Exhibitions

Openings and events around the region

Connecticut

  • Art Museum, University of Saint Joseph

    1678 Asylum Ave., West Hartford, CT
    (860) 231-5399
    usj.edu/artmuseum
    Tu–Sa 11–4

    Through December 13: Painted Pages: Illuminated Manuscripts, 13th–18th Centuries highlights the golden age of hand-written and illuminated volumes, many of which included elaborate gold leaf decoration and intricate ornamentation. This exhibition is organized by the Reading Public Museum, Reading, Pennsylvania. At the University of Saint Joseph, the exhibition is supported in part by the Karen L. Chase ’97 Fund. Film Screening: The Secret of Kells (2009), Sunday, November 9, 3 p.m.


  • Fairfield University Art Museum

    Fairfield University
    200 Barlow Rd., Fairfield, CT
    (203) 254-4046
    fairfield.edu/museum
    Tu–Sa 11–4, Th 11–8

    Through July 25: In the Bellarmine Hall Galleries and the Walsh Gallery (Quick Center): For Which It Stands… Commemorating the 250th Anniversary of the U.S., this major loan exhibition explores key moments in our country’s history through artworks depicting the American flag, from WWI to the present day. Artworks on view will challenge viewers to consider who the American flag truly represents and whether justice is available to all.

    Dread Scott, Emancipation Proclamation, 2020, pigment print. Courtesy of the artist and Cristin Tierney Gallery, New York. At Fairfield University Art Museum.
    N. C. Wyeth (1882-1945), The Victorious Allies, 1918, oil on canvas. 45 1/4 × 34 1/4 in. (114.9 × 87 cm). Delaware Art Museum, Gift of the Bank of Delaware, 1989. At Fairfield University Art Museum.

  • Florence Griswold Museum

    96 Lyme St., Old Lyme, CT
    (860) 434-5542 x 108
    FlorenceGriswoldMuseum.org

    Opening September 27: Inside Out: Contexts for American Art. The Florence Griswold Museum is a unique institution rooted in the context of its site-specific environment. Inspired by this multi-sensory setting, Inside Out investigates the power of contextualizing selected artworks from the Museum’s collection, turning them “inside out” for viewers to engage with paintings, sculpture, prints, textiles, and photographs in creative ways. Works of art are placed in conversation with archival materials, period music, artmaking tools, and interactive activities.

    Lydia Longacre, The Blue Kimono, 1914, watercolor on ivory, 5¼ x 3¼”. Gift of Mrs. Eleanor DelMar Revill. At Florence Griswold Museum.

  • Greenwich Historical Society

    47 Strickland Rd., Cos Cob, CT
    (203) 869-6899
    info@greenwichhistory.org
    greenwichhistory.org
    W–Su 12–4

    Greenwich Historical Society presents two concurrent exhibitions that celebrate the legacy of Cos Cob as the cradle of American Impressionism. Permanent Collections Gallery: Rediscovering the Cos Cob Art Colony: A Tribute to Susan G. Larkin, features the artwork that led Dr. Larkin to become the foremost expert on American Impressionism in Connecticut as well as many other etchings, watercolors, and books by art colony authors from her personal collection. October 8–March 8: The Holley Boarding House: Inspiring American Impressionism. Josephine Holley and her daughter Constant Holley MacRae were skilled managers of the Holley boarding house which attracted artists, writers and others to their charming 18th century home on the Mianus River in Cos Cob. The picturesque setting inspired the creativity of their guests and led to the founding of the first Impressionist art colony in Connecticut.

    Josephine Lyon Holley, with daughter Constant Holley MacRae on the front porch of the Holley boarding house, c. 1900. At Greenwich Historical Society.
    Josephine Lyon Holley, with daughter Constant Holley MacRae on the front porch of the Holley boarding house, c. 1900. At Greenwich Historical Society.

  • Lyman Allyn Art Museum

    625 Williams St., New London, CT
    (860) 443-2545
    lymanallyn.org
    Tu–Sa 10–5, Su 1–5

    Opening September 6: Albrecht Dürer: Master Prints features over forty woodblock prints and engravings that show the remarkable achievements of the German Renaissance master printmaker Albrecht Dürer (1471–1528). An extraordinary innovator who revolutionized printmaking in the late fifteenth and early sixteenth century, Dürer brought remarkable compositional complexity and a high level of naturalism to his works. Albrecht Durer: Master Prints is organized by the Reading Public Museum, Reading, Pennsylvania. Additional works from Connecticut College’s Wetmore Print Collection are also featured in the exhibition.

    Albrecht Dürer (German, 1471–1528), Joachim and the Angel from The Life of the Virgin, 1504, ink on paper, Museum Purchase. Reading Public Museum, Reading, Pennsylvania, 1954.63.1. At Lyman Allyn Museum.
    Albrecht Dürer (German, 1471–1528), Joachim and the Angel from The Life of the Virgin, 1504, ink on paper, Museum Purchase. Reading Public Museum, Reading, Pennsylvania, 1954.63.1. At Lyman Allyn Museum.

  • The Glass House

    199 Elm St., New Canaan, CT
    theglasshouse.org
    Th–M 9–5

    Ongoing: Structure, Light, Land features Kasten’s work from multiple series, including Architectural Sites, Collisions, and Progressions, as well as new iterations of digital projections, cyanotypes, and sculptures. With a striking interplay of light, color, and form, Kasten’s work infiltrates the grounds of The Glass House and responds to the site’s varied built environment and landscape. Advanced tickets required.

    Barbara Kasten, Structure, Light, Land, 2025. Photo: Michael Biondo. At The Glass House.
    Barbara Kasten, Structure, Light, Land, 2025. Photo: Michael Biondo. At The Glass House.

  • The Wadsworth

    600 Main St., Hartford, CT
    (860) 278-2670
    info@thewadsworth.org
    thewadsworth.org
    Th & Fr 12–5, Sa & Su 10–5

    Opening November 6: Peter Waite: Social Memory, Paintings 1987–2025. What if absence were a presence? The Wadsworth presents an exhibition of paintings by Peter Waite, known for his large-scale architectural scenes that explore spaces where history, memory, and perception meet. Working in acrylic on rigid panels, Waite’s compositions capture the beauty and poignancy of overlooked corners, faded surfaces, and traces of life that remain when people are gone.

    Peter Waite, Station / Frankfurt (detail), 2004. Acrylic on panels. Alexander A. Goldfarb Contemporary Art Acquisition Fund, 2007.9.1A-J


  • Tremaine Gallery, The Hotchkiss School

    11 Interlaken Rd., Lakeville, CT
    (860) 435-3663
    tmoore@hotchkiss.org 
    hotchkiss.org/arts/tremaine-art-gallery
    Tu-Sa 10-4, Su 12-4

    Through April 5: Historic Presence is curated by Terri Moore and features Brooklyn-based artist Taha Clayton’s portraits inspired by the 1930s to 50s, honoring the resilience, joy, culture, and dignity of elders. The exhibition includes works in oil, charcoal, and graphite, enhanced with props from the artist’s creative process. Through these intimate and powerful depictions, Clayton invites viewers to reflect on legacy, identity, and the enduring beauty found in everyday life.

    Taha Clayton, Crown Maker, oil on canvas, 30 x 36”. At Tremaine Gallery.

  • Widener Gallery

    Austin Arts Center, Trinity College
    300 Summit St., Hartford, CT
    trincoll.edu/austin-arts-center/widener-gallery
    M–Sa 1–5

    Through April 30 (closed March 15–22): Echoes and Collisions: The Art of Frantz Patrick Henry in Conversation with Selections from the Edith A. Graham Collection of Haitian Art. In this exhibition, artistic legacies and contemporary visions meet, creating a dialogue that oscillates between harmony and dissonance, connection and collision. Free and open to the public. 

    Echoes and Collisions installation view, Widener Gallery. Photo: Pablo Delano. At Widener Gallery, Trinity College.
  • Yale University Art Gallery

    1111 Chapel St., New Haven, CT
    (203) 432-0600
    artgallery.yale.edu
    Tu–F 10–5, Sat & Sun 11–5

    The Gallery’s encyclopedic holdings range from ancient times to the present day and represent cultures from around the globe. Opening February 27, 2026: August Sander’s People of the 20th Century. Also opening February 27, 2026: Jes Fan: Unbounded. Free and open to the public.

    HyperFocal: -19972113


Maine

  • Bates College Museum of Art

    Olin Arts Center
    75 Russell St., Lewiston, ME
    (207) 786-6158
    bates.edu/museum
    M & W 10–7:30, Tu & Th–Sa 10–5

    Ongoing: Precision and Expression: American Studio Ceramics from the E. John Bullard Collection in the Upper Gallery showcases an expansive ceramics collection. Shellburne Thurber: Full Circle in the Lower Galleries presents photographic explorations of place.

    Shellburne Thurber, Phantom Limb: My Dresser Top at Night, from Phantom Limb, 2017-2019, archival pigment print, 20 x 20 in., courtesy of the artist. 

  • Blue Door Gallery

    2 Southside Rd., York, ME
    (207) 332-2938
    bluedoorgallery.art
    T, W, F 9–5 Sa 9–12 

    September 13–November 9: Finding Joy, a solo exhibition by Marcia Crumley, whose work captures the emotional and visual beauty of the natural world. This vibrant collection reflects not only her personal journey through painting, but our shared pursuit of light, hope, and joy in uncertain times. Expect a luminous mix of night skies, seascapes, and color-saturated landscapes that celebrate the everyday wonder around us. Opening reception: September 13, 5–9 p.m. Free and open to the public.

    Marcia Crumley, Radiant, 2025, encaustic on panel, 16 x 16″. At Blue Door Gallery.
  • Mathias Fine Art

    10 Mathias Dr., Trevett, ME
    (207) 633-7404
    info@mathiasfineart.com
    mathiasfineart.com
    W–Su 12–5 & by appointment, after September 14, by appointment only 

    Through September 14: The exhibition Bettinson’s Maine includes works from 1991–2008 when Brenda Bettinson developed her iconic style. Bettinson’s Ravensbrück Series is on view at the Holocaust and Human Rights Center in Augusta, Maine, through September 5. Check website for accompanying event dates.

    Brenda Bettinson, Red Fox, acrylic on wood, 17 x 17¾
    Brenda Bettinson, Red Fox, acrylic on wood, 17 x 17¾” (43.18 x 45.08 cm). Photo: Melville McLean, 1996. At Mathias Fine Art.

  • Moss Galleries

    100 Fore St., Portland, ME
    (207) 804-0459
    251 US-1, Falmouth, ME
    (207) 781-2620
    liz@elizabethmossgalleries.com
    elizabethmossgalleries.com
    Portland: Tu–Sa 10–5
    Falmouth: Tu–Sa 10–5

    Portland Gallery, opening September 5: Charlie Hewitt. Falmouth Gallery, through October 11: Geoffrey Dorfman & Brian Smith. Opening October 17: The Haunted: Contemporary Photography Conjured in New England.

    Geoffrey Dorfman, Solaris, oil on canvas, 42 x 46″. Courtesy of the artist. At Moss Galleries.

  • Ogunquit Museum of American Art

    543 Shore Rd., Ogunquit, ME
    (207) 646-4909
    ogunquitmuseum.org
    Daily 10–5; First Friday of each month, 10–8

    Through November 16: Gisela McDaniel: Inina; Where the Real Lies; Henry Strater’s Ogunquit; Hugh Hayden’s Gulf Stream; Jordan Bennet: A Love Letter: A Prayer Set upon the Sea. Free admission during First Fridays 5–8 p.m.

    Gisela McDaniel, Na’rosa, 2025, oil on panel, seed bead, garment (sea glass) and jewelry made by subject-collaborator, pearl, shell from Guahan and
    Hawai’i, 119.4 x 152.4 x 14 cm, 47 x 60 x 5½”. Courtesy of the artist and Pilar Corrias, London. Photo: Nicholas Knight. © Gisela McDaniel. At Ogunquit Museum of American Art.

Massachusetts

  • ABAA Boston Antiquarian Book Fair

    Hynes Convention Center
    900 Boylston St., Boston MA
    abaa.org/bostonbookfair
    F 4–8 ($25); Sa 12–7 (free); Su 11–4 (free)

    November 7-9: The Boston International Antiquarian Book Fair returns with 100+ booksellers from the U.S., Australia, Czech Republic, Denmark, France, Germany, Netherlands, Serbia, and the U.K. will exhibit and sell rare, collectible, and antique books, manuscripts, autographs, maps, atlases, modern first editions, photographs, fine and decorative prints, and more. Guest speakers Saturday and Sunday.


  • Arlington Commission for Arts & Culture

    Art in public places, no admission
    info@artsarlington.org
    artsarlington.org  
    Art in public places, no admission

    Outside Robbins Library, visit Unseen/Unforgotten: Remembering Menotomy’s Ordinary Defenders, 1775, featuring cast cement pedestals by Christopher Frost. On the Minuteman Bikeway at Grove, Brattle and Forest streets, explore murals by Renee Majkut, Raksha Soni and Maria and Kathy Lobo. Online, enjoy People, Plants & Revolution, a multimedia tour with recorded stories exploring colonialism’s impact on Arlington’s 18th century ecosystem, and art by Suzanne Moseley and Liz Shepherd (www.PlantStories.us).

    Artist Christopher Frost with Unseen/Unforgotten. At Robbins Memorial Library.
    Artist Christopher Frost with Unseen/Unforgotten. At Robbins Memorial Library.
  • Armenian Museum of America

    65 Main St., Watertown, MA
    (617) 926-2562
    info@armenianmuseum.org
    armenianmuseum.org
    Th–Su 12–6

    Opening December 11: Arshile Gorky: Redrawing Community and Collections. The Museum is proud to announce the opening of this landmark exhibition. This is the first exhibition of Gorky’s work in an Armenian museum, and it caps off a series of programs initiated by the “100 Years of Arshile Gorky” Committee in the City of Watertown. The twenty-five works from lenders across the country, including the Whitney Museum of American Art, the Housatonic Museum of Art, Yale University Art Gallery, and many private collections, are curated by Kim S. Theriault. Sponsored by the JHM Charitable Foundation.

    Arshile Gorky, Self-Portrait, 1923–1924, oil on canvas board, 16 x 12″, private collection. At Armenian Museum of America.

  • Atlantic Works Gallery

    80 Border St., East Boston, MA
    (857) 302-8363
    contact@atlanticworks.org
    atlanticworks.org
    F–Sa 2–6 or by appointment

    November 1–29: Stop Look Listen. Work by richard dorff + collaboration with Alberto Roblest. Opening reception: Saturday, November 1, 5–8 p.m.; Third Thursday reception: November 20, 6–9 p.m. December 5–20: East Boston High School Student Art Show. Work by East Boston High School students, in collaboration with the Mass Cultural Council. Opening reception: Friday, December 5, 5–8 pm..; Third Thursday/closing reception: December 18, 5–8 p.m..

    Richard Dorff, through and through, 2025, mixed media, 53 x 30″. At Atlantic Works Gallery.


  • Boston Sculptors Gallery

    486 Harrison Ave.
    Boston, MA
    (617) 482-7781
    bostonsculptors@gmail.com
    bostonsculptors.com
    W–Su 11–5

    Through September 28: Wen-Hao Tien, Flight Lessons and Ellen Schön, Loftings. First Friday, September 5, 5–8:30 p.m. Reception and artists’ talks: Saturday, September 13, 2–5 p.m., talks at 3 p.m. Open Mic with Wen-Hao Tien: Saturday, September 20, 3–5 p.m. 3D Clay-Printing Demo with Ellen Schön: Sunday, September 21 at 2 p.m. Opening October 2: Sally B. Moore, Human/Beast and Laura Evans, The Weight: how to move. First Friday, October 4, 5–8:30 p.m. Reception and artists’ talks: Sunday, October 19, 2–5 p.m., talks at 3 p.m.

    Ellen Schön, Crinkle Vase, 2025, 3D printed stoneware, 8.5 x 8.5 x 8.5″. At Boston Sculptors Gallery.
    Wen-Hao Tien, Flight Lessons (detail), 2025, mixed media installation, dimensions variable. At Boston Sculptors Gallery.
    Wen-Hao Tien, Flight Lessons (detail), 2025, mixed media installation, dimensions variable. At Boston Sculptors Gallery.
    Laura Evans, Staggering, 2025, mixed media, 18 x 13 x 12″. Photo: Julia Featheringill. At Boston Sculptors Gallery.
    Sally B. Moore, Entrance, 2025, wire, fabric, papier mâché, 22 x 18 x 6″. At Boston Sculptors Gallery

  • Cahoon Museum of American Art

    4676 Falmouth Rd. (Route 28), Cotuit, MA
    (508) 428-7581
    cahoonmuseum.org

    Through December 21: A rich history of Cape Cod, the Islands, and the Southcoast region is brought back to life in Taverns to Trades: American Folk Art Signs, highlighting the centuries-old artistry of tavern and trade signs known and loved by the region. These signs reflect the trades and travel destinations of their times and represent an array of woodworking, painting, gilding, and welding techniques from skilled craftspeople and artisans. Inspired by these historic examples, contemporary artists Jeff Dinardo of Cotuit and Pete Vogel from Nutmegger Workshop in Maine continue these traditions through woodworking, sign painting, and antiquing processes.

    Pete Vogel, Nutmegger Workshop, Finest Whale Oil, 2025, Douglas fir. Courtesy of the artist. Cahoon Museum of American Art.

  • Concord Art

    37 Lexington Rd., Concord, MA
    (978) 369-2578
    info@concordart.org
    concordart.org
    Tu–Sa 10–4:30, Su 12–4

    September 11–October 19, Main + Members galleries: 26th Annual Frances N. Roddy Exhibition, juried by Sarah Montross. Reception: Thursday, September 11, 5:30 p.m. Opening October 23, Main Gallery: Motherhood as Muse, curated by Kathryn Geismar and Deborah Peeples. Members Gallery: Color Conversations, Laura Barr, Kay Hartung, Anne Johnstone. Reception: Thursday, October 23, 5:30 p.m.

    Katherine Bradford, Cold Plunge, 2025, oil on canvas, 20 x 16″. At Concord Art.

  • Danforth Art Museum at Framingham State University

    14 Vernon St.
    Framingham, MA, Floor 2
    (508) 215-5110
    danforthartmuseum@framingham.edu
    danforth.framingham.edu

    Currently celebrating its 50th anniversary, the Museum has a permanent collection focusing on American art from the 19th century to the present day, rotating exhibitions of contemporary, regional artists, and a gallery focused on the artist Meta Vaux Warrick Fuller. Opening September 13: B. Lynch: Little Dramas; Nayana LaFond: Portraits in RED; Sonya Tanae Fort: I See You/Morabeza. See website for hours.

    B. Lynch, Vaneeta, 2025, from Little Dramas. At Danforth Art Museum.
    B. Lynch, Vaneeta, 2025, from Little Dramas. At Danforth Art Museum.

  • Davis Museum at Wellesley College

    106 Central St., Wellesley, MA
    (781) 283-2051
    thedavis.org
    Tu–Su 11–5

    In exhibitions opening on September 19, the Davis Museum highlights the following artists as part of Wellesley College’s 150th anniversary celebrations: Kathryn Abarbanel, Ilse Bing, Suzanne Ciani, Genevieve Cohn, Claudia Joskowicz, Kathya Landeros, Phyllis McGibbon, Andrew Mowbray, Daniela Rivera, Katherine Ruffin, and David Teng Olsen. Free and open to the public.

    Kathya Landeros, Untitled, Miami, Arizona, 2024, archival inkjet print, 14 x 16″. Courtesy of the artist. At The Davis Museum at Wellesley College.

  • deCordova Sculpture Park and Museum

    51 Sandy Pond Rd., Lincoln, MA
    (781) 259-8355
    thetrustees.org/decordova

    Spanning the Sculpture Park’s front lawn and beyond, Nature Sanctuary explores relationships between the natural world and ideas of home across a landscape shared and shaped by people and art. Original commissions and loans from six artists—Venetia Dale, Kapwani Kiwanga, Joiri Minaya, Zohra Opoku, Kathy Ruttenberg, and Evelyn Rydz—link deCordova’s ecology, its past as a family home, and its integration with a land conservation organization. Ongoing: Nature Sanctuary.

    Evelyn Rydz, Holding Water, 2025, cast glass, steel, concrete, field stones. Courtesy of the artist. Photo: Mel Taing. At deCordova Sculpture Park and Museum.
    Evelyn Rydz, Holding Water, 2025, cast glass, steel, concrete, field stones. Courtesy of the artist. Photo: Mel Taing. At deCordova Sculpture Park and Museum.

  • Fuller Craft Museum

    455 Oak St., Brockton, MA
    fullercraft.org
    Tu–Su 10–5
    Opening March 1: Art Evolved, Intertwined

    Opening September 20: Nancy Callan and Katherine Gray: The Clown In Me Loves You. Ongoing: Soul of a Nation: Voices of Resilience in Ukrainian Folk Art. Ongoing: A Shared Legacy: Gifts from the Robyn and John Horn Collection. Ongoing: Cicely Carew: BeLOVEd. Ongoing: Waste Not, Want Not: Craft in the Anthropocene. Ongoing: Small Wonders: Beauty, Alchemy, and the Art of Enameling. The Museum’s wide-ranging exhibitions and outdoor sculpture showcase the finest contemporary craft in a spectacular organic modernist building and woodland setting. All are welcome.

    Rustem Skybin, Egg, 2024, clay and glaze, Kyiv region 6.5″. At Fuller Craft Museum.

  • Gallery Sitka  at The Tasting Room

    227 Spring St., Newport, RI
    (978) 425-6290
    office@gallerysitka.com
    gallerysitka.com
    Open by appointment 

    Gallery Sitka will be hosting Cynthia Woehrle and Marton Clough through September. Kellie Weeks opens on Friday, October 10, from 4:30–
    6 p.m. Marli Thibodeau opens Friday, November 14, from 4:30–6 p.m. and NAWAMA joins Gallery Sitka opening Friday, December 12, from 4:30–6 p.m. for “La Fête”—a celebratory end to 2026! 

    Marli Thibodeau, Rewilding, 2019, acrylic on canvas, 26 x 48″. At Gallery Sitka.

  • Harvard Art Museums

    32 Quincy St., Cambridge, MA
    (617) 495-9400
    harvardartmuseums.org

    Opening September 12: Sketch, Shade, Smudge: Drawing from Gray to Black. Discover how simple tools can be powerful vehicles for artistic expression. Enjoy drawings by Jean-Auguste-Dominique Ingres, Edgar Degas, Georges Seurat, John Singer Sargent, and Odilon Redon, alongside 20th- and 21st-century artists such as Piet Mondrian, Lyonel Feininger, Diego Rivera, Richard Serra, John Wilson, Isabella Quintanilla, and Toyin Ojih Odutola, all of whom push their use of drawing media in new directions.

    Georges Seurat, Woman Seated by an Easel, c. 1884–1888, Conté crayon on beige wove paper. Harvard Art Museums/Fogg Museum, Bequest from the Collection of Maurice Wertheim, Class of 1906, 1951.70. At Harvard Art Museums.
    Georges Seurat, Woman Seated by an Easel, c. 1884–1888, Conté crayon on beige wove paper. Harvard Art Museums/Fogg Museum, Bequest from the Collection of Maurice Wertheim, Class of 1906, 1951.70. At Harvard Art Museums.

  • Highfield Hall & Gardens

    56 Highfield Dr., Falmouth, MA 
    (508) 495-1878
    highfieldhall.org
    Through October 26: Tu–F 10–4, Sa & Su 10–2 

    Through October 26: Trailblazers: Celebrating Contemporary Japanese Prints; and Ephemeral Grace: Botanicals by Deb Ehrens. Outdoor installation, ongoing: From Woods to Water: The Interrelationship of Living Things, by Roman Tybinko.

    OGAWA Koichi, Blue Sphere No. 25, ed50, 2023, silkscreen. At Highfield Hall & Gardens.
    HOGAWA Koichi, Blue Sphere No. 25, ed50, 2023, silkscreen. At Highfield Hall & Gardens.

  • Icon Museum and Study Center

    203 Union St., Clinton, MA
    (978) 598-5000
    iconmuseum.org
    Th–Su 10–4, Free First Sunday of the month 10–4, courtesy of the Nypro Foundation

    Illuminating the art of the sacred icon. Ongoing: Greek Icon Gallery. Experience a new permanent gallery showcasing Greek icons and artifacts created after the fall of Constantinople in 1453. Explore the innovation, artistic exchange, and continuity of Greek art and culture across a vast diaspora, from Byzantium to Venice to Crete. Through January 11, 2026: Heavenly Excess: Luxe Icons from Late Imperial Russia. Discover the intricate beauty of icons and religious objects adorned with enamel, gold, pearls, and other precious materials, showcasing masterful craftsmanship.

    Crucifixion, attributed to Georgios Klontzas, panel from a triptych, 16th Century, egg tempera on wood. Crete. At Icon Museum and Study Center.
    Crucifixion, attributed to Georgios Klontzas, panel from a triptych, 16th Century, egg tempera on wood. Crete. At Icon Museum and Study Center.
  • Iris & B. Gerald Cantor Art Gallery

    College of the Holy Cross
    Prior Performing Arts Center
    1 College St., Worcester, MA
    (508) 793-3356
    holycross.edu/cantorartgallery
    M by appointment, T, W & F 10–5, Th 10–6, Sa 12–5

    Ongoing: The Vietnamese Áo Dài in a Time of War: Fashion, Citizenship, and Nationalism (1954–1975), exploring the role that Vietnam’s national costume—the áo dài—played within Vietnam and on the global stage during the Vietnam War and how clothing is used to assert cultural identity.

    Maker unknown, áo dài, c. 1963, patterned silk damask with cotton/rayon embroidery thread. Courtesy of Mr. Olindo Matteo Borsoi, Mrs. Ngô Đình Lệ Quyên’s widower. At Iris and B. Gerald Cantor Art Gallery.
    Maker unknown, áo dài, c. 1963, patterned silk damask with cotton/rayon embroidery thread. Courtesy of Mr. Olindo Matteo Borsoi, Mrs. Ngô Đình Lệ Quyên’s widower. At Iris and B. Gerald Cantor Art Gallery.

  • Jeff Soderbergh Sustainable Furnishings & Fine Art Gallery

    11b West Main St., Wellfleet, MA
    (508) 214-0538
    jeffsoderbergh.com

    September 13–27: Join the Gallery in celebrating Retrospective, a show of the insightful and architecturally wondrous work of Duncan Johnson. Johnson is a contemporary assemblage artist known for his intricate, meticulously crafted assemblages created with scavenged wood and curated imagery. Come enjoy a body of work that spans three decades beginning in the early 90s to present day. Artist reception: Saturday, September 13, 3–7 p.m.

    Duncan Johnson, Redshift. At Jeff Soderbergh Sustainable Furnishings & Fine Art Gallery.
    Duncan Johnson, Redshift. At Jeff Soderbergh Sustainable Furnishings & Fine Art Gallery.
    Duncan Johnson, Spring Collection. At Jeff Soderbergh Sustainable Furnishings & Fine Art Gallery.
    Duncan Johnson, Starting Line, 2024, image transfer on reclaimed wood, 21 x 19″. Photo: Duncan Johnson. At Jeff Soderbergh Gallery.

  • Kingston Gallery

    450 Harrison Ave., No. 43, Boston, MA
    (617) 423-4113
    info@kingstongallery.com
    W–Su 12–5 or by appointment

    September 4–28, Main Gallery: Kurt Ankeny, Linda Cordner, Richard Dorff, Sharon Kaitz, Mario Kon, Virginia Mahoney: Six New Artists. Center Gallery: Jennifer Liston Munson: The Petrifying Gaze. Project Space Gallery: Randy Garber and Rachel Garber Cole: So Late So Soon. Opening reception: Friday, September 5, 5–8 p.m. October 2–November 2, Main and Center galleries: Mary Lang: Entangled. Project Space Gallery: Hilary Tolan: Waterland. Opening reception: Friday, October 3, 5–8 p.m.

    Mary Lang, Hassocky Meadow Trail, Ipswich River Wildlife Sanctuary, Ipswich, MA, 2024, archival digital print, 20 x 30”. At Kingston Gallery.
    Mary Lang, Hassocky Meadow Trail, Ipswich River Wildlife Sanctuary, Ipswich, MA, 2024, archival digital print, 20 x 30”. At Kingston Gallery.

  • Milton Academy: Nesto Gallery, Art & Media Center

    Arts Commons Gallery,
    Kellner Performing Arts Center

    170 Centre St., Milton, MA
    (617) 898-1798
    milton.edu/arts/nesto-gallery
    M–F 9–4

    November 6–December 17: Untamed. Lauren Webber. Opening reception: Thursday, November 6, 5:30–7 p.m. Webber is a multidisciplinary contemporary artist whose large-scale digital collages blend thousands of open-source Renaissance images. Printed on unstretched archival canvas, her works explore Western visual traditions, reimagining how the power of women and cultural identity are represented through images.


  • Montserrat College of Art

    Frame 301 Gallery
    301 Cabot St, Beverly, MA 01915


    Ena Kantardžić: to give what is due
    February 9 – March 20, 2026

    to give what is due by Ena Kantardžić is an experiential exhibition at Montserrat College of Art’s FRAME 301 Gallery. The show features UAV (unmanned aircraft vehicle) documentary footage of Kantardžić’s ongoing land work echo 2 as a 2-channel laser projection, as well as new material created from harvested narcissi (daffodils).

    Ena Kantardžić, to give what is due



  • Montserrat College of Art

    Montserrat Gallery
    23 Essex Street, Beverly, MA 01915

    Low Light
    January 26 – March 6
    Artist Talk: Adam Miller + Haig Dermarjian: Wednesday, March 4, 11-12pm

    Low Light brings together an interdisciplinary group of artists, each uniquely interpreting the allure of low light as their stage. Featuring work from several Montserrat alumni and curated by alumni David Ferreira and Sean Carney, Low Light explores a range of disciplines to interpret darkness, shadow, and subtle illumination.

    SeanCarney, The Mystery Machine

  • Montserrat College of Art

    Carol Schlosberg Gallery
    23 Essex Street, Beverly, MA 01915

    Haley Wood: Bad Alchemy
    February 3 – March 13

    Fiber artist, Haley Wood, explores the classic imagery of alchemy—such as the three stages of blackening, whitening and reddening, and the hermaphroditic form—through intricate textiles and layered compositions. 

    Haley Wood, Bad Alchemy


  • Norman Rockwell Museum

    9 Glendale Rd./Rte. 183, Stockbridge, MA
    (413) 298-4100
    nrm.org
    Open daily, except Wednesday, 10–5

    Home of American Illustration. Ongoing: Illustrators of Light: Rockwell, Wyeth, and Parrish from the Edison Mazda Collection. Through November 2: Norman Rockwell: Illustrating Humor. Through October 26: I SPY! Walter Wick’s Hidden Wonders. Through October 26: Hidden Worlds and Wonders Outdoor Sculpture Exhibition. Guided gallery tours, virtual exhibition and field trips. More at NRM.org.

    Walter Wick, Clouds from I SPY Fantasy, 2021, pigmented inkjet photograph, 30 x 50″. New Britain Museum of American Art, Gift of Walter Wick and Linda Cheverton Wick © 2021 Walter Wick. Exhibition organized by New Britain Museum of American Art. At Norman Rockwell Museum.

  • Panopticon Gallery

    502c Commonwealth Ave., (inside Hotel Commonwealth), Boston, MA
    (781) 740-1300

    info@panopticongallery.com
    panopticongallery.com
    M-Su 24 hours

    Through December 2: Panopticon Gallery presents Grace by Scott Offen. Coinciding with the launch of Offen’s monograph with L’Artiere Edizioni, the exhibition features intimate, dreamlike portraits performed and co-created by his wife, Grace. Exploring collaboration, identity, and connection with nature, the work invites reflection on presence and absence. A reception and book signing will be held September 25, 6-8 p.m. Free and open to the public.

    Scott Offen, Grace Looking Through Hole in Log, archival pigment print, 20 x 24″. At Panopticon Gallery.

  • ShowUp

    524B Harrison Ave., Boston, MA
    contact@showupinc.org
    showupinc.org
    Th–Sa 12–5, Su 11–4 & by appointment

    ShowUp is a nonprofit contemporary art exhibition, education, and engagement space, focused on creating an innovative environment for high-potential, talented artists whose work is underrepresented in traditional exhibition spaces. Ongoing: Between Two Worlds: Making Sense of Modern Life from Indigenous Perspectives. A powerful group show of six contemporary Native American artists curated by Nayana Lafond.

    Carlin Bear Don’t Walk, Knowledge, Power, Respect, 2021. At ShowUp.
    Carlin Bear Don’t Walk, Knowledge, Power, Respect, 2021. At ShowUp.

  • Springfield Museums

    21 Edwards St., Springfield, MA
    springfieldmuseums.org
    Tu–Sa 10–5, Su 11–5

    Through January 4, 2026: Whiskers and Whimsy: Animals in Currier & Ives Prints. Through January 4, 2026: Comedy Wildlife Photography Awards. Ongoing: Legacies of Surrealism/Markets, Foodways, and the Essence of Place: Works from the Museo de Arte de Ponce.

    Tom Mangelsen (American), Laid Back, 2019, Eastern Chimpanzee, Gombe Stream National Park, Tanzania. At Springfield Museums.

  • The Guild of Boston Artists

    162 Newbury St., Boston, MA
    (617) 536-7660
    bostonguild@gmail.com
    guildofbostonartists.org
    Tu–Sa 10:30–5:30

    Through November 29: The Here & Now, a spotlight exhibition of oil landscapes by Boston School artist Sam Vokey that transport the viewer to the very instance of observation, infused with all the visual poetry of a fleeting moment spent in nature. Artist demonstration: Saturday, November 22, 1 p.m. Opening December 6: Winter Holiday and Small Works Displays

    Sam Vokey, Cambridge River Bank, oil, 24 x 30″. At The Guild of Boston Artists.

  • The Umbrella Arts Center

    40 Stow St., Concord, MA
    (978) 371-0820
    info@theumbrellaarts.org
    theumbrellaarts.org/gallery
    M–Su 10–9

    Through October 7: S3: The Umbrella Student Summer Showcase. Through October 18: Weaving an Address, outdoor exhibition at Brister’s Hill commemorating colonial and revolutionary Black inhabitants of Walden Woods as part of Concord250. Artists Ifé Franklin, Whitney Harris, Ekua Holmes, Perla Mabel, Marla McLeod, Anthony Peyton Young. Curator tour: September 13, 1 p.m. Opening September 12: Joy & Peace, abstract painting by Jill Goldman-Callahan and Christiane Corcelle. Reception: Thursday, September 18. Opening September 24: Voices of the Wild: A Tribute to New England’s Wildlife by Jennifer L. Anderson. Reception: Thursday, October 2.


  • Three Stones Gallery

    115 Commonwealth Ave., Concord, MA
    (978) 254-5932
    info@threestonesgallery.com
    threestonesgallery.com
    Tu–F 10–6, Sa & Su 10–5, M by appointment

    September 4–October 12: Eternal Equinox—Photo encaustics by Joan Kocak; vivid landscapes in oil by Jill Hoy; abstract works on paper by Daryl Burtnett; new works by represented artists. Reception: Saturday, September 20, 6–8 p.m. Opening October 15: Inner Sojourns—Elisa Adams’ sculptures delve into the mystical world of Tarot cards and invite the audience on a meditative experience; abstract mixed media by Athena Petra Tasiopoulos; and paintings by Avery S. Bramhall complete this intriguing show. Reception: Saturday, October 25, 6–8 p.m.

    Elisa Adams, XVII The Star, ceramic, 7 x 13″. At Three Stones Gallery.

  • Worcester Art Museum

    55 Salisbury St., Worcester, MA
    (508) 799-4406
    worcesterart.org
    W–Su 10–4

    Opening November 22: New Arms and Armor Galleries. Uncover the real stories behind myths and legends, brought to life through over 1,000 objects from around the world. Reservations required, now available at worcesterart.org/armor. Through February 1, 2026: Lee Mingwei: Our Peaceable Kingdom. Experience the ongoing collaborative artwork that brings together more than forty artists to address the question, “What is peace?”

    Stefan Rormoser, Armor for Field and Tilt, of Count Franz von Teuffenbach (1516–1578), 1554, steel, brass, lampblack, restored leather, The John Woodman Higgins Armory Collection, 2014.80. At Worcester Art Museum.

RHODE ISLAND

  • Bannister Art Gallery at Rhode Island College

    600 Mt. Pleasant Ave., Providence, RI
    (401) 456-9765
    bannistergallery@ric.edu
    ric.edu/bannister
    M–F 12–8 or by appointment

    November 6–December 5: The Galileo Project: Works by Doug Bosch and Richard Whitten, Book Design by Nancy Bockbrader. Drawing from the history and the visual language of the scientific instruments housed in the Museo Galileo, Doug Bosch and Richard Whitten each interprets and reimagines these objects through the lens of their own practice. Bockbrader’s hand-bound catalogue provides a satisfyingly unique companion for the exhibition.


  • Chazan Gallery at Wheeler

    228 Angell St., Providence, RI  
    (401) 528-2227
    info@chazangallery.org
    chazangallery.org
    M–F 3–6, Sa 10–4 and by appointment

    Through November 5: Past Tense/Present Visions: A Wheeler Alumni Exhibition. Judith Salomon ’71, Casey Blanchard ’71, Nellie Congdon ’15, Ruby Goldstein ’22, Sam Green ’06, Shoshana Lowe ’20. November 20–December 10: Elemental Forms/Broken Earth, BC Crane, Denny Moers, Jonathan Sharlin. Reception: Thursday, November 20, 5–8 p.m.

  • Newport Mansions

    Rosecliff, 548 Bellevue Ave., Newport, RI
    (401) 847-1000
    Newportmansions.org
    Daily 10–3

    Ongoing: Richard Morris: Hunt In A New Light. Richard Morris Hunt, the premier architect of the Gilded Age, is known for imposing works such as Marble House and The Breakers in Newport, R.I., yet this exhibition will take a more intimate look at his life, creativity and ideas. For the first time, the exhibition will bring together Hunt’s personal sketchbooks, scrapbooks, architectural and interior drawings and family objects, drawn from the Library of Congress, Smithsonian National Portrait Gallery, Vermont Historical Society, Bennington Museum (VT), the Preservation Society’s collections and more.

    Richard Morris Hunt (American, 1827-1895), Richard Morris Hunt's sketchbook of a European trip in 1874, July to December 1874, graphite and watercolor on paper. Courtesy of the Hunt Collection in the AIA/AAF Collection, Prints and Photographs Division of the Library of Congress, Washington, D.C. At Newport Mansions.
    Richard Morris Hunt (American, 1827-1895), Richard Morris Hunt’s sketchbook of a European trip in 1874, July to December 1874, graphite and watercolor on paper. Courtesy of the Hunt Collection in the AIA/AAF Collection, Prints and Photographs Division of the Library of Congress, Washington, D.C. At Newport Mansions.

Vermont

  • Brattleboro Museum & Art Center

    10 Vernon Street
    Brattleboro VT 05301
    802-257-0124
    office@brattleboromuseum.org
    www.brattleboromuseum.org
    W–Su 10-4

    Ongoing: Making Space, a group exhibition featuring artwork by Beverly Acha, Emily Noelle Lambert, Mika Obayashi, Howardena Pindell, Michelle Samour, Deborra Stewart-Pettengill, and Lauren Watrous; Laura Chasman: Here Today, Gone Tomorrow, Founded on Artists’ Books: Franklin Furnace 50th Anniversary Tribute; GLASSTASTIC 2025; John Kenn Mortensen: Dream Homes; Jonathan Ryan Storm: Time Was a River, Too; and Mark Barry: Petals to Metal and Other Stories.

    Howardena Pindell, Cosmos (#112), 2022, handmade abaca paper with embedded letterpress printed, punched, and intaglio printed paper dots. Courtesy of Garth Greenan Gallery, NY. At Brattleboro Museum & Art Center.
    Howardena Pindell, Cosmos (#112), 2022, handmade abaca paper with embedded letterpress printed, punched, and intaglio printed paper dots. Courtesy of Garth Greenan Gallery, NY. At Brattleboro Museum & Art Center.

  • Burlington City Arts

    135 Church St., Burlington, VT
    burlingtoncityarts.org
    (802) 865-7166
    W & Sa 12–8 & Th & F 12–5

    Offering innovative contemporary art exhibitions in a historic firehouse on Burlington’s Church Street Marketplace. Through January 24, 2026: Do We Say Goodbye? Grief, Loss, and Mourning probes unspoken rituals of mourning and questions the silence that often surrounds loss in contemporary culture. In photography, painting, video, and installation, the featured artists—Peter Bruun, Bethany Collins, Jordan Douglas, Mariam Ghani, Lydia Kern, John Killacky, Nirmal Raja, and Jamel Robinson—offer moving meditations on memory, endurance, transition, and empowerment.

    Lydia Kern, Double Sorrow Double Joy, 2023, mixed media. At Burlington City Arts.
    Lydia Kern, Double Sorrow Double Joy, 2023, mixed media. At Burlington City Arts.

  • Mad River Valley Arts

    5031 Main St., #2 Village Square
    Waitsfield, VT
    (802) 224-6878
    info@madrivervalleyarts.org
    Tu–Sa 1–5

    Through October 31: Stardust. The Mad 802 Collective presents Stardust, an exhibition about The Quantum World. This multimedia installation looks at the behavior of photons, particles and mysterious patterns of quantum phenomena, inspiring us to think about the magic of the quantum fundamental basis to reality. Artists open up to their interpretation of the immaterial while engaging with the scales of the unimaginably tiny to the infinitely large. Reception: Wednesday, September 19, 5–7 p.m.

    John Anderson, Chart No. 3. At Mad River Valley Arts.
    John Anderson, Chart No. 3. At Mad River Valley Arts.
  • Mitchell-Giddings Fine Arts

    181–183 Main St., Brattleboro, VT
    (802) 251-8290
    info@mitchellgiddingsfinearts.com
    mitchellgiddingsfinearts.com
    Th–Sa 11–5, Su 12–5

    Through October 26: Dan Welden: Haystack Crescendo, a new suite of hybridized prints—neither pure print nor painting—black and white etchings upon which master printmaker Welden has applied acrylic, watercolor and crayon. Created during a residency at Haystack School of Crafts in Deer Isle, ME, using abandoned, corroded zinc printing plates, already partially etched by nature.

    Dan Welden, Jealous Tick, 2025, zinc plate etching with mixed media, 29.5 x 26.5″. At Mitchell-Giddings Fine Arts.

  • The Current

    90 Pond St.,Stowe, VT
    (802) 253-8358
    thecurrentnow.org
    M–F 10–5, Sa 10–3

    Opening January 15: Water Writes the Garden, a solo exhibition by Mary Mattingly that unites photographs, sculptures, and poetry around water’s role as timekeeper and storyteller. It explores how water makes marks and sculpts environments through cyclical formation and erosion. What does water remember? And what does it write into the landscape? Here, gardens are both cultivated and fugitive. Public programs will include conversations with leading experts in climate change, an artist talk, and poetry readings.

    Mary Mattingly, Holding Not Having (after Robin Messing), 2018, chromogenic dye coupler print, 30 x 30″. At The Current.

  • Vermont Artisan Designs

    106 Main St., Brattleboro, VT
    (802) 246-7245 | (802) 257-7044
    vtart.com
    M–Sa 10–5, Su 12–5

    Fine art and contemporary American craft. September 5–October 2: Color-focused abstract oil paintings by E. Joseph McCarthy and humorous artwork by Skip Morrow. October 3–November 6: The opening of a two-month juried show of work by the Pastel Society of Vermont.

    A Striking Solution, artwork with a sense of humor by Skip Morrow. At Vermont Artisan Designs.
    A Striking Solution, artwork with a sense of humor by Skip Morrow. At Vermont Artisan Designs.

NEW HAMPSHIRE

  • AVA Gallery and Art Center

    11 Bank Street, Lebanon, NH
    (603) 448-3117
    info@avagallery.org
    avagallery.org
    Tu–Sa 11–5

    Through December 30: AVA Members’ Holiday Exhibition fills the galleries with fine art and handmade crafts made by artists from New Hampshire and Vermont. Holiday Open House, Saturday, December 6, 11a.m.–7 p.m.: Tour three stories of their historic mill building and state-of-the-art contemporary sculptural studies center; activities for the whole family! Opening January 16: Eva Strum Gross, Juni Van Dyke, and Rachel Bernsen: Novel Formats, scheduled and ticketed performances which engage with a proposed theme and choreographic structures, integrated into a visual art experience.

    Eva Strum Gross, D-g Days, carved wood, relief on fabric, paint. At AVA Gallery and Art Center.

  • Hood Museum of Art, Dartmouth

    6 East Wheelock St., Hanover, NH
    hood.museum@dartmouth.edu
    hoodmuseum.dartmouth.edu
    W 11–5, Th–F 11–8, Sa & Su 10–5
    Free and open to all

    Ongoing: Visual Kinship explores how photography defines, challenges, and reimagines the concept of family. Across diverse historical and contemporary works, the exhibition examines how images reflect and disrupt family structures shaped by colonialism, migration, transnational adoption, and queer intimacies. Opening September 6: Animal, Vegetable, Mineral: Making Colors in Europe, 1400–1800 examines artistic production in the early modern period through the lens of its distinctive colors; recipes for pigments, dyes, and glazes were often closely guarded secrets and critical to the value of a work of art.

    Guanyu Xu, RR-08212010-05012021, 2021, archival pigment print; Canson Platine paper. Purchased through the Elizabeth and David C. Lowenstein ’67 Fund; 2025.1.1. Image courtesy Yancey Richardson Gallery. © Guanyu Xu 徐冠宇. At Hood Museum of Art, Dartmouth.
    Guanyu Xu, RR-08212010-05012021, 2021, archival pigment print; Canson Platine paper. Purchased through the Elizabeth and David C. Lowenstein ’67 Fund; 2025.1.1. Image courtesy Yancey Richardson Gallery. © Guanyu Xu 徐冠宇. At Hood Museum of Art, Dartmouth.
    Antonio Cicognara, Fragment of the Virgin Mary from an Adoration or Annunciation (detail), about 1480, tempera and gold leaf on a gesso ground on a wood panel. Bequest of the John T. Dallas Estate; P.962.30. At Hood Museum of Art, Dartmouth.
    Antonio Cicognara, Fragment of the Virgin Mary from an Adoration or Annunciation (detail), about 1480, tempera and gold leaf on a gesso ground on a wood panel. Bequest of the John T. Dallas Estate; P.962.30. At Hood Museum of Art, Dartmouth.

  • Lamont Gallery

    Phillips Exeter Academy
    11 Tan Ln., Exeter, NH
    (603) 777-3461
    gallery@exeter.edu
    exeter.edu/lamontgallery

    September 2–November 22: Strange Kin is a swarm of tiny critters (real and faux) that playfully inspect and reimagine the little giants that live among us. The five artists on view embrace their affection or comfort in entomology, by not only making work about insects but with them. Collectively, the work on view braids pure aesthetic joy with stinging commentary on environmental issues, species decline, and conservation.


  • The Gallery at WREN

    2011 Main St., Bethlehem, NH
    (603) 869-9736
    hello@wrenworks.org
    M–Sa 10–5, Su 11–4

    September 5–October 31: Finding Home: Portraits and Memories of Immigrants, Becky Field. Reception: Friday, September 5. Artist talk: Saturday, September 6. A compelling photography exhibition showcasing the diverse journeys of immigrants across New Hampshire. Photography that captures the vibrant lives and stories of immigrants seeking safety, education, work, and freedom.

    Becky Field, FieldWorkPhotos, An Afghan mother and her two girls wait for her husband to complete his citizenship ceremony, 2017, photograph. At The Gallery at WREN.
    Becky Field, FieldWorkPhotos, An Afghan mother and her two girls wait for her husband to complete his citizenship ceremony, 2017, photograph. At The Gallery at WREN.


  • The Lakes Gallery at Chi-Lin since 1981

    135 Eastman Rd., Laconia, NH
    (603) 556-9384
    suzanne@thelakesgallery.com
    thelakesgallery.com
    TW–Sa 11–5, Su–Tu private viewing hours by appointment  

    A destination gallery, contemporary New England and Asian art in a 1780 farmhouse surrounded by Asian gardens. September 13–October 26: All Paths Home, Kelly Blake photography, Gay Freeborn oils, Nancy Freeborn clay, Cheryl Kimball short stories and Anne McMillan books. Opening reception: Thursday, September 18, 5–7 p.m. Poetry and short story readings along with workshops throughout exhibition.

    Gay Freeborn, Farmer's Dog, oil on canvas. At the lakes gallery at chi-lin.
    Gay Freeborn, Farmer’s Dog, oil on canvas. At the lakes gallery at chi-lin.