Exhibitions

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Connecticut

Art Gallery, University of Saint Joseph

Opening January 15: Small Faces: Diminutive Portraiture features small scale American and European paintings and prints. Continuing the Conversation I: Points of Intersection Between the Americas and Europe is drawn from the permanent collection and includes recent acquisitions.

1678 Asylum Ave, West Hartford, CT

(860) 231-5399

usj.edu/artgallery

Tu, W, F, Sa 11–4, Th 11–7, Su 1–4

City Gallery

January 7–31: 3 Out Door Views, featuring new works by Susan Newbold, Tom Peterson, and Paulette Rosen, who use drawing, mixed media, and photography to explore the unexpected in nature, and on urban streets. Opening reception: Friday, January 8, 5–8 p.m. Artist talk: Sunday, January 24, 2 p.m. February 4–28: Flux by Judy Atlas. Her new, abstract paintings reflect the ever-changing, dynamic transformations in the world around us, and in our personal lives. Artist talk: Sunday, February 28, 2 p.m.

City Newbold  Garden Mayhem 1
Susan Newbold, Garden Mayhem, 2015, Mixed Media, 5 x 7'. At City Gallery.
City Rosen  Broken
Paulette Rosen, Broken, 2015, multimedia drawing on pigment print, 20” x 15½". At City Gallery.
City Atlas  Number 1
Judy Atlas, Number 1, 2015, mixed media, paint, crayon, pencil, 30 x 40". At City Gallery.
City Peterson  Hero 1
Tom Peterson, Hero, 2014, archival pigment print, 21 x 18". At City Gallery.

994 State St., New Haven, CT

(203) 782-2489

info@city-gallery.org

city-gallery.org

Th–Su 12–4

Florence Griswold Museum

Through January 31: Artist in the Connecticut Landscape explores connections among exceptional landscape paintings from 10 partner cultural institutions. Opening February 13: Ten/Forty: Collecting American Art at the Florence Griswold Museum reflects on the evolving nature of how the Museum has approached building and stewarding a collection of American art.

96 Lyme St, Old Lyme, CT

(860) 434-5542

florencegriswoldmuseum.org and twitter.com/florencegriswoldmus and facebook.com/florencegriswoldmuseum

Tu–Sa 10–5, Su 1–5

Ireland’s Great Hunger Museum at Quinnipiac University

Opening January 20: In the Lion’s Den: Daniel Macdonald, Ireland and Empire. A new look at the work of Daniel Macdonald (1821-53), a 19th-century Cork artist, who audaciously painted the Great Famine as it was happening. Free admission. (Exhibition was funded in part by grants from Connecticut Humanities and The George Link Jr. Charitable Trust.)

3011 Whitney Ave, Hamden, CT

(203) 582-6500

ighm.org

W, F, Sa 10–5, Th 10–7, Su 1–5

Mattatuck Museum

Opening February 18: Victor Vasarely: The Absolute Eye. The exhibition, organized by the Herakleidon Museum in Greece, offers a rich understanding of Vasarely’s sense of design and composition. The Father of Op Art, Vasarely’s work in visual perception is an invitation to mathematical and visual games. His unprecedented use of perceptual abstraction make him one of the most important artists of the 20th century.
 

144 West Main St, Waterbury, CT

(203) 753-0381

mattatuckmuseum.org

Tu–Sa 10–5, Su 12–5

Victor Vasarely, Sin-Hat-A, 1972, serigraph, 85/170. Courtesy of Herakleidon Museum, Greece. At Mattatuck Museum.

Victor Vasarely, Sin-Hat-A, 1972, serigraph, 85/170. Courtesy of Herakleidon Museum, Greece. At Mattatuck Museum.

Mystic Museum of Art

January 15–February 27: Black & White, open juried theme show featuring all media work from regional artists; The Founding, special selections from the Museum’s permanent collection focusing on Tonalist and Impressionist works of the founding members. Opening January 15: Drawn from a Private Collection: Works on Paper from 1880–2009, works by Georgia O’Keeffe, Winslow Homer, Edward Hopper and more. Opening receptions: Friday, January 15, 5:30–7:30 p.m.

9 Water St., Mystic, CT

(860) 536-7601

mysticarts.org

Tu–Su 11–5

New Britain Museum of American Art

Through January 17: Stone Roberts. Through February 14: NEW/NOW: Kate O’Donovan Cook. January 9–February 15: The Nor’Easter: 46th Annual Juried Members Exhibition. Opening January 23: Andy Warhol to Sally Mann: The Collection of Kevin McNamara and Craig Nowak. Opening February 20: NEW/NOW: Clinton Deckert. Free parking, café, museum shop, open seven days a week.

56 Lexington St., New Britain, CT

(860) 229-0257

nbmaa@nbmaa.org

nbmaa.org

Su, M, Tu, W, F 11–5, Th 11–8, Sa 10–5

Spectrum Art Gallery and Store

Through January 10: Let There Be Light Holiday Show, a festive show featuring sculpture, photography and mixed media using reflective surfaces, glass, metal, depicting light in unique ways. Opening January 22: The Human Form, featuring drawings, paintings, sculpture and photography depicting the beauty, agility and challenges of the human body. Opening reception: Friday, January 22, 6:30–9 p.m. Visit website for class schedule, registration and to shop online.

61 Main St., Centerbrook, CT

(860) 767-0742

spectrumartgallery.org

W–F 11–6, Sa 11:30–6, Su 11:30–5

Hayne Bayless and Liz Pagano, You Go Your Own Way, 2013, translucent paper monotype with encaustic, steel wire, concrete and beach stone. At Spectrum Art Gallery and Store.

Hayne Bayless and Liz Pagano, You Go Your Own Way, 2013, translucent paper monotype with encaustic, steel wire, concrete and beach stone. At Spectrum Art Gallery and Store.

Tremaine Gallery at The Hotchkiss School

Opening January 23: Rachel Sussman: The Oldest Living Things in the World. For nearly a decade, Rachel Sussman has been developing her critically acclaimed project for which she researches, works with biologists, and travels all over the world to photograph continuously living organisms 2000 years old and older. The photographs exhibited are also featured in her 2014 book The Oldest Living Things in the World with essays by Hans Ulrich Obrist and Carl Zimmer. Opening reception: Friday, January 23, 4–6 p.m.

11 Interlaken Rd, Lakeville, CT

(860) 435-3663

hotchkiss.org/arts

M–Sa 10–4, Su 12–4

Yale University Art Gallery

The museum features more than 4,000 artworks, including ancient, American, European, African, Asian, and Indo-Pacific art, as well as photography and modern and contemporary art and design. Ongoing: Meant to Be Shared: Selections from the Arthur Ross Collection of European Prints at the Yale University Art Gallery. Opening February 12: Everything is Dada. Free and open to the public.

1111 Chapel St, New Haven, CT

(203) 432-0600

artgallery.yale.edu

Tu–F 10–5, Th 10–8, Sa–Su 11–5

Francisco Goya, Modo de volar (A Way of Flying), also known as Donde hay ganas hay maña (Where There’s a Will There’s a Way), from the series Los disparates (Los proverbios) (Follies [Proverbs]), ca. 1816–19, published 1864 (first edition). Etching, aquatint, and drypoint. At Yale University Art Gallery, The Arthur Ross Collection.

Francisco Goya, Modo de volar (A Way of Flying), also known as Donde hay ganas hay maña (Where There’s a Will There’s a Way), from the series Los disparates (Los proverbios) (Follies [Proverbs]), ca. 1816–19, published 1864 (first edition). Etching, aquatint, and drypoint. At Yale University Art Gallery, The Arthur Ross Collection.

Massachusetts

6 Bridges Gallery

January 5–February 13: New work by Erik Hansen. She Learned To Smile Later, a photographic novella of a therapeutic journey from adversity to triumph. Images begin with trauma, fear and violence subsiding to allow decision-making. Dawn beckons leading to clarity, hope and strength. Visual metaphors link the storyline and color is used to reflect emotions through this passage. Artist reception: Saturday, January 16, 6–9 p.m. Opening February 16: By Land & By Sea, watercolors by Joyce Dwyer. Artist reception: Saturday, March 12.

77 Main St., Maynard, MA

(978) 897-3825

6bridgesgallery.com

Tu–F 11–6, Sa 10–5

Erik Hansen, Running Girl, photograph. 
At 6 Bridges Gallery.

Erik Hansen, Running Girl, photograph. At 6 Bridges Gallery.

Adelson Galleries Boston

Opening February 5: Maria Magdalena Campos-Pons, featuring a new series of works on paper by Campos-Pons. The selection of gouache and watercolor drawings relate to her current exhibition at the Peabody Essex Museum, Alchemy of the Soul (January 9–April 3). The installation of the artist’s new, large-scale drawings on the main exhibition floor will be complemented by a selection of older works on view at the gallery’s lower level. Opening reception: Friday, February 5, 6–8 p.m.

520 Harrison Ave, Boston, MA

(617) 832–0633

info@adelsongalleriesboston.com

adelsongalleriesboston.com

W–Su 12–6

Maria Magdalena Campos-Pons, Freedom Trap, 2013, Polaroid 
k3 print, 20 x 24". At Adelson Galleries Boston.

Maria Magdalena Campos-Pons, Freedom Trap, 2013, Polaroid k3 print, 20 x 24". At Adelson Galleries Boston.

Anderson Gallery, Bridgewater State University

Opening January 21: Mapping Memory: Jon Schueler Skyscapes at the Wallace L. Anderson Gallery, Bridgewater State University (BSU) is the inaugural exhibition to mark the centenary of the birth of the American artist, Jon Schueler (1916–1992).

Wallace L. Anderson Gallery, Bridgewater State University

40 School St., Bridgewater, MA

(508) 531-2510

bsuarts.com

M–F 9–4; Closed on holidays

Atlantic Works Gallery

January 8–23: The Seven Deadly Sins, group show by gallery members and invited artists. Reception: Thursday, January 21, 6–9 p.m. February 4–26: COEPI, work by new members Perla M. Castañeda, Christine Palamidessi, and sisterwerx. Opening reception: Thursday, February 4, 6–9 p.m. Third Thursday reception and artist talks: February 18, 6–9 p.m.

80 Border St. 3rd Floor, East Boston, MA

(857) 302-8363

contact@atlanticworks.org

atlanticworks.org

F–Sa 2–6 or by appointment

Christine Palamidessi, Red, 2014. At Atlantic Works Gallery

Christine Palamidessi, Red, 2014. At Atlantic Works Gallery

Attleboro Arts Museum

Through February 3: Annual Members’ Exhibition with over 300 works from 150 artists. Opening February 17: Twenty invited artists share their interpretation of select permanent collection works in Then and Now. February 20: Downtown Attleboro’s Winter Night Festival, 5–9 p.m. involving a grand bonfire, ice sculpting and other seasonal attractions, along with the museum’s winter craft fair. Opening February 25: The Artwork of Philip F. Leach.

86 Park St., Attleboro, MA

(508) 222-2644

attleboroartsmuseum.org

Tu–Sa 10–5

Bakalar & Paine Galleries

Opening January 26: Selections features the remarkable work of 20 MassArt professors who are newly hired or returning from sabbatical. Works on view include site-specific installation, photography, video, sculpture, painting, and works on paper. Opening reception: Tuesday, January 26, 6–8 p.m.

Massachusetts College of Art and Design (MassArt)

621 Huntington Ave, Boston, MA

(617) 879-7339

galleryinfo@massart.edu

massart.edu/galleries

M–Sa 12–6, W 12–8

Kofi Kayiga. At Bakalar & Paine Galleries.

Kofi Kayiga. At Bakalar & Paine Galleries.

Barbara Krakow Gallery

Through January 30: Equal Dimensions, featuring works by Josef Albers, Richard Artschwager, Robert Barry, Mel Bochner, Peter Downsbrough, Erwin Heerich, Donald Judd, Ellsworth Kelly, Sol LeWitt, Allan McCollum, Giulio Paolini, Liliana Porter, Kay Rosen, Robert Ryman and Fred Sandback. January 9: One Wall, One Work, featuring Ursula von Rydingsvard.

10 Newbury St, Boston, MA

(617) 262-4490

info@barbarakrakowgallery.com

barbarakrakowgallery.com

Tu–Sa 10–5:30

One Wall, One Work: Ursula von Rydingsvard. At Barbara Krakow Galleries.

One Wall, One Work: Ursula von Rydingsvard. At Barbara Krakow Galleries.

Beard & Weil Galleries

Opening January 28: Theories of the Earth: Beth Lipman and Lauren Fensterstock. Two-person exhibition, including sculpture, installation, photographs, drawings, and video. Opening reception: Thursday, February 4, 5–8 p.m. See website for event details. Gallery and events are free and open to the public.

Wheaton College

26 East Main St., Norton, MA

(508) 286-5412

wheatoncollege.edu/gallery

M–Sa 12:30–4:30, closed during school breaks

Beth Lipman, Laid (Time-) Table with Cycads, 2015, glass, adhesive, wood, paint, 92 x 192". At Beard & Weil Galleries.

Beth Lipman, Laid (Time-) Table with Cycads, 2015, glass, adhesive, wood, paint, 92 x 192". At Beard & Weil Galleries.

Bing Arts Center

Opening January 23: Chris Page: Moment by Moment: Painting and Photographic Suites. In his new series of paintings and photographs Page explores optical and experiential awareness while walking in different New England environments. Based in witnessing the horizonless, daytime sky and ocean surf these works are multi-image sequences that capture an unfolding process and the flow of space-time in the landscape. The painting sequences use gestural rhythms to create a meditative visual field. Reception: January 30, 4–7 p.m.

716 Sumner Avenue, Springfield, MA

(413) 731-9730

bingartscenter.org/programming/exhibits

Sa 11–2

Chris Page, SkyWalk 11.06.2015 (2 of 5), 2015, acrylic on paper, 48 x 72" each image. At Bing Arts Center.

Chris Page, SkyWalk 11.06.2015 (2 of 5), 2015, acrylic on paper, 48 x 72" each image. At Bing Arts Center.

Boston Athenæum

Through February 28: Collecting for the Boston Athenæum in the 21st Century: Maps, Charts, & Plans brings together an exquisite selection of materials from the institution’s rich cartographic collection. The exhibition celebrates the Athenæum’s robust acquisitions program and showcases more than 50 objects that have been added to the collection since 2000. Visitors will discover works from the 17th to the 20th centuries.

101⁄2 Beacon St., Boston, MA

(617) 227-0270

comments@bostonathenaeum.org

bostonathenaeum.org

M–Th 9–8, F 9–5:30, Sa 9–4, Su 12–4

BostonAthaeneum

Sir Thomas Hyde Page, A Plan of the Action at Bunkers Hill on the 17th of June 1775, London, 1793. At Boston Athenaeum.

Boston Sculptors Gallery

Through January 17: Twice as Good. Reception: Friday, January 1, 2–5 p.m. with brunch and live music. Free. First Friday: January 8, 5–8 p.m. January 20–February 21: Void Filler by Johnathan Derry and What Began, What Remains by Hannah Verlin. Reception: Friday, January 23, 4–7 p.m. First Friday, February 5, 5–8 p.m. Opening February 24: The Aching Web by Laura Evans and Mutation by Chris Frost.

486 Harrison Ave., Boston, MA

(617) 482-7781

bostonsculptors@yahoo.com

bostonsculptors.com

W–Su 12–6

Brickbottom Gallery

January 24–February 27: Out the Window: Artists capture their studio views. David Campbell and Cyn Maurice each exhibit a body of work based on more than 27 years of the changing Somerville landscape, as reflected in all four seasons and times of the day and night.

1 Fitchburg St., Somerville, MA

brickbottomartist@rcn.com

brickbottom.com

Th–Sa 12–5

Bromfield Gallery

January 6–31: SOLO Winners, featuring two winners of the SOLO 2016 competition. These are their first solo exhibitions in a commercial gallery. Juried by Ruth Erickson, assistant curator at the Institute of Contemporary Art, Boston. Reception: Friday, January 8, 6–8:30 p.m. February 3–28: Not Exactly Flat. Works by 11 Bromfield Gallery artists that explore the notion of 3-D art in painting, prints, mixed media and collage. Reception: Friday, February 5, 6–8:30 p.m.

450 Harrison Ave., Boston, MA

(617) 451-3605

info@bromfieldgallery.com

bromfieldgallery.com

W–Su 12–5

Cambridge Art Association

January 9–29: 30 Below, juried by Mary Tinti. Opening reception: Thursday, January 14, 6–9 p.m. January 13–February 13: University Place Gallery: Winter Break. Closing reception: Thursday, February 11, 5–7 p.m. February 5–25: Kathryn Schultz Gallery: Unconventional Means. Opening February 18: University Place Gallery: Between Abstraction. Opening reception: Thursday, February 25, 6–8 p.m.


University Place Gallery (UP)
124 Mt. Auburn St., Cambridge, MA
M–F 9–5, Sa 9–1

Kathryn Schultz Gallery and Offices

25 Lowell St., Cambridge, MA

(617) 876-0246

info@cambridgeart.org

cambridgeart.org

Tu–Sa 11–5

Copley Society of Art

Co|So is the oldest non-profit art association in the United States, representing nearly 400 artist members from around the globe. January 14–February 19: New Members Show featuring work by 22 new Copley Society artist members in the Upper Gallery, and Brian Dubina: Revolutions of Winter, at Boston Private Bank at the Prudential Center.

158 Newbury St, Boston, MA

(617) 536-5049

info@copleysociety.org

copleysociety.org

Tu–Sa 11–6, Su 12–5

Dan Simoneau, 99 - Freeport Motif 3, acrylic on canvas, 24 x 24". At the Copley Society of Art.

Dan Simoneau, 99 - Freeport Motif 3, acrylic on canvas, 24 x 24". At the Copley Society of Art.

Danforth Art, Museum/School

Ongoing: See, learn about, create, and be inspired by art. The Memory Palace: Domesticity, Objects, and the Interior is an exhibition in two parts opening this winter and featuring works from the permanent collection and installations by contemporary artists. Featuring Leslie Graff, Toni Pepe and Astrid Reischwitz. Through February 28: Also featuring Lindsey Beal, Molly Craig and Molly Lamb.

123 Union Ave, Framingham, MA

(508) 620-0050

danforthart.org

W & Su 12–5, Th 12–8:30, F & Sa 10–5

deCordova Sculpture Park and Museum

Ongoing: Drawing Redefined: Roni Horn, Esther Kläs, Joëlle Tuerlinckx, Richard Tuttle, and Jordine Voigt. Five international artists transform the traditional practice of drawing into an experimental exploration of time and space. Forms including photography, painting, and sculpture. The Sculptor’s Eye: Prints, Drawings, and Photographs from the Collection. Drawn from deCordova’s permanent collection, this exhibition features works on paper and photographs from artists who are primarily considered sculptors. Artists include Terry Alrbight, Diana Al-Hadid. Mags Harries, John Isherwood, Mary Lum, Andrew Mowbray, Louise Nevelson and Robert Rauschenberg.

51 Sandy Pond Rd, Lincoln, MA

(781)259-8355

decordova.org

Open daily 10–5

Essex Art Center

Opening January 8: Elizabeth A. Beland Gallery, Mountains and Other Abstract Ideas, featuring painting by Daniel Bohman. Artist talk: Friday, January 8, 5 p.m.; Chester F. Sidell Gallery: Intersections, an exhibition of photography by Joe Reardon, Roy Haddock, and Ron Wybranowski. Opening receptions: Friday, January 8, 5–7 p.m. See website for further details and information.

56 Island St, Lawrence, MA

(978) 685-2343

essexartcenter.org

M–F 10–6, closed January 18 & February 15

Fitchburg Art Museum

Through January 10: Land Ho! featuring work from Carrie Crane, Sally Curcio, Leila Daw, Warner Friedman, Michele Lauriat, Sandy Litchfield, Shona Macdonald and Sue MacNally in conversation with over 30 historical landscape works from FAM’s permanent collection. Opening February 7: TRIIIBE: same difference. Ongoing: Evoking Eleanor: The art, life, and legacy of FAM Founder Eleanor Norcross; Recent Acquisitions: Photography; GLOBAL AFRICA: Creativity, Continuity and Change in African Art; Discover Ancient Egypt.

185 Elm Street, Fitchburg, MA

(978) 345-4207

fitchburgartmuseum.org

W-F 12-4, Sa & Su 11-5

TRIIIBE, Fine, 2009. At Fitchburg Art Museum.

TRIIIBE, Fine, 2009. At Fitchburg Art Museum.

Fountain Street Fine Art

Through January 10: Terrain: Finding Elusive Ground, juried by John Colan, in the Main Gallery. Small Works Showcase, affordable art and gifts, in the Small Gallery. Opening January 21: People’s Choice, fifth anniversary exhibit. Crowd-sourced choices determine the artworks featured in this unique show. Cast your votes at fsfaboston.com/
peoples-choice through January 15. Reception: Saturday, February 6, 5–7 p.m. in the Main Gallery. Greetings! Postcard show in the Small Gallery. Reception: Saturday, February 13, 12–4 p.m.

59 Fountain St, Framingham, MA

(508) 879-4200

fountainstfineart@gmail.com

fsfaboston.com

Th–Su, 11–5 and by appointment

Fuller Craft Museum

New England’s home for contemporary craft. Through January 17: Art as Quilt: Transitions in Contemporary Textile Media, Studio Art Quilt Association. Through January 31: Grethe Wittrock: Nordic Currents. Through February 28: Paul J. Smith Portraits: A Photographic Journal of the Studio Craft Community. Ongoing: Toothpick World: From Sliver to Skyline; Traditions and Innovations: Fuller Craft Collects (permanent collection). Opening January 23: Material Witness: Joan Pearson Watkins–Potter, Educator and Collector.

MBTA Commuter Rail to Brockton station, then take Bus 4A

455 Oak St, Brockton, MA

(508) 588-6000

fullercraft.org

Tu–W, F–Su 10–5, Th 10–9

Galatea Fine Art

January 2–31: Angela Ales: Archetypes, oil paintings. Rachel Shatil: Walking the Earth, mixed media. Richard Alan Cohen: Objectives of Desire, photography. Reception: Friday, January 8, 6–8 p.m. February 3–28: Brenda van der Beek: Paradoxical Daydreams, mixed media. Diane Novetsky: EARTHSHIFTER, paintings. Connie Bigony and Yvonne Lamothe: Fauvisticly Speaking, mixed media. Reception: Friday, February 5, 6–8 p.m.

460B Harrison Ave., #B-6, Boston, MA

(617) 542-1500

galateafinearts@yahoo.com

galateafineart.com

W–F 12–6, Sa–Su 12–5

Gallery 344

Through February 29: Vivian Beer: Refining Landscapes. This exhibition of exquisite, unique furniture lets the viewer in on the underlying artistic process that the public so rarely gets to glimpse, through drawings, photographs, jigs and models. Beer’s practice reveals a mastery of sophisticated design in the making of intimate and functional domestic objects. Gallery 344 is free and open to the public.

Cambridge Arts Council

344 Broadway, 2nd Floor, Cambridge, MA

(617) 349-4380

cambridgeartscouncil.org

M 8:30–8, Tu–Th 8:30–5, F 8:30-12

Gallery NAGA

January 8–30: Robert Ferrandini: New Watercolors and Louis Risoli: New Paintings. New watercolors by Ferrandini are as mystical and grand as ever, even in their 18 x 24" format. Risoli’s paintings vary in size, color and texture, but not in their punch. Opening reception: Friday, January 8, 6–8 p.m. February 5–27: A Dysfunctional Family: Portraits by Gallery NAGA Artists. This grouping of Gallery NAGA artists’ portraiture shows how truly diverse the roster remains. It includes works from the 1980s through the present. Opening reception: Friday, February 5, 6–8 p.m.

67 Newbury St, Boston, MA

(617) 267-9060

mail@gallerynaga.com

gallerynaga.com

Tu–Sa 10–5

Gallery Seven

Opening February 23: FEAST: Images of the Edible. Featuring paintings and photographs by 29 New England artists. Juried by Kaveh Mojtabai, founder and publisher of Artscope Magazine. Artists’ reception: Saturday, March 12, 7–9 p.m. Free and wheelchair accessible.
 

7 Nason St., Maynard, MA

(978) 897-9777

gallerysevenmaynard.com

Tu–F 10–6, Sa 10–5

Sherie Harkins, Tomato Light, oil on canvas. At Gallery Seven.

Sherie Harkins, Tomato Light, oil on canvas. At Gallery Seven.

Grand Circle Gallery

Extended through February 2016: Through the Lens of History: Selma & Civil Rights. Grand Circle Gallery’s 50th anniversary remembrance of the civil rights march from Selma to Montgomery features the work of James H. Barker, who chronicled the march in black-and-white photographs. The exhibition also includes a selection of renowned photographs that complement the story.

347 Congress Street, Boston, MA

(617) 346-6459

info@grandcirclegallery.org

gct.com/grandcirclegallery

W, F 12–6, Th 12–7, Sa 10–5, and by appointment

Grimshaw-Gudewicz Art Gallery

January 21–February 18: Works by Deborah Coolidge, Emma Hogarth, and Masha Ryskin. The artists employ notions of history, memory, documentation, time, and place in their work. Their work examines the ways in which things are remembered, or known, and the ways in which these ideas are manifest. Reception: Thursday, January 21, 6–8 p.m. Snow date: January 22, 6-8 p.m.

Bristol Community College

777 Elsbree St, Fall River, MA

(508) 678-2811 ext 2631

bristolcc.edu/gallery

M–F 10–4, Sa 1–4

Harvard Art Museums

Opening February 5: Everywhen: The Eternal Present in Indigenous Art from Australia surveys contemporary Indigenous art from Australia, exploring the ways in which time is embedded within Indigenous artistic, social, historical, and philosophical life. Includes over 70 works of varying scale and media drawn from public and private collections in Australia and the US, many of which have never been seen outside Australia. Check website for information about related programming.

32 Quincy St., Cambridge, MA

(617) 495-9400

harvardartmuseums.org

M–Su 10–5

Iris & B. Gerald Cantor Art Gallery

January 20–February 27: Grammar: Recent Work by Matthew Gamber. Gamber joined the visual arts faculty in 2014 as an assistant professor of photography and new media. His work is an exploration of the space between analog and digital photographic technologies, where images can be read as both factual and illusory. This paradox of intention is the focus of Gamber’s survey of recent work. Find them on Facebook and follow them on Instagram and Twitter.
 

College of the Holy Cross

O’Kane Hall, 1 College St., Worcester, MA

(508) 793-3356

holycross.edu/cantorartgallery

M–F 10–5, Sa 2–5

Matthew Gamber, Stanford Bunny (CMYK), 2014. 
At Iris & Gerald Cantor Art Gallery.

Matthew Gamber, Stanford Bunny (CMYK), 2014. At Iris & Gerald Cantor Art Gallery.

Kingston Gallery

January 6–31: I Know Just What You’re Saying, an all-members exhibition featuring a conversation conducted solely through visual art. First Friday opening reception: Friday, January 8, 5–8 p.m. February 3–28: Main Gallery: Jamal Thorne, Phantasmal Espionage. Center Gallery: Jamie Bowman. Members’ Gallery: Jennifer Moses, New Work. First Friday opening reception: Friday, February 5, 5:30–8 p.m.

450 Harrison Ave., No. 43, Boston, MA

(617) 423-4113

kingstongallery.com

W–Su 12–5 and by appointment: (978) 998-2443

Kniznick Gallery, Brandeis University

Through February 19: Tea of Oblivion, an exhibition of ceramic sculptures by Heidi Lau and photography by Megan Ledbetter. The show connects the work through the Chinese folktale of Meng Po, a woman that serves mystic tea causing reincarnated souls to forget their past. Occasionally, one may refuse the tea to retain the details of their lives. Through incorporating elements from their respective cultures, the artists preserve personal connections to home. See website for details and events.

515 South St., Waltham, MA

(781) 736-8102

brandeis.edu/wsrc/arts

M–F 9–5

Megan Ledbetter, Cara & Louise, 2014. Silver gelatin print, 16 x 20". At Kniznick Gallery.

Megan Ledbetter, Cara & Louise, 2014. Silver gelatin print, 16 x 20". At Kniznick Gallery.

La Galería, IBA Boston

January 29–February 26: Dead Roses, a collection of images highlighting the innocence of love, while exposing the dark pain that comes along with it. La Galería is pleased to present this photography exhibit by Pedro Cruz, a Boston based photographer who explores the theme that has most fascinated artists since the beginning of time: love. Opening reception: Friday, January 29, 6–8 p.m. Free and open to the public.

85 W Newton St, Boston, MA

(617) 927-1737

emosquera@ibaboston.org

ibaboston.org/arts-program

Open by appointment

Image from Dead Roses, by Pedro Cruz at La Galería at IBA Boston.

Image from Dead Roses, by Pedro Cruz at La Galería at IBA Boston.

Lexington Arts and Crafts Society

January 9–24: Founders Show, celebrating 80 years. Reception: Sunday, January 10, 6–9 p.m. January 30–February 14: LACS Student Show. Opening February 20: Through the Years, an exhibit from the Weavers Guild. Reception: February 21, 6–9 p.m. Ongoing: Winter Classes & Workshops for Adults & Teens. Visit their website for complete class and workshop offerings and details.

130 Waltham Street, Lexington, MA

(781) 862-9696

lacsma.org

Tu–Su 12-4, Sa 10–4

McCoy Gallery, Rogers Center for the Arts

January 21-February 29: Elizabeth Harris: Encaustic Paintings and Monotypes. Harris fuses drawing and painting with her unleashed, lyrical scrawls and scratches that emphasize the materiality of writing and suggest an illuminated space. Forms and lines loop and perform like narrative figures.

Merrimack College

315 Turnpike St, North Andover, MA

(978) 837-5255

merrimack.edu/mccoy

M–F 9–5

MIT List Visual Arts Center

January 5–February 21: List Projects: Ann Hirsch. Ann Hirsch’s work in video and performance considers the effects of technology on popular culture; many of her projects examine how young women are portrayed and present themselves in social media and online. Opening February 19: Joana Hadjithomas and Khalil Joreige: I Must First Apologize… The culmination of a major project by Joana Hadjithomas and Khalil Joreige, this exhibition presents a body of work that looks at the history of online spam and scamming through film, sculpture, photography, and installation.

Wiesner Building E15

20 Ames St., Cambridge, MA

(617) 253-4680

listart.mit.edu

Tu–W 12–6, Th 12–8, F–Su 12–6 Closed major holidays

Joana Hadjithomas & Khalil Joreige, The Rumor of the World, 2014, video installation, 23 screens, 100 loudspeakers, 38 HD films variable lengths. At MIT List Visual Arts Center.

Joana Hadjithomas & Khalil Joreige, The Rumor of the World, 2014, video installation, 23 screens, 100 loudspeakers, 38 HD films variable lengths. At MIT List Visual Arts Center.

MIT Museum

The MIT Museum presents temporary and permanent exhibitions at the nexus of art, science, and technology. Ongoing: Images of Discovery: Communicating Science through Photography; Holography; The Sculpture of Arthur Ganson; Projects and Prototypes: MIT Student Work. Opening February 29: Imagining New Technology: Building MIT in Cambridge. Public programs, gallery tours, weekend demonstrations and festivals take place regularly. Check the museum website for complete information.

265 Massachusetts Ave, Cambridge, MA

(617) 253-5927

mit.edu/museum

M–Su 10–5, closed major holidays

Montserrat College of Art Galleries

Montserrat Gallery. Opening January 4: I Will Go On... featuring Liz Jaff, Jon Kuzmich, Aaron Meyers, Jenny O’Dell, and Rachel Perry Welty. 301 Gallery. January 11–27: Constellations: Annual Alumni Show. February 1–12: Illustration Theme Show. Carol Schlosberg Alumni Gallery. January 12–February 7: Remi Thornton. Opening February 10: Emily Dumas. February 17–24: Sculpture Theme Show.

301 Gallery
301 Cabot St., Beverly, MA
M–F 11:30–2:30, Sa 12–5, and by appointment
 

Carol Schlosberg Alumni Gallery

23 Essex St, Beverly, MA

(978) 921-4242

gallery@montserrat.edu

montserrat.edu/galleries

M–W, F 10–5, Th 10–8, Sa 12–5

Nesto Gallery

Opening January 15: Untold Stories, featuring artist Sachiko Akiyama. As a wood carver, Akiyama is also an excavator. Her very personal figure carvings uncover character and soul one chip of wood at a time. Her highly personalized work and the form it takes unite dynamic cross-cultural currents. Opening reception: Friday, January 15, 5:30–7:30 p.m.

Milton Academy Art & Media Center

170 Centre St., Milton, MA

(617) 898-1798

milton.edu/arts/nesto.cfm

M–F 8:30–3:30

New Art Center

Opening January 15: You Are Here, a Curatorial Opportunity Program exhibition curated by Pam Campanaro, and featuring artists Darek Bittner, Dan DeRosato, Kevin Frances, Mark Hoffmann and Emma Hogarth. The artists of You Are Here use digital glitching, painting, sculpture, video, and collage to present place as a physical, liminal, or psychological space. Interactive Mural Projects: January 5–30: A Path: Drills for Flight with Marlon Forrester. February 2–27: All Roads Lead Home with Ben Jundanian.

61 Washington Park, Newtonville, MA

(617) 984-3424

newartcenter.org

Tu–Sa 1–6

Newton Free Library

January 4–28: Gallery: ONCE/AGAIN by Carol Blackwell, pastiche: former paintings, collages and printmaking. Reception: Wednesday, January 13, 7 p.m. Main Hall: Invisible No More by Mario E. Quiroz-Servellón, photography about domestic workers. Reception: Wednesday, January 6, 7 p.m. February 2–28: Gallery: Light, Water, Air by Katha Seidman, painted bas relief seascapes.Reception: Thursday, February 4, 7 p.m. Main Hall: Aggregate by Michael St. Germain, accumulate, conceal, reveal and propagate. Reception: Tuesday, February 2, 7 p.m.

330 Homer St, Newton, MA

(671) 796-1360

emeyers@minlib.net

newtonfreelibrary.net

M–Th 9–9, F 9–6, Sa 9–5, Su 1–5

Oxbow Gallery

January 7–31: Front Gallery: WHIMSY, paintings by Diane Harr, a sea of Key West fun and sparkle. Back Gallery: Nonage Portals, memory-based portraits painted on hollow wooden doors by Marjorie Morgan. Reception: Friday, January 8, 5–8 p.m. February 4–28: Front Gallery: paintings of New Mexico by Janet Palin. Back Room: The Flood, Frances Kidder’s works on paper featuring historical records of the 1874 Mill River flood. Reception: Friday, February 12, 5–8 p.m.

275 Pleasant St, Northampton, MA

(413) 586-6300

oxbowgallery.org

Th–Su 1–5

Frances Kidder, Collapse. At Oxbow Gallery.

Frances Kidder, Collapse. At Oxbow Gallery.

Peabody Essex Museum

Ongoing: Native Fashion Now. From vibrant street clothing to exquisite haute couture, this exhibition celebrates the visual range, creative expression and political nuance of Native American fashion. Nearly 100 works spanning the last 60 years explore the vitality of Native fashion designers and artists, from pioneering Native style-makers to today’s mavericks. Opening January 9: Alchemy of the Soul: Maria Magdalena Campos-Pons. Through large-scale blown glass sculptures, paintings, photographs, and soundscapes, the artist draws on the structural forms found on her childhood island home.

East India Square, Salem, MA

(978) 745-9500

www.pem.org

Tu–Su 10–5, 3rd Th 10–9

David Gaussoin and Wayne Nez Gaussoin (Diné [Navajo]/Picuris Pueblo), Postmodern Boa, 2009, stainless steel, sterling silver, enamel paint, and feathers. Courtesy of the designers and the Museum of Indian Arts and Culture. Model: Tazbah Gaussion. At Peabody Essex Museum.

David Gaussoin and Wayne Nez Gaussoin (Diné [Navajo]/Picuris Pueblo), Postmodern Boa, 2009, stainless steel, sterling silver, enamel paint, and feathers. Courtesy of the designers and the Museum of Indian Arts and Culture. Model: Tazbah Gaussion. At Peabody Essex Museum.

Piano Craft Gallery

January 8–31: Ultraviolet, with works by Danielle Coenen and Tatia Cynae. Opening reception: Friday, January 8, 6–10 p.m. February 5–28: All Fired Up, exhibiting contemporary clay sculpture from Feet of Clay members. Opening reception: Friday, February 5, 6–10 p.m. All receptions are free and open to the public.

793 Tremont St., Boston, MA

artpcgboston@gmail.com

pianocraftgallery.org or facebook.com/gallerypf

January 8–31: F 6–8, Sa–Su 12–5 February 5–28: Th–F 3:30–8, Sa–Su 1–6

Samsøn

Through January 23: Nicole Cherubini: Golden Specific. Opening in February: Jackie Nickerson. Ongoing: §üb∫amsøñ residency: SWEETY’S: Julia Pimes Mata, Bryan Rodriguez, Ximena Izquierdo Ugáz, and Eduardo Restrepo Castaño.

450 Harrison Ave., at 29 Thayer St, Boston, MA

(617) 357-7177

samson@samsonprojects.com

samsonprojects.com

W–Sa 11–6, and by appointment

School of the Museum of Fine Arts, Boston

Opening January 28: On Exactitude in Science explores the limits and possibilities of concrete descriptions of physical space in prints, photographs, sculptures, and performances. Guest curated by Dina Deitsch. Artists: Jennifer Bornstein, Aslı Çavuşoğlu, Jumana Manna, and Elizabeth McAlpine. Opening reception: Thursday, January 28, 5–7 p.m.

230 The Fenway, Boston, MA

(617) 369-3656

smfa.edu/exhibitions

M–Sa 10–5, Th 10–8

Smith College Museum of Art

Through January 31: Dislocation/Urban Experience: Contemporary Photographs from East Asia. Opening January 29: Mothers’ Arms: Käthe Kollwitz’s Women and War. Fall 2015 marked the completion of the museum’s two-year Gallery Redesign Project during which all four floors of galleries were renovated and reinstalled. New highlights include galleries for Asian art and digital media, and the “Talk Back” learning space.

Elm Street at Bedford Ter., Northampton, MA

(413) 585-2760

smith.edu/artmuseum

Tu–Sa 10–4, Su 12–4

Maika Elan (Nguyen Thanh Hai), image from The Pink Choice, archival pigment prints, 31½ x 47¼". Lent by Maika Elan. 
At Smith College Museum of Art.

Maika Elan (Nguyen Thanh Hai), image from The Pink Choice, archival pigment prints, 31½ x 47¼". Lent by Maika Elan. At Smith College Museum of Art.

South Shore Art Center

January 8–February 21: Vantage Point: Gallery Artists, juried by Catherine Kernan, director of Maud Morgan Arts. Dillon Gallery: Joan Collins, Peggy Roth Major, Joe Reardon, Tim Waite, Ronald Wilson. Faculty Feature: Tak Toyoshima. Opening reception: Friday, January 8, 6–8 p.m.

119 Ripley Rd., Cohasset, MA

(781) 383-2787

ssac.org

M–Sa 10–4, Su 12–4

Springfield Museums

Ongoing: George Walter Vincent Smith Art Museum: Cabinets of Curiosity, unique and unusual objects displayed in the style of 18th and 19th-century Wunderkammer. Michele & Donald D’Amour Museum of Fine Arts: Leaving our Mark: In Celebration of the Pencil, contemporary drawings and sculpture by acclaimed graphite artists from across the Northeast. Through January 31: Still of the Night: Nocturnal Scenes by Currier & Ives. Opening January 12: Boys Will Be Boys: Illustrations from Boys’ Life Magazine by Henry and Enos Comstock.

21 Edwards St, Springfield, MA

(800) 625-7738

springfieldmuseums.org

Tu–Sa 10–5, Su 11–5

The Art Complex Museum

Through January 16: Rotations: Objects from the Permanent Collection; Cannot Be Described in Words: Drawing/Daring, new approaches that expand the definition of drawing. Through February 14: Meredith d’Ambrosio’s Landscapes of the North Countries, artwork of startling color and beauty. Opening February 7: Rotations: Objects from the Permanent Collection; DAA Winter Juried Show. Gala opening: Saturday, February 6, 6–9 p.m. Opening February 21: Compelling Progressions: Explorations in Encaustic, with Pat Gerkin, Donna Hamil Talman, Charyl Weissbach.

189 Alden St, Duxbury, MA

(781) 934-6634

artcomplex.org

W–Su 1–4

The Griffin Museum of Photography

Opening January 14: Main Gallery: Bullet Points: Photographs by Deborah Bay, Christopher Colville, Garrett Hansen and Sabine Pearlman. Atelier Gallery: (re): media, by Krista Wortendyke. Griffin Gallery: Domesticated: Seeing Past Seduction, by Yorgos Efthymiadis. Satellite galleries: Griffin Museum @ Stoneham Theatre, 395 Main St, Stoneham, MA. Through January 31: Julie McCarthy, Edna St. Vincent Millay at Steepletop.

67 Shore Rd., Winchester, MA

(781) 729-1158

www.griffinmuseum.org

Tu–Su 12–4

Thompson Gallery

Ongoing: Raúl Gonzalez III—Nowhere Everywhere. The second of three exhibitions in the Nowhere Everywhere exhibition series presents the cultural portraiture of Raúl Gonzalez III. Gonzalez’s exquisite drawings are balanced by a sobering and critical examination of Latin-American issues including the “romance of the west,” Latino stereotypes, and immigration. Gallery talk: Saturday, January 16, 1–2 p.m.

The Cambridge School of Weston

45 Georgian Rd., Weston, MA

(781) 398-8316

thompsongallery.csw.org

M–F 9–4:30, or by appointment School calendar applies

Raúl Gonzalez, Every Step you take is Forever, 2012, acrylic, color pencil, and marker, 50 x 55”. At Thompson Gallery.

Raúl Gonzalez, Every Step you take is Forever, 2012, acrylic, color pencil, and marker, 50 x 55”. At Thompson Gallery.

Towne Art Gallery at Wheelock College

January 27–February 18: Sylvia Lopez Chavez: Urban Ecology. In this solo exhibition, Boston-based artist Sylvia Lopez Chavez explores the “delicate balance of the human coexistence with its immediate natural water resource in the urban and industrial setting.” Her works in this exhibition explore the use of mono-printing layered with mixed media. Gallery talk: Tuesday, February 9: 10–11 a.m.

Wheelock College

180 The Riverway, Boston, MA

(617) 879-2219

elicea-kane@wheelock.edu

wheelock.edu/art

Tu–Th 1–5, Sa 2–5

Sylvia Lopez Chavez, Urban Harmony, 2015, mono-print collage, cut paper, acrylic paint, gouache, watercolors mounted on wood, vellum, plastic mesh and dried jello, 5½ x 6'. At Towne Art Gallery.

Sylvia Lopez Chavez, Urban Harmony, 2015, mono-print collage, cut paper, acrylic paint, gouache, watercolors mounted on wood, vellum, plastic mesh and dried jello, 5½ x 6'. At Towne Art Gallery.

Trident Gallery

Opening January 30: NEST. This third annual exhibition in partnership with the Museum of American Bird Art at Mass Audubon features paintings, drawings, and photography by Isaac Sprague (1811–95), Genevieve Jones (1847–79), and living artists Rosamond Purcell, Sharon Beals, Winston Swift Boyer, Gabrielle Barzaghi, and others.

189 Main St., Gloucester, MA

(978) 491-7785

director@tridentgallery.com

tridentgallery.com

M, Th–F, Su 10¬–5, Sa 10–7, Tu–W by appointment. (See website for exceptions)

Trustman Art Gallery at Simmons College

January 20–29: Annual Student Show. Opening February 4: Extrapolation with Daniel Kornrumpf and Kathy Soles, painters creating personal responses with their media. Soles’ expressive brushwork and Kornrumpf’s exquisitely detailed embroideries entice the viewer into the artist’s world. Soles explores her relationship with sea and sand. Kornrumpf offers portraits both embroidered and painted. Reception: Thursday, February 4, 5–7 p.m. Snow date: February 11.

300 The Fenway, Boston, MA

(617) 521-2268

trustmangallery@simmons.edu

simmons.edu/trustman

M–F 10–4:30

Tufts University Art Gallery

Opening January 21: Tseng Kwong Chi: Performing for the Camera. This exhibition features photos by artist Tseng Kwong Chi, a key documentarian of Manhattan’s downtown scene in the 1980s. Marcelo Brodsky | Jorge Tacla: Upheaval. This exhibition features work by Marcelo Brodsky and Jorge Tacla, acclaimed international artists whose work engages with the history of political violence.

Aidekman Arts Center

40 Talbot Ave., Medford, MA

(617) 627-3518

artgallery@tufts.edu

artgallery.tufts.edu

Tu–Su 11–5, Th 11–8

University Gallery at UMass Lowell

January 19–February 27: 1975, curated by Chuong-dai Vo. Featuring Anida Yoeu Ali, Amy Lee Sanford and LinDa Saphan. Reception and talk: TBA, please contact the gallery.

Mahoney Hall

870 Broadway St, Lowell, MA

(978) 934-3491 ex. 3494

deborah_santoro@uml.edu

uml.edu/dept/art/galleries

M–W 10–4, Th 10–9, F–Sa 10–3

Love, Sunshine, mixed media on laser cut paper. At UMASS Lowell.

Wedeman Gallery at Lasell College

February 2–20: Twisted Again: The New Kumihimo. Fresh Perspectives on an Ancient Technique. An international group exhibition featuring Lyn Christiansen (US), Jacqui Carey (UK), Makiko Tada (Japan), Hiroko Ojima (Japan), Helen Vonow (Australia), and Jennie Parry (UK). Curated by Lyn Christiansen. Reception: Sunday, February 7, 4–6 p.m.

Lasell College

47 Myrtle Ave, Newton, MA

(617) 243-2143

www.wedemangallery.com

Tu–Sa 1–4

Artwork by Hiroko Ojima. At Wedeman Gallery.

Artwork by Hiroko Ojima. At Wedeman Gallery.

Winfisky Gallery at Salem State University

The Winfisky Gallery displays art from all over the world in a variety of media from prints to kinetic sculpture to collage and photography. In addition to visiting artists, the art and design department hosts an annual faculty works exhibit, a student works exhibit and the prestigious student honors exhibition.

Ellison Campus Center

Lafayette St., Rts. 114 & 1A, Salem, MA

(978) 542-7890

salemstate.edu/arts

M-F 10-2 or by appointment

Worcester Art Museum

Ongoing: Veiled Aleppo, images of Syria’s civil war by photojournalist Franco Pagetti. Hassan Hajjaj: My Rock Stars, salon installation featuring images and sounds of international musicians. Opening January 16: Cyanotypes: Photography’s Blue Period, a survey of cyanotype photographs from botanical prints of the 1850s to contemporary abstract works.

55 Salisbury St, Worcester, MA

(508) 799-4406

worcesterart.org

W–F, Su 11–5, Sa 10–5, Third Thursdays 11–8

Annie Lopez, Medical Conditions, 2013, cyanotype, printed on tamale wrapping paper. Courtesy of the artist. At Worcester Art Museum.

Annie Lopez, Medical Conditions, 2013, cyanotype, printed on tamale wrapping paper. Courtesy of the artist. At Worcester Art Museum.

Maine

Colby College Museum of Art

Opening February 2: Robert Adams: Turning Back; Alec Soth: Summer Nights at the Dollar Tree. Winter Open House: Thursday, February 11, 6–8 p.m. Museum tours every Saturday at 2 p.m. Free and open to the public.

5600 Mayflower Hill Dr, Waterville, ME

(207) 859-5600

www.colby.edu/museum

Tu–W, F–Sa 10–5, Th 10–9, Su 12–5

At Colby College Museum of Art.

At Colby College Museum of Art.

New Hampshire

Hood Museum of Art, Dartmouth College

Opening January 16: Inventory: New Works and Conversations around African Art. Inventory includes 31 exceptional objects that demonstrate the Hood’s more recent collecting emphasis, mapping the contour of modern and contemporary African art from the 1960s to the present while also shedding critical light on the diversity of African artistic practices by multiple generations of artists.

6 East Wheelock St., Hanover, NH

(603) 646-2808

hood.museum@dartmouth.edu

hoodmuseum.dartmouth.edu

Tu, Th–Sa 10–5, W 10–9, Su 12–5

Halida Boughriet, Diner des anonymes (Anonymous Diners), from the series Pandora, 2014, chromogenic color print. Purchased through the Stephen and Constance Spahn ’63 Acquisitions Fund, 2015.66.1. © Halida Boughriet. At Hood Museum of Art.

Halida Boughriet, Diner des anonymes (Anonymous Diners), from the series Pandora, 2014, chromogenic color print. Purchased through the Stephen and Constance Spahn ’63 Acquisitions Fund, 2015.66.1. © Halida Boughriet. At Hood Museum of Art.

Lamont Gallery

January 15–February 27: Graphic Advocacy: International Posters For the Digital Age 2001–2012. This exhibition explores the intersection of design and activism, featuring posters by artists and designers from around the world. “Posters are dissent made visible” according to exhibition organizer, Professor Elizabeth Resnick from the Massachusetts College of Art and Design. Reception: Friday, January 15, 5–7 p.m. Gallery talk: Saturday, January 16, 10 a.m.–12 p.m. Free.

Frederick R. Mayer Art Center Phillips Exeter Academy

11 Tan Lane, Exeter, NH

(603) 777-3461

exeter.edu/lamontgallery

M 1–5, Tu–Sa 9–5

McIninch Art Gallery

January 14–February 20: Gary Haven Smith: A Celebration of Sculpture, curated by Deborah Disston, director, McIninch Art Gallery. Opening February 25–April 2: Letinsky + Marcuse: A Still Dialogue, curated by Professor Vanessa Rocco.
McIninch 292  Sentinel III

Gary Haven Smith, Sentinel III, granite, 2010, 82 x 36 x 28".At McIninch Art Gallery.
McIninch Letinsky HMTE 64 Peach1
Laura Letinsky, Untitled #64 (Hardly More Than Ever), 2002, c-print, 44 x 66". At McIninch Art Gallery.
 


 

Southern New Hampshire University

2500 N. River Rd, Manchester, NH

(603) 629-4622

m.gallery@snhu.edu

snhu.edu/art

M–Sa 10–3, Th 10–8

Museum of Art, University of New Hampshire

Opening January 26: Groundswell, including Sophia Ainslie, Nathan Miner, and Cristi Rinklin. Natural Wonder, including Christina Pitsch, Shelley Reed, Rick Shaefer, and Randal Thurston. Opening reception: Friday, January 29, 5:30–7:30 p.m.

30 Academic Way, Durham, NH

(603) 862-3712

unh.edu/moa

M–W 10–4, Th 10–8, Sa–Su 1–5

Cristi Rinklin, Specter 2, 2014, oil and acrylic on aluminum, 60 x 40”. Courtesy of Steven Zevitas Gallery, Boston, MA. At Museum of Art, University of New Hampshire.

Cristi Rinklin, Specter 2, 2014, oil and acrylic on aluminum, 60 x 40”. Courtesy of Steven Zevitas Gallery, Boston, MA. At Museum of Art, University of New Hampshire.

New Hampshire Institute of Art Galleries

Each gallery offers a different experience but is commonly committed to exhibiting a broad range of artwork of the highest caliber that responds to and enhances the distinctive heritage of New Hampshire, featuring both emerging and established artists. The Amherst Street Gallery has won Manchester’s Best Gallery award for five years and exhibits regional, national and international artwork. The French Building Gallery exhibits NHIA faculty, student and alumni work. The Sharon Arts Center Galleries exhibit contemporary and traditional artwork from local and nationally recognized artists.

Amherst Street Gallery
77 Amherst St., Manchester, NH
Sharon Arts Center
30 Grove St., Peterborough, NH
 

French Building

148 Concord St, Manchester, NH

(603) 623-0313

exhibitions@nhia.edu

nhia.edu/about/news-and-events

NHIA

View of the French Gallery. At New Hampshire Institute of Art.

The Currier Museum of Art

Through January 10: Maxfield Parrish: The Power of the Print. Explore how Parrish’s images became rooted in the imaginations of multiple generations through mass-marketed products. Opening February 6: Killer Heels: The Art of the High-Heeled Shoe, a stunning 300-year history of one of our most enduring fashion accessories, including video art offering cultural perspectives on the high heel.

150 Ash Street, Manchester, NH

(603) 669-6144

visitor@currier.org

currier.org

M, W-F, Su 11–5, Sa 10–5

Winde Rienstra. Bamboo Heel, 2012, bamboo, glue, plastic cable ties. Courtesy of Winde Rienstra. Photo: Jay Zukerkorn.

Winde Rienstra. Bamboo Heel, 2012, bamboo, glue, plastic cable ties. Courtesy of Winde Rienstra. Photo: Jay Zukerkorn.

Thorne-Sagendorph Art Gallery

Opening January 22: Keene State College Art Faculty Biennial Exhibition. KSC art faculty present art and design—painting, digital printing, video, drawing, photography, installation, audio, printmaking, and collage. Conceptual works reveal the wide-ranging interests and approaches of the college’s studio art and graphic design faculty. Visit the gallery website for faculty talks, screenings, and demonstrations. Public opening: Thursday, January 21, 5–8 p.m.

Keene State College

229 Main St., Keene, NH

(603) 358-2720

thorne@keene.edu

keene.edu/tsag

Su–W 12–5, Th–F 12–7, Sa 12–8

New York

Picker Art Gallery

Opening January 21: William Kentridge: Universal Archive. Renowned contemporary artist William Kentridge experiments with a broad thematic repertoire using diverse media. This exhibition highlights a series of linocut prints that feature recurring themes in Kentridge’s oeuvre—coffee pots, typewriters, trees, and nude figures—and explores the artist’s creative process.

Colgate University

Dana Arts Center, Hamilton, NY

(315) 228-7634

pickerart@colgate.edu

colgate.edu/picker

Tu–F 10–5, Sa & Su 12–5, Third Th 10–8

William Kentridge, Ref 2, from Universal Archive series, 2012, linocut printed on non-archival pages from Shorter Oxford English Dictionary, 133/4 x 103/5 ". Image courtesy of David Krut Projects, Johannesburg/New York. At Picker Art Gallery, Colgate University.

William Kentridge, Ref 2, from Universal Archive series, 2012, linocut printed on non-archival pages from Shorter Oxford English Dictionary, 133/4 x 103/5 ". Image courtesy of David Krut Projects, Johannesburg/New York. At Picker Art Gallery, Colgate University.

Rhode Island

Chazan Gallery

January 21–February 10: Scratching the Surface: Rhode Island College Printmaking, a group exhibition with works by Yizhak Elyashiv, Stephen Fisher, John Rapczak and Crandon Whitsitt-Lynch. Opening reception: Thursday, January 21, 5–7 p.m.

228 Angell St., Providence, RI

(401) 421-9230

info@chazangallery.org

chazangallery.org

Tu–Sa 11–4, Su 2–4

David Winton Bell Gallery

Opening January 23: Dead Animals, or the curious occurrence of taxidermy in contemporary art. Opening reception: Friday, February 5, 5:30–7:30 p.m. February 26 and 27: Taxidermy, Art, and the Animal Question: A Symposium. See website for further information.

Brown University, List Art Center

64 College St., Providence, RI

(401) 863-2932

brown.edu/bellgallery

M–F 11–4, Sa–Su 1–4

Main Gallery, University of Rhode Island

January 26–February 26: Pressing On: Printmakers Network of Southern New England features a wide range of techniques including etching, aquatint, non-toxic intaglio, wood and metal engraving, lithography, letterpress, screen prints, woodcut, collagraph, chine collé, monotype, polymer plates, photo and Polaroid transfers, digital prints and viscosity printing. The Network has completed seven portfolio projects and has organized numerous print exhibitions in locations throughout the eastern United States. Opening reception: Tuesday, February 2, 3:45–5 p.m. For information on demonstration dates
visit web.uri.edu/maingallery, or printmakersnetwork.org.

105 Upper College Rd, Kingston, RI

(401) 874-5812

web.uri.edu/maingallery

M–F 12–4

Newport Art Museum

Opening January 16: Small Points in Time by Mary Dondero. Outer Myths by Jason Smith. Opening February 6: Paintings: Recent Acquisitions and Newport Annual: Members’ Juried Exhibition. Opening reception: Friday, February 5, 5–7 p.m.

76 Bellevue Ave, Newport, RI

(401) 848-8200

newportartmuseum.org

Tu–Sa 10–4, Su 12–4

Mary Dondero, Small Point in Time, 2015, pastel and pencil on Stonehenge paper, 50 x 38". At Newport Art Museum.

Mary Dondero, Small Point in Time, 2015, pastel and pencil on Stonehenge paper, 50 x 38". At Newport Art Museum.

Providence Art Club

January 3–22: Maxwell Mays and Mary Castelnovo galleries: Class and Staff Show. Dodge House Gallery: New Year, New Members. January 24–February 12: Maxwell Mays Gallery: Charlotte Breed Handy and Kelly McCullough: Aspect and Illusion. Mary Castelnovo Gallery: Shirley Koller: Wounded Tree Series. Dodge House Gallery: Philip Lieberman: Myanmar: Beyond the Temples. Opening February 14: All galleries: Members’ Exhibition 2015.

 

11 Thomas St, Providence, RI

(401) 331-1114

info@providenceartclub.com

providenceartclub.org

M–W, F–Su, 12–5, Th 12–6

At Providence Art Club

The Providence Art Club

Providence College Art Galleries

Providence College Galleries present contemporary art and interdisciplinary creative practices. January 13–February 20 in Hunt-Cavanagh Gallery: Amy Beecher: tbh, a solo exhibition matching comedy and theater with sculptural and photographic installation. January 13–February 20 in Reilly Gallery: Good and Long Looks, a group exhibition of long-take film, video and photography. Free and open to the public.

Hunt Cavanagh Gallery: M–F 9–4
Reilly Gallery: M–F 11–4

1 Cunningham Sq, Providence, RI

pcgalleries.providence.edu

W–Sa 12–6

Amy Beecher, Iceberg (detail), 2015, solvent print on fabric, 96 x 156". Courtesy of the artist. At Providence College Galleries.

Amy Beecher, Iceberg (detail), 2015, solvent print on fabric, 96 x 156". Courtesy of the artist. At Providence College Galleries.

Unlisted

Samek Art Museum, Bucknell University

Opening January 19: Salthouse, presenting 13 recent photographs of central Pennsylvania artist, Stephen Althouse. Althouse was raised Quaker and his large-scale, lushly printed photographs depict Amish tools, armor, and implements of country living that foreground the aesthetics of use and material memory.

3rd Floor, Elaine Langone Center

(570) 577-3792

museum.blogs.bucknell.edu

Tu–F 12–5, Sa–Su 11–5

Stephen Althouse, Knot III (horse armor), 2011, pigment print, 88 x 59½". 
© Samek Art Museum, Bucknell University.

Stephen Althouse, Knot III (horse armor), 2011, pigment print, 88 x 59½". © Samek Art Museum, Bucknell University.

Vermont

BCA Center

Through January 16: Tom Cullins: A Creative Life and Local Sale. Opening January 22: Dysfunction, ceramics show featuring Shae Bishop, Charlie Cunningham, Bech Evans, Leslie Fry, Margaret Kinkeade, Julia Kunin, Roberto Lugo, Brooks Oliver, Jessica Putnam-Phillips, and Christopher Vaughn. Navigating Memory: Exploring Place, with work by Seher Shah, Aqsa Shakil, Shahzia Sikander.

135 Church St, Burlington, VT

(802) 865-7166

bca@burlingtoncityarts.org

burlingtoncityarts.org

Tu–Th 11–5, F–Sa 11–8, Su 11–5

Roberto Lugo, Dysfunction. At The BCA Center.

Roberto Lugo, Dysfunction. At The BCA Center.

BigTown Gallery

Opening February: Director’s Choice, a mixed media exhibition of modern art by established and unknown artists working in stone, wood, embroidery, construction, painting and collage. Featuring the work of Varujan Boghosian, Pat Dipaula Klein, Helen Matteson, Ira Matteson, Hugh Townley, Nicholas Santoro, and John Udvardy.

99 North Main St, Rochester, VT

(802) 767-9670

bigtowngallery.com

W–F 10–5, Sa 12–5, Su–Tu by appointment

Helen Matteson (1925–2011), watercolor and gouache on paper, 1990–2010. At BigTown Gallery.

Helen Matteson (1925–2011), watercolor and gouache on paper, 1990–2010. At BigTown Gallery.

Brattleboro Museum & Art Center

Through February 8: Drawing On, In, Out. Work by Cristina de Gennaro, Terry Hauptman, Monique Luchetti, Craig Stockwell, Jane Sutherland, and Scott Tulay. Ongoing: Penumbra: Evan Coronis and BOXCARS: Railroad Imagery in Contemporary Realism. January 9–February 8: Recovering the Body: Craig Stockwell & Jon McAuliffe. Opening January 9: Open Call NNE (North-Northeast) 2016, an annual juried exhibit featuring artists from New England and New York.

10 Vernon St., Brattleboro, VT

(802) 257-0124

info@brattleboromuseum.org

brattleboromuseum.org

Su–M, W–Sa 11-5, closed Tu

Kelly Popoff, Barricade, 2015, oil on canvas, 63 x 88". From the exhibit Open Call NNE (North-Northeast) 2016. At Brattleboro Museum & Art Center.

Kelly Popoff, Barricade, 2015, oil on canvas, 63 x 88". From the exhibit Open Call NNE (North-Northeast) 2016. At Brattleboro Museum & Art Center.

Middlebury College Museum of Art

Opening January 29: Deco Japan: Shaping Art and Culture, 1920–1945 showcases dramatic examples of the spectacular craftsmanship and sophisticated design associated with Japanese art deco. February 2–28: First Folio! features an original version of Shakespeare’s First Folio and celebrates the 400th anniversary of his death. This is Vermont’s only venue for the tour. Ongoing: tour the campus collection of public art, including sculptural works by Tony Smith, Robert Indiana, Clement Meadmore, and others.

72 Porter Field Rd, Middlebury, VT

(802) 443-5007

museum@middlebury.edu

museum.middlebury.edu

Tu–F 10–5, Sa–Su 12–5

Title page of Shakespeare’s First Folio, courtesy of Folger Shakespeare Library. At Middlebury College Museum of Art.

Title page of Shakespeare’s First Folio, courtesy of Folger Shakespeare Library. At Middlebury College Museum of Art.

Vermont Metro Gallery

Through January 16: Shapeshifter: A Collection Of Work By Mareva Millarc. January 22–February 27: After Icarus. Elliott Katz, Mark Lorah, and John Douglas deliver an almost science fiction-like experience with sculpture, 2D work and video that disrupts our assumptions and challenges our understanding of reality and fantasy, order and chaos.

135 Church St , Burlington, VT

(802) 865-7166

kmacon@burlingtoncityarts.org

vtmetrogallery.org

Tu–Th 11–5, F–Sa 11–8, Su 11–5

Elliott Katz, After Icarus. At Vermont Metro Gallery.

Elliott Katz, After Icarus. At Vermont Metro Gallery.

West Branch Gallery & Sculpture Park

Opening January 1: West Branch starts off the New Year with a presentation of recent works by contemporary Austrian artist, Margit Füreder. While drawing imagery from early 20th-century German film noir, the mysterious female figures and graphic textual elements of her paintings feel elegantly modern. Ongoing: Vermont-based painter by way of Montreal, Stephanie Bush, explores the notion of safe havens in the harsh winter landscape; and the Sculpture Park featuring large-scale outdoor works by Christopher Curtis and David Stromeyer is open year-round.

17 Towne Farm Lane, Stowe, VT

(802) 253-8943

art@westbranchgallery.com

westbranchgallery.com

Tu–Su 10–5

Margit Füreder, Memo, oil on linen, 40 x 60". At West Branch Gallery & Sculpture Park.

Margit Füreder, Memo, oil on linen, 40 x 60". At West Branch Gallery & Sculpture Park.



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