Exhibitions

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Connecticut

Art Museum, University of Saint Joseph

Opening September 23: HANGA NOW: Contemporary Japanese Printmakers features over 40 artists working in a variety of printmaking styles and techniques. Supported by the Edward C. and Ann T. Roberts Foundation, the IFPDA Foundation, the Karen L. Chase ’97 Fund and Toshiko Uchino. Opening Reception: September 22, 5:30–7:30 p.m. Printmaking Demonstration: TAMAKANE Yoshikatsu, September 24, 1–3 p.m. Family Day: October 16, 1–3 p.m.

1678 Asylum Ave., West Hartford, CT

(860) 231-5399

usj.edu/artmuseum

T–Sa 11–4, Th 11–7, Su 1–4

St Joseph

Hamanishi Katsunori, Dragon Kimono, 2014, mezzotint printed in color, 23¾ x 17¾". Special Collections Division, The Newark Public Library. © HAMANISHI Katsunori. At Art Museum, University of Saint Joseph.

City Gallery

September 8–October 2: Outside the Lines: paintings by Kathy Kane reflecting the perception of the line, its placement on the paper and the effect it has on the space surrounding it. Opening reception: Thursday, September 8, 5–7 p.m. Artist’s talk: Sunday, October 2, 2 p.m. October 6–30: CityGallery@CWOS: An exhibition of innovative works by gallery artists for City Wide Open Studios. Painting, photography, printmaking, video. Opening receptions: Sunday, October 23 and Monday, October 24, 12–6 p.m.

City Gallery

Kathy Kane, Untitled, 2016, acrylic on canvas, 24 x 24". At City Gallery.

CityGallery logo

City Gallery

994 State St., New Haven, CT

(203) 782-2489

info@city-gallery.org

www.city-gallery.org

Th 4-7, F-Su 12-4

Cooper & Smith Gallery

Opening September 1: Stephen Westfall in Perspective: A Fifteen-Year Survey, 2002–2016. The gallery is off the I-95 corridor, mid-way between Boston and NYC and bisecting the main artery between Newport and Greenwich. It offers the best in contemporary fine art with an emphasis on oil paintings in a range of styles and genres.

10 Main St., Essex, CT

(860) 581-8526

art@coopersmithgallery.com

cooperandsmithgallery.com

W–Th 1–6, F–Sa 12–6, Su 12–5

CooperSmith

Stephen Westfall, Hermes, 2008, oil on canvas, 30 x 36

Courtyard Gallery

Located in historic downtown Mystic’s Factory Square, the Courtyard Gallery has been described as having the most diverse collection of original paintings and sculpture in the region. Through September 20: Summer Colors, featuring new work from over 45 artists. The gallery’s fall offering will open September 25. Weekly Sunday Salons have become a well-loved Mystic tradition. Share wine, conversation and your passion for art with artists, collectors and friends in their intimate gallery and sculpture garden.

Meet the Artists Salons, Sundays 3–6 p.m.

12 Water St. B3, Mystic, CT

(860) 536-5059

courtyardgallerymystic.com

M, Th, F, Sa 11–6, Su 12–6

Courtyard

Ralph Acosta, What’s Up?, transparent watercolor. At Courtyard Gallery.

Fairfield University Art Museum

Opening September 29 at Bellarmine Hall Galleries: Crafting the Elements: Ceramic Art of Modern Japan from the Collection of Carol and Jeffrey Horvitz. September 8–October 22 at Walsh Gallery in Quick Center for the Arts: Rick Shaefer: The Refugee Trilogy.

Fairfield University

1073 N. Benson Rd., Fairfield, CT

(203) 254-4046

fairfield.edu/museum

Bellarmine Hall Galleries: Tu-F 11-4, select Sa. Walsh Gallery: W-Sa 12-4.

Fairfield Univ Art Museum

Suzuki Gorō, Box #3, Yachishida, 2009, Oribe ware. Photo by Ben Bocko. At Fairfield University Art Museum.

Florence Griswold Museum

Opening October 1: In Place: Contemporary Photographers Envision a Museum shares a new perspective on the distinctive character of the Florence Griswold Museum. A new body of work by ten artists including Tina Barney, Kate Cordsen, and James Welling, reflects on this historic home of the Lyme Art Colony and its meaning to artists and visitors today.

Florence Griswold Museum

96 Lyme St., Old Lyme, CT

(860) 434-5542

http://www.FlorenceGriswoldMuseum.org

Tu–Sa 10–5, Su 1–5

Mattatuck Museum

Opening September 15: In painting and sculpture, Steven Naifeh explores the affinity between the geometric abstraction of Western art and the tradition of Arab and Islamic abstraction. The works in this exhibition, Rigorous and Surprising, reflect the many shared influences between them. Naifeh typically works in series, several of which are represented. In some, the geometric form remains constant while scale and color change. All offer rich ideas for exploration, formal beauty, the nature of abstraction and the intersection of mathematics and art.

144 West Main St., Waterbury, CT

(203) 753-0381

mattatuckmuseum.org

Tu–Sa 10–5, Su 12–5

Mattatuck

Steven Naifeh, Jali XXVII: Venetian Blue and White, 2011, Acrylic on 2 canvases, 72”x144”. Courtesy of the artist. At Mattatuck Museum.

Mystic Museum of Art

Through September 17: Connecticut Academy of Fine Arts 105th Annual Juried Exhibition and Inner Sanctum: Sarah Stifler Lucas Solo Exhibition. Opening September 23: 60th Regional Exhibition. Opening reception: Thursday, September 29, 5:30–7 p.m.

9 Water St., Mystic, CT

(860) 536-7601

mysticmuseumofart.org

Daily 11-5

New Britain Museum of American Art

Through September 11: Eric Aho: An Unfinished Point in a Vast Surrounding. Through October 2: Masterpieces of The Sanford B.D. Low Illustration Collection. Opening September 16: New Media: Kevin Kelly. Opening October 21: As We See It: The Collection of Gail and Ernst von Metzsch. Free parking, café, museum shop. Open seven days a week.

56 Lexington St., New Britain, CT

(860) 229-0257

nbmaa@nbmaa.org

www.nbmaa.org

Su, M, Tu, W, F 11–5, Th 11–8, Sa 10–5

New Britain

New Britain Museum of American Art.

Paul Mellon Arts Center, Choate Rosemary Hall

Celebrate Choate’s arts community as they bring their work from the studios to the stage and gallery walls. The 2016-2017 Paul Mellon Arts Center Season offers a variety of work ranging from music and dance concerts to art exhibitions; from the Yale Ex!t Players, to student productions of The Odyssey and opera Dido and Aeneas; from the Fringe Festival featuring student written and directed work to the musical The Addams Family. An exhibition featuring work of their visual arts faculty kicks off the season.

333 Christian St., Wallingford, CT

(203) 697-2423

artscenter@choate.edu

choate.edu

Daily 9–7

Spectrum Art Gallery and Store

Through September 11: Water, Water Everywhere. Opening September 23: Festival Group Gallery Show. Works by local and regional fine artists and artisans participating in the Autumn Arts Festival, Saturday and Sunday, October 8–9 on Madison Town Green, Madison, CT. Reception: Friday, September 23, 6:30–9 p.m. Visit website for art class registration and to shop online Spectrum Anytime. The gallery is an expansion of the non-profit Arts Center Killingworth.

61 Main St., Centerbrook, CT

(860) 767-0742

spectrumartgallery.org

W–F 11–6, Sa 11:30–6, Su 11:30–5

Spectrum Gallery

Diane Brown, Graffiti Cover Up #3, oil and cold wax. At Spectrum Art Gallery and Store.

Stamford Museum & Nature Center

September 17–October 30: The Art of Lolita Valderrama Savage: Nature of Tuscany, Stamford & Beyond. A native of the Philippines who resides in Stamford and Italy, Savage has exhibited her Impressionist artworks internationally. Her oils, watercolors, and drawings reveal the tranquil splendor of natural landscapes. Her work illustrates a universal beauty and inspires a sense of optimism for the global community. Opening: Friday, September 16, 6:30–9 p.m.

39 Scofieldtown Rd., Stamford, CT

(203) 322-1646

info@stamfordmuseum.org

stamfordmuseum.org

M–Sa 9-5, Su 11-5

Stamford Museum

Lolita Valderrama Savage, Monjovet, 2004, Siena, Italy, oil on canvas, 9½ x 12". At the Stamford Museum & Nature Center.

The Glass House

Ongoing: The Glass House is pleased to present Yayoi Kusama: Narcissus Garden, a landscape installation that will be on view throughout the 2016 tour season to celebrate the 110th anniversary of Philip Johnson’s birth and the 10th anniversary of the opening of The Glass House site to the public. First created 50 years ago in 1966 for the Venice Biennale, the 2016 iteration of Narcissus Garden will be updated specifically for The Glass House’s 49-acre landscape. Advanced tickets required at theglasshouse.org/visit.

199 Elm St., New Canaan, CT

(203) 594-9884

theglasshouse.org

Th-M 9:30-5:30

Yayoi Kusama, PUMPKIN, 2015, stainless steel and red urethane paint, 68 3/   8  x 71 3/   4 x 66". At The Glass House.

Yayoi Kusama, PUMPKIN, 2015, stainless steel and red urethane paint, 68 3/ 8 x 71 3/ 4 x 66''. At The Glass House.

Tremaine Gallery at The Hotchkiss School

September 10–October 9: Blagden Brothers: Their Art, Lives, and Legacy. The Tremaine Gallery is pleased to present an exhibit featuring the work of brothers Allen Blagden ’57, one of the country’s foremost wildlife watercolor artists, and Tom Blagden, Jr. ‘69, a highly regarded nature photographer. Both artists were nurtured by their father, Thomas P. Blagden ‘29, who, in his 20-year tenure as a teacher at Hotchkiss, was instrumental in establishing the foundation for the School’s art program.

The Hotchkiss School

11 Interlaken Rd., Lakeville, CT

(860) 435-3663

hotchkiss.org/arts

M–Sa 10–4, Su 12–4

W. David Herman Gallery LLC

In addition to the eclectic collection of stainless steel by W. David Herman, this fall the new gallery in Kent, CT will also feature the paintings and ceramic pieces of local artists. The Shower Walls of Auschwitz shown here is just one example of the range of W. David Herman’s vision which carries the viewer on an emotional journey through the best of humanity to the most evil concepts realized by men against each other.

26 Railroad St., New Milford, CT

(845) 832-7545

wdherman@optonline.net

wdavidherman.com

W–Sa 12–5, Su 12–4

W David Herman

W. David Herman, The Shower Walls of Auschwitz, 2016, stainless steel, 30 x 26 x 5". At W. David Herman Gallery LLC.

West Hartford Art League

September 8–October 2: In the Clubhouse Gallery: Roxann Leibenhaut. An exhibition of paintings by the 2016 CT+6 Best of Show recipient. In the Saltbox Gallery: Face Forward. Self-portraits by local artists including Paul Batch, Kelly Birkenruth, Phyllis Meredith, Daniel Landrie and others. Opening October 13 in the Saltbox Gallery: Images from France. John Rohatsch and Mallorie Ostrowitz. In the Clubhouse Gallery: Work by students from Ilona Levitz’s Master Painting Class.

37 Buena Vista Rd., West Hartford, CT

(860) 231-8019

www.westhartfordart.org

Windsor Art Center

Opening September 17: Reflections of Time: Celebrating 50 Years of Artmaking, an exhibition by Stanwyck E. Cromwell, Guayanese-born Connecticut artist. Saturated colors and kaleidoscopic imagery pervade Cromwell’s paintings, drawings, and mixed-media work. Free events. Opening reception: Saturday, September 17, 5–7 p.m.; Artist’s talk: Saturday, October 1, 1:30 p.m. Art Collecting lecture: Saturday, October 15, 1:30 p.m. Closing reception: Saturday, October 29, 5–7 p.m.

40 Mechanic St., Windsor, CT

(860) 688-2528

info@windsorartcenter.org

www.windsorartcenter.org

Th 6–8, Sa 10–4, Su 11–4

Yale University Art Gallery

The museum features more than 4,000 artworks, including ancient, American, European, African, Asian, and Indo-Pacific art, as well as photography and modern and contemporary art and design. Through September 18: Weaving and the Social World: 3,000 Years of Ancient Andean Textiles. Ongoing: Art & Industry in Early America: Rhode Island Furniture, 1650–1830. Opening October 7: Yosemite: Exploring the Incomparable Valley. Free and open to the public.

1111 Chapel St., New Haven, CT

(203) 432-0600

artgallery.yale.edu

Tu-F 10-5, Th until 8 (Sept-June), Sa & Su 11–5

RIF242

Christopher Townsend, cabinetmaker, and Samuel Casey, silversmith, Desk and Bookcase, Newport, 1745–50. Mahogany (primary); sabicu and mahogany (secondary); silver hardware. Private collection. Photo: Christopher Gardner. At Yale University Art Gallery.

Massachusetts

Abigail Ogilvy Gallery

September 2–October 16: Here for Now. Featuring John Tabor Jacobson, Nicole Patel, and Wendy Shapiro, Here for Now is an exploration of the way materials can be repurposed and recreated, and the existence of art in the moment between formation and disassembly. Opening reception: Thursday, September 8, 5–9 p.m.

460C Harrison Ave., Boston, MA

(617) 820-5173

info@abigailogilvy.com

abigailogilvy.com

W–Sa 11–6, Su 11–4

Amherst Chamber of Commerce Art Gallery

September 1–30: Portrait and Landscape Drawings. Gregory Chilenski, a painter of 20 years, has been a therapist for more than 30. He currently concentrates on portraiture, showing people’s inner selves through both looking and listening. “Color gets me free of words. Standing at the easel, in front of a sitter or a landscape…I make light happen through how colors ignite each other.” Reception: Amherst Art Walk, Thursday, September 1, 5–7 p.m.

28 Amity St., Amherst, MA

(413) 253-0700

kim@amherstarea.com

M-F 9-4

Amherst Chamber

Portrait of Stan, 2016, oil crayon on hot press paper, 17 x 14

Atlantic Works Gallery

September 9–30: Predicting the Past: A Sampler, work by Charlene Liska, Suzanne Mercury, and Diane Teubner. Third Thursday reception and artists’ talk: September 15, 6–9 p.m. Closing reception: Thursday, September 29, 6–9 p.m. October 8–29: George Shaw and Marjorie Kaye: The Poetics of Space. Opening reception: Saturday, October 8, 6–9 p.m. Third Thursday reception and artists’ talk: October 20, 6–9 p.m.

80 Border St., East Boston, MA

(857) 302-8363

contact@atlanticworks.org

atlanticworks.org

September 9–30: F–Sa 2–6, or by appointment. October 8–29: F–Sa 2–6, or by appointment

Atlantic Works

Diane Teubner, Ethel (detail), 2016. At Atlantic Works Gallery.

Attleboro Arts Museum

Through September 10: 8 Visions – Artwork From eight Juried Members: Marjorie Ball, Bill Clark, Marnie Jain, Daniel Koterbay, Robin Wessman, Laura White Carpenter, Qiong Xia (Jade), and Philip Young. September 23–30: Distinguishing Features – An Invitational Exhibition inspired by Dinaw Mengestu’s novel “The Beautiful Things That Heaven Bears.” October 13–November 2: 25th Benefit Art Auction Spotlight Exhibition (preview auction items). November 5h: Live/Silent Auction. Doors open at 5p.m.

86 Park St., Attleboro, MA

(508) 222-2644

attleboroartsmuseum.org

Tu–Sa 10–5

Bakalar & Paine Galleries

Opening September 19: Encircling the World: Contemporary Art, Science, and the Sublime will feature international contemporary artists whose work is rooted in scientific inquiry and who create compelling visualizations of complex datasets or natural phenomena. A Century of Style: Masterworks of Poster Design showcases posters from the collection of Robert Bachelder from the 1890s to today.

Massachusetts College of Art and Design (MassArt)

621 Huntington Ave., Boston, MA

(617) 879-7339

galleryinfo@massart.edu

massart.edu/galleries

M–Tu, Th–Sa 12–6, W 12–8

MassArt

Nathalie Miebach from Encircling the World. At Bakalar & Paine Galleries.

Barbara Krakow Gallery

September 10–October 15: Correspondences: Bernd & Hilla Becher, Seton Smith & a collection of early 20th Century postcards. For Another, featuring Allan McCollum, Claes Oldenburg, Liliana Porter and Allen Ruppersberg.

10 Newbury St., Boston, MA

(617) 262-4490

info@barbarakrakowgallery.com

barbarakrakowgallery.com

Tu–Sa 10–5:30

Babara Krakow Gallery

Bernd and Hilla Becher, Framework Houses (Industrial district of Siegen from 1959-1973), 1993, Set of twelve duotone lithographs, each 25 x 20". At Barbara Krakow Gallery.

Beard & Weil Galleries

Ongoing: JUDY PFAFF: Drawings Thick and Thin, a survey of drawings showcasing various styles within the drawing medium, ranging from prints to small three-dimensional works. A rare opportunity to view new and old works by this critically acclaimed artist together in a fresh context. Opening reception: Thursday, September 1, 5:30–8 p.m. Artist’s slide talk: Monday, October 17, 6 p.m., see website for details. Gallery and events are free and open to the public.

Wheaton College

26 East Main St., Norton, MA

(508) 286-5412

wheatoncollege.edu/gallery

M–Sa 12:30–4:30. Closed October 8-11.

Boston Athenæum

Opening October 7: Daniel Chester French: The Female Form Revealed. This exhibition brings a new dimension to Daniel Chester French’s repertoire by focusing on a selection of his works inspired by the female form. Opening reception: Thursday, October 6, 5:30–7:30 p.m

10 1⁄2 Beacon St., Boston, MA

(617) 227-0270

comments@bostonathenaeum.org

bostonathenaeum.org

M–Th 9–8, Sa 9–4, Su 12–4

Boston Athenaeum

Daniel Chester French, First Division Memorial, Maquette (detail). Photograph © Peter A. Juley & Son Collection, Photograph Archives, Smithsonian American Art Museum. At Boston Athenaeum.

Boston Sculptors Gallery

Septmber 7–October 9: Donna Dodson, Zodiac and Andy Moerlein, Geology. Receptions featuring artists’ talks: Friday, September 9 and Friday, October 7, 5–8 p.m. Opening October 12: Eric Sealine, Seven Studios: A Memoir and Dennis Svoronos, Grey Matters. Opening reception: Saturday, October 22, 4–8 p.m.

486 Harrison Ave., Boston, MA

(617) 482-7781

bostonsculptors@yahoo.com

www.bostonsculptors.com

W–Su 12–6, First Fridays 5–8

Brickbottom Gallery

September 11–October 15: Toy Camera Exhibition. Please visit the gallery website for more information. Opening October 27: Brickbottom Open Studios Directory Exhibition, in conjunction with Brickbottom Open Studios, Saturday, November 19 and Sunday, November 20, 12–6 p.m.

1 Fitchburg St., Somerville, MA

(617) 776-3410

brickbottomartist@rcn.com

www.brickbottom.com

Th–Sa 12–5

Bromfield Gallery

Through October 2: In Alter Ego, gallery artists explore their secret sides. Reception: Friday, September 2, 6–8:30 p.m. October 5–30: Gayle Caruso: Manifestation. Tim McDonald: like itself. Boriana Kantcheva: Into the Forest. From Caruso’s exploration of spaces, to McDonald’s Zen process with mixed media, to Kantcheva’s journeys into fable, these three gallery artists present new work that challenges and captivates. Reception: Friday, October 7, 6–8:30 p.m.

450 Harrison Ave., Boston, MA

(617) 451-3605

info@bromfieldgallery.com

www.bromfieldgallery.com

W–Su 12–5

Cambridge Art Association

September 9–28, both galleries: Mary Schein Fall Salon. Opening reception: Friday, September 9, 5:30–7:30 p.m. October 1–29, Kathryn Schultz Gallery: Painterly Interplay. Opening reception: Friday, September 30, 6–8 p.m., October 4–28, University Place Gallery: Artists of the Year. Opening reception: Friday, October 14, 6–8 p.m.

Cambridge Art Association
Kathryn Schultz Gallery
25 Lowell St., Cambridge, MA
Tu–Sa 11–5

University Place Gallery
124 Mt Auburn St., Cambridge, MA
(617) 876-0246
M–F 9–6, Sa 9–1

info@cambridgeart.org

www.cambridgeart.org

Cambridge Arts Council / Gallery 344

Through September 30: Cambridge Fire Department: A visual exhibition celebrating 184 years of service. The exhibit explores the incredibly varied aspects of the past 184 years of service provided by the Cambridge Fire Department. The installation contains stories of famous fires, the evolution of the department, people and equipment through text, photos and an artistic display using materials found at the fire houses. Gallery 344 is free and open to the public.

344 Broadway, 2nd Floor, Cambridge, MA

(617) 349-4380

www.cambridgeartscouncil.org

Cape Ann Museum

The Cape Ann Museum celebrates the art, history and culture of Cape Ann–a region with a rich and varied culture of nationally significant historical, industrial and artistic achievement. The Museum’s collection includes Cape Ann artists, past and present; Fitz Henry Lane, Milton Avery, John Sloan, and more. Through October 9: Design/Build: The Drawings of Phillips & Holloran, Architects. Ongoing: Fanfare: Recent Acquisitions. Opening October 22: Voiced to Perfection: Jeremy Adams, Instrument Maker.

27 Pleasant St., Gloucester, MA

(978) 283-0455

info@capeannmuseum.org

capeannmuseum.org

T–Sa 10–5, Su 1–4

cape ann

Diane KW and Joel Park, Fanfare, 2008, porcelain. Gift of Mollie and John Byrnes, 2013. At Cape Ann Museum.

Chandler Gallery / Maud Morgan Arts

September 18–October 21: Wendy Prellwitz: Here / There. An exhibition of paintings and monotypes about the interplay of water’s fluidity with the solidity of built form, a metaphor for the duality of here and now juxtaposed with the unknowable. To coincide with The Spirit Awards 2016: Visionaries in the Arts. Opening reception: Sunday, September 18, 6:30–9:30 p.m.

20 Sacramento St., Cambridge, MA

(617) 349-6287 x15

maudmorganarts.org & maudmorganarts.org/spiritawards

Chandler Gallery

Wendy Prellwitz, Here & There Series #3, monotype, 2015. At Chandler Gallery / Maud Morgan Arts.

Concord Art Association

September 15–October 20: 17th Annual Frances N. Roddy Open Competition, juror Katherine French. Reception: Thursday, September 15, 6–8 p.m. Opening October 23: Member’s Gallery: Timothy Wilson, Maggie Hunt and Deborah Coolidge, Geographies. Reception: Sunday, October 30, 1–3 p.m. Opening October 27: Magnificent Obsessions, curators Lorri Berenberg and Stephen De Fronzo. Reception: Thursday, October 27, 6–8 p.m.

37 Lexington Rd., Concord, MA

(978) 369-2578

gallery@concordart.org

www.concordart.org

Tu–Sa 10–4:30, Su 12–4

Concord Art Association

Yasmin Arshad, Untitled (129999), c. 2006, ink on rag paper, 22 x 30". At Concord Art.

Copley Society of art

Co|So is the oldest non-profit art association in the United States, representing more than 300 artist members from around the globe. September 10–October 6, Upper Gallery: Cuba at Copley, curated by Camilo Alvarez of Samsøn Projects, features Cuban artists living in Boston and artists from Cuba. September 10–October 30, Lower Gallery: Small Works: Beyond the Shore. Opening October 13: Jim Connelly in the Upper Gallery and Robin Samiljan in the Red Room Gallery.

158 Newbury St., Boston, MA

(617) 536-5049

info@copleysociety.org

www.copleysociety.org

Tu–Sa 11–6, Su 12–5

Copley Society

Magda Fernandez, it was never theirs to lose (still), 2008–14, high definition video, silent, running time: 8 min. 35 sec. At the Copley Society of Art.

CYNTHIA-REEVES

Through September 25: Lionel Smit, New Work. One of South Africa’s strongest artists, known for his contemporary portraiture executed through monumental canvases and sculptures. Opening October 1: Beth Galston. “I think of certain natural forms—leaf, seedpod...—as basic building blocks, like cells… with them I explore the relationship between natural and manmade.”

1315 MASS MoCA Way, North Adams, MA

(413) 346-4004

info@cynthia-reeves.com

cynthia-reeves.com

Through Labor Day: Daily 11-5. September hours: W-Sa 11-5.

DeCordova Sculpture Park and Museum

Opening October 7: The deCordova Biennial 2016 features 16 New England-based artists who are making significant contributions to contemporary art in the region, and showcases the work of painters, sculptors, book illustrators, performance artists and photographers. Opening October 7: Edward Steichen: Twentieth-Century Photographer.

51 Sandy Pond Rd., Lincoln, MA

(781) 259-8355

http://www.decordova.org

Daily 10–5 through Columbus Day. Winter hours: W–F 10–4, Sa & Su 10–5

Essex Art Center

September 9–October 21, Elizabeth A. Beland Gallery: Dominique Zeltzman. Chester F. Sidell Gallery: Tonos Caribeños. Opening receptions: Friday, September 9, 5–7 p.m. Opening October 28, Elizabeth A. Beland Gallery: James O’Neill: The War in Iraq. Chester F. Sidell Gallery: Combat Paper Project. Combat Paper provides a unique experience and interaction with veterans and civilians, including sharing veterans’ experiences through the language of art.

56 Island St., Lawrence, MA

(978) 685-2343

essexartcenter.org

M–F 10–6, closed September 5 and October 10

Fitchburg Art Museum

Opening September 25: Plastic Imagination, featuring 10 contemporary New England artists: Lisa Barthelson, Tom Deininger, Dana Filibert, Joseph Fucigna, Lynne Harlow, Niho Kozuru, Margaret Roleke, Dean Snyder, Bill Thompson, and Brian Zink. Also opening September 25: Neal Rantoul: Monsters.

185 Elm St., Fitchburg, MA

(978) 345-4207

fitchburgartmuseum.org

W–F 12–4, Sa–Su 11–5

Fitchburg

Bill Thompson, Jaleo, 2016, urethane on polyurethane block, 38.75 x 30.75 x 7”. Courtesy of the artist and Carroll and Sons Gallery, Boston, MA. At Fitchburg Art Museum.

Fountain Street Fine Art

September 8–October 2: Drawing on Inner Worlds, Pat Paxson and Kim L. Pace. Whimsical drawing and painting that investigates the relationship between our inner and outer worlds. Reception: Saturday, September 10, 5–7 p.m. Through October 31: New Work by Core Artist Members. Opening October 13: Wind and Water, Mary Spencer and Anne Sargent Walker. Two artists explore images of the natural world. Reception: Saturday, October 22, 5–7 p.m.

59 Fountain St., Framingham, MA

(508) 879-4200

fountainsfineart@gmail.com

fsfaboston.com

Th–Su 11–5, and by appointment

Fountain Street

Anne Sargent Walker, Right Now, 24 x 30". At Fountain Street Art.

Francesca Anderson Fine Art, Portraits North

Through October 29: One Man Show by Māris Platais. Sailboats, schooners, fall and summer scenes of sunlit grass, oak, birch and pine. Platais painting demo: Sunday, October 1, 1–4 p.m. $25 per person, cash at the door, reservations required. Two kid painting days: Sunday, October 16 and Sunday, October 23, 12–4 p.m. Free, see website for details.

56 Adams St, Lexington, MA

(781) 862-0660

francesca@portraitsnorth.com

fafineart.com

W–Sa 10–5, Su 12–5

francesca-anderson

Platais, Shadows on the Grass, acrylic on canvas, 22 x 26''. At Francesca Anderson Fine Art, Portraits North.

Fruitlands Museum

Opening September 2: Celebrate the centennial of the National Park Service and explore cultural, historical, and natural wonders of the national parks with Find Your Park: National Parks in New England, a large-format photography exhibit funded with support from Freedom’s Way National Heritage Area. Enjoy Finding Metacom: Artists Duane Slick & Martin Smick in Dialogue with the Native American Collection.

102 Prospect Hill Rd., Harvard, MA

(978) 456-3924

fruitlands.org

M, W-F 10–4, Sa–Su & holidays 10–5. Closed Tu.

Fruitlands Museum

Patrice Todisco, Minuteman National Historical Park, 2016. At Fruitlands Museum.

Fuller Craft Museum

New England’s home for contemporary craft. Ongoing: Traditions and Innovations: Fuller Craft Museum Collects (permanent collection). Through November 6: Metamorphosis: The Art of Altered Books. Ongoing: (413): Pioneering Western Massachusetts. Opening September 10: New Sole of the Old Machine: Steampunk Brockton – Reimagining the City of Shoes. Opening October 1: Uncommon Exposures.

Directions: MBTA Commuter Rail to Brockton station, then take Bus 4A.
 

455 Oak St., Brockton, MA

(508) 588-6000

www.fullercraft.org

Tu–Su 10–5, Th until 9

Galatea Fine Art

September 1–28: Joe Kitsch: #Lose Your Head, paintings. Stephanie Angelo: A Blind Eye, paintings. Group Exhibition: the new, curated by Matthew Keller. Reception: Friday, September 2, 6–8 p.m. October 1–30: Lisa Reindorf: Building into Water, paintings. Barry Margolin: Space of Mind, paintings. Angela Mark: Despairing Beauty, paintings. Reception: Friday, October 7, 6–8 p.m.

460B Harrison Ave., #B-6, Boston, MA

(617) 542-1500

marjorie@galateaart.org

www.galateaart.org

W–F 12–6, Sa–Su 12–5

Gallery NAGA

September 6–October 1: SOCKS SHOES SOLDIERS AND SUCH: A Studio Recreation, Ken Beck. Recent Small Paintings, Harold Reddicliffe. Solo exhibitions by painters Ken Beck and Harold Reddicliffe who couldn’t be more different in their paint handling. Opening reception: Friday, September 9, 6–8 p.m. Opening October 7: Skeleton Crew, Gerry Bergstein. Bergstein’s new work is a synthesis of themes he has been dealing with for decades—decay, vanitas, mortality, and paradoxes of meaning. Opening reception: Friday, October 7, 6–8 p.m.

67 Newbury St., Boston, MA

(617) 267-9060

mail@gallerynaga.com

www.gallerynaga.com

Tu–Sa 10–5

Gallery Seven

Opening October 4: Perfect Pairs (A Couples Exhibition): Larry Blumsack and Carol Wintle, Curvin Huber and Catriona Baker, Dave Kaphammer and Janet Schwartz. Artists’ reception: Saturday, October 29, 7–9 p.m. Free and wheelchair accessible.

Seven Gallery
Larry Blumsack, pas de deux, monoprint. At Gallery Seven.

Seven Gallery 2
Carol Wintle, Untitled 3, mixed media. At Gallery Seven.

7 Nason St., Maynard, MA

(978) 897-9777

www.gallerysevenmaynard.com

Tu–F 10–6, Sa 10–5

Gallery Sitka

Hosting the work of local artists, jewelers, potters and photographers from Martha’s Vineyard and New York. This start-up gallery in a central Massachusetts mill town is committed to revitalizing the town through the arts. Through September 8: Gosha Karpowicz: Metamorphosis, oil paintings. Opening September 10: The encaustic and oil art of Kellie Weeks. Opening reception: Saturday, September 10, 1-4 p.m. Free and open to the public.

454 Main St., Fitchburg, MA

(978) 425-6290

office@gallerysitka.com

gallerysitka.com

Th-Sa 10-4

Sitka

Kellie Weeks, The Greeting, encaustic, 8 x 8". At Gallery Sitka.

Gallery Voyeur

September 22–27: Boston oil painter Matthias Lupri will be presenting his latest works in a solo show. Opening reception: Friday, September 23, 6–10 p.m. Large inner landscapes, abstract portraits and archetypal paintings. The artist invites everyone to drop in and say hello.

444 Commercial St., Provincetown, MA

(617) 767-8557

matthias.lupri2@gmail.com

matthiaslupri2.wix.com/painter

Th–Tu, 10–11

Gallery Voyeur _Matthias Lupri

Matthias Lupri, Adobe Ice Village at Blackbird Lake, 2015, oil on canvas, 72 x 48''. At Gallery Voyeur.

Griffin Museum of Photography

September 8–October 2: Main Gallery: Atelier 23. Atelier Gallery: Marion Roth. Griffin Gallery: Camera Obscura. Reception: Thursday, September 8, 6:30–8:30 p.m. Opening October 13: Main Gallery: Zindagi: Celebration of Everyday Life in India. Atelier and Griffin galleries: Julie Williams-Krishnan, Morning Poetry. Satellite gallery: Griffin Museum @ Stoneham Theater, 395 Main St., Stoneham, MA. Opening September 20: Sandy Alpert and Arthur Griffin, Ghosts Who Now Dance.

67 Shore Rd., Winchester, MA

(781) 729-1158

www.griffinmuseum.org

Tu–Su 12–4

Grimshaw-Gudewicz Art Gallery

September 8–October 13: Works by Catherine Bertulli and Max Van Pelt. Bertulli’s work has primarily focused on color, surface and figure-ground relationships. Her imagery is drawn from nature and episodes from life. Van Pelt makes sculptures, paintings and installations that navigate the geometries of architectural and environmental spaces together with the arising inscapes of imagination.

Bristol Community College

777 Elsbree St., Fall River, MA

(508) 678-2811 ext. 2631

bristolcc.edu/gallery

M–F 10–4, Sa 1–4

Grossman Gallery

September 16-October 15: SMFA at Tufts Fall Invitational Exhibition featuring LA-based artist Cassils, whom the Huffington Post called “one of the ten transgender artists who are changing the landscape of contemporary art.” The show addresses mediated images of violence by calling into question the roles of the witness and the aggressor and features the first exhibition screening of 103 Shots, created in response to the Orlando nightclub shootings. Opening reception: Friday, September 16, 5-7 p.m.

School of the Museum of Fine Arts, Boston

230 The Fenway, Boston, MA

(617) 267-6100

www.smfa.edu

M–Sa 10–5, W 10–8

Hancock Shaker Village

Ongoing: Visitor Center Gallery: Heaven on Earth: Introduction to the Shakers and Carol Kinzel’s Views of the Village. Brick Dwelling: Living Designs & Shared Values: Highlights from the Jane P. Fitzpatrick Quilt Collection. Historic Village: Living on Earth: The Work of Robert Hite, a collaborative exhibit with Berkshire Museum. This large-scale outdoor sculpture installation at HSV explores Shaker notions of community and place. Atmospheric photos and sculpture at Berkshire Museum explore the intersection of art and nature.

1843 West Housatonic St., Pittsfield, MA

(413) 443-0188

info@hancockshakervillage.org

hancockshakervillage.org and berkshiremuseum.org

Daily 10-5

Hancock

Robert Hite, Recklesstown, 2007, sculpture. Photo courtesy of the artist. At Hancock Shaker Village.

Iris & B. Gerald Cantor Art Gallery

Through December 14: Woven Power: Ritual Textiles of Sarawak and West Kalimantan. Selections from the collection of John G. Kreifeldt. Pua kumbu are magnificent, intricately dyed, hand-loomed cotton ikat textiles once woven in profusion in longhouses in Malaysia’s Sarawak and in nearby Kalimantan, Indonesia. This exhibition invites visitors to view historic textiles selected from the remarkable, comprehensive collection of Dr. John G. Kreifeldt.
 

College of the Holy Cross

O’Kane Hall, 1 College St., Worcester, MA

(508) 793-3356

Find them on Facebook and follow them on Instagram and Twitter.

holycross.edu/cantorartgallery

M–F 10–5, Sa 2–5

CantorGallery

Detail of Iban skirt. At Iris & B. Gerald Cantor Art Gallery.

Kennard Sculpture Trail

Opening September 10: The Friends of Kennard Park is launching site-specific, outdoor, art installations located on the Kennard Estate in Newton, MA to inspire the public to explore and give back to open spaces. This sculpture trail features 14 international, national, and local artists. An artist reception will be held on Saturday, September 10 from 1–4 p.m.

246 Dudley Rd., Newton , MA

friendsofkennardpark@gmail.com

kennardsculpturetrail.org

Kennard Park

Kennard Park Sculpture Trail.

Kingston Gallery

Through October 2: Ann Wessman, Being: Vertical + Horizontal. Members’ Gallery: Christina Pitsch, still life. First Friday opening reception: September 2, 5:30–8 p.m. October 5–30: Mira Cantor, Inundation Era. Members’ Gallery: Rose Olson, fore-squared. First Friday opening reception: October 5, 5–8 p.m.

450 Harrison Ave., #43, Boston, MA

(617) 423-4113

www.kingstongallery.com

W–Su 12–5, and by appointment

Kniznick Gallery, Brandeis University

Through November 4: SpeakEasy, Chakaia Booker’s abstract sculptures made from automobile tires address cultural, gender and environmental issues through their physicality and imagery. Featuring recent prints and rubber sculptures, SpeakEasy refers to the obscured potential and surprising consequences of the artist’s manipulation of the material. Reception: Tuesday, October 18, 5–8 p.m. Artist talk: Wednesday, October 19, 4–5:30 p.m. See website for additional programming.

515 South St., Waltham, MA

(781) 736-8102

brandeis.edu/wsrc/arts

M–F 9–5

Kniznick Gallery

Chakaia Booker, The Nest, 2003, rubber tires, wood, and steel, 40½ x 30½ x 22". At Kniznick Gallery.

Lexington Arts & Crafts Society

September 23–25: Art-A-Blooming, Autumn Splendor, LACS & Lexington Field & Garden Club Show. October 1–15: Korean Cultural Society of Boston Show. October 21–23: Annual Fall Fair. Opening October 29: LACS Instructors Show.

130 Waltham St., Lexington, MA

(781) 862-9696

lacs.lexington@verizon.net

lacsma.org

Visit website for event hours

McCoy Gallery

Through October 7: Icons and Instruments: wall sculpture, Steven Careau. Careau’s sculptures explore their wall territories as if they were claiming ownership. Made of hardwoods and metal, each piece is a device that measures its allotted space while suggesting alternative options of size and configuration. These are sculptures of both cognitive and physical reach.

Merrimack College

315 Turnpike St., North Andover, MA

merrimack.edu/mccoy

M–F 9–5

MIT List Visual Arts Center

Through September 11: 2016 Student Loan Art Program Exhibition and Lottery. This exhibition features over 600 original works of contemporary art from the Student Loan Art Collection available for MIT students to borrow for their living spaces. The exhibition is open to the general public. Please note special gallery hours for this exhibition: M–Su 12–8 p.m., closed Labor Day. Through October 16: List Projects: Ethan Hayes-Chute. Hayes-Chute’s installations, sculptures, drawings, text pieces, and performances explore ideas of self-sufficiency and self-preservation as alternative models for living. Opening October 14: Edgar Arceneaux. Arceneaux’s work in installation, sculpture, drawing, photography and video draws inspiration from a wide-ranging set of sources: American history, astronomy, science fiction, architecture, music and movies.

20 Ames St., Building E-15, Cambridge, MA

(617) 253-4400

listart.mit.edu

Tu, W. F–Su 12–6, Th 12–8

MIT List

Edgar Arceneaux, Library of Black Lies, 2016, wood, mirror, glass, mylar, newspaper, hardbound books, sugar crystals, lighting fixture, audio component. Courtesy of the artist, Susanne Vielmetter Los Angeles Projects, and Galerie Nathalie Obadia, Paris/Bruxelles. Photo © Hélène Hilaire, 2016. At MIT List Visual Arts Center.

MIT Museum

Ongoing: Imagining New Technology: Building MIT in Cambridge; Holography: Dimensions of Light; Images of Discovery: Communicating Science Through Photography; Projects and Prototypes: MIT Student Work. Opening September 28: Grazia Toderi and Désiré Despradelle: Spectacular Cities. Opening October 8: Gestural Engineering: The Sculpture of Arthur Ganson. Check website for complete information on programs, gallery tours, demonstrations and festivals.

265 Massachusetts Ave., Cambridge, MA

(617) 253-5927

mit.edu/museum

Daily 10-5

Montserrat Gallery

Montserrat Gallery through September 25: Chroma: A New England Art Awakening, guest-curated by Tryptic Press. Opening October 10: Re//Woven: Nathan Green, Rachel Paiewonsky, Maria Molteni, Cal Lane, Liz Collins, Stacey Piwinski. 301 Gallery through September 24: Mash-Up: Elizabeth Alexander, Molly Hatch, Christina Pitsch. September 30–October 14: National Poster Retrospective. Opening October 21: Trifecta Editions: Go to the Light.

23 Essex St., Beverly, MA

(978) 921-4242

gallery@montserrat.edu

montserrat.edu/galleries

M–W, F 10–5, Th 10–8, Sa 12–5

Museum of Russian Icons

Featuring the largest collection of Russian icons and related artifacts outside of Russia. Through October 16: In Company With Angels: Seven Rediscovered Tiffany Windows, an exhibition of seven eight-foot-tall stained glass angels created in 1902 for a Swedenborgian church in Cincinnati. The windows were displaced when the church was razed in 1964 and rediscovered in a barn in Ohio in 2001.

203 Union St., Clinton, MA

(978) 598-5000

museumofrussianicons.org

Tu–F 11–4, Sa-Su 11-5, Closed Mondays

[#Beginning of Shooting Data Section]
Nikon D2X
2007/01/12 13:38:08.1
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Image Size: Large (4288 x 2848)
Color
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Exposure Mode: Manual
Metering Mode: Center-Weighted
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Louis Comfort Tiffany, 1902. Photo: Douglas A. Lockard. Courtesy of In Company with Angels, Inc. At Museum of Russian Icons.

Nesto Gallery

Opening September 23: Threads, featuring Barbara Baum. Intensity of observation is the core of Barbara Baum’s process. The works in this current exhibit in the Nesto Gallery at Milton Academy feel deeply seasoned. Her paintings—both abstractions and invented landscapes—are filled with hints and emotional glimmers. The images are both mysterious and reassuring. Opening reception: Friday, September 23, 5:30–7 p.m.

Milton Academy

170 Centre St., Milton, MA

(617) 898-2335

ann_neely@milton.edu

milton.edu/academics/nesto

M–F 8:30–3:30

Newton Free Library

September 2–29: Gallery, Main Hall & Display Cases: Newton Art Association’s Annual Awards Show. Works in various media. Reception: Wednesday, September 7, 7:00 p.m. October 4–30, Gallery: Going Deep Into the Grand Canyon by Patty Simon. Large-scale monoprints, embroidery, collage. October 4–30, Main Hall: Optiks by Gerardo Garduňo. Introduction to Optical Collage. Reception: Thursday, October 13, 7:00 p.m.

330 Homer St., Newton, MA

(617) 796-1410

emeyers@minlib.net

www.newtonfreelibrary.net

M–Th 9–9, F 9–6, Sa 9–5, Su 1–5

Old Frog Pond Farm & Studio

September 3–October 10: Around the Pond and through the Woods, Old Frog Pond Farm & Studio’s 10th outdoor exhibit invites visitors to follow marked trails and interact with the work of over 20 artists. This year’s installations include an aerial installation by Barbara Andrus, a wind sculpture by Michio Ihara, Circus by Madeleine Lord and Robert Hesse, Floating Hearts by Linda Hoffman and Gabrielle White, Joseph Wheelwright’s stone and bronze work, and Paul Matisse’s Olympic Bell (pictured) created for the Olympics in Athens, Greece. Organic raspberry picking and vegetables at the farm stand.

38 Eldridge Rd., Harvard, MA

(978) 456-9828

oldfrogpondfarm.com

Sa & Su 11-5 and by appointment

Old frog

Paul Matisse, The Olympic Bell. Photo credit: Ariel Matisse. At Old Frog Pond Farm & Studio.

Oxbow Gallery

September 1–25: front room: Begging the Question, Gary Niswonger. Back room: Backyard: Real and Imagined. Cyndy Sperry’s works in charcoal, oil, collage and wax look at nature and at her 84-year-old mother, Diantha Sperry, who claims that she is “forgetting everything.” Reception: Friday, September 9, 5–8 p.m. September 29–October 23: front room: Martha Armstrong, New Work. Back room: painter Brian Chu. Reception: Friday, October 14, 5–8 p.m.

275 Pleasant St., Northampton, MA

(413) 586-6300

oxbowgallery.org

Th–Su 12–5

Sombrero Peak I

Martha Armstrong, Sombrero Peak l, 2015, 25 x 40". At Oxbow Gallery.

Peabody Essex Museum

Ongoing: The Peabody Essex Museum (PEM) presents American Impressionist: Childe Hassam and the Isles of Shoals. Childe Hassam is celebrated as the foremost American Impressionist painter. Among his greatest achievements are the hundreds of paintings he created over nearly 30 summers on Appledore Island.

161 Essex St., Salem, MA

(978) 745-9500

www.pem.org

T–Su, 10–5, Third Th 10–9

E11190_XBD

Poppies, Isles of Shoals, 1891. Childe Hassam. Gift of Margaret and Raymond Horowitz. Courtesy National Gallery of Art, Washington. At Peabody Essex Museum.

Piano Craft Gallery

September 9–25: LEGACY: Four Decades of Creativity at the Piano Craft Gallery. Celebrating the long-enduring unique community of artists who live—or have lived—in the building. More than 25 artists will be featured and over 100 works of art. October 7–30: Communing With Silence: Works by Gregory Lookerse. Work revolving around the incongruities of the physical and metaphysical. Opening Reception: Friday, October 7, 6–9 p.m.

793 Tremont St., Boston, MA

(617) 595-5638

artpcgboston@gmail.com

pianocraftgallery.org & facebook.com/gallerypf

September: Th & Fri 5–8, Sa & Su 12–5. October: Fri 6–8, Sa & Su 12–5

Salmon Falls Gallery

Through October 30: New Expressions, an exhibit by Ashfield, MA painter Q Li Holmes. “The joy of balancing on minimal ground thrills me.“ says the artist. Trained in both China and Japan, Q embraces her path of Zen and Taoism with the simplest of lines full of expression. Works are created with mineral color on rice paper on canvas. Reception: Saturday, September 24, 4–6 p.m.

1 Ashfield St., Shelburne Falls, MA

(413) 625-9833

salmonfalls@megaplanet.com

salmonfallsgallery.com

M-W 10-5, Th-Sa 10-8, Su 11-6

Salmon Falls Gallery image

Bird and Sun, mineral color on rice paper, 27 x 27". At Salmon Falls Gallery

Schantz Galleries Contemporary Glass

September 2–25: Classical, Native and Pop Culture in Glass. Featuring works by three highly regarded artists from the Pacific Northwest, Dante Marioni, Preston Singletary and Richard Marquis. October 7–30: Earth Dialogue is a collaborative exhibition of glass sculptures by the Dutch sculptor Peter Bremers and photography by Seth Resnick, in cooperation with Sohn Galleries. Both locations host works by the two artists inspired by exotic landscapes, including the far reaches of Antarctica and Namibia. Opening reception: Saturday, October 8, 4:30-6:30 p.m.

211 Newbury St., Boston, MA

(413) 298-3044

contact@schantzgalleries.com

schantzgalleries.com

Th–Sa 11–6, Su 11–5, and by appointment

Schantz

Preston Singletary, Whale Rider, blown and sand carved glass with human hair, 11 x 21 x 5". At Schantz Galleries Contemporary Glass.

Smith College Museum of Art

Through September 11: The Lay of the Land: Contemporary Landscapes from the Collection. Through October 2: Factum Tremblay video installation by Candice Breitz. Ongoing: Eric Avery: AIDS Work. Opening September 30: When in Rome: Prints and Photographs, 1550–1900.

Elm Street at Bedford Ter., Northampton, MA

(413) 585-2760

smith.edu/artmuseum

Tu–Sa 10–4, Su 12–4

Smith College Art Museum

Patrick Nagatani American, born 1945, Ground Zero, “Operation Gnome” (Dec. 10, 1961), 48 Kilometers Southeast of Carslbad, New Mexico from Nuclear Enchantment, 1990, iflocolor print. Gift of Nicole Moretti Ungar, class of 1982, and Jon Ungar. At Smith College Museum of Art.

South Shore Art Center

Opening September 16: Once There Was a House…Echoes from the Villa of Mysteries, featuring Laurie Kaplowitz and Katha Seidman. Dillon Gallery: Robert Beaulieu, Sara Holbrook, Nancy Sargent Howell, Carolyn Kami Loughlin and Mary Mirabito. Faculty Feature: Virginia Holloway.Opening reception, Friday, September 16, 6–8 p.m.

119 Ripley Rd., Cohasset, MA

(781) 383-2787

info@ssac.org

www.ssac.org

M–Sa 10–4, Su 12–4

The Art Complex Museum

Through November 6: Paul Bloodgood, an exploration of the expressive capability of line as an embodiment of naturalistic form and of human values. Opening September 18: Night Becomes Us, nighttime photographs by the Greater Boston Night Photographers. Opening September 18: Rotations: Objects from the Permanent Collection.

189 Alden St., Duxbury, MA

(781) 934-6634

artcomplex.org

W–Su 1–4

The de Menil Gallery and The Christopher Brodigan Gallery

September 18-November 11: The Insanity of Violence: Twin exhibitions featuring the sculptural constructions and large charcoal drawings of Gordon D. Chase. These pieces explore the psychology of violence in the current nuclear age. Fire serves as a metaphor for human violence. Opening reception: Sunday, September 18, 2-4 p.m.

282 Farmers Row, (Rt. 111), Groton, MA

(978) 448-3363

groton.org

M–F 9–3, closed W, Sa–Su 11–4 Closed November 27–December 4

Menil Gallery

Gordon D. Chase, The Insanity of Violence, 2016, marine plywood, 12 x 12 x 6'. At de Menil Gallery.

The Gallery at Enso Flats / Artweek Brockton

September 17-October 16: Searching by the Salisbury: Recent work by John Mahoney (painting/collage) and Virginia Mahoney (mixed-media sculpture), whose studios are near the Salisbury Plain River in Brockton, MA. Reception with brief artist talks: Saturday, October 1, 5-8 p.m. This is the opening event for Artweek Brockton (October 1-8).

50 Centre St., Brockton, MA

(508) 521-9326

ensoartgallery.com

Th–Sa 3–7 and by appointment

The Mount

Through October 31: SculptureNow and The Mount present Remix, a new juried exhibition featuring 28 large, outdoor sculptures by 27 artists placed throughout grounds at The Mount. The show features regionally and nationally recognized artists offering a wide variety of ideas, styles and media, and is included with admission to The Mount. Free, guided tours by exhibiting artists are scheduled for September 11 and October 16 at 11:30 a.m. “Poems about Sculpture,” an anthology edited by exhibiting sculptor Murray Dewart, will be read by regional poets on October 16 at 2 p.m.

2 Plunkett St., Lenox, MA

(413) 551-5111

sculpturenow.org and edithwharton.org

Daily 10-5

Thompson Gallery at The Cambridge School of Weston

Opening September 9: Charlie Nevad—Light & Dark surveys the mid-20th century Modernist paintings of Charlie Nevad (Perth Amboy, NJ 1921–1990). Light & Dark examines the last three decades of Nevad’s artistic production, his symbolism and the transformation of his painting technique—from his unique Impressionistic brushwork, to his experimentations with Abstract Expressionism and collage. Reception: Friday, September 9, 4-7 p.m. Gallery talk: Saturday, October 22, 1–2 p.m.

Garthwaite Center for Science and Art

45 Georgian Rd., Weston, MA

(781) 398-8316

thompsongallery@csw.org

thompsongallery.csw.org

M–F 9–4:30, or by appointment

Thompson

Charlie Nevad, Mother Love, 1984, collage, Masonite, 48 x 24". At Thompson Gallery.

Three Stones Gallery

Three Stones Gallery presents established and emerging artists working locally, regionally and nationally. Opening September 8: As Above, So Below. Reception: Thursday, September 22, 6–8:30 p.m. Features landscape painting by Jack DeMuth, photography by Rob Houghton, encaustic and mixed media by Kay Hartung, mosaics by Carol Rissman and oil and mixed media by Brigitte Desautels. To learn more, visit threestonesgallery.com.

115 Commonwealth Ave., West Concord, MA

(978) 254-5932

threestonesgallery.com

M–F 10–6, Sa 10–5

three stones gallery

Kay Hartung, Bio Flow Blue, 2016, encaustic and mixed media, 8 x 8". Photo: Kay Hartung. At Three Stones Gallery.

Towne Art Gallery at Wheelock College

September 20–October 20: Ellen Solari: Sculptural Baskets and Miranda Updike: Crowd Paintings. This exhibition highlights the work of Massachusetts artists Miranda Updike (mmupaint.com) and Ellen Solari (ellensolari.com). Updike’s paintings show the physicality of people joining together in an era of high-tech isolation. Solari’s structures combine both traditional/nontraditional basketry techniques, creating a paradox between the expected and unexpected. Gallery talk: Wednesday, October 5, 10–11 a.m. Opening Our Doors Day (Sponsored by The Fenway Alliance): Monday, October 10, 10 a.m.–1 p.m. Gallery is free and open to the public, wheelchair accessible. Public transit recommended.

Wheelock College

180 The Riverway, Boston, MA

(617) 879-2219

elicea-kane@wheelock.edu

www.wheelock.edu/art

Tu–Th 1–5, Sa 2–5, and by appointment

Towne

Miranda Updike, Merging Sectors, 2015, oil, 29 x 27". At Towne Art Gallery.

Trident Gallery

Through September 5: Ruth Mordecai: New Works on Paper. September 10–October 23: Zygmund Jankowski: Unscripted. Reception Saturday, September 17, 5–7 p.m. Exceptional watercolors and oils by the influential colorist (1925–2009): landscapes, seascapes, farmscapes, jazz, floral, still lifes, self-portraits, nudes, and biplanes. Opening October 29: Susan Erony: Towers and Other Thoughts. Reception: Saturday, October 29, 5–7 p.m.

189 Main St., Gloucester, MA

(978) 491-7785

director@tridentgallery.com

tridentgallery.com

Sa 10–7, F, Su, M 10–5, Tu–Th 12–5

Trustman Art Gallery at Simmons College

September 8–October 6: Jolt: Guns Race and Immigration, an exhibition of photographs, mixed media and installation by Jordan Kessler, James Montford and Yu-Wen Wu. These artists peel back the onion on three of the most perplexing topics of the election cycle. Reception: Thursday, September 8, 5–7 p.m. Opening October 11: 800 Million Heartbeats, a solo exhibition by Colleen Kiely, an inventive painter whose imagery—initially comfortably familiar—is unsettling in meaning and narrative. Though her work is formally and materially challenging, Kiely’s forté lies in how she makes us feel. Reception: Thursday, October 20, 5–7 p.m.

300 The Fenway, Boston, MA

(617) 521-2268

www.simmons.edu/trustman

M–F 10–4:30

Tufts University Art Gallery

Opening September 14: The Tufts University Art Gallery celebrates its 25th anniversary by examining the changing role of artists and subjects in portraiture. Mortal Things: Portraits Look Back and Forth includes many new acquisitions, numerous works by alumni and faculty from the School of the Museum of Fine Arts, and loans from public and private collections.

Aidekman Arts Center

40 Talbot Ave., Medford, MA

(617) 627-3518

artgallery@tufts.edu

artgallery.tufts.edu

Tu–W, F–Su 11–5, Th 11–8

University Gallery at UMass Lowell

September 1–October 8: Alejandro Borsani: New Work. Artist’s talk: Tuesday, September 13, 3:30 p.m., location TBA. Reception: Tuesday, September 13, 5–6:30 p.m. in the University Gallery.

Mahoney Hall

870 Broadway St., Lowell, MA

(978) 934-3491 (978) 934-3494

uml.edu/dept/art/galleries

M–F 10–4, Th 10-9, F-Sa 10-3

Waltham Mills Artists Association

November 5-6: Visit art where it’s made. Over 70 artists of all media from WMAA and Lincoln Studios, with visiting jewelry makers and metal artists from Metalwerx will open their doors to welcome the public to this free event. Tour studios, chat with artists, and add to your art collection. In a central location with easy access by public transportation and ample parking.

40th Anniversary Open Studios

144 Moody St., Waltham, MA

walthammillsopenstudios.com

Sa & Su 12–6

Wedeman Gallery at Lasell College

September 20–October 8: Stephen Fischer: Recent Work – Portraits, Illustrations, Drawings. Artist reception and talk: Saturday, October 8, 7–10 p.m. October 18–November 5: Reflections of October, a group exhibition featuring artwork by the members of the Newton Art Association. Reception: Thursday, October 20, 6:30–8:30 p.m. Artwork Sale Event: Sunday, October 30, 12–4 p.m.

47 Myrtle Ave., Newton, MA

(617) 243-2143

wedemangallery.com

Tu–Sa 1–4, every first Thursday 1–7

WedemanGallery

Stephen Fischer, Portrait of Sydney Skukerman, 2016, acrylic paint on paper, 24 x 36". At Wedeman Gallery at Lasell College.

Winfisky Gallery at Salem State University

The Winfisky Gallery displays art from all over the world in a variety of media from prints to kinetic sculpture to collage and photography. In addition to visiting artists, the art and design department hosts an annual faculty works exhibit, a student works exhibit and the prestigious student honors exhibition.

Ellison Campus Center

Lafayette St., Rts. 114 & 1A, Salem, MA

(978) 542-7890

salemstate.edu/arts

M-F 10-2 or by appointment

Worcester Art Museum

Through September 18: The Last Judgment Tapestry, fully-restored 16th century Flemish tapestry. Through November 6: Knights!, acclaimed, multi-media exhibition of highlights from the John Woodman Higgins Armory Collection. Also, images of tragedy and conflict in the former Yugoslavia by photojournalist Ron Haviv in Blood and Honey.

55 Salisbury St., Worcester, MA

(508) 799-4406

worcesterart.org

W–F & Su 11–5, Sa 10–5, Third Thursdays 11–8

Senad Medanovic, a sole survivor of a massacre, finds his home in ruins after the Bosnian army recaptured his village from Serb forces in the fall of 1995. He is standing on what is believed to be a mass grave of sixty-nine people, including his family.

Ron Haviv, Crying Soldier, 1995, digital C print. © Ron Haviv. At Worcester Art Museum.

Maine

Bates College Museum of Art

Through October 8: Robert Indiana: Now and Then presents 70+ works by this iconic Maine-based international pop artist, including the premiere of 12 that combine Indiana’s visuals and the lyrics of Bob Dylan. See website for Like A Rolling Stone poster. Jay Bolotin: The Book of Only Enoch. Masterful storyteller and printmaker Bolotin examines and comments on the human condition in his elaborate story about Only Enoch, named after an apocryphal book left out of the Hebrew Bible, which takes place in an invented world. Opening September 9: Mythology. From the permanent collection, Mythology examines how artists’ transference of Classical Greco-Roman myth from literary to visual art influences and shapes perceptions of mythology.

75 Russell St., Lewiston, ME

(207) 786-6259

www.bates.edu/museum.xml

M, W 10–7, Tu, Th–Sa 10–5, and by appointment

Bates

Jay Bolotin, The Book of Only Enoch, IV. Quietude, 2015, woodcut and relief etching. At Bates College Museum of Art.

Colby College Museum of Art

Opening September 13: Teresa Margolles: We Have a Common Thread. Opening September 15: Rivane Neuenschwander: Zé Carioca and In the Studio: Picasso’s Vollard Suite. Ongoing: A Usable Past: American Folk Art at the Colby College Museum of Art and Weather Vanes and Trade Signs from a Distinguished New England Collection. Museum tours Saturday at 2 p.m.

5600 Mayflower Hill, Waterville, ME

(207) 859-5600

www.colby.edu/museum

Tu–W, F–Sa 10–5, Th 10–9, Su 12–5

Colby

Colby College Museum of Art.

George Marshall Store Gallery

Where history and contemporary art meet. Through October 2: Back to School Special, a group exhibition of works by artists from the University of New Hampshire Art Department. Michael Stasiuk: Things Remembered. Stasiuk creates assembled figurative sculpture that captures a sense of nostalgia. Opening October 8: Various Shades of Grey, New England artists. Also on view, paintings by Robert Baart and ceramics by Boyan Moskov.

140 Lindsay Rd., York, ME

(207) 351-1083

www.georgemarshallstoregallery.com

Maine Maritime Museum

Opening September 17: Robert Beck, Over East—An Artist’s Journal: The Contemporary Maritime Community. Artist Robert Beck returns to Maine each year to paint in the fishing and boatbuilding communities of the coast. This collection of nearly 60 paintings of the working life and landscape in Downeast Maine will be on exhibit together for the first time, forming a “visual essay” about today’s maritime community.

243 Washington St., Bath, ME

(207) 443-1316

info@maritimeme.org

mainemaritimemuseum.org

Daily 9:30–5

Maine Maritime Museum

Robert Beck, Sternman, oil on board, 24 x 30". At Maine Maritime Museum.

Ogunquit Museum of American Art

Through October 31: Jamie Wyeth: Private Collection. Part of an artistic legacy that spans 100 years, Jamie Wyeth is the son of Andrew Wyeth and grandson of N.C. Wyeth. He actively paints in Maine every summer. Bernard Karfiol: Ogunquit Master. A teacher in the Ogunquit Art Colony, Karfiol is known for his work with the figure and portraits of his family.

543 Shore Rd., Ogunquit, ME

(207) 646-4909

ogunquitmuseum.org

Daily 10–5

Ogunquit

Peeky Toe, 2011 acrylic, gesso and watercolor on handmade wove paper. Courtesy of the Phyllis and Jamie Wyeth Collection. At Ogunquit Art Museum.

Perimeter Gallery

Opening October 27: Kenny Cole, No Tomorrow. An installation of text-based, interactive canvases and gouache drawings. This new work engages the viewer’s spiritual relationship to art against the distractions of technology, sourcing, Google images, biblical passages and legislative language as frameworks from which to plot and compose liquid mediums. Artist’s reception: Thursday, October 27, 6–8 p.m.

Chase’s Daily

96 Main St., Belfast, ME

(207) 338-0555

perimeter96@gmail.com

kennycole.com

Tu–Sa 7–5, Su 8–2

Perimeter Gallery

Kenny Cole, Man Carrying a Cross, 2016, acrylic on canvas, collage, metal, suede and wood, each canvas 3 x 16". At Perimeter Gallery.

Studio 53 Fine Art Gallery

Through October 9: David Estey—A 65-Year Retrospective. Nearly 60 drawings and paintings and an 80-page book chronicle this Maine native’s development through two careers away and back home in Belfast. Receptions: Friday, September 2 and Saturday, September 3, 5–8 p.m. For more on Estey’s life and work visit davidestey.com.

53 Townsend Ave., Boothbay Harbor, ME

(207) 633-2755

studio53bbh@aol.com

studio53fineart.com

Daily 11–5

David Estey_Night Swim

David Estey, Night Swim, 2015, acrylic, 37 x 48". At Studio 53 Fine Art Gallery.

UNE Art Gallery

Opening October 12: 17th International Juried Exhibition: “For Pastels Only.” The Pastel Painters of Maine (PPOM) are holding their 17th annual international juried exhibition at the UNE Art Gallery. The exhibit is an annual event, selected by nationally recognized pastel artists. This year’s juror is Casey Klahn, a colorist known for his abstracted landscapes and vivid use of color. The mission of the PPOM is to promote the pastel medium through exhibitions, workshops and educational programs.

Pastel Painters of Maine: pastelpaintersofmaine.com

716 Stevens Ave., Portland, ME

(207) 221-4499

une.edu/artgallery

W, F–Su 1–4, Th 1–7, and by appointment

William _A_Schneider_Them's Fighting Words

William A. Schneider, Them’s Fighting Words. At Pastel Painters of Maine.

New Hampshire

Currier Museum of Art

Opening October 1: Mount Washington: The Crown of New England. The first museum exhibition devoted entirely to art focusing on Mount Washington also reveals the bonds that formed between art, science, adventure and tourism in the region. Features major paintings by Albert Bierstadt, Thomas Cole, Jasper Francis Cropsey, John Frederick Kensett and David Johnson, as well as acclaimed painters such as Winslow Homer and George Inness.

150 Ash St., Manchester, NH

(603) 669-6144

www.currier.org

M, W–F, Su 11–5, Sa 10–5

The Emerald Pool

Albert Bierstadt (American, 1830–1902), The Emerald Pool, 1870, oil on canvas, 76 1/2 x 119". Chrysler Museum of Art, Norfolk, VA, Bequest of Walter P. Chrysler, Jr. 89.59. At Currier Museum of Art.

Cynthia-Reeves NH

September 3–October 29: Jaehyo Lee. Lee has been rethinking and re-envisioning use of quotidian materials for several decades. Rather than dismantling each sculptural component and creating a hybrid aesthetic, Lee’s works emphasize his materials’ essential nature. The trajectory of his current work reveals his refined approach to nature as he addresses simple elements and, from them, creates large-scale works of remarkable impact.

The Barn at 28 Main St., Walpole, NH

(603) 756-4160

info@cynthia-reeves.com

cynthia-reeves.com

Tu–Sa 10–5

Hood Museum of Art

Opening September 6: Laetitia Soulier: Fractal Architectures. The inaugural exhibition at the Hood Downtown Exhibition Space will feature the work of contemporary French photographer Laetitia Soulier. She bases her images and sculptures on the idea of fractal geometry, where each area has a direct scale relationship to the other. Together, her photographs and sculptures present a world where science and mystery coexist.

Dartmouth College

6 East Wheelock St., Hanover, NH

(603) 646-2808

hood.museum@dartmouth.edu

hoodmuseum.dartmouth.edu

W-Sa 11-9, Su 105

The Fractal Architectures SeriesBuilding the imageThe Fractal Architectures, is a series of nine images divided into three chapters: The Matryoshka Dolls, The Square Roots, and The Star Shells. The hyper-realistic models, conceived for the unique point of view of the camera, are built in the toy scale of 1/24 to life size and above, following a fractal logic. Within the interlocked spaces, body parts such as a foot, a thumb or a face appear to reveal the multiple scales incorporated in the model. Young characters unfold within these fractal architectures, which are at once their toy, their home, their childhood, their adulthood, the space between their past and their future. After the photograph is realized each of these miniatures is deconstructed.Fractal GeometryThe conception of each model begins with a simple geometric figure; the circle for the Matryoshka Dolls, the square for the Square Roots, and the spiral for the Star Shells. These elementary forms repeat at different scales to create an intricate pattern, which weaves together the infinitely small and the infinitely big. This never-ending fractal motif spreads across the wallpaper, and is the basis of the model’s floor plan and interior design.  The Matryoshka DollsThe first chapter of the Fractal Architectures unfolds the archetype of the circle. The wallpaper for the Matryoshka series is made up of nested dolls woven in a circular dance, each impregnated with this repeating pattern. Similarly in the model, the circular archetype puts everything in rotation; the hardwood floor grows in concentric circles, the doors bend in arches, and the staircase swirls to the higher alcoves. The walls undulate organically, folding and refolding in a womb-like interior where the exterior seems to no longer exist.

Laetitia Soulier, The Matryoshka Dolls 2 from The Fractal Architecture Series, 2015, C-print. © Laetitia Soulier. At Hood Museum.

Karl Drerup Art Gallery

Opening October 17: RESILIENCE: An Interdisciplinary Exploration featuring Jason Mitcham and PSU Students. This collaborative exhibit will feature a dynamic theme of resilience and vulnerability; it will change and evolve over the exhibit time period and include paintings and video works by visiting artist Jason Mitcham, as well as visual art, written texts, and interactive components designed and presented by PSU students.

150 Main St., Plymouth, NH

(603) 535-2614

kdag.art@plymouth.edu

plymouth.edu/gallery

M–F 10-4, W 10-8, Sa 1-4

Mill Brook Gallery and Sculpture Garden

Through October 23: 19th Annual Outdoor Sculpture Exhibit. Opening October 1: Reunion Exhibit-Rhode Island School of Design, Class of 1967. Featuring work by Peter Dudley, Bunny Harvey, Ingrid Peterson Apgar, R. Lee Post, Deidre Scherer, and Pamela Resch Tarbell. Meet the artists: Sunday, October 9, 3–5 p.m.

Mill Brook Gallery and Sculpture Garden

236 Hopkinton Rd., Concord, NH

(603) 226-2046

artsculpt@mindspring.com

themillbrookgallery.com

Tu-Su 11-5, or by appointment

Museum of Art, University of New Hampshire

Through October 16: 7,000 Miles from Durham: Margaret Carson Hubbard in Africa, Marion E. James in India highlights African and Indian material culture donated to the Museum by two scholars and intrepid travelers. Guest curated by Catherine Hunter. Alumni Photography Exhibition. Fifty-five prints including snap shots to professional images. Selections made by Kristen Gresh, ’97, Estrellita and Yousuf Karsh Assistant Curator of Photographs, MFA Boston. Reception: Thursday, September 8, 6-8 p.m.

30 Academic Way, Durham, NH

(603) 862-3712

unh.edu/moa

M-W & F 10-4, Th 10-8, Sa-Su 1-5

© Lara Woolfson 2009

Lara Woolfson, Untitled Fetish Series 1, 2010, C-print, 40 x 30". At Museum of Art at University of New Hampshire.

Museum of the White Mountains

Opening October 24: Finding Place on Paper: Contemporary Poets and Printmakers Explore the White Mountains. This exhibit will pair contemporary professional New England regional poets and printmakers with PSU student work with the common theme of responding to the White Mountains as a place. Reception: Wednesday, October 26, 5–7 p.m.

34 Highland St., Plymouth, NH

(603) 535-3210

museum.wm@plymouth.edu

go.plymouth.edu/mwm

M–F 10–5, Sa 11–4

New Hampshire Institute of Art

The New Hampshire Institute of Art (NHIA) believes art is relevant and essential to our culture; therefore, it promotes education, presentation and civic engagement through its galleries. NHIA galleries serve as both an educational tool for undergraduate, graduate and community education programs and in support of arts as part of the community. All exhibitions are free and open to the public.

148 Concord St., Manchester, NH

(603) 623-0313

alucas@nhia.edu

www.nhia.edu

NHIA

New Hampshire Institute of Art.

Pastel Society of New Hampshire

Opening October 22: The Pastel Society of New Hampshire presents its Eighth Annual National Juried Show, It’s Pastel!, at the Discover Portsmouth Center Gallery in Portsmouth, NH. Opening reception: Friday, October 21, 5–7 p.m. There will be refreshments and an awards ceremony. This event is free and open to the public.

Discover Portsmouth Center Gallery

10 Middle St., Portsmouth, NH

(603) 436-8420

www.pastelsocietynh.com

Daily 10-5

Pastel Society NH

Diana Johnson, Under the Apple Tree, 2015, soft pastel, 8½ x 9". First Place Award. At Pastel Society of New Hampshire.

The McIninch Art Gallery at Southern New Hampshire University

September 8–October 30: Jesse Burke: Wild & Precious; A Photographic Essay. Wild & Precious brings together images from a series of road trips traveled to explore the natural world. This exhibit reveals the fragile, complicated relationship that humans share with nature, seen through the eyes of photographer Jesse Burke as he navigates through travels with his eldest daughter. Artist talk and opening reception: Thursday, September 8, 5–7 p.m.

McIninch J Wardwell
Joseph Wardwell, Soon I Will Be President, 2016, oil on paper, 30 x 22". At McIninch Art Gallery.

McIninch JBurke
Jesse Burke, As Long As The Grass Shall Grow, 2013, archival inkjet print. © Jesse Burke. Courtesy of ClampArt. At McIninch Art Gallery.

McIninch Art Gallery

2500 N. River Rd., Manchester, NH

Manchester, NH

m.gallery@snhu.edu

snhu.edu/art

M–Sa 10–3, Th 5–8

Thorne-Sagendorph Art Gallery

For over 50 years the gallery has been an important center for the enjoyment, debate, study and discovery of the visual arts. Collections, exhibitions, events, and a new artist-in-residence program address the Monadnock region’s visual art legacy and foster conversations about contemporary works and ideas that resonate across the region and beyond. Through October 20: InCiteful Clay: Contemporary Ceramics and Social Commentary and Artist-in-Residence: Rachelle Beaudoin. Ongoing: Seattle-Havana-Tehran Poster Show.

Keene State College

229 Main St., Keene, NH

(603) 358-2720

thorne@keene.edu

www.keene.edu/tsag

W-Su 12-5

Thorne

Seattle-Havana-Tehran Poster Show grouping (left to right: David Gallo, A Family X-Mas, 2013, Seattle; Darwin Fornés, La Casa de Bernarda Alba, 2014, Havana; Shahrzad Changalvaee, Take Heed, Hold Fast the Rope of Mother Wit, 2012, Tehran. At Thorne-Sagendorph Art Gallery.

New York

Samuel Dorsky Museum of Art

Ongoing: Bradley Walker Tomlin: A Retrospective. This exhibition, presented in partnership with the Everson Museum of Art, is the first retrospective of American painter Bradley Walker Tomlin (1899–1953) since 1975. “The gentleman Abstract Expressionist,” Tomlin was known for his elegance in both painting style and personal comportment. The exhibition will include over 40 paintings, works on paper, and printed materials, charting Tomlin’s development from art nouveau illustrations of the 1920s to large-scale Abstract Expressionist paintings of the 1950s. See museum website for concurrent exhibitions.

State University of New York at New Paltz

1 Hawk Dr., New Paltz, NY

(845) 257-3844

sdma@newpaltz.edu

newpaltz.edu/museum

W–Su 11–5

Syracuse University Art Galleries

Ongoing: About Prints: The Legacy of Stanley William Hayter and Atelier 17 explores Hayter’s influence on contemporary printmaking using his checklist of important prints from his 1962 book About Prints. Print Fair/Symposium, September 23–25: Featuring lectures and print sellers Susan Teller Gallery, Dolan Maxwell, The Annex Galleries, The Old Print Shop and Thomas French Fine Art.

Shaffer Art Building, Syracuse, NY

(315) 443-4097

suart@syr.edu

suart.syr.edu

Tu, W, F, Sa, Su 11–4:30, Th 11–8

Syracuse U Art Galleries

Fred Becker, Insect-Beast, 1953, color etching, engraving and roulette, 8 x 12". At Syracuse University Art Galleries.

Rhode Island

ArtProv Gallery

Through September 25: Grace and Gravity featuring the work of Deborah Baronas—air and water, dancing and swimming, drifting and floating. Also Ken Steinkamp, Adam Waimon, Alyssa Coffin, Alecia Barry Underhill and Sherie Harkins. Opening October 6: Face Off featuring the portraits of Judy Volkmann, Magdalena Slabosz and Nick Gebhart. Opening reception: Friday, October 7, 5–9 p.m.

150 Chestnut St., Providence, RI

(401) 641-5182

michele@artprovidence.com

artprovidence.com

Third Th 5-9, and by appointment. Check website for hours.

Bristol Art Museum

Through September 4: Contemporary Women Artists, Elizabeth Alexander, Meris Barreto, Catherine Carter, Leigh Craven, Wendy Edwards, Paula Martiesian, Ida Schmulowitz, Jessica Straus. September 16–October 30: The Catacombs, a solo exhibit of new works by Thomas Lyons Mills. Artist reception: Friday, September 16, 6:30–8:30 p.m. Additional exhibits on view: Intertwined: Needle Art of Salley Mavor; Mythology and Beings, an installation by Ellen Blomgren.

10 Wardwell St., Bristol, RI

(401) 253-4400

info@bristolartmuseum.org

www.bristolartmuseum.org

Th–Su 1–4

Bristol art museum

Thomas Lyon Mills, Shuron (detail), 2002-2015, watercolor, acrylic, oil, conte crayon, charcoal, graphite, magic marker, antique glass eye, relief print on pieced paper, 35.5 x 91". At Bristol Art Museum.

Chazan Gallery

September 15–October 5: Lucky Leone. Reception: Thursday, September 15, 5–9 p.m. Opening October 20: Theresa Ganz and Millee Tibbs. Reception: Thursday, October 20, 5–9 p.m.

228 Angell St., Providence, RI

(401) 421-9230

info@chazangallery.org

www.chazangallery.org

Tu–Sa 11-4, Su 2-4

David Winton Bell Gallery

Through October 30: Diana Al-Hadid: Phantom Limb. Conversation with the artist and reception: Friday, September 16, 5:30 p.m. See website for further information.

Brown University

List Art Center, 64 College St., Providence, RI

(401) 863-2932

www.brown.edu/bellgallery

M-W 11-4, Th 1-9, F 11-4, Sa-Su 1-4

Gallery 4/Silk Road Traders

Gallery 4 at Historic Tiverton Four Corners, a favored destination presenting innovative exhibitions of fine art by highly-respected artists in a variety of disciplines. Opening October 8: ABSTRACTS AND ARTIFACTS features paintings by Harry Nadler, Peter Stroud and Joan Jardine paired with a fascinating collection of ancient artifacts in earthenware, stone, and wood from the Near and Far East with contemporary metal and textile creations by Bradford McDougall and Paula Stebbins Becker plus distinctive works in glass. Preview reception: Saturday, October 8, 4–7 p.m.

3848 Main Rd., Tiverton, RI

(401) 816-0999

gallery4tiverton.com & silkroadgallery4.com

W–Sa 11–5, Su 12–5

Gallery 7 SilkRoadTraders

Harry Nadler, Untitled, 1959, oil on canvas, 70 x 56". At Gallery 4.

Jamestown Arts Center

September 1–October 15: Tayo Heuser, Looking In: Looking Out. An exhibit highlighting the last three years of Tayo Heuser’s work including drawings, hand-made paper, and sculpture. Heuser has exhibited her work internationally in Brussels, New York, and Washington, D.C. Opening reception: Thursday, September 1, 6–8 p.m.

18 Valley St., Jamestown, RI

(401) 560-0979

jamestownartcenter.org

W–Sa 10–2, or by appointment

James town arts

Tayo Heuser, Foramen, 2016, inks on burnished paper, 42 x 41½". At Jamestown Arts Center.

Main Art Gallery, University of Rhode Island

September 7–30: Barbara Pagh highlights new work in an installation titled Alignments. The gallery space will be altered by an installation of handmade paper forms and printed elements based on the stone alignments, dolmens and menhirs found near Carnac in Brittany, France. Opening reception: Wednesday, September 14, 3:45–5 p.m.

105 Upper College Rd., Kingston, RI

(401) 874-5812

web.uri.edu/maingallery

M–F 12–4

URI

Installation detail, Alignments, 2016. At Main Art Gallery, University of Rhode Island.

Newport Art Museum

Opening September 3: Thomas Russell, 50 Years: Selected Paintings. Abstract work inspired by poetic things and ideas. Opening September 10: James Watkins, Reminiscence, new work in glass. Opening October 1: NetWorks, 2015-2016, produced by Joseph A. Chazan, MD, 24 contemporary Rhode Island artists. World premiere of NetWorks videos by Richard Goulis: Sunday, October 2, 1:30 p.m. Reception for all exhibitions: Friday, September 30, 5–7 p.m.

Newport Art Museum

76 Bellevue Ave., Newport, RI

(401) 848-8200

info@NewportArtMuseum.org

http:// www.NewportArtMuseum.org

Tu-Sa 10-4, Su 12-4

Newport Art Mesum

Thomas Russell, Palimpsest No. 1: Satori, 1987, acrylic on unstretched canvas, 76 x 62". At Newport Art Museum.

Unlisted

Samek Art Museum, Bucknell University

Ongoing: Tomorrow Never Happens. This exhibition asks: What is queer futurity? How are queer communities imagining and working toward a better world? And how do queer theories, artistic practices, and lived experiences influence broader cultural thinking about the future?

Downtown Gallery

416 Market St., Lewisburg, Unlisted

(570) 577-3792

museum.blogs.bucknell.edu

Tu–F 12–5, Sa–Su 11–5

Samek

Edie Fake, Sugar in the Tank, 2015, ink and gouache on paper, 22 x 30”. At Samek Art Museum, Bucknell University.

Vermont

BCA Center

Opening October 7: Of Land & Local: Watershed. Water, as both ecological fact and metaphor, will be the subject of this year’s ongoing partnership between Shelburne Farms and Burlington City Arts. Of Land & Local: Watershed supports artist-led conversations about issues impacting the Vermont landscape, culminating in exhibitions at both locations. Opening receptions: Coach Barn: Thursday, September 29, 5–8 p.m. BCA Center: Friday, October 7, 5–8 p.m.

135 Church St., Burlington, VT

(802) 865-7166

bca@ci.burlington.vt.us

www.bcacentervt.org

Tu-Th 11-5, F-Sa 11-8, Su 11-5

BCA Center

Jen Morris, Northern Shore of White River Near Bethel, 2013. At BCA Center.

Bennington Museum

Through October 30: Duane Michals: Photographs from the Floating World featuring vibrant color photographs by this groundbreaking artist created in and around Cambridge, NY, during the last decade. Ongoing: Milton Avery’s Vermont—the first exhibition to take a focused look at the work this great American modernist created based upon his summers in southern Vermont, 1935-1943. Opening October 8: Particle/Wave, photographs by Leslie Parke.

75 Main St., Bennington, VT

(802) 447-1571

info@benningtonmusuem.org

benningtonmuseum.org

Daily 10-5

Duane Michals, Luxe, Calme et Volupté, 9/27/08, c-print with hand applied text mounted to board paper, 11 x 20

BigTown Gallery

Through September 17: Projects Gallery: Virginia Beahan. Through October 1: Main and Center galleries: Painting In The Neighborhood. September 21–October 22: Projects Gallery: Nancy Taplin, painting. Opening October 26: Projects Gallery: Bhakti Ziek, weaving. Bread & Puppet Little Big Tour: Saturday, September 3, 3 p.m.
Joan Hutton Landis Reading Series: Sydney Lea and Sue Miller: Sunday, September 4, 5:30 p.m.

99 North Main St., Rochester, VT

(802) 767-9670

info@bigtowngallery.com

bigtowngallery.com

Through September 17: Projects Gallery: Virginia Beahan. Through October 1: Main and Center galleries: Painting In The Neighborhood. September 21–October 22: Projects Gallery: Nancy Taplin, painting. Opening October 26: Projects Gallery: Bhakti Ziek, weaving. Bread & Puppet Little Big Tour: Saturday, September 3, 3 p.m. Joan Hutton Landis Reading Series: Sydney Lea and Sue Miller: Sunday, September 4, 5:30 p.m.

Virgina Beahan, My Mother's 90th Birthday, 2003, from the BigTown Projects Gallery exhibition Photographs from Home.

Brattleboro Musem and Art Center

Through October 23: Up in Arms: Taking Stock of Guns. Works by Liu Bolin, Linda Bond, Kyle Cassidy, Madeline Fan, Susan Graham, Jane Hammond, Don Nice, Sabine Pearlman and Jerilea Zempel. Union Station: Gateway to the World. Images and stories of Brattleboro’s 100-year-old Union Station, home of BMAC. Chaos and Light: Jamie Young. House/Home: John Willis. Flora & Fauna: Babette Bloch.

10 Vernon St., Brattleboro, VT

(802) 257-0124

info@brattleboromuseum.org

www.brattleboromuseum.org

Su, M, W-sa 11-5, closed Tu

Brattleboro

Liu Bolin, Hiding in New York No. 9 - Gun Rack, 2013, archival pigment print on metallic paper. At Brattleboro Museum.

Edgewater Gallery

Contemporary and traditional fine art by established and emerging artists from Vermont and beyond. Featuring monthly exhibitions, a home design boutique and special event space. Merchants Row, September: Kathryn Milillo. October: Group show Of the Land. Mill Street, September: Jim Westphalen. October: Timothy Horn.


Mill Street Gallery: 1 Mill St., Middlebury, VT
(802) 458-0098    W–Su 11–4

 

6 Merchants Row, Middlebury, VT

(802) 989-7419

edgewatergallery-vt.com

M–Sa 10–5, Su 11–4

Hall Art Foundation

The Hall Art Foundation presents exhibitions of postwar and contemporary art. Ongoing: Landscapes after Ruskin: Redefining the Sublime, curated by American photographer Joel Sternfeld, featuring paintings, photographs and sculpture by approximately 50 artists. Admission is free.

551 VT Rte. 106, Reading, VT

(802) 952-1056

vermont@hallartfoundation.org

hallartfoundation.org

W, Sa–Su by appointment. Appointments available at 11 a.m., 1 p.m. and 3 p.m.

David Wojnarowicz, Head, 1984, collage and acrylic on plaster, 10 x 9 x 8

Helen Day Art Center

Through November 13: Pat Steir: Drawings. Opening September 12: Sally Gil. Site-specific collage installation. Through October 15: Exposed. Outdoor sculpture exhibition.

5 School St., Stowe, VT

(802) 253-8358

exposed@helenday.com

www.helenday.com

W-Su 12-5 or by appointment

Helen Day

JaeHyo Lee, Cone, 2009, wood with armature from the private collection of Petra & Stephen Levin. At Helen Day Art Center.

Middlebury College Museum of Art

Opening September 6: Bloom and Doom features prints, drawings, and posters by members of the Viennese Secession circa 1900. Opening September 16: Post Pop: Prints of Keith Haring presents selected limited editions on loan from the Keith Haring Foundation. Ongoing: Tour the campus collection of public art, including sculptural works by Tony Smith, Robert Indiana, Clement Meadmore and others.

72 Porter Field Rd., Middlebury, VT

(802) 443-5007

museum@middlebury.edu

museum.middlebury.edu

Tu–F 10–5, Sa–Su 12–5

Middlebury

Keith Haring, Andy Mouse, 1986. © Keith Haring. At Middlebury College Museum of Art.Foundation. At Middlebury College Museum of Art.

Miller's Thumb Gallery

Through October 13: East Meets West. 2016 marks the centennial of the National Park Service and to celebrate the stewardship of America’s national parks, the gallery will conclude its sixth season with East Meets West. Artists investigate the notion of unlimited opportunity in contrast to the ever diminishing freedoms of Native Americans. As Americans find themselves living in a more polarized national climate, this show will attempt to amplify and celebrate cross-cultural communication and conservation.

14 Breezy Ave., Greensboro, VT

(802) 533-2045

vanessa@millersthumbgallery.com

millersthumbgallery.com

Daily 11-4

Miller's Thumb

Chuck Trotsky, Hashtag Ghostdance, 2016, acrylic on panel, 44 x 48". At Miller’s Thumb Gallery.

Shelburne Museum

Ongoing: Grandma Moses: American Modern explores the work of Anna Mary Robertson “Grandma” Moses (1860-1961), reasserting her paintings within the context of mid-century American culture and modernist art. Ongoing: Papering the Town: Circus Posters in America. American circuses advertised through posters that were the “mass media” of their day, both in terms of volume and size. This exhibition will feature some of the largest posters in the museum’s collection.

6000 Shelburne Rd., Shelburne, VT

(802) 985-3346

shelburnemuseum.org

Daily 10–5

Vermont Metro Gallery

Opening October 7: Of Land & Local: Watershed. Featuring a selection of work by Vermont artists that speaks directly to the sense of urgency created by rising waters, this exhibition explores the power of nature and how humans survive, react and respond to the immediate environmental crises facing our community and our planet. Opening reception: Friday, October 7, 5–8 p.m.

135 Church St., Burlington, VT

(802) 865-7166

kmacon@burlingtoncityarts.org

vtmetrogallery.org

Tu-Th 11-5, F-Sa 11-8, Su 11-5

Vermont metro gallery_ 48x40

Gail Salzman, Ascent. At Vermont Metro Gallery.

West Branch Gallery & Sculpture Park

Through September 9: Visions in Steel. Large outdoor and small interior works presented in collaboration with Cold Hollow Sculpture Park. Through September 16: Kim Radochia: Murmurations. Wall sculptures interpreting patterns in nature through the use of thousands of pieces of torn paper. Through October 16: Joseph Lupiani & Adelaide Tyrol: Instinct & Attitude. Sculptures and paintings highlighting the parallels between animal and human personalities. Sculpture Park featuring works by Chris Curtis, Karen Petersen and kinetic sculptures by Jeffrey Laudenslager.

17 Towne Farm Ln., Stowe, VT

(802) 253-8943

art@westbranchgallery.com

www.westbranchgallery.com

West Branch

Kim Radochia, Murmuration 6, 2015, painted and hand torn paper on board, 48 x 48”. At West Branch Gallery.



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Designed and Developed By: T. Montgomery