu/dept/art/galleries

M & W 12:30–5, Tu & Th 1–4, F 11–6, Sa by appointment

Wallace L. Anderson Gallery

Through March 11: Clement C. Maxwell Library: John Brosio, Twist & Shout: “…a love of paint and the grandeur of nature.”; John deMelin, Collages: subtle collages of typographical imagery. Through March 27: Anderson Gallery and Maxwell Library: Mercedes Nuňez: gallery installation and artist books. March 31–May 31: Anderson Gallery: The Western: Frank Tenney Johnson paintings of the west.

Bridgewater State University

40 School St, Bridgewater, MA

(508) 531-1359

bsuarts.com

M–F 8–4

Frank Tenney Johnson, Trooper on Guard (n.d.), oil on canvas, 18 x 24". At Wallace L. Anderson Gallery.

Frank Tenney Johnson, Trooper on Guard (n.d.), oil on canvas, 18 x 24". At Wallace L. Anderson Gallery.

Winfisky Gallery at Salem State University

The Winfisky Gallery displays art from all over the world in a variety of media from prints to kinetic sculpture to collage and photography. In addition to visiting artists, the art and design department hosts an annual faculty works exhibit, a student works exhibit and the prestigious student honors exhibit.

Ellison Campus Center

Lafayette St., Rts. 114 & 1A, Salem, MA

(978) 542-7890

salemstate.edu/arts

M-F 10-2 or by appointment

Women’s Studies Research Center

March 17–April 11: The Hadassah-Brandeis Institute presents Artist-in-Residence Jeanne Williamson. April 14–May 22: Exhibiting work on site at the Kniznick Gallery, Williamson will create a series of Jewish wedding canopies, or chuppot, to be displayed on campus and in the gallery during the exhibition. Using simple printmaking techniques, Williamson brings pattern and color to the traditional chuppah. See website for details and updates on artists workshop and programming. All programs are free and open to the public. Opening reception: Wednesday, April 23, 5–7 p.m.

Brandeis University

515 South St, Waltham, MA

(781) 736-8102

brandeis.edu/wsrc

M–F 9–5 or by appointment

Jeanne Williamson, Fractured Fence Repaired #5, 2013, mixed media on stiffened fabric. At Women’s Studies Research Center.

Jeanne Williamson, Fractured Fence Repaired #5, 2013, mixed media on stiffened fabric. At Women’s Studies Research Center.

Maine

Portland Museum of Art

March 22–June 15: Preserving Creative Spaces: The Historic Artists’ Homes and Studios Program. This documentary installation shines light on the Historic Artists’ Homes and Studios (HAHS) program of the National Trust for Historic Preservation. This exhibition features information about the consortium and documentary photographs of its nearly 40 member sites, including those of artists Winslow Homer, Jackson Pollock, Grant Wood, and N.C. Wyeth.
facebook.com/PortlandMuseumofArt
twitter.com/ptldmuseumofart

Seven Congress Sq., Portland, ME

(207) 775-6148

info@portlandmuseum.org

portlandmuseum.org

Tu–Su 10–5, F 10–9

New Hampshire

Hood Museum of Art, Dartmouth College

Through July 6: In Residence: Contemporary Artists at Dartmouth. Organized in collaboration with the Studio Art Department, this exhibition celebrates the important history and legacy of the acclaimed international Artist-in-Residence Program at Dartmouth College, which began in 1931. It showcases the work of more than eighty participants in a range of media and styles.

6 East Wheelock St., Hanover, NH

(603) 646-2808

hood.museum@dartmouth.edu

hoodmuseum.dartmouth.edu

T–Sa 10–5, W 10–9, Su 12–5

In Residence: Contemporary Artists at Dartmouth installed in the Hood galleries. Photo: Alison Palizzolo.

In Residence: Contemporary Artists at Dartmouth installed in the Hood galleries. Photo: Alison Palizzolo.

Karl Drerup Art Gallery

Silver Center for the Arts, March 3–April 11: MOMMA. Four progressive New Hampshire women artists reveal their insights into the concept of mother and motherhood, exploring themes from the visceral to the emotional to the intellectual, responding to a society that sentimentalizes mothers yet does not always respect them. Exhibiting artists Marcia Santore, Laura Morrison, Patricia Schappler, and Annette Mitchell reflect how artists who are mothers address concepts of nurturing, biology, connection, family, chaos, fear and loss. Curated by Marcia Santore. Opening reception: March 4, 4–6 p.m.

Plymouth State University

150 Main St, Plymouth, NH

(603) 535-2614

kdag.art@mail.plymouth.edu

plymouth.edu/gallery

M–F 10–4, W 10–8, Sa–Su 1–4 Closed PSU holidays

Lamont Gallery

March 24–May 3: A Whole New Game. How do contemporary artists see sports and games? Featuring Michael Ivins, Sarah Petite, Tom Glover and others. Also on display: rarely seen sports-related materials from the Phillips Exeter Academy archives and special collections. Opening reception: Friday, March 28, 6:30–8 p.m. Gallery talk: Saturday, March 29, 10 a.m. Free admission.

Frederick R. Mayer Art Center Phillips Exeter Academy

11 Tan Lane, Exeter, NH

(603) 777-3461

exeter.edu/lamontgallery

M 1–5, Tu–F 9–5, closed school holidays Free and open to the public

McIninch Art Gallery

February 27–April 5: Linda Bond: Shadow War. With recent drawings and installation work, Linda Bond examines the use of drones as agents of war. Shadow War, is comprised of projects derived from the printed news. Scanning, reprinting and transferring information, content is blurred and reformed. This process of transformation and assembly becomes a means of clarification. Abstraction becomes concrete. Individual elements collect in improvised or deliberate formations to create site specific installations. Opening reception: Thursday, March 13, 5–7 p.m. April 10–May 3: 8th SNHU Graphic Design 8th Annual Exhibit.

Southern New Hampshire University

2500 N. River Rd, Manchester, NH

(603) 629-4622

m.gallery@snhu.edu

snhu.edu/art

M–Sa 10–3, Th 5–8, closed Su. (Closed Mar 3–8)

Linda Bond, Shadow War. At McIninch Art Gallery.

Linda Bond, Shadow War. At McIninch Art Gallery.

New Hampshire Institute of Art

March 3–April 10: French Building Gallery: Environmental Portrait–A Photography Exhibition; Amherst Gallery: Curatorial Practices Class– Perspectives. Opening receptions: Wednesday, March 5, 5–7 p.m. April 4–May 2: French and Amherst Galleries: Certificate Program and Community Education Exhibition. Closing reception: Friday, May 2, 6:30 p.m. At Sharon Arts Center: March 7–April 26: Time Out. Opening reception: Friday, March 7. April 4–26: Soosen Dunholter. Opening reception: Friday, April 4, 5–7 p.m. At French Building Auditorium: DADA–Marshal Arisman: Thursday, March 20, 6 p.m.; DADA-William Joyce: Thursday, April 24, 6 p.m.

Amherst Street and French Building Galleries

148 Concord St, Manchester, NH

(603) 836-2584

alucas@nhia.edu

nhia.edu

New Hampshire Institute of Art

Putnam Gallery at Dublin School

March 28–May 9: Earl Schofield, Himalaya: benefit auction and show of work to raise funds for the Himalaya Education Foundation: encaustic landscapes of India and the Indian Himalaya. Schofield seeks to portray that part of the soul that cannot be expressed in words with color, composition, and a hundred other aesthetic choices. Online auction at dublinschool.org. Opening reception: Friday, March 28, 6–8 p.m.

18 Lehmann Wy., Dublin, NH

(603) 563-8584

www.dublinschool.org

M–F 8–5, and by appointment

Earl Schofield, clouds above, clouds below, 2014, encaustic on panel, 24 x 24". At Putnam Gallery.

Earl Schofield, clouds above, clouds below, 2014, encaustic on panel, 24 x 24". At Putnam Gallery.

The Currier Museum of Art

March 29–August 17: Romare Bearden: A Black Odyssey. Colorful collages and watercolors retell Homer’s Odyssey, filtered through an African-American lens. The familiarity of these tales and the beautiful imagery remind viewers that we are each on a personal journey. Through May 11: Exploring the Currier Inside Out: Andrew Witkin, Among Others.

150 Ash Street, Manchester, NH

(603) 669-6144

currier.org

Su, M & W–F 11–5, Sa 10–5, closed T

Romare Bearden, Battle with Cicones, 1977, collage of various papers with graphite on fiberboard, 32 x 44". Museum purchase. Art © Romare Bearden Foundation/Licensed by VAGA, New York. At Currier Museum of Art.

Romare Bearden, Battle with Cicones, 1977, collage of various papers with graphite on fiberboard, 32 x 44". Museum purchase. Art © Romare Bearden Foundation/Licensed by VAGA, New York. At Currier Museum of Art.

Thorne-Sagendorph Art Gallery

Ongoing: Intersection: Art, Culture, and Identity, object based-learning using artwork from the Thorne permanent collection. Through March 13: Biennial KSC Art Faculty Exhibition, showcasing recent work in a variety of media by Keene State College studio art and graphic design faculty. April 19–May 10: Annual KSC Art Student Exhibition, featuring artwork by Keene State College graduating BA and BFA seniors. Public reception: Friday, April 25, 5:30–7:30 p.m.

Wyman Way, Keene, NH

(603) 358-2720

thorne@keene.edu

keene.edu/tsag

S–W 12–5, Th & F 12–7, Sa 12–8

Lynn Richardson, Entrance to the Arctic Garden, 2014, aluminum, plastic. At Thorne-Sagendorph Art Gallery.

Lynn Richardson, Entrance to the Arctic Garden, 2014, aluminum, plastic. At Thorne-Sagendorph Art Gallery.

Rhode Island

Krause Gallery

March 3–14: RIAEA Annual Exhibit. Reception and Awards: Friday, March 14, 3:30–5 p.m. April 1–25: Lynn Tobin, Interconnections: drawings and paintings. Evening reception: Saturday, April 5, 6–8 p.m. Gallery Night reception: Thursday, April 17, 5–9 p.m.

Moses Brown School

250 Lloyd Ave, Providence, RI

(401) 831-7350

mosesbrown.org/krause

M–F 8–4

Lynn Tobin, Untitled. At Krause Gallery.

Lynn Tobin, Untitled. At Krause Gallery.

Newport Art Museum

Through May 11: Irving Barrett: Avian Aquidneck, delicately colored, kaleidoscopic collages of birds abstracted in their habitats; The Art of Craft: Selections from the Aquidneck Island Region, exquisite examples of the craft industry, including jewelry and furniture. Through May 18: Delicate Armour: Works on Paper by Deborah Coolidge, textural and complex drawings of trees and bark; Newport Annual Members’ Juried Exhibition.

76 Bellevue Ave, Newport, RI

(401) 848-8200

newportartmuseum.org

Tu–Sa 10–4, Su 12–4

Deborah Coolidge, betula papyrifera, 2013, graphite and pastel on paper, 42 x 42". At Newport Art Museum.

Deborah Coolidge, betula papyrifera, 2013, graphite and pastel on paper, 42 x 42". At Newport Art Museum.

Providence Art Club

March 9–28: Maxwell Mays Gallery: Frederick Nowosielski, Lenny Rumpler, and David Witbeck: New Work; Dodge House Gallery: Susan Hardy and Carole P. Kenny: A Road Less Traveled. Receptions: Sunday, March 9, 2–4 p.m. Gallery Night Providence: Thursday, March 20, 5–9 p.m. March 30–April 18: Maxwell Mays Gallery: John deMelim and Philip Lieberman: Two Visions-Deep Nepal & A Road Less Traveled; Moitie Gallery: Julia Kiechel: Witness; Dodge House Gallery: Morris Nathanson: Assembled, Prints & Wood. Receptions: Sunday, March 30, 2–4 p.m. Gallery Night Providence: Thursday, April 17, 5–9 p.m. April 21–May 9: Maxwell Mays Gallery: Providence Art Club: Nationwide All Media Open Juried Exhibition; Dodge House Gallery: Mimo Gordon Riley and Nancy Gaucher-Thomas: Paper, Canvas, Film. Receptions: Sunday, April 27, 2–4 p.m.

11 Thomas St, Providence, RI

(401) 331-1114

galleries@providenceartclub.org

providenceartclub.org

M–F 12–4, Sa & Su 2–4

Philip Lieberman, Lo Manthang-Lhakpa Dolma’s Sister, 1994/2013, archival inkjet print, 12 x 16½". At Providence Art Club.

Philip Lieberman, Lo Manthang-Lhakpa Dolma’s Sister, 1994/2013, archival inkjet print, 12 x 16½". At Providence Art Club.

The Chazan Gallery at Wheeler

March 7–27: We Don’t Make Mistakes, an exhibition of works by Sam Duket, Bradley Fesmire, Shawn Gilheeney, Buck Hastings and Neal Walsh. Opening reception: Friday, March 7, 5–7 p.m. April: works by Wheeler School students.

228 Angell St., Providence, RI

(401) 421-9230

info@chazangallery.org

chazangallery.org

Tu–Sa 11–4, Su 2–4

Vermont

BCA Center

Through April 12: TR Ericsson: Crackle & Drag: Film Index. Continuing his epic series, Ericsson will investigate how the experience of film and moving images can be translated into an installation using objects and photography; Kate Donnelly: A Period of Confinement, 2013 Barbara Smail Award winner presents performance/video. Opening April 18: Polly Apfelbaum and Mildred Beltre.

135 Church St, Burlington, VT

(802) 865-7166

bca@burlingtoncityarts.org

bcacentervt.org

Tu–Sa 11–5, closed Su & M

TR Ericsson at BCA Center

TR Ericsson at BCA Center

Bennington Museum

Grandma Moses Gallery: Newly installed Masterworks by Anna Mary Robertson “Grandma” Moses. Bennington Modernism Gallery: Iconic paintings by Helen Frankenthauler and Jules Olitski plus works of Bennington artists that led the nation in art in the 50s and 60s. Ada Paresky Education Center: Wall Drawing by Jarvis Rockwell.Through March 30: Parmalee Gallery: Faces of Bennington 1972-1978: Photographs by John Hubbard.

75 Main St, Bennington, VT

(802) 447-1571

info@benningtonmuseum.org

benningtonmuseum.org

Su–T, Th–Sa 10–5, closed W

Bennington

Paul Feeley, Thera (detail), 1957, oil and enamel on canvas. Courtesy of the Feeley Estate.

Crow Hill Gallery

March 12–April 26: Favorite works from the Private Collection of Jeanne Carbonetti: Drawings, paintings and limited edition prints from Jeanne’s collection that represent the evolution of her work over four decades.

729 Flamstead Rd., Chester, VT

(802) 875-3763

crowhillgallery.com

W–Sa 10–5, Su by appointment

Jeanne Carbonetti, Water with Lilies. At Crow Hill Gallery.

Jeanne Carbonetti, Water with Lilies. At Crow Hill Gallery.

The Vermont Institute of Contemporary Arts (VTica)

Through March 2: The Founders Collection. Celebrating the talented artists that have exhibited at VTica over the last three years, this grouping of 50+ pieces has been hand selected by the founders, representing some of the best local artists in our region.

15 Depot St, Chester, VT

(802) 875-1018

vtica.org

W–Sa 11–6, Su 12–5

Harry Rich, Untitled (Battle of Saratoga), acrylic on 
canvas, 50 x 60". At VTica.

Harry Rich, Untitled (Battle of Saratoga), acrylic on canvas, 50 x 60". At VTica.

Vermont Metro Gallery

Through March 22: A new commercial gallery space for Vermont contemporary art featuring a group show: mixed media by Jennifer Koch, sculpture by Gowri Savoor, mixed media by Karen Henderson and digital work by Mary Zompetti. Opening March 27: Tom Cullins, Elizabeth Nelson, Johanne Yordan and Gary Hall.

135 Church St , Burlington, VT

(802) 865-7166

kmacon@burlingtoncityarts.org

vtmetrogallery.org

Tu–Sa 11–5, closed Su & M

Tom Cullins. At Vermont Metro Gallery.

Tom Cullins. At Vermont Metro Gallery.

West Branch Gallery & Sculpture Park

March 22-June 21: Local Color, a solo exhibition of new works by Rebecca Kinkead whose paintings focus on the vibrant wildlife, recreation and common scenes from Vermont. Opening reception Saturday, March 22, 6-8:30 pm. Upstairs at West Branch: Tom Cullins: solo exhibition. Paintings, photography and works on paper. Trained architect and artist, Cullins uses a variety of media to create lush abstract color-based works in watercolor, as well as landscapes based on his travels through Greece and the Mediterranean. Announcing the opening of Landscape Traditions, a newly built gallery space devoted to exceptional contemporary representational artworks in various media, with a grand opening in conjunction with the March 22 reception.

17 Towne Farm Lane, Stowe, VT

(802) 253-8943

art@westbranchgallery.com

westbranchgallery.com

Rebecca Kinkead, Snow Bunting, oil on canvas, 12 x 12". At West Branch Gallery.

Rebecca Kinkead, Snow Bunting, oil on canvas, 12 x 12". At West Branch Gallery.


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