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Art Museum, University of Saint Joseph

Opening March 31: Agri | Culture, an exhibition of European and American paintings and prints depicting agricultural life, including works by Edmund Blampied, Thomas Nason, and Milton Avery.

1678 Asylum Ave., West Hartford, CT

(860) 231-5399


T, W, F, Sa 11–4, Th 11–7, Su 1–4

City Gallery

March 2–26: Paper is a Path: Jennifer Davies makes textured fiber pieces by sewing, wrapping and collaging the indigo dyed and printed paper she makes by hand. There is an emphasis on natural color and the materiality of opaque and translucent handmade paper. Opening reception: March 5, 2–5 p.m.; Artist’s Talk: March 26, 2 p.m. March 30–April 30: Tom Peterson: Solace, a series of predominately white minimalist photographs representing a short journey into an inner space of quiet and tranquility. Opening reception: April 8, 2–5 p.m.

city gallery 2
Tom Peterson, Red Door, 2014, archival pigment print, 16 x 16". At City Gallery.

city gallery 1
Jennifer Davies, Bound Book, thread, pigment and handmade paper, 10 x 10". At City Gallery.

994 State St., New Haven, CT

(203) 782-2489



Th–Su 12–4

Fairfield University

Opening January 27 at Bellarmine Hall Galleries: ADOLF DEHN: Midcentury Manhattan. Opening at Walsh Gallery in Quick Center for the Arts: Leonardo Cremonini (1925-2010) – Timeless Monumentality: Paintings from The William Louis-Dreyfus Foundation.

Leonardo Cremonini, La Sortie (The Departure), 1989-90, oil on canvas. At Walsh Gallery at Fairfield University Art Museum.

fairfield 2
Adolf Dehn, The Battery, 1953, casein on panel. On loan from the Estate of Adolf and Virginia Dehn. At the Bellarmine Hall Galleries, Fairfield University Art Museum.

1073 N. Benson Rd., Fairfield, CT

(203) 254-4046


Bellarmine Hall Galleries: Tu–F, 11–4, select Sa Walsh Gallery: W–Sa 12–4

Florence Griswold Museum

Ongoing: Matilda Browne: Idylls of Farm and Garden traces the stylistic shifts of one of the few women artists in the original Lyme Art Colony. Cherished in private collections for eight decades, rarely seen treasures are included in this beautifully curated understanding of an intriguing early 20th century artist.


96 Old Lyme St., Old Lyme, CT

(860) 434-5542

Tu–Sa 10–5, Su 1–5

Mattatuck Museum

Opening March 26: First Look/New to the Collection. The collection is the heart of a museum. It’s here that the idea for the next big exhibition might be sparked and a museum shapes its identity. First Look includes gifts, promised gifts and museum purchases over the last year and highlights works by Richard Bosman, Frank DuMond, Janet Fish, Jasper Johns and Tom Yost among others.

144 West Main St., Waterbury, CT

(203) 753-0381


Tu–Sa 10–5, Su 12–5

Janet Fish, Teapot with Apple, 2007, Collection of the Mattatuck Museum, Gift of Claudia DeMonte and Ed McGowin. At Mattatuck Museum.

Mystic Museum of Art

January 13–February 25: This Is Not Art, a juried exhibition with a theme, open to all artists and media, a challenge to create works that push boundaries.

Mystic Museum of Art. Photo: CoastalLifePhotography.

9 Water St., Mystic, CT

(860) 536-7601


M–Su 11–5

New Britain Museum of American Art

Opening April 29: Nor’Easter: 47th Annual Juried Exhibition. Through April 16: Ansel Adams: Yosemite Valley. Through April 16: Vistas del Sur: Traveler Artists’ Landscapes of Latin America from the Patricia Phelps de Cisneros Collection. Through May 14: Howard Rackliffe. Ongoing: New Media: William DeLottie. Free parking, café, museum and shop. Open seven days a week.

56 Lexington St., New Britain, CT

(860) 229-0257



Su, M, Tu, W, F 11–5, Th 11–8, Sa 10–5

Spectrum Art Gallery and Store

Through January 8 Embellishment and Ornamentation. January 20–March 5: Follow the Line. Reception: Fri, Jan 20, 6:30–9p.m. at the Gallery. Registration now open for 2017 art classes and workshops at the Gallery, see online calendar. Shop online Spectrum Anytime 24/7. 

61 Main St., Centerbrook, CT

(860) 767-0742


W–Sa 2–6, Su 12–5

Stamford Museum & Nature Center

Opening February 18: POWERFUL yet FRAGILE: Connecticut’s Waterways. Images by women photographers of Connecticut. How important is water in our lives? How does human activity impact the waterways of Connecticut? How can impacted waterways be reclaimed and natural ecosystems restored? The Stamford Museum’s latest fine art exhibition explores these themes through dramatic images captured by the women photographers of Connecticut, a diverse group of women photographers from across the state.

39 Scofieldtown Rd., Stamford, CT

(203) 322-1646



M–Sa 9–5, Su 11–5

Tremaine at Hotchkiss

Through February 5: Marjory Reid Plus Two: Janet Rickus, Warner Friedman. Contemporary abstract painter (Reid) and former instructor in art at Hotchkiss exhibits with traditional still life (Rickus) and landscape (Friedman) painters. Opening February 18: Christopher Ho ‘92 exhibits. Reception: Saturday, February 18, 4–6 p.m. Ho is a New York-based artist whose works are often site-specific and incorporate the use of a variety of media. Visit christopherkho.com for more information.

11 Interlaken Rd., Lakeville, CT

(860) 435-3663


M–Sa 10–4, Su 12–4

Yale Center for British Art

Ongoing: Britain in the World: A New Display of the Collections. Opening February 2: Enlightened Princesses: Caroline, Augusta, Charlotte, and the Shaping of the Modern World. Free and open to the public.

Allan Ramsay, Queen Charlotte; Princess Sophia Charlotte of Mecklenburg-Strelitz, Queen of George III, ca. 1763, oil on canvas. National Galleries of Scotland. At Yale Center for British Art.

1080 Chapel St., New Haven, CT

(203) 432-2800


Tu–Sa 10–5, Su 12–5

Yale University Art Gallery

The museum features more than 4,000 artworks, including ancient, American, European, African, Asian, and Indo-Pacific art, as well as photography and modern and contemporary art and design. Ongoing: It Was a New Century: Reflections on Modern America; Small-Great Objects: Anni and Josef Albers in the Americas; Let Us March On: Lee Friedlander and the Prayer Pilgrimage for Freedom; Modern Art from the Middle east; Lumia: Thomas Wilfred and the Art of Light. Free and open to the public.

1111 Chapel St., New Haven, CT

(203) 432-0600


Tu-F 10-5, Thursday until 8 pm (September-June), Sa, Su 11–5

Josef Albers, To Mitla, 1940, oil on Masonite. The Josef and Anni Albers Foundation, Bethany, CT, 1976.1.1364. © h2017 The Josef and Anni Albers Foundation/Artists Rights Society (ARS), New York. Photo: Tim Nighswander.


ArtSpace Gallery and Studios

January 18–February 25: Only From Maynard, 51 artists who live or work in Maynard. Opening reception: Saturday, January 28, 4–6 p.m. “Mini” ArtSpace artists’ open studios: Saturday, January 28, 4–6 p.m.

Barbara Cohen, mixed media. At ArtSpace Gallery and

63 Summer St., Maynard, MA

(978) 897-9828


W–Sa 11–3

Atlantic Works Gallery

January 13–28: YELLOW, for better or worse, a group show by Atlantic Works Gallery members. Reception: Thursday, January 19, 6–9 p.m. February 4–28: New Members, please join them in welcoming their new members: Dominick Takis, Curran Broderick, Brian Reardon and Leah Grimaldi. Opening reception: Saturday, February 4, 6–9 p.m.. Third Thursday reception: February 16, 6–9 p.m.

80 Border St., East Boston, MA

(857) 302-8363



January 13-28: S–Su 1–5 or by appointment February 4–28: S–Su 1–5 or by appointment

Paul Weiner, Anna Gets Her Yellow On, photograph, 2016. At Atlantic Works Gallery.

Attleboro Arts Museum

Through February 2: Members’ Exhibition – Member artists are given the opportunity to exhibit original works. February 15–March 4: Invited artists share their interpretations of permanent collection holdings in Then and Now 2017. February 25: Downtown Attleboro’s Winter Night Festival, 5–9 p.m. A grand bonfire, ice sculpting and other seasonal attractions–along with the museum’s winter craft fair. February 15–23: Joyful Paintings–The Art of Bob Ross by Nicole Bonneau.

86 Park St., Attleboro, MA

(508) 222-2644


Tu–Sa 10–5

Bakalar & Paine Galleries and Doran Gallery

Opening January 23: Vitreous Bodies: Assembled Visions in Glass demonstrates how today’s multidisciplinary artists are using the traditional yet fluid medium—glass. The North American debut DRAW/Boston brings together sketches of nearly 40 artists to reveal the artist’s drawing process.

Massachusetts College of Art and Design (MassArt)

621 Huntington Ave, Boston, MA

(617) 879-7166



M–Tu, Th–Sa 12–6, W 12–8

Dafna Kaffeman. Brother, you can believe in stones as long as you don’t throw them at me (detail). At Bakalar & Paine Galleries.

Barbara Krakow Gallery

March 18–April 22: Darkling. Featuring works by Josef Albers, Peter Downsbrough, Sol LeWitt, Robert Mangold, Allan McCollum, Richard Serra, Richard Smith.

10 Newbury St., Boston, MA

(617) 262-4490



Tu–Sa 10–5:30

Sol LeWitt, Doubles in Black and Gray, 1983, set of 10 black and gray etchings with aquatint, 21 x 38" each. At Barbara Krakow Gallery.

Beard & Weil Galleries

Through February 22: It’s Elemental: Water, a student- curated exhibition of works related to water from Wheaton College’s Permanent Collection. Also, a solo exhibition of prints by Allison Bianco titled Atlantic Time. Gallery talk by Allison Bianco: February 13, 5 p.m. Opening March 1: 2017 Wheaton Biennial: Printmaking Reimagined. Gallery and events are free and open to the public.

Wheaton College

26 East Main St., Norton, MA

(508) 286-5412


M–Sa 12:30–4:30 Closed through January 24

Boston Athenæum

Circulating and special collections library and fine art museum founded in 1807. Norma Jean Calderwood Gallery and select building spaces open to the public. Opening April 6: New England on Paper: Contemporary Art in the Boston Athenæum’s Prints & Photographs Collections showcases prints, drawings, and photographs documenting a diverse array of artistic responses to New England’s built and natural environment. Free to members, $5 for non-members.

10 1⁄2 Beacon St., Boston, MA



M–Th 9–8, F, 9–5:30, Sa 9–4, Su 12–4

Elizabeth A. Goddard, Playful Sea II, 2006, monotype. Purchase, Frances Hovey Howe Print Fund, 2012. At Boston Athenaeum.

Boston Sculptors Gallery

March 1–April 2: Marilu Swett, Drift, and Susan Lyman, Sculpture in the Unmaking. Reception: Saturday, March 11, 2–5 p.m. Artist’s talk at 3 p.m. Second Sunday Concert Series: Sunday, March 12, 4 p.m. with John Cage Players. Opening April 5: Christina Zwart, Pussy Tower and Christopher Abrams, Orifice and Oculi. Reception: Saturday, April 22, 5–8 p.m. Second Sunday Concert Series: Sunday, April 9, 4 p.m. 3D Printing Workshop: Saturday, April 29, 10 a.m.–1 p.m. BEAMS Concert: Saturday, April 29, 7–9 p.m. Creating Your Vision Dance Event: April 30, 10 a.m.–12 p.m.

486 Harrison Ave., Boston, MA

(617) 482-7781



W–Su 12–6, First Fridays 5–8

Brickbottom Gallery

March 9–April 15: Creative Crossroads: Where MassART & Brickbottom Meet. 29 artists who are both Brickbottom Artists’ Association (BAA) Members and MassART alumni or faculty. Reception: Sunday, March 12, 3–5 p.m. Opening April 27: Myth & Magic, a BAA members’ exhibition. Check website for more information.

1 Fitchburg St., Somerville, MA



Th–Sa 12–5

Bromfield Gallery

March 1–26: Specimentos by Carol McMahon, paintings and 3D objects representing mementos and specimens of known and unknown origin. Reception: Friday, March 3, 6–8:30 p.m. April 5–30: Encounters by Vivian Pratt, creature-like sculptures, made of natural materials and computer-generated images. 10 MINUTES OF QUIET by Dietlind Vander Schaaf, mixed media explorations of the inner landscape. Man In Booth by Gary Duehr, tribute to the artist’s father in staged photographs and text. Reception: Friday, April 7, 6–8:30 p.m.

450 Harrison Ave., Boston, MA

(617) 451-3605



W–Su 12–5

Carol McMahon, Nitty Gritty, 2016, wood, plastic, lint, 3½ x 5 x 2". Photo: Stewart Clements. At Bromfield Gallery.

Cambridge Art Association

March 7–April 1: Kathryn Schultz Gallery: Monsters & Misfits. Juried by Jill Whitney Armstrong and Bob Armstrong, iartcolony. Opening reception: Friday, March 10, 6–8 p.m. March 31–April 28: University Place Gallery: Sincerity and Sublimity: From Right Now to Next. Opening reception: Friday, March 31, 6–8 p.m. Opening April 11: Kathryn Schultz Gallery: Miniatures. Juried by Marni Katz. Opening reception: Thursday, April 12, 6–8 p.m.

Kathryn Schultz Gallery and Offices
25 Lowell St., Cambridge, MA
Tu–Sa, 11–5
University Place Gallery
124 Mt. Auburn St., Cambridge, MA
M–F 9–5, Sa 9–1

(617) 876-0246



Cambridge Arts Council / Galley 344

Opening January 23: Protected Trees—New Work by Joel Janowitz. Janowitz presents a poetic response to the intense street excavation and construction he has witnessed in his neighborhood. As a Cambridge artist, Janowitz brings an unusual perspective to the complex activity that goes into engineering and sustaining our urban environment. Reception: Monday, January 30, 6–8 p.m. Free and open to the public.

344 Broadway, 2nd Floor, Cambridge , MA

(617) 349-4380



M 8:30–8, T–Th 8:30–5, F 8:30–noon

Cape Ann Museum

The Cape Ann Museum is at the heart of a long and important arts tradition, exhibiting work by artists who have lived and/or worked on Cape Ann from all periods, including the present. Through its permanent collections, special exhibitions, and programs, the Museum explores the connection between artists and place, examining how Cape Ann affects the artists it attracts and how those influences carry over in a broader sense to the history of art in America. Through February 19: Kodachrome Memory: Nathan Benn’s North Shore, 1978. Through February 26: Voicing the Woods: Jeremy Adams, Instrument Maker with photographs by Paul Cary Goldberg.

27 Pleasant St., Gloucester, MA

(978) 283-0455



Tu–Sa 10–5, Su 1–4

Franklyn E. Goucher, an Essex clammer, digging at “Castle” sand flat, 1978. Photograph by Nathan Benn. At Cape Ann Museum.

Chase Young Gallery

Opening January 6: Cynthia Packard, Blurred Exposure. In her latest body of work, renowned New England painter Cynthia Packard explores figurative subjects through abstraction and reflection. Combining elements of layered textures, abstracted forms, and contemplative color palettes, Packard’s new pieces offer an invigorate interpretation of traditional subject matter while maintaining the intimate and emotive spirit of her past work.

450 Harrison Ave., Boston, MA

(617) 859-7222


T & W 11:30–5, Th 11:30–4, Sa 11:30–5

Cynthia Packard, Spectrum, oil on board, 96 x 60". At Chase Young Gallery.

Clark Art Institute

Ongoing: Japanese Impressions: Color Woodblock Prints from the Rodbell Family Collection highlights a century of Japanese color woodblock printing representing ukiyo-e, shin-hanga and sōsakuhanga traditions. Imagery includes waterfalls by Katsushika Hokusai, selections from the renowned One Hundred Famous Views of Edo by Utagawa Hiroshige, mountain landscapes by Kawase Hasui, and the Zen architecture prints of Kiyoshi Saitō. The exhibition also features exquisitely-fired contemporary ceramics by Shōji Hamada.

225 South St., Williamstown, MA

(413) 458-2303



Daily 10–5

Kiyoshi Saitō,Gion in Kyoto B, 1959, color woodblock print, 17 1 1/ 1 6 x 23 1 1/ 1 6

Concord Art Association

Through March 26: Main Gallery: Member’s Jury 2—Collage, Craft, Drawing, Mixed Media, Photography, Printmaking. Juror Randi Hopkins, BCA. March 7–April 2: Member’s Gallery: Marjorie Glick: Essence of Place. Reception: Sunday, March 12, 1–3 p.m. Opening April 4: Member’s Gallery: Wendy Gonick and Doron Putka. Reception: Thursday, April 6, 6–8 p.m. Opening April 6: Main Gallery: Walden: Window & Mirror, protest art and c-art installation. Reception: Thursday, April 6, 6–8 p.m. Artists’ panel: Wednesday, April 12, 6–8 p.m. Lecture: Wednesday, April 26, 6–8 p.m.

37 Lexington Rd., Concord , MA

(978) 369-2578


Tu–Sa 10–4:30, Su 12–4

Susan Maxfield, Birch Trunks, mixed media, 12 x 12". At Concord Art Association.

Copley Society of Art

Co|So is the oldest non-profit art association in the United States, representing over 300 artist members from around the globe. Through April 6: Upper Gallery: Shaken and Stirred: Winter Members’ Show 2017, juried by Mike Carroll of the Schoolhouse Gallery, Provincetown, MA. Lower Gallery: Small Works: Shake It Up. Ongoing: Boston Private at the Prudential Center: Deborah Quinn-Munson: Sparkle. Save the date for the Fresh Paint Gala 2017: Thursday, May 4. #Bid2Benefit.

158 Newbury St., Boston, MA

(617) 536-5049



Tu–Sa 11–6, Su 12–5

Deborah Quinn-Munson, Extra Bright, pastel, 36 x 18". At Copley Society of Art.


Through January 15: Lianhong Feng and Eric Slayton. Note: The gallery will be undergoing renovations late January through early February.

1315 MASS MoCA Way, North Adams, MA

(413) 346-4004



Sa–Su 11–5, and by appointment

deCordova Sculpture Park and Museum

Through March 19: Edward Steichen: Twentieth-Century Photographer. Through March 26: deCordova New England Biennial 2016. Opening April 7: Expanding Abstraction: New England Women Painters, 1950 to Now and Let It All Hang! 1982, A Year of Collecting at deCordova.

51 Sandy Pond Rd., Lincoln, MA

(781) 259-8355


W–F 10–4, Sa–Su 10–5

Essex Art Center

Opening January 13: The Chester F. Sidell Gallery at Essex Art Center is pleased to present Ocean Front. Opening reception: Friday, January 13, 5–7 p.m. Photographs, both digital and film prints, capturing various scenes focusing on off-season and abandoned locations from the New England and Nova Scotia coasts lines by Walter Landry, Kurt Landry, and their father, Joe Landry.

56 Island St., Lawrence, MA

(978) 685-2343


M–F 10–6

Joe Landry, Morning, 2007, Port Royal, Nova Scotia. At Essex Art Center.

Ethelbert Cooper Gallery

Through May 5: Diago: The Pasts of This Afro-Cuban Present, the United States’ first serious and systematic look at Cuba’s most prominent contemporary artist Juan Roberto Diago and his prolific body of work. This exhibition of 25 mixed-media and installation works traces Diago’s vibrant career from the mid-1990s, when he began to construct a revisionist history of the Cuban nation from the experience of a person of African descent.

102 Mt. Auburn St., Cambridge, MA

(617) 496-5777


Tu–Sa 10–5

Juan Roberto Diago, Sin título (Untitled), 2011, mixed media on canvas.

Fitchburg Art Museum

Through January 15: Plastic Imagination and Neal Rantoul: Monsters. Opening February 12: A Curious Nature: Paintings by Shelley Reed and A Feast of Beasts. Ongoing: Evoking Eleanor: The Art, Life, and Legacy of FAM Founder Eleanor Norcross; More Recent Acquisitions: Photography; Global Africa: Creativity, Continuity and Change in African Art; Discover Ancient Egypt.

185 Elm St., Fitchburg, MA

(978) 345-4207


W–F 12–4, Sa–Su 11–5

Shelley Reed, Hitched (after Desportes), 2013, oil on canvas. At Fitchburg Art Museum.

Fountain Street Fine Art

January 5–29: Divergent Thinking. A method used to generate creative ideas by exploring many possible solutions. Juried by Jane Young, curated by Tatiana Flis and Joseph Fontinha. Reception: Saturday, January 7, 5–7 p.m. Ongoing: Small Works Showcase. Opening February 2: 6th Annual Members Show, “Yellow” is not just a color, it is happiness, spontaneity, cowardice, harmony, wisdom, culture… Curated by Sorin Bica. Reception: Saturday, February 4, 5–7 p.m.

59 Fountain St., Framingham, MA

(508) 879-4200



Th–Su 11–5, and by appointment

Fuller Craft Museum

New England’s home for contemporary craft. Through January 22: holidaySHOP @ Fuller Craft; Uncommon Exposures. Through February 28: Cary Wolinsky: Fiber of Life. Ongoing: Object Lessons: Selections from Fuller Craft Museum’s Permanent Collection; What Remains: Wooden Quilt Sculptures of Laura Petrovich; John Bisbee: Material Obsession. Opening January 21: Bartram’s Boxes Remix. Opening February 11: Playa Made: Burning Man Jewelry.

MBTA Commuter Rail to Brockton station, then take Bus 4A

455 Oak St., Brockton, MA

(508) 588-6000


Tu–W, F–Su 10–5, Th 10–9

Galatea Fine Art

March 1–29: Jane Paradise: Dune Shacks of Provincetown, Part 1, photography. Vanessa Thompson: Gobbet, photography. Francis Domec: The Purring of the Soul, mixed media. Reception: Friday, March 3, 6–8 p.m. April 1–30: Philip Gerstein: Open System, painting. Louise Weinberg: From Darkness, Light, painting. Michael Shores: Cloud Creatures and Other Delusions, painting. Reception: Friday, April 7, 6–8 p.m.

460B Harrison Ave., #B-6, Boston, MA

(617) 542-1500



W–F 12–6, Sa–Su 12–5

Gallery NAGA

March 3–25: Yizhak Elyashiv, Prints and Drawings. Joo Lee Kang: VictoriANimals. March 31–April 29: Peter Vanderwarker: Photographs.

67 Newbury St., Boston, MA

(617) 267-9060


Tu–Sa 10–5

Gallery Seven

Opening February 21: WET. Featuring paintings, photographs and mixed media by 31 New England artists. Juried by Gallery Seven coowners Nick Johnson and Kelli Costa. Free and wheelchair accessible.

7 Nason St., Maynard, MA

(978) 897-9777


Tu–F 10–6, Sa 10–5

Jaina Cipriano, Water is Everything, archival inkjet print (Awarded Honorable Mention). At Gallery Seven.

Gallery Sitka

Hosting the work of local artists, jewelers, potters and photographers from Mainland Massachusetts, Martha’s Vineyard and New York. This start-up gallery in a central Massachusetts mill town is committed to revitalizing the town through the arts. Opening February 11: The oil seascape paintings of Marston Clough, a Martha’s Vineyard artist. Experience his work amidst work by other artists responding to his theme: “I went to the ocean to see the sky.” Opening reception: Saturday, February 11, 2–4 p.m. Free and open to the public.

454 Main St., Fitchburg, MA

(978) 425-6290



Th–Sa 10–4

Marston Clough, Blue Sound II., oil on canvas, 20 x 20". At Gallery Sitka.

Griffin Museum of Photography

March 9–31: Main Gallery: Atelier 25. Atelier Gallery: Danforth Collection. Griffin Gallery: Found in Danforth Collection. Opening April 6: Main Gallery: Voice of the Woods: Photographs by Koichiro Kurita. Atelier Gallery: Quarries of New England, Steven Keirstad. Griffin Gallery: Lee Bass. Satellite galleries: Griffin Museum at Stoneham Theatre, 395 Main St., Stoneham, MA, through April 9: Lynn Saville, Dark City.

67 Shore Rd., Winchester, MA

(781) 729-1158


Tu–Su 12–4

Grimshaw-Gudewicz Art Gallery

January 26–February 23: Accretion Systems: An Installation by Jackie Brown. With the exhibition Accretion Systems, Brown has transformed the gallery into a kind of bio lab where she imagines and choreographs a tangible and immersive environment. It is at once welcoming and a little unsettling. Reception: Thursday, January 26, 6–8 p.m. Snow date: Friday, January 27, 6–8 p.m.

Bristol Community College

777 Elsbree St., Fall River, MA

(508) 678-2811 ext. 2631


M–F 10–4, Sa 1–4

Harvard Art Museums

Through April 9: Doris Salcedo: The Materiality of Mourning brings together a deeply evocative constellation of recent works by Doris Salcedo, the renowned Bogotá-based artist known for her sculptures and public installations that respond to the testimonies of survivors and victims of political violence. See website for details and related events, including gallery talks in English and Spanish, film screenings and other programs.

32 Quincy St., Cambridge, MA

(617) 495-9400


M–Su 10–5

Doris Salcedo, A Flor de Piel (detail), 2013. Rose petals and thread, 133 7/ 8 x 196 7/ 8

Iris & B. Gerald Cantor Art Gallery

Opening January 23: The Last Frontier / Última Frontera: La Subjetividad del Territorio. This exhibition presents the work of Latin American artists whose work explores the concept of borders from various points of view, curated by V. Nicolás Koralsky, original concept by Arte Bajo Cero (Julio Gaete Ardiles and Sebastian Trujillo). Find the gallery on Facebook and follow it on Instagram and Twitter.

College of the Holy Cross

O’Kane Hall, 1 College St., Worcester, MA

(508) 793-3356


M–F 10–5, Sa 12–5

Línea Discontinua, 2013-14, Arte Bajo Cero: Julio Gaete Ardiles + Sebastián Trujillo (Argentina-Chile), installation intervention, photographs, dimensions variable. At Iris & B. Gerald Cantor Art Gallery.

Kingston Gallery

March 1–April 2: Susan Alport: Exactly What I Want. Center Gallery: Lavaughan Jenkins: Reflections of Power. Members’ Gallery: Linda Leslie Brown: Wall Holes. First Friday opening reception: March 3, 5–7:30 p.m. April 5–30: Barbara Moody: Inside/Out. Members’ Gallery: Luanne E Witkowski, Burning Desire. First Friday opening reception: April 7, 5:30–8 p.m.

450 Harrison Ave., No. 43, Boston, MA

(617) 423-4113


W–Su 12–5 and by appointment

Lexington Arts and Crafts Society

Sunday, March 12: Sam Vokey, Demonstration in Oils, 2–4 p.m. Free demonstration. March 18–April 2: Polymer/Bead & Photography Show. April 8–23: Metalworkers Guild Show. April 29 and 30: Lexington Open Studios, 11–5 p.m. April 29–May 14: Painters & Ceramics Show.

130 Waltham St., Lexington, MA

(781) 862-9696


Tu–Su 12–4, Sa 10–4

McCoy Gallery

Opening February 1: The Silent Witness, Nancy Wynn and John Bizis. In this collaboration, Nancy Wynn and John Bizis present floral arrangements and photographs based on the liturgical calendar. Flowers are deliberately allowed to fade as the exhibition continues, adding temporality to this living calendar.

Merrimack College

315 Turnpike St., North Andover, MA


M–F 9–5

MIT List Visual Arts Center

As the contemporary art museum at MIT, the List Center presents a dynamic program of six to nine exhibitions annually. Through April 16: Gwenneth Boelens: At Odds and Charlotte Moth: Seeing while Moving. Opening April 18: List Projects: Kenneth Tam. Free and open to the public.

20 Ames St., Bldg. E-15, Cambridge, MA

(617) 253-4680



Tu–W 12–6, Th 12–8, Sa–Su 12–6

Gwenneth Boelens, Liars cloth (guileless note), (detail), 2015; chromogenic color print (photogram, opaque projection), aluminum. Courtesy of the artist; Klemm’s, Berlin; Gromm, Amsterdam. At MIT List Visual Arts Center.

MIT Museum

Ongoing: Images of Discovery: Communicating Science Through Photography; Grazia Toderi and Désiré Despradelle: Spectacular Cities; Gestural Engineering: The Sculpture of Arthur Ganson; Projects and Prototypes: MIT Student Work; Holography: Dimensions of Light; Sampling MIT; Robots & Beyond. Check website for complete information on programs, gallery tours, demonstrations and festivals.

265 Massachusetts Ave., Cambridge, MA

(617) 253-5927


Daily 10-5

Montserrat College of Art Galleries

January 9–February 4: Carol Schlosberg Alumni Gallery: Katherine Mitchell. Opening January 17: Montserrat Gallery: Constructed Identity: Ervin Johnson, Dead Art Star, Caleb Cole and Maria Magdalena Campos-Pons. Reception: Thursday, January 26, 5–7 p.m. Opening February 8: Carol Schlosberg Alumni Gallery: George Frary.

23 Essex St, Beverly, MA



M–W, F 10–5, Th 10–8, Sa 12–5

Nesto Gallery

Opening February 3: Dissipate/Disappear. With the installation Dissipate/Disappear, Deborah Davidson is interested in making manifest what she sees as her interior life. The work is the attempt to resolve the conversation between wanting to reveal all and the desire to obliterate. These hybrid painted sculptures echo the subtle but heroic works of the Minimalist sculptor, Anne Truitt. Opening reception: Friday, February 3, 5:30–7 p.m.

Milton Academy Art & Media Center

170 Centre St., Milton, MA

(617) 898-1798


M–F 8–4

New Art Center

Opening January 20: The Newest Romantics features artists who harness the illusive qualities of photography and sleek lines of architectural sculpture to manipulate images of botanical still lives and environments. The exhibition includes formal variations of photography in combination with sculpture, video, architecture and site-specific installation. Concurrently, artist-in-residence Amy Beecher will transform the Holzwasser Gallery into a multi-media studio, combining digital and analog modes of printmaking to create unique works.

61 Washington Pk., Newtonville, MA

(617) 964-3424


Tu–Sa 1–6

Newton Free Library

January 4–30: Gallery: Surreal Art by Cynthia Brody, familiar/impossible images of women, Reception: Saturday, January 7, 1:00 p.m. January 4–30: Main Hall: Seasonal Bouquets by Leann Shamash, wild and cultivated plants. Reception: Thursday, January 5, 7:00 p.m. February 2–27: Gallery: Mississippi: Back Roads, Small Towns by Alan Strassman, a photographic journey through Mississippi Delta. Reception: Tuesday, February 7, 7:00 p.m. February 2–27: Main Hall: Anima Mundi by Angela Mark, Soul of the World.

330 Homer St., Newton, MA

(617) 796-1360



M–Th 9–9, F 9–6, Sa 9–5, Su 1–5

Oxbow Gallery

January 5–29: Front room: Uplands Description. Plein air and studio oil paintings by Elizabeth Lehman and Will Sillin. Back room: painter Deborra Stewart-Pettengill. Reception: Friday, January 13, 5–8 p.m. February 2–26: Front room: Salamander Parade. Joan Dix Blair presents etchings and ceramics. Back room: Whimsy II: The Rhythmical World of Key West. Gouache and acrylic paintings by Diane Harr, inspired by Key West. Reception: Friday, February 10, 5–8 p.m.

275 Pleasant St., Northampton, MA

(413) 586-6300


Th–Su 12–5

W Branch Manhan River, 2016, oil on panel, 8 x 22". At Oxbow Gallery.

Peabody Essex Museum

Ongoing: Shoes: Pleasure and Pain. Explore the creativity of footwear from around the globe through more than 300 pairs of shoes, ranging from elaborate vintage designs to those by contemporary makers. This exhibition considers the cultural significance and transformative capacity of shoes and examines the latest developments in footwear technology. The exhibition is organized by the Victoria and Albert Museum, London.

161 Essex St., Salem, MA

(978) 745-9500


T–Su, 10–5, Third Th 10–9

Sebastian Errazuriz, The Golddigger, The Heartbreaker, and The Boss, from the 12 Shoes for 12 Lovers collection, 2013, 3D-printed acrylonitrile-butadiene-styrene polymer, resin, and acrylic. Museum purchase, 2015, Peabody Essex Museum. © 2016 Peabody Essex Museum. Photography by Kathy Tarantola. At Peabody Essex Museum.

Piano Craft Gallery

January 6-29: Building a Lineage, exploring connections through photography. Tara Butler, Allison Cekala, Jodie Mim Goodnough, Defne Kirmizi, Molly Lamb, Sarah Pollman, Sadie Wechsler. Opening: Saturday, January 7, 6–8:30 p.m. February 3–26: Invisible Fractures: The Enduring Trauma of Emotional Abuse, photographs by Rachel Tine. Opening: Friday, February 3, 6–10 p.m. Free and open to the public.

793 Tremont St., Boston, MA


pianocraftgallery.org & facebook.com/gallerypf

F 6–8, S–Su 12–5

Schantz Galleries Contemporary Glass

January–February: Group Exhibition. Schantz Galleries is a destination for visitors to experience firsthand the works of internationally recognized artist working in glass. The gallery is committed to exhibiting works of both emerging and established artists and features the works of more than 50 artists including Dale Chihuly, Dan Dailey and Lino Tagliapietra.

3 Elm St., Stockbridge, MA

(413) 298-3044


M, Tu,Th–Su 11–5

Jason Christian, White Jester, 2016, Blown glass (reticello), 15.25 x 13.75 x 13.75". Photo: Kim Saul. At Schantz Galleries Contemporary Glass.

Smith College Museum of Art

Opening February 3: Leisure and Luxury in the Age of Nero: The Villas of Oplontis near Pompeii. Four floors of galleries including a new Asian art and digital media gallery, plus a “Talk Back” learning space. SCMA’s permanent collection includes more than 25,000 artworks created from antiquity to the present day by artists from around the world.

20 Elm St. at Bedford Ter., Northampton, MA

(413) 585-2760


Tu–Sa 10–4, Su 12–4

Oplontis, Calidarium. Photo: Jessica Nicoll. At Smith College Museum of Art.

Sohn Gallery

Opening January 27 (Sohn Fine Art Gallery) and February 3–27 (Lichtenstein Center for the Arts): 10 SPOT: PHOTOGRAPHY. 100 photographs—10 photographs by 10 artists in two galleries, with Cultural Pittsfield’s 10 x 10 Upstreet Arts Festival. Reception, Sohn Fine Art Gallery: Saturday, February 18. Reception, Lichtenstein Center: Thursday, February 16.

Lichtenstein Center for the Arts
28 Renne Ave., Pittsfield, MA
(413) 499-9348
W–Sa 12–5

Sohn Gallery

69 Church St, Lenox, MA

(413) 551-7353



Th–M 10–5

South Shore Art Center

January 6–February 13: Entryways. Juror Susan Nalband, sponsored by Panopticon. Dillon Gallery: Town & Country. Joan Brancale, Dianne Dolan, Jack Haran, Vcevy Strekalovsky and Alix White. Manning Lobby feature: Renee Caouette. Opening reception: Friday, January 6, 6–8 p.m. Opening February 24: Legacy. Susan Denniston, Kelly Knight, Anne Plaisance and Lorraine Sullivan. Dillon Gallery: Students of Bill Flynn. Manning Lobby feature: Anne Heywood. Opening reception: Friday, February 24, 6–8 p.m.

119 Ripley Rd., Cohasset, MA

(781) 383-2787


M–Sa 10–4, Su 12–4

The Art Complex Museum

Through January 15: Night Becomes us, nighttime photographs by the Greater Boston Night Photographers. Through February 19: Full Tilt Print Studio, member portfolios have been exhibited widely. Opening February 5: Duxbury Art Association Annual Winter Juried Show. Rotations: Objects from the permanent collection.

189 Alden St., Duxbury, MA

(781) 934-6634


W–Su 1–4

The French Cultural Center

March 3–May 2, 2017: Bernar Venet. Part of le mois de la Francophonie at the center, these intimate photographs provide a view of Venet’s interactions with the artists whose work he collects. Venet’s pictures are a mix of historical evidence and friendly, instantaneous moments from the 1960s through today, in Nice, Paris and New York. Opening reception: Thursday, March 2, 7 p.m.

53 Marlborough St.,, Boston, MA

(617) 912-0400



M 5–9, Tu–Th 9–9, F–S 9–5

Bernar Venet, photograph. At French Cultural Center.

Thompson Gallery

Through February 24: Jack Massey—Light & Dark presents a select group of drawings, collages and small-scale installations by Jack Massey (born 1925 in Pittsburgh, PA, and professor emeritus at RISD). Massey’s interdisciplinary work infiltrates and blends artistic genres, including minimalism, abstraction, trompe l’oeil, objet trouvé and conceptual art. Gallery talk: Saturday, February 11, 1–2 p.m.

The Cambridge School of Weston

45 Georgian Rd., Weston, MA

(781) 398-8316


M–F 9–4:30, or by appointment School calendar applies

Jack Massey, C. Note, c. 1988, collage, distressed magazine pages, 9 1/ 8 x 8 3/ 4 ". At Thompson Gallery.

Towne Art Gallery at Wheelock College

January 31–February 23: The Un-Send Project. In this international collaborative project, artists communicate with one another through an exchange of small works. Gallery talk: Thursday, February 9, 3–4 p.m. Gallery closed Saturday, February 18.

180 Riverway, Boston, MA

(617) 879-2219


Tu–Th 1–5, Sa 2–5, and by appointment

Gallery view of the Un-Send Project, an international collaboration at Towne Art Gallery at Wheelock College.

Trident Gallery

Trident Gallery shows beautiful and intelligent contemporary art and performance, emphasizing the work of artists continuing Gloucester’s rich legacy as a center for new American Art. Gallery director Dr. Matthew Swift curates gallery exhibitions, drawing on over 20 years of multidisciplinary scholarship, teaching, and creative exploration. January–February: Collectors’ Choice: Exhibitions guided by collectors’ interests. Works by Zygmund Jankowski, Peter Lyons, and others. Hours variable: please check website or call for an appointment.

189 Main St., Gloucester, MA

(978) 491-7785



Zygmund Jankowski, Black Trees, oil on paper, 22 x 30". At Trident Gallery.

Trustman Art Gallery at Simmons College

January 18–30: Annual Student Show. Featuring student work in drawing, painting, photography and printmaking. Opening February 3: Material Matters, an exhibition of collage and paintings by Gerri Rachins and encaustic reliefs by Stephanie Roberts-Camello. These artists transcend the usual two-dimensional form of paintings and create objects in vibrant color. Reception: Thursday, February 9, 5–7 p.m. Snow date: Thursday, February 16.

300 The Fenway, Boston, MA

(617) 521-2268


M–F 10–4:30

Tufts University Art Gallery

Opening January 24: CODED_COUTURE proposes a new interpretation of couture where coding is the ultimate design tool for creating garments. Evelyn Rydz: Floating Artifacts examines the life cycles of ocean debris, from ancient organisms to manufactured plastic toys, then back to the ocean as floating fragments of our contemporary lives.

Aidekman Arts Center

40 Talbot Ave., Medford, MA

(617) 627-3518



Tu–Su 11–5, Th 11–8

University Gallery at UMass Lowell

January 17–February 28: Morehshin Allahyari: Material Speculation. Artist talk: Wednesday, February 22, 3:30 p.m. in O’Leary 222, with reception following at 4:30–6 p.m. in the University Gallery.

Mahoney Hall

870 Broadway St., Lowell, MA

(978) 934-3491, (978) 934-3494


M–W 10–4, Th 10–9, F–Sa 10–3

Morehshin Allahyari, 3-D printed sculpture with SD card. At University Gallery.

Wedeman Gallery at Lasell College

January 24–February 11: Is This Something? A group exhibition featuring work by Gail Erwin, Samantha Fields, Deborah Klotz, Janet Kawada (curator) and Hilary Tolan. Artists’ reception: Sunday, January 29, 4–6 p.m. Opening February 21: ART/Word presents: Revelations. 25 visual artists illustrating stories of pivotal life-events.

47 Myrtle Ave., Auburndale, MA

(617) 243-2143


Tu–Sa 1–4, First Th 1–7

Janet Kawada, Related (detail), thread, yarn, wood, metal. At Wedeman Gallery.

Winfisky Gallery at Salem State University

The Winfisky Gallery displays art from all over the world in a variety of media from prints to kinetic sculpture to collage and photography. In addition to visiting artists, the art and design department hosts an annual faculty works exhibit, a student works exhibit and the prestigious student honors exhibition.

Ellison Campus Center

Lafayette St., Rts. 114 & 1A, Salem, MA

(978) 542-7890


M-F 10-2 or by appointment

Worcester Art Museum

Through February 5: Picket Fence to Picket Line: Visions of American Citizenship explores the nature of our identities as U.S. citizens. Ongoing: KAHBAHBLOOOM: The Art and Storytelling of Ed Emberley, comprehensive retrospective of one of
the world’s most prolific children’s book illustrators. Ongoing: Medieval Galleries reinstallation, a fresh take on WAM’s outstanding collection of medieval art.

55 Salisbury St., Worcester, MA

(508) 799-4406


W–F, Su 11–5, Sa 10–5, Third Thursdays 11–8

Image © Ed Emberley, used with permission. At Worcester Art Museum.


Bates College Museum of Art

Ongoing: PHANTOM PUNCH: Contemporary Art from Saudi Arabia in Lewiston, a major exhibition of Saudi artists, plus lectures and pop-up events that create timely cross-cultural dialogue. These artists, who are never seen here, create adventuresome, smart, funny and culturally resonant work. Opening January 13: Martin Puryear: Recent Acquisitions, featuring prints recently added to the permanent collection. Similar to the physical yet poetic sculptures for which Puryear is wellknown, these captivating etchings and aquatints combine traditional craft techniques and a meditative approach to process and materials.

75 Russell St., Lewiston, ME

(207) 786-6158


M, W 10–7:30, Tu, Th–Sa 10–5

Colby College Museum of Art

Through March 19: Rivane Neuenschwander: Zé Carioca and Friends. Ongoing: Zao Wou-Ki: No Limits and Graphic Matters: George Bellows and World War I. Luis Camnizter lecture: Wednesday, April 12, 7 p.m. Live music celebration for No Limits: Thursday, April 13, 6 p.m. Museum tours: Saturdays at 2 p.m. Art + Storytelling: select Saturdays, 11 a.m.–12 p.m. Free and open to the public.

Colby College Museum of Art.

5600 Mayflower Hill, Waterville, ME

(207) 859-5600


Tu–W, F–Sa 10–5, Th 10–9, Su 12–5

Institute of Contemporary Art at Maine College of Art

March 16–April 14: UNLOADED, curated by Susanne Slavick, Andrew W. Mellon Professor of Art, Carnegie Mellon University. UNLOADED is a multimedia group show that explores historical and social issues surrounding the availability, use and impact of guns in our culture. It includes works by Lauren F. Adams, Nina Berman, Joshua Bienko, Casey Li Brander, Anthony Cervino, Mel Chin, Cathy Colman, Dadpranks, James Duesing, Jessica Fenlon, Vanessa German, Jinshan, Andrew Ellis Johnson, Jennifer Nagle Myers, Adrian Piper, Don Porcella, Devan Shimoyama, Susanne Slavick, Renee Stout and Stephanie Syjuco. UNLOADED is touring to 10 venues across the country. Exhibition reception: Friday, April 7, 5 p.m.

522 Congress St., Portland, ME

(207) 699-5025



W–Su 11–5, Th 11–7, F 11–5, First Friday Art Walk until 8

Mel Chin, Cross for the Unforgiven: 10th Anniversary Multiple, 2012, 1 of 2, AK-47 assault rifles (cut and welded), 54 x 54 x 3". At Institute of Contemporary Art at Maine College of Art.

New Hampshire

Cynthia-Reeves NH

Through January 28: Metalpoint and Graphite, Alisa Dworsky, Anne Lindberg, Shona MacDonald, Gudrun Mertes-Frady. Four women artists’ drawings and works on paper. Opening February 4: Michael Mulhern, paintings and works on paper from the estate. Eric Slayton: Walking Meditations.

The Barn at 28 Main St., Walpole, NH

(603) 756-4160



Tu–Sa 10–5

Hood Downtown Exhibition Space

Opening January 5: Bahar Behbahani: Let the Garden Eram Flourish. Hood Downtown’s second exhibition features the acclaimed Persian Garden series of Brooklyn-based, Iranian-born artist Bahar Behbahani. Behbahani’s stunning paintings explore the intersection of politics and poetics that defines these gardens as contested cultural spaces.

53 Main St., Hanover, NH

(603) 646-2900



W–Sa 11–7, Su 1–5

Bahar Behbahani, Let the Garden Eram Flourish, from the Let the Garden Eram Flourish series, 2016, mixed media on canvas. Courtesy of the artist. © Bahar Behbahani. Photo by Adam Reich. At Hood Downtown Exhibition Space.

Lamont Gallery

Opening January 20: Clew: A Rich and Rewarding Disorientation is an artistic collaboration between Deborah Barlow, Todd Hearon, and Jung Mi Lee and Jon Sakata. Using overlays of music, poetry and visual arts, these artists give viewers and listeners new ways to see, hear and navigate an intricately layered world within the setting of a physical gallery space. Reception: Friday, January 20, 5–7 p.m. Free.

Frederick R. Mayer Art Center Phillips Exeter Academy

11 Tan Lane, Exeter, NH

(603) 777-3461


Tu–F 9–5, Sa 10–4

Museum of Art, University of New Hampshire

Opening February 2: Flextime: Clay Sculptures by David Katz and Closer Readings: New Hampshire Writers Respond to Art. Reception: Thursday, February 2, 6–8 p.m.

Paul Creative Arts Center

30 Academic Way, Durham, NH

(603) 862-3712



M–W, F 10–4, Th 10–8, Sa–Su 1–5

David Katz, Every Which Way (detail), 2014, clay, 16 x 8 x 8’.

New Hampshire Institute of Art Galleries

The New Hampshire Institute of Art (NHIA) believes art is relevant and essential to our culture; therefore, it promotes education, presentation and civic engagement through its galleries. NHIA galleries serve as both an educational tool for undergraduate, graduate and community education programs and in support of arts as part of the community. All exhibitions are free and open to the public.

Emma B. French Gallery
148 Concord St., Manchester, NH
Roger Williams Gallery
77 Amherst St., Manchester, NH
Sharon Arts Center Gallery
30 Grove St., Peterborough, NH 

(603) 623-0313



New Hampshire Institute of Art.

The Currier Museum of Art

Through January 16: Mount Washington: The Crown of New England. The first museum exhibition devoted entirely to art focusing on Mount Washington. Opening February 25: Deep Cuts: Contemporary Paper Cutting. Showcasing work by contemporary artists who reconsider, redefine and subvert the centuriesold practice of paper cutting. Opening February 25: Soo Sunny Park: BioLath. A site-specific work that explores the effect of light on visual perception. Part of the Contemporary Connections series.

150 Ash St., Manchester, NH

(603) 669-6144



M, W–F, Su 11–5, Sa 10–5

Andrea Dezsö, The Path Lay Hidden, 2013, Tunnel book with Japanese handmade Shojoshi paper, 8 x 11 x 7’’. Image courtesy of Pucker Gallery, Boston. At Currier Museum of Art.

The McIninch Art Gallery at Southern New Hampshire University

January 19–February 15: New Acquisitions, recent acquisitions of photography and works on paper. Opening February 23: Debra Weisberg: Cannot Be Determined in Advance, site-specific sculpture installation. Opening reception and artist talk Thursday, February 23, 5–7 p.m.

McIninch Art Gallery

2500 N. River Rd., Manchester, NH

Manchester, NH



M–W, F–Sa 10–3, Th 5–8

Debra Weisberg, (un)SEE(n) Scape, 2016, wire, paper pulp, sand, polymer resin, 17' x 9' x 23". At the McIninch Art Gallery.

Thorne-Sagendorph Art Gallery

Opening February 15: 2125 Stanley Street/Traces. Dahlia Nayar, Margaret Sunghee Paek, and Loren Kiyoshi Dempster will be in residence in early 2017 developing a performance and related exhibition that jointly explore the dynamics of hybridity within and across generations of immigrant families. This project, organized the Redfern Arts Center and the Thorne-Sagendorph Art Gallery, is made possible with the support of the New England Foundation for the Arts, the Robert P. Hubbard Family Trust, and Keene State College. Performances: February 9–11, choreographed by Dahlia Nayar.

Keene State College

Wyman Way, Keene, NH

(603) 358-2720



M–W, Sa–Su 12–5, Th–F 12–7

Photo courtesy of Dahlia Nayar. At Thorne- Sagendorph Art Gallery.

Rhode Island

ArtProv Gallery

See website for hours, or by appointment Through January 20: This & That. Group show including Sarah Jane Lapp, David Baggarly, Nick Paciorek, Judy Volkmann, Jane Andreozzi, Mark Holme, Alecia Underhill, Linnea Leeming, Ewa Romaszewicz, Ken Steinkamp, Adam Waimon and more artists. Opening February 8: Henry’s Kids. Current work—paintings, drawings, sculpture and photography—from 30 students of Enrico “Henry” Pinardi spanning the years he taught at Rhode Island College from 1967–1995. Opening reception: Friday, February 10, 5–9 p.m.

150 Chestnut St. 3rd Floor, Providence, RI

(401) 641-5182



See website for hours, or by appointment

Bud Cook, Protrait of Henry, 2014, acrylic on pane, 48 x 36". At ArtProv Gallery.

Chazan Gallery @ Wheeler

January 19 to February 8: Traverse | Texture, featuring works by Leslie Atik, Lin Lisberger and Christina Massey. Reception: Thursday, January 19, 5–7 p.m. Opening February 16: Group show featuring works by Sammy Chong, Elizabeth Ferrill, Robert Morgan and Brian Shure. Reception: Thursday, February 16, 5–7 p.m.

228 Angell St., Providence, RI

(401) 421-9230



Tu–Sa 11–4, Su 2–4

Leslie Atik, Roses (Installation View), 2014. At Chazan Gallery.

David Winton Bell Gallery

Through February 5: Fatma Bucak | And men turned their faces from there, an exhibition of new and recent video, performance, and installation works by Kurdish- Turkish artist Fatma Bucak, born in Iskenderun on the Turkish-Syrian border. See website for further information.

Brown University, List Art Center

64 College St., Providence, RI

(401) 863-2932


M–W, F 11–4, Th 1–9, Sa–Su 1–4

Fatma Bucak, “13 April 2016” from Remains of what has not been said, 2016. At David Winton Bell Gallery.

Main Art Gallery, University of Rhode Island

January 23–February 18: Invisible Bodies, Disposable Cloth: Rhode Island and Slavery, 1783–1850s will trace the creation of “Negro Cloth” and examine the RI textile industry starting with the Transatlantic Slave Trade; cloth production; working in the factory, and cloth sent back to the South on slave ships to be worn by slaves as its final destination. Opening reception; Tuesday, February 2, 3:45–5 p.m. and Friday, February 17, 5–5:45 p.m.

105 Upper College Rd., Kingston, RI

(401) 874-5812


M–F 12–4

Newport Art Museum

Opening January 14: Kate Blacklock, Looking Closely at What is Not There, showcases several of the artist’s ongoing series in the form of oil paintings, photographs and scans printed on aluminum 3D-printed ceramics. Threading these series together is the artist’s keen and enduring interest in joining the present and past, seamlessly integrating new technologies with older art historical traditions.

76 Bellevue Ave., Newport, RI

(401) 848-8200


We–Sa 10–4, Su 12–4

Glass Brick Series: Landscape, 2014, oils on wooden panel, 36 x 48 x 2". At Newport Art Museum.

Providence Art Club

January 8–27: Dodge House Gallery: New Year, New Members. Opening reception: Sunday, January 8, 2–4 p.m. January 29–February 24, in all galleries: Members’ Exhibition: Making Our Mark. Opening reception and awards: Sunday, January 29, 2–4 p.m. Always free and open to the public.

11 Thomas St., Providence, RI

(401) 331-1114



M–F 12–4, Sa–Su 2–4

David Pinkham, Aspen, photography, 2015. At Providence Art Club.


BCA Center

Opening January 20: Shane Lavalette: One Sun, OneShadow. Shane Lavalette presents his sweeping photographic series of the American South. Wylie Sofia Garcia: With My Voice, I Am Calling You Home presents new paintings by Vermont artist, Wylie Sofia Garcia. The Past Present: Work by Molly Bosley and Athena Petra Tasiopoulos. Two Vermont artists who use metaphorical objects to explore humanity and our relationship to the past. Opening reception: Friday, January 20, 5 p.m.

135 Church St., Burlington, VT

(802) 865-7166


Tu–Th 11–5, F–Sa 11–8

Shane Lavalette, Will with Banjo, 2011, archival inkjet. print, 25 x 30". At Burlington City Arts Center.

BigTown Gallery

Through February 25: Main Gallery: Figuration. Painting and collage by Mark Goodwin and Lucy Mink-Covello. Center Gallery: Landscapes & Nudes by Fulvio Testa.

99 North Main St., Rochester, VT

(802) 767-9670


W–F 10–5, Sa 12–5, and by appointment

Mark Goodwin, Wandering, 2013, mixed media. At BigTown Gallery.

Helen Day Art Center

Opening January 20: Natalie Jeremijenko: A solo exhibition. Jeremijenko is an international artist, engineer and inventor with a speciality in environmental and urban issues. Her work in the galleries will be a blend of new initiatives and past work with a focus on activating the space through environmentally conscious projects. The Art Center is simultaneously curating a large scale site specific project on the grounds of Spruce Peak at Stowe, January–September 2017.

90 Pond St., Stowe, VT

(802) 253-8358


Tu–Sa 10–5

Natalie Jeremijenko, Green Light. At Helen Day Art Center.

Middlebury College Museum of Art

Opening January 10: Untouched by Time brings together paintings, drawings, prints and photographs that bear testimony to our fascination with the Athenian Acropolis. Opening February 17: American Faces presents 90 portraits from more than 20 collections that explore and explain the American obsession with identity. Ongoing: Tour the campus collection of public art, including sculptural works by Tony Smith, Robert Indiana, Clement Meadmore and others.

72 Porter Field Rd., Middlebury, VT

(802) 443-5007



Tu–F 10–5, Sa–Su 12–5

Martin Parr, GREECE, Athens, Acropolis from the series Small World, 1991. At Middlebury College Museum of Art.

Mitchell • Giddings Fine Arts

Through January 29: Winter Group, an exhibit featuring work by gallery owners Petria Mitchell and Jim Giddings, new work from their gallery artists, and introducing Eric Boyer, Anne Johnstone, Gene Parulis, and Torin Porter. Winter Group showcases MGFA’s rich and diverse inventory of fine art and craft. Artist forum: January 7, 5 p.m.

183 Main St., Brattleboro, VT

(802) 251-8290



M, W–Su 11–5

Anne Johnstone, Watermelon Moon, collage, wax, acrylic on canvas, 40 x 36". At Mitchell • Giddings Fine Arts.

Shelburne Museum

Opening February 11: Backstage Pass: Rock & Roll Photography features more than 300 rarely seen photographs—studio portraits and candid outtakes—of famous rock and roll stars and jazz greats from Miles Davis, Elvis and The Beatles to David Bowie, Prince and The Beastie Boys.

6000 Shelburne Rd., Shelburne, VT

(802) 985-3346


W–Su 10–5

Kate Simon, Debbie Harry, NYC, 1977. Private collection. Photograph © Kate Simon.

West Branch Gallery & Sculpture Park

Through February: South Gallery: Recent works by Vermont-based artists Charlie Hunter and Helen Shulman. Upstairs Gallery: Nissa Kauppila’s watercolor paintings inspired by the former Burlingtonian’s apprenticeship with a master silk painter in Shenzhen, China. Central Gallery: Kim Radochia’s Murmurations, wall sculptures interpreting patterns in nature through the use of thousands of pieces of torn paper. North Gallery: New landscapes in oil by Craig Mooney and “pop constructions” by Dave Laro. Ongoing: Sculpture Park with works by Jonathan Prince, David Stromeyer, and Christopher Curtis.

17 Towne Farm Ln., Stowe, VT

(802) 253-8943


Tu–Su 10–5

Rebecca Kinkead, Gray Mare (On Gray), oil and wax on linen, 48 x 48". At West Branch Gallery and Sculpture Park.

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