Openings and events around the region
Connecticut
- Art Museum, University of Saint Joseph
1678 Asylum Ave., West Hartford, CT
(860) 231-5399
usj.edu/artmuseum
Tu–Sa 11–4March 21–May 10: A House Divided: Photography and the Civil War, an exhibition documenting aspects of the Civil War as seen through the lens of the most gifted artist-photographers of 19th century America. All works are from the collection of Michael Mattis and Judith Hochberg. The exhibition is organized by art2art Circulating Exhibitions. Opening reception: Thursday, March 20, 5–7:30 p.m. Lecture on Civil War soldiers: Thursday, March 10, 5:30 p.m., Paul A. Cimbala, Professor Emeritus, Fordham University.
Unknown photographer. Col. John Blackburne Woodward, Maj. Joseph B. Leggett, and Lt. Col. William A. McKee of the 13th National Guard Regiment, New York, ca. 1863. Oil-painted Imperial albumen print, 16¾ x 13″. Collection of Michael Mattis and Judith Hochberg. At Art Museums, University of St. Joseph.
- ECOCA
51 Trumbull St., New Haven, CT
(203) 507-7320
info@elycenter.org
elycenter.org
W, Th, Su 12–5 or by appointmentMarch 9–April 20: Tin There, Done That: Adria Arch, Adam Brent, Tamara Dimitri, Madison Donnelly, Terry Feder, Lesley Finn, Elli Fotopoulou, Deborah Greco, Shanti Grumbine, Nate Heiges, Tom Kutz, Hillel O’Leary, Maria Markham, Sok Song, Alixe Turner, Shane Ward, Christina Wood. A Desire Path: Jessica Bottalico, Annie Ewaskio, Jessica Fallis, Sydney Kleinrock. Stone Screen: Anita Maksimiuk. Maidan: Amartya De. Reception: Sunday, March 9, 1–3 p.m.
Amartya De, Maidan, inkjet print on Museo Silver Rag. At ECOCA.
- Fairfield University Art Museum
Fairfield University
200 Barlow Rd., Fairfield, CT
(203) 254-4046
fairfield.edu/museum
Tu–Sa 11–4, Th 11–8Bellarmine Hall Galleries, through April 12: Dawn & Dusk: Tonalism in Connecticut. This exhibition explores Tonalism in Connecticut from the 1880s to the early 20th century, through artists from the Northeast. Walsh Gallery (Quick Center), through March 29: To See This Place: Awakening to Our Common Home. To See This Place, curated by Al Miner and David Brinker, presents work by Athena LaTocha, Mary Mattingly, and Tyler Rai, three contemporary artists looking at environmental threats and climate change.
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Robertson Kirtland Mygatt, Edge of the Pond, ca. 1910, oil on canvas. Private collection, Connecticut. At Fairfield University Art Museum. Mary Mattingly, Pendulum, 2012, Chromogenic Dye Coupler print. Courtesy of the artist and Robert Mann Gallery. © Mary Mattingly. At Fairfield University Art Museum.
- Hartford Art School Galleries
Hartford Art School, University of Hartford
200 Bloomfield Ave., West Hartford, CT
(860) 768-5522
hartford.edu/galleries
M–Th 12–6, F & Sa 1–5March 3–April 12: Dream Murals: Public Art with Hartford Art School Alumni invites six artists to paint their dream murals on the walls of Silpe Gallery. The painting process is open to the public. Closing reception and artist talks: Friday, April 4, 4–6 p.m. March 6–April 12, Joseloff Gallery: How Can the Grid Deal with a Messy World? is a multimedia exhibition of work by graphic designer Silas Munro that explores the grid as a design tool with ties to the artist’s Ugandan heritage. Opening reception: Thursday, March 6, 5–7 p.m. Artist talk, Wilde Auditorium: Wednesday, March 26, 5–6:30 p.m. April 19-27: The first round of BFA Thesis Exhibitions features Illustration in Joseloff Gallery and Visual Communication Design in Silpe Gallery.
Silas Munro, Lavender Grid Ku Lwa Bajajjaffe/For the Sake of Our Ancestors, 2025. Courtesy of the artist. At Hartford Art School Galleries. - Hotchkiss School Tremaine Gallery
11 Interlaken Rd., Lakeville, CT
(860) 435-3663
tmoore@hotchkiss.org
hotchkiss.org/arts
Tu–Sa 10–4, Su 12–4Through April 6: The Art of Joy Brown, a retrospective tracing Brown’s work, from tiny clay figures to clay-headed puppets, to small statues and wall tiles, to the monumental work found in public spaces. Hear Joy Brown speak, along with documentary filmmaker Eduardo Montes Bradley who is completing a film about Brown, Thursday, March 6, 7 p.m. Free and open to the public.
Joy Brown, Recliner, 2024, bronze, Joy Brown Studio. At Hotchkiss School Tremaine Gallery.
- Mattatuck Museum
144 West Main St., Waterbury, CT
(203) 753-0381 x130
info@mattmuseum.org
mattmuseum.org
M–Sa 11–5, Su 11–4The museum showcases American art and cultural history through its collection of over 15,000 objects, provides access to a research library and archives, hosts lectures, workshops, and community events, and offers spaces for corporate, wedding, and holiday rentals. Through January 5: Poskas, Father and Son. Through January 12: Federico Uribe’s Menagerie. Ongoing: O’Keeffe in Conversation. Opening January 12: Mixmaster 2025: Juried Members’ Exhibition. Opening January 19: Gordon Parks, Homeward to the Prairie I Come. Opening celebrations: Sunday, January 19.
Georgia O’Keeffe (American, 1887–1986), Sunflower, New Mexico, I, 1935, oil on canvas. The Cleveland Museum of Art, Bequest of Georgia O’Keeffe; 1987.140. At Mattatuck Museum.
- Spectrum Art Gallery and Artisan Store
61 Main St., Centerbrook, CT
(860) 767-0742
events@spectrumartgallery.org
spectrumartgallery.org
W–Sa 12–6, Su 12–5. Daily: December 9–24Voted Best Gallery for Art and Gifts on the Shoreline with painting, mixed media, sculpture, photography. November 22, 2024–January 11, 2025: Let There Be Love. As 2024 ends, the world trembles with war, racism, health and climate change. Yet, we still hope compassion, empathy and love exist. Show spotlights this with fine art and photography and Artisans Store with seasonal pottery, glass, fiber, home décor, jewelry, gift cards, and handmade ornaments on six-foot holiday tree. Shop online: SpectrumAnytime.com with U.S. shipping.
Louie Pisterzi, Whispers of Winter, 2024, oil on canvas. At Spectrum Art Gallery.
- The Bruce Museum
One Museum Dr., Greenwich, CT
(203) 869-0376
info@brucemuseum.org
brucemuseum.org
Tu–Su 10–5The Bruce Museum is a world-class institution offering a changing array of exceptional exhibitions and educational programs that cultivate discovery and wonder through the power of art and science. Opening March 6: On Thin Ice: Alaska’s Warming Wilderness. Opening April 4: Isamu Noguchi: Metal the Mirror. Through April 27: Blanche Lazzell: Becoming an American Modernist. Kenji Nakahashi: Strange Beauty. Ongoing: The Art of Work: Painting Labor in Nineteenth-Century Denmark. Nature’s Impressions: The Modernist Landscape. Hockney/Origins: Works from the Roy B. and Edith J. Simpson Collection. Tara Donovan: Aggregations. Gabriel Dawe: Plexus no. 43. The Robert R. Wiener Mineral Gallery. Permanent Science Galleries: Natural Cycles Shape our Land. Admission: Adults $20, Students/Sr. Citizens $15. Free for children under 5; free on Tuesdays.
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Blanche Lazzell (American, 1878–1956), Church Around the Corner, 1949, oil on canvas, 28 x 363/16“. Art Museum of West Virginia University Collection, acquired through Frances Sellers. © Estate of Blanche Lazzell. At The Bruce Museum.
- The Mercy Gallery at The Loomis Chaffee School
4 Batchelder Rd., Windsor, CT
christian_ryan@loomis.org
loomischaffee.org/arts/mercy-gallery
M–F 10–5, Su 1–5 (September–June)The Mercy gallery invites groundbreaking artists working in a variety of media, representing diverse endeavors and cultural + geographic perspectives to share their art with the community. Open to the public. Through April 11: Khae Haskell: From Rot to Ravish. Opening April 24: Jeremy Dennis: Everywhere but Unseen. Dennis creates large cinematic photographs that question and disrupt damaging post-colonial narratives, while exploring indigenous identity, cultural assimilation, and the ancestral traditional practices of his tribe, the Shinnecock Indian Nation.
- Widener Gallery
Austin Arts Center, Trinity College
300 Summit St., Hartford, CT
trincoll.edu/austin-arts-center/widener-gallery
M–Sa 1–5Through April 30 (closed March 15–22): Echoes and Collisions: The Art of Frantz Patrick Henry in Conversation with Selections from the Edith A. Graham Collection of Haitian Art. In this exhibition, artistic legacies and contemporary visions meet, creating a dialogue that oscillates between harmony and dissonance, connection and collision. Free and open to the public.
Echoes and Collisions installation view, Widener Gallery. Photo: Pablo Delano. At Widener Gallery, Trinity College. - Yale University Art Gallery
1111 Chapel St., New Haven, CT
(203) 432-0600
artgallery.yale.edu
Tu–F 10–5, Sat & Sun 11–5The Gallery’s encyclopedic holdings range from ancient times to the present day and represent cultures from around the globe. Ongoing: David Goldblatt: No Ulterior Motive. Opening March 29: Romney: Brilliant Contrasts in Georgian England. Free and open to the public.
David Goldblatt, Miriam Diale, 5357 Orlando East, Soweto, 18 October 1972, 1972, printed later, carbon ink print. Yale University Art Gallery, Purchased with a gift from Jane P. Watkins, m.p.h. 1979; with the Leonard C. Hanna, Jr., Class of 1913, Fund; and with support from the Beinecke Rare Book and Manuscript Library, 2022.37.251. At Yale University Art Gallery.
Maine
- Bates College Museum of Art
75 Russell St., Lewiston, ME
(207) 786-6158
bates.edu/museum
M & W 10–7:30, Tu & Th–Sa 10–5Ongoing: Across Common Grounds: Contemporary Art Outside the Center. Drawing upon diverse styles and media from traditional craftwork to digital art, this exhibition features works by over twenty artists living across America that expand, deepen, and challenge how we cultivate and connect to land, culture, art, and one another in rural places.
Yowshien Kuo, If Milkman Can Fly So Can I, 2024, acrylic and metallic leaf foil on canvas, 30 x 30″. Courtesy of the artist. At Bates College Art Museum.
- Colby College Museum of Art
5600 Mayflower Hill, Waterville, ME
(207) 859-5629
colby.edu/museum
Tu–Sa 10–5, Su 12–5 , Th until 9, September–MaySome American Stories is a thematic presentation of works from Colby’s collection in the museum’s Lunder Wing that leads visitors on a journey from before the founding of the United States to the present day. Galleries represent a different topic within the broader narrative of American art and history, reflecting a great diversity of experiences.
Agnes Pelton, Being, c. 1923–26, oil on canvas, 26 x 27 78″ (66 x 56 cm). Gift of Laurie M. Tisch, Museum purchase from the Jere Abbott Acquisition Fund, and gift of Peter and Paula Lunder, The Lunder Collection, 2023.061. At Colby College Museum of Art.
- Moss Galleries
100 Fore St., Portland, ME
(207) 804-0459
251 US-1, Falmouth, ME
(207) 781-2620
liz@elizabethmossgalleries.com
elizabethmossgalleries.com
Portland: Tu–Sa 10–5
Falmouth: Tu–Sa 10–5Portland Gallery: Kate Hargrave: The Journal, through March 8. Hunt Slonem, March 14–April 12. Opening April 18: Billy Gerard Frank. Falmouth Gallery: Jessica Gandolf: Some Assembly Required, through April 5; Elijah Ober: Proto Carrot, through April 5.
Jessica Gandolf, Backstage, oil on panel, 12 x 12″. At Moss Galleries, Falmouth.
Massachusetts
- Addison Gallery of American Art
Phillips Academy Andover
3 Chapel Ave., Andover, MA
(978) 749-4015
addison@andover.edu
addisongallery.org
September–July: Tu–Sa 10–5, Su 1–5Through its world-class collection and ongoing query What is America?, the Addison seeks to engage with the history of American art and American experience—past, present, and future. Winter exhibitions: Opening March 15: June Leaf: Shooting from the Heart. Opening February 2: Highlights from the Addison’s collection. Free and open to the public.
June Leaf, Two Women on a Jack (detail), 2001, metal, tin, wire, wood, and ratcheting jack components, 94½ x 34½ x 13½”. Private collection. Courtesy Hyphen, New York. At Addison Gallery of American Art.
- Armenian Museum of America
65 Main St., Watertown, MA
(617) 926-2562
info@armenianmuseum.org
armenianmuseum.org
Th–Su 12–6Ongoing: Filtered Identity: The Art of Tigran Tsitoghdzyan. Tigran is a New York-based artist whose photo-realistic paintings merge an interest in classical and modern art with an emphasis on his own experiences as a father and an immigrant. He has exhibited widely including Art Basel Miami, Cube Art Fair in Times Square, and globally in cities such as Dubai, Singapore, Zurich, and Brussels.
Tigran Tsitoghdzyan, Mirror J, 2020, oil on canvas, 84 x 60″. At Armenian Museum of America.
- Art Complex Museum
189 Alden St., Duxbury, MA
(781) 934-6634
artcomplex.org
W–Su 1–4; admission is always freeThrough April 19: Duxbury Art Association Winter Juried Show; Raku from the Art Complex Museum Collection. Through May 5: Steve Branfman: Thought Translated into Form. Saturday, April 12, 1–4 p.m.: Painters & Poets—Ekphrastic poetry, guest speakers, readings. Ongoing: Nora Valdez: Passage.
Janet Montecalvo, The Siesta. Courtesy of Duxbury Art Association. At Art Complex Museum.
- Atlantic Works Gallery
80 Border St., East Boston, MA
(857) 302-8363
contact@atlanticworks.org
atlanticworks.org
F–Sa 2–6 or by appointmentThrough March 22: New Members Exhibition, Duygu Aytaç, Jean M Bernstein, Jeff Briggs, Elsa Campbell, Nick Di Stefano, Daniel Gaviani, Katie Kimbrell. Third Thursday reception: March 20, 6–9 p.m. April 4–26: Two Painters/Dos pintores, work by Diane Teubner and Renato Viganego. Opening reception: Saturday, April 5, 5–8 p.m. Third Thursday reception: April 17, 6–9 p.m.
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Renato Viganego, CELES-TIAL, 2025, acrylic on canvas, 12 x 12″. At Atlantic Works Gallery.
- Boston Sculptors Gallery
486 Harrison Ave.
Boston, MA
(617) 482-7781
bostonsculptors@gmail.com
bostonsculptors.com
W–Su 11–5Through March 30: Mags Harries, An Artist’s Chair and Jonathan Latiano, Scaling a Pyramid. First Friday, March 7, 5–8:30 p.m. Artists’ reception and artists’ talks: Saturday, March 1, 3–5 p.m.; talks begin at 3:30 p.m. Opening April 3: Andy Zimmermann, Snulpture and Anna Kristina Goransson, Topia. First Fridays, April 4 & May 2, 5–8:30 p.m. Artists’ talks: Sunday, April 13, 3 p.m. Snulpture live music event: Thursday, April 10, 7:30 p.m.
Andy Zimmermann, Snulpture #4. 2025, welded steel, fabric, audio and kinetic electronics, 85 x 90 x 33″. At Boston Sculptors Gallery.
- Brickbottom Gallery
1 Fitchburg St., Somerville, MA
(617) 766-3410
gallery@brickbottom.org
brickbottom.orgMarch 6–23: The world as a supermarket is a commentary on consumerism. Cuban artist Janette Brossard and American artist Mary Sherwood both being part of the TransCultural Exchange Conference. Opening reception: Saturday, March 8, 3–5 p.m. Closing reception: Sunday, March 23, 3–5 p.m. April 4–26: Everlasting: Group exhibit by Sarah Alexander, Heather Binder, Anna Kreslavskaya, Lidia Mikhaylova, Olga Privina. Paintings, photography, herbalism, steel sculpture and ceramics—all in pursuit of the human quest for happiness. Opening reception: Saturday, April 5, 3–5 p.m.
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- Cahoon Museum of American Art
4676 Falmouth Rd. (Route 28), Cotuit, MA
(508) 428-7581
cahoonmuseum.orgOpening March 14: John Enneking: American Impressionist. Enneking is often credited as “America’s first Impressionist.” His continued studies with the great impressionists of Europe influenced the development of his personal style, nurtured his love of nature, and reinforced his drive as a professional artist. He brought these teachings back with him to the U.S. where he painted in Boston and throughout the greater region. Discover New England in a new light through Enneking’s bubbling trout brooks, thickly forested landscapes, solitary clam diggers, and his favorite subject: the brilliant New England twilight.
John Joseph Enneking, The Trout Brook, c. 1860–1916, oil on canvas. Collection of the Cahoon Museum of American Art. At Cahoon Museum of American Art.
- Cambridge Art Association
Cambridge, MA
(617) 876-0246
info@cambridgeart.org
cambridgeart.orgKathryn Schultz Gallery (25R Lowell Street) + CAA @ University Place (124 Mt Auburn Street), through April 25: 2025 Members Prize Show. CAA @ Canal (650 E. Kendall Street), through May 2: Materiality: Memory in Cloth.
Anastasia Sierra (Artist of the Year Award), Shadows, archival Inkjet prints, 32 x 24″. At Cambridge Art Association.
- Clark Art Institute
225 South St., Williamstown, MA
(413) 458-2303
clarkart.edu
Tu–Su 9–5Winter is the ideal time to visit the Clark! A renowned collection of paintings, works on paper, sculpture, and decorative arts fills the galleries. Outside, the walking trails wind through a serene wintry landscape. Borrow a free pair of snowshoes to explore the campus. Opening November 23: Abelardo Morell: In the Company of Monet and Constable. Opening December 14: Wall Power! Modern French Tapestry from the Mobilier national, Paris.
Joan Miró, Hirondelle Amour (Swallow Love), designed 1934, woven 1979, wool. Mobilier national, Paris, France, GOB-1239, © Successió Miró/Artists Rights Society (ARS), New York/ADAGP, Paris. Photo: Isabelle Bideau. At Clark Art Institute. - Concord Art
37 Lexington Rd., Concord, MA
(978) 369-2578
info@concordart.org
concordart.org
Tu–Sa 10–4:30, Su 12–4Through March 27: Members Juried 2: Collage, Crafts, Drawing, Graphics, Mixed Media, Photography, Printmaking (Main Gallery) and Tracey Maroni + Linda Hammett Ory (Members Gallery). Opening April 3: Liberation Textiles: Our Social Fabric (Main Gallery) and Rebecca Mann + Astrid Reischwitz (Members Gallery). Reception: Thursday, April 3, 5:30 p.m.
Julia Bland, Blanket for Sharing, 2021, hand woven linen and wool textile, hand felted wool, embroidered linen and wool threads, 62 x 40″. Courtesy of the artist. At Concord Art.
- Danforth Art Museum at Framingham State University
14 Vernon St.
Framingham, MA, Floor 2
(508) 215-5110
danforthartmuseum@framingham.edu
danforth.framingham.edu
The Museum has a permanent collection focusing on American art, rotating exhibitions of contemporary, regional artists, and a gallery focused on the artist Meta Vaux Warrick Fuller. Ongoing: Tina Feingold: Wishful Thinking; Tim McDonald: The Diamond Sea; Selfhood, featuring work by Alice Dillon, Scott Foster, Kathryn Geismar, Lisa Tang Liu, and Keith Morris Washington. See website for hours and membership information.Tina Feingold, Remembering Earth, 2022. At Danforth Art Museum.
- Davis Museum at Wellesley College
106 Central St., Wellesley, MA
(781) 283-2051
thedavis.org
Tu–Su 11–5Ongoing: The Davis and Wellesley College Library Special Collections join together to celebrate acquisitions of works on paper from the last decade that represent Wellesley’s commitment to inclusive excellence. The artworks in Better on Paper hail from around the world, span diverse makers and approaches, and date to many periods. Free and open to the public.
Chitra Ganesh, Architects of the Future, City Inside Her, 2014, woodblock and screenprint with gold leaf in four (4) parts, sheet: 25¾ x 44¼” (65.4 cm x 112.4 cm); image: 23⅝ x 42¼” (60 cm x 107.3 cm), edition of 25 plus 6 artist’s proofs, courtesy of the artist and Hales, London and New York. Museum purchase, The Nancy Gray Sherrill, Class of 1954, Collection Acquisition Fund. At The Davis Museum at Wellesley College.
- East Boston Artists Group (EBAG)
256 Marginal St., East Boston, MA
eastbostonartistsgroup2@gmail.com
eastbostonartistsgroup.com
Sa & Su 11– 4November 16–17: Harboring Creativity at ICA Watershed, featuring over forty local artists exhibiting and selling their work. Included artist talks and a screening of Hoopla Productions’ documentary. Free and open to the public. A must-see event for art lovers and collectors.
June Krinsky-Rudder, Reveal, 2024, mixed media (tissue paper; Elmer’s Glue-All; Neocolor II Aquarelle crayons; gouache; acrylic; Color-Aid Paper on handmade cold press watercolor paper), 30 x 22″ (40 x 30″ framed). At East Boston Artists Group. - Fitchburg Art Museum
185 Elm St., Fitchburg, MA
(978) 345-4207
info@fitchburgartmuseum.org
fitchburgartmuseum.org
W–F 12–4, Sa & Su 11–5
First Thursdays 12–7Ongoing: Tara Sellios | Ask Now the Beasts. Sellios is a Boston-based artist whose monumental photographs highlight the beauty of the grotesque. Sellios creates still life vignettes from organic materials including animal bones, insect specimens, and dried flowers which she photographs using a large format 8 X 10 inch camera. Printed at a large scale, Sellios’s photographs capture the vivid details of her materials. Through May: Stephen DiRado, Better Together: Four Decades of Photographs, a career retrospective exhibition featuring the work of Stephen DiRado, the leading contemporary artist and fine art photographer in Central Massachusetts.
Tara Sellios, Abundantia, ink jet print, 2023. Courtesy of the artist. At Fitchburg Art Museum.
- Fuller Craft Museum
455 Oak St., Brockton, MA
fullercraft.org
Tu–Su 10–5
Opening March 1: Art Evolved, Intertwined.Ongoing: Cicely Carew: BeLOVEd. Ongoing: Everybody’s Bolos. Ongoing: Waste Not, Want Not: Craft in the Anthropocene. Ongoing: Hand in Hand: Works from the Fleur S. Bresler Collection. Ongoing: Small Wonders: Beauty, Alchemy, and the Art of Enameling. Fuller Craft Museum’s wide-ranging exhibitions and outdoor sculpture showcase the finest contemporary craft in a spectacular organic modernist building and woodland setting. All are welcome, completely free of charge.
Wayne Higby, Solitary Canyon, 1993. Photo: Robyn Horn. At Fuller Craft Museum.
- Gallery Sitka
227 Spring St., Newport, RI
(978) 425-6290
office@gallerysitka.com
gallerysitka.com
M–T, Th–Sa 11–5Through January 15: Gallery Sitka will host work by local Newport artist Jerrell Angell. Opening February 8: A group show featuring work by Barbara Groh, Kate Huntington, Marston Clough, and Rux Darie. Reception: Saturday, February 8, 2–4 p.m. This opening will also feature jewelry by New York City designer Laurenti New York.
Kate Huntington, A Break from the Madness, oil, 20 x 24″. At Gallery Sitka.
- Griffin Museum of Photography
67 Shore Rd., Winchester, MA
(781) 729-1158
griffinmuseum.org
Tu–Su 12–4Through March 30: Nuclear Family, Mengwen Cao, Jess T. Dugan, Yorgos Efthymiadis, Matthew Leifheit, Laurence Philomene, Anne Vetter; Meditations in an Emergency, Kevin Bennett Moore; An Impossibly Normal Life, Matthew Finley. All exhibitions were created by curator and artist Katalina Simon, in collaboration with Crista Dix, executive director of the Griffin Museum, and exhibition designer Yana Nosenko. Opening April 17: New Horizons: Korean Contemporary Photography.
Mengwen Cao, Banyi & Stella, 2022, archival pigment print. At the Griffin Museum of Photography.
- Harvard Art Museums
32 Quincy St., Cambridge, MA
(617) 495-9400
harvardartmuseums.orgOpening March 7: Edvard Munch: Technically Speaking. Discover the experimental methods of Edvard Munch, who creatively explored materials and techniques across media. Join the Harvard Art Museums to celebrate the opening of this exhibition by hearing from the exhibition organizers and specialists from the Munchmuseet, Oslo on Thursday, March 6.
Edvard Munch, Two Human Beings (The Lonely Ones), 1906–08, oil on canvas. Harvard Art Museums/Busch-Reisinger Museum, The Philip and Lynn Straus Collection, 2023.551.
- Iris & B. Gerald Cantor Art Gallery
College of the Holy Cross
Prior Performing Arts Center
1 College St., Worcester, MA
(508) 793-3356
holycross.edu/cantorartgallery
M by appointment, T & W 10–5, Th 10–6, F 10–5, Sa 12–5Through April 1: Michael Beatty: Fabrications, Selections from 1992 to present: Associate Professor Emeritus Michael Beatty’s retrospective exhibition celebrates his sculptural practice, which is informed by concepts from science, nature, philosophy, and mathematics.
Michael Beatty, Core #6, 2011, birch plywood with milk paint and wax, 13¼ x 10 x 5¾”. Courtesy of the artist. At Iris and B. Gerald Cantor Art Gallery.
- Jane Deering Gallery
19 Pleasant St., Gloucester, MA
(917) 902-4359
info@janedeeringgallery.com
janedeeringgallery.com
F & Sa 1–5, Su 1–4 & by appointmentJane Deering Gallery presents Two Photographers | Two Solos: November 9–December 8: Paul Cary Goldberg’s street images from the 1970s alongside his contemporary farm portraits, and Anthony Ohman’s black and white series exploring the relationships of images in sequence. December 14 & 15: Paige Farrell, Art in Clay: Lighten up, It’s Christmas!
Paul Cary Goldberg, Untitled, Farm, 2017–24, photogravure print, 6.75 x 10″. At Jane Deering Gallery. Antony Ohman, A Bird’s Eye, 2022, archival pigment print. 6 x 9″. At Jane Deering Gallery.
- Johnson-Kulukundis Family Gallery
Byerly Hall, 8 Garden St., Cambridge, MA
(617) 495-8657
ventures@radcliffe.harvard.edu
radcliffe.harvard.edu/events-and-exhibitions?exhibitions=1
M-Sa 12-4:30Ongoing: The exhibition by visual artist Alia Farid features large, greenish-blue resin panels embedded with family photographs, spiritual charts, and historical documents. The work explores themes of lineage, memory, and geopolitical histories, reflecting personal and collective identities shaped by migration, cultural traditions, and archival storytelling. The image below reflects small, irregularly shaped blue ceramic fragments resting on a textured greenish surface, casting soft shadows. Free and open to the public.
Image credit: Alia Farid, material research, 2024. Image courtesy of the artist. At Johnson-Kulukundis Family Gallery.
- Kingston Gallery
450 Harrison Ave., No. 43, Boston, MA
(617) 423-4113
info@kingstongallery.com
W–Su 12–5 or by appointmentMarch 5–30: Main Gallery—Nat Martin: Over Days. Center Gallery and Project Space—Diane Novetsky: On the Cusp, new paintings and prints. Opening reception: Friday, March 7, 5–8 p.m. April 2–27: Main Gallery—Linda Leslie Brown: Circulations. Center Gallery—Bonnie Sennott: Noise Antidote, abstract embroidery. Project Space—Vaughn Sills: Still. Opening reception: Friday, April 4, 5–8 p.m. Artist talk: Saturday, April 19, 2 p.m.
Linda Leslie Brown, Circulations, 2024, ceramic and plastic, 17 x 18 x 19″. At Kingston Gallery.
Vaughn Sills, Field of Rapeseed with Blue Barn, Blue Sky, 2019, archival pigment print, 14 x 20″. At Kingston Gallery. - Krakow Witkin Gallery
10 Newbury St., Boston, MA
(617) 262-4490
Info@krakowwitkingallery.com
krakowwitkingallery.com
Tu–Sa 10–5:30Through December 7: Jo Sandman: Folded Fabric. Saturday, November 9, 2 p.m.: Gallery talk with Jennifer M. Swope (David and Roberta Logie Curator of Textiles, Museum of Fine Arts, Boston) and Katherine French (curator, Sandman Legacy Project, and Director Emerita, Danforth Museum of Art). Reception to follow. Through December 7: Aiko Miyawaki: Work; and Robert Gober: One Wall, One Work. Saturday, November 30, 10 a.m.: Annual AIDS benefit (online only).
Jo Sandman, Untitled [#IV], 1974, folded Linen, approximately 54 x 54″ (137.2 x 137.2 cm). At Krakow Witkin Gallery.
- Milton Academy: Nesto Gallery, Art & Media Center
Arts Commons Gallery,
Kellner Performing Arts Center
170 Centre St., Milton, MA
(617) 898-1798
milton.edu/arts/nesto-gallery
M–F 9–4Through April 17: AAMARP Group Exhibition. Curator: Marlon Forrester. The African American Masters Artists in Residency Program presents artworks from eighteen intergenerational artists, encompassing a variety of mediums and genres that reflect an array of approaches to the art of Africa and the African diaspora.
Hakim Raquib, The Face of Carnival, 2018, photography/digitally transformed, neutral filters, Photoshop, 40 x 46″. At Nesto Gallery.
- MIT List Visual Arts Center
20 Ames St., Cambridge, MA
(617) 253-4680
listinfo@mit.edu
listart.mit.edu
Tu, F, Sa, Su 12–6; W & Th 12–7Ongoing: List Projects 31: Kite. Ongoing: Pedro Gómez-Egaña: The Great Learning. The List Center galleries and programs are always free and open to the public. Visit listart.mit.edu for programming and exhibition updates along with their most up-to-date visitor information.
Pedro Gómez-Egaña, Virgo (detail), 2022, performative installation, dimensions variable. Photo: Blaise Adilon. At MIT List Visual Arts Center.
- Montserrat College of Art Gallery
Montserrat College of Art
23 Essex St., Beverly, MA
(978) 921-4242
galleries@montserrat.edu
M–F 10–5, Sa 12–5Through March 5, Montserrat Gallery: Jay Critchley, Democracy of the Land, Inc.—FLAGrancy. Through March 15, Schlosberg Gallery: Claudia Valenti, The Other Room. Senior Thesis Exhibitions, March 26–May 16, all galleries. Please visit montserrat.edu for more details.
Jay Critchley, Democracy of the Land: Freedom, 2024, down feathers, LED lights, mixed media, 10 x 15′. At Montserrat College of Art Gallery.
- Nantucket Historical Association—Whaling Museum
13 Broad St., Nantucket, MA
(508) 228-1894
marketing@nha.org
Daily 10–5Through December 31: Tony Sarg: Genius at Play is the first comprehensive exhibition exploring the life, art, and adventures of Tony Sarg (1880–1942). Known as the father of modern puppetry in North America and the originator of the iconic Macy’s Thanksgiving Day parade balloons, Sarg was an accomplished illustrator, animator, designer, and nimble entrepreneur who summered on, and took inspiration from, Nantucket for nearly twenty years. Organized and in partnership with the Normal Rockwell Museum. Made possible in part by funding by the National Endowment for the Arts.
Tony Sarg with illustrations from Tony Sarg’s Book for Children, 1924, NHA Collection, PH-8-23 and 1983.57.59. At Nantucket Historical Society. - New England Botanic Garden at Tower Hill
11 French Dr., Boylston, MA
(508) 869-6111
nebg.org
Daily 10–5November 23, 2024–January 5, 2025, evenings: Experience Night Lights: Color Cascade, a breathtaking light display celebrating the magic and beauty of the winter season. Wander through formal gardens and conservatories illuminated by more than a quarter million artfully arranged lights. With displays showcasing a creative new theme each year, this dazzling, one-of-a-kind spectacle is unmatched in the region. Festive activities such as outdoor skating, s’mores roasting, and holiday shopping promise an unforgettable experience for visitors of all ages.
Night Lights: Color Cascade at New England Botanic Garden at Tower Hill.
- Norman Rockwell Museum
9 Glendale Rd./Rte. 183, Stockbridge, MA
(413) 298-4100
nrm.org
Open daily, except Wednesday, 10–5Home of American Illustration. Opening March 1: All for Laughs: The Artists of the Famous Cartoonist Course. Through May 26: Anita Kunz: Original Sisters, Portraits of Tenacity & Courage. Ongoing: Illustrators of Light: Rockwell, Wyeth, and Parrish from the Edison Mazda Collection. Guided gallery tours; virtual exhibition and field trips. Museum Store (and online store). Save time with online tickets. More at NRM.org.
(L) Norman Rockwell, (1894–1978), And the Symbol of Welcome is Light, 1920, advertising illustration for Edison Mazda Lamps, oil on canvas. Collection of GE Aerospace. ® Anita Kunz, Anne Frank, part of the Original Sisters series, 2020, acrylic on board. Collection of the artist. ©Anita Kunz. All rights reserved. At Norman Rockwell Museum.
- Paradise City Arts Spring Show
Royal Plaza Trade Center
181 Boston Post Road West (Rt. 20 W)
Marlborough, MA
(800) 511-9725
paradisecityarts.comMarch 21–23: Paradise City Arts hosts New England’s premier and most celebrated shows of contemporary fine and decorative arts. Their Marlborough event draws thousands of attendees of art buyers, designers, and enthusiasts seeking to connect with their 170 exceptional artists and makers from across the country. In MetroWest Boston with free parking, enjoy the special exhibition Living Color, music in the air, and two cafés.
Amy Hudon, jewelry. At Paradise City Arts.
- ShowUp (formerly Beacon Gallery)
524B Harrison Ave., Boston, MA
contact@showupinc.org
showupinc.org
Th–Sa 12–5, Su 11–4 & by appointmentOpening March 7: ShowUp presents A Stone in My Shoe, Caron Tabb’s third solo exhibition, featuring a series of multimedia fiber installations that delve into themes of grief, memory, and resilience. Drawing from the loss of her mother and the rising tide of antisemitism, Tabb weaves personal and collective narratives, visualizing internal struggles to inspire dialogue, reflection, and empathy.
Caron Tabb, Memory Vessels, 2024. At ShowUp Gallery.
- SMFA Art Sale
SMFA at Tufts University
230 The Fenway, Boston, MA
smfa.tufts.edu/artsale
Friday, December 6, 10–5; Saturday, December 7, 10–8; Sunday, December 8, 10–5Celebrating its 46th anniversary, the SMFA Art Sale has been the leading contemporary art sale in New England since its creation in 1978; raising critical funds to support the financial aid needs of current students. Offering works across all mediums and price points, the sale showcases a diverse selection of talented students, alumni, faculty, and friends of SMFA.
Photo: Caitlin Cunningham. SMFA Art Sale at Tufts University. - SONO Arts at The Norwood Space Center
83 Morse St., Bldg. 6, Norwood, MA
norwoodspacecenter.com/sono-arts/
sonorwoodarts@gmail.com
Saturday & Sunday, November 23 & 24, 11–4The Norwood Space Center will celebrate the holidays with vendors, food trucks, and Salvage Angel’s Holiday Stroll. SONO Arts—the resident artists—will open their studios in Building 6 and guest artists from Norwood and surrounding communities will join them for an art exhibition. Free and open to the public. To learn more, visit Norwoodspacecenter.com/events.
Haley Johnson, Windswept and Hungry, 2024, oil on canvas, 40 × 60″. At SONO Arts at The Norwood Space Center.
- Springfield Museums
21 Edwards St., Springfield, MA
springfieldmuseums.org
Tu–Sa 10–5, Su 11–5Through March 30: Designing Downtown. Opening March 15: Portraits in RED: Missing & Murdered Indigenous Peoples Project. Opening March 29: Van Gogh for All.
Nayana LaFond (Métis Nation of Ontario, born 1981), Anonymous Woman of the White Buffalo in RED, 2022, acrylic on canvas. At Springfield Museums.
- The Guild of Boston Artists
162 Newbury St., Boston, MA
(617) 536-7660
bostonguild@gmail.com
guildofbostonartists.org
Tu–Sa 10:30–5:30Through April 5: The Music of Sight, a spring exhibition kicking off the season with a collection of new works from the Guild’s members. Opening April 12: Of Dusk and Dawn—Paintings by Dennis Sheehan, a solo exhibition of the renowned contemporary artist’s most recent series of Tonalist landscapes. Opening reception: Saturday, April 12, 3–5 p.m.
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J.C. Airoldi, Marsh Solitude, oil on mounted linen, 20 x 20″. At The Guild of Boston Artists.
- The Umbrella Arts Center
40 Stow St., Concord, MA
(978) 371-0820
info@theumbrellaarts.org
theumbrellaarts.org/gallery
M–Su 10–9Through March 23: Twice the Speed of Bliss: Paintings and drawings by Kat O’Connor. Through March 23: Ways of My Ancestors—
Imagery: Lighting the Path to Awareness, photography by Scott Strong Hawk Foster. March 28–April 7: 2025 Artrageous Auction group exhibition. Opening April 14: Weaving an Address, a mixed media and performance group exhibition installed indoors at The Umbrella and outdoors at Brister Hill commemorating colonial and revolutionary Black inhabitants of historic Walden Woods. May 2–4: Umbrella Open Studios and Ceramics Studio Sale.
- Three Stones Gallery
115 Commonwealth Ave., Concord, MA
(978) 254-5932
info@threestonesgallery.com
threestonesgallery.com
Tu–F 10–6, Sa & Su 10–5; closed MondaysJanuary 8–February 16: Onward. The Gallery welcomes the new year with pastels by Cindy Crimmin and abstract paintings by Rachel Korn. Guest artist, Britt Snyder, captures memories on canvas in a classical figurative style. Reception: Thursday, January 16, 6–8 p.m. (Snow date: Saturday, January 18, 6–8 p.m.) Opening February 19: Paint, Pencil, Paper features cityscapes by Kevin Kusiolek, floral drawings by Alice Rosa, and mixed media works on paper by Mara Wagner. Reception: Saturday, March 1, 6–8 p.m. (Snow date: Sunday, March 2, 3–5 p.m.)
Britt Snyder, Foundations, oil on board, 29 x 29″. At Three Stones Gallery.
- University Museum of Contemporary Art
151 Presidents Dr., Amherst, MA
(413) 545-1986
fac.umass.edu/umca
Tu–F 11–4:30, Sa & Su 12–4Ongoing: Is anything the matter? Drawings by Laylah Ali includes more than 100 drawings dating from 1993 to 2020. The drawings explore Ali’s interest in the amalgam of race, power, gender, human frailty, murky politics, and other complex topics that are often treated as separate. Artist talk: Wednesday, April 9, 6 p.m.
Laylah Ali, Untitled, Typology series, 2005, ink and pencil on paper, 7½ x 5½”. At University Museum of Contemporary Art.
- Williams College Museum of Art
15 Lawrence Hall Dr., Williamstown, MA
(413) 597-2429
wcma@williams.edu
artmuseum.williams.edu
Tu–Su 10–5Through December 22: Teddy Sandoval and the Butch Gardens School of Art is the first museum retrospective dedicated to Teddy Sandoval (1949–1995), a central figure in Los Angeles’s queer and Chicanx artistic circles who was an active participant in avant-garde movements. Through December 22: Pallavi Sen: Colour Theory is an immersive installation of new work by interdisciplinary artist and Williams College assistant professor of art Pallavi Sen.
Teddy Sandoval installation image. Bradley Wakoff/WCMA. At Williams College Museum of Art.
- Worcester Art Museum
55 Salisbury St., Worcester, MA
(508) 799-4406
worcesterart.org
W–Su 10–4Through March 9: Twentieth-Century Nudes from Tate. Explore more than two dozen iconic paintings traveling from Tate in London, and discover how these boundary-pushing artists used the nude to challenge preconceptions about age, race, gender, and sexuality. Opening March 29: Reflections of a Changing Japan: The Evolution of Shin Hanga. Delve into an era of change in Japan, when Shin Hanga, or “new prints,” emerged as an art form that was both distinctly Japanese and internationally resonant.
TIto Shinsui, Apple of the Eye, 1936, woodblock print, ink and color on paper with mica, bequest of Charles B. Cohn in memory of Stuart P. Anderson, 1985.144. At Worcester Art Museum.
RHODE ISLAND
- Bannister Art Gallery at Rhode Island College
600 Mt. Pleasant Ave., Providence, RI
(401) 456-9765
bannistergallery@ric.edu
ric.edu/bannister
M–F 12–8 or by appointmentThrough March 21: RaMell Ross: Spell, Time,
Practice, American, Body. RaMell Ross explores the meaning and mythology of the American South and of Black identity through this new exhibition of large-scale photographs and mixed-media sculptures. April 3–25: Lani Irwin & Alan Feltus—Selected Works. Curated by Professor Richard Whitten, this exhibition opens up a dialogue on sexuality and identity in contemporary figurative painting.
- Chazan Gallery at Wheeler
228 Angell St., Providence, RI
(401) 528-2227
info@chazangallery.org
chazangallery.org
M–F 3–6, Sa 10–4Through March 11: Fraudulent Applications of Projection: Alex Wenstrup, Nathan Borradaile Wright. April 3–24: Wayfinding: Lisa Perez. Reception: Thursday, April 3, 5–7 p.m.
- Newport Mansions
Rosecliff, 548 Bellevue Ave., Newport, RI
(401) 847-1000
Newportmansions.org
Daily 10–3Through January 12: Wild Imagination: Art and Animals in the Gilded Age. During the Gilded Age (1865–1914), Americans’ relationship with animals transformed in lasting ways. Wild Imagination explores how this exciting, tumultuous era shaped our modern attitudes towards animals, from pampered pups to wondrous sea creatures. A broad range of artworks, photographs, scientific specimens, and other objects reflect vital period developments including the dawn of the animal rights movement, the surge in pet keeping, the popularization of natural history pursuits like birdwatching, and the golden era of zoos and circuses. They also reveal the stories and experiences of individual creatures who continue to capture our imagination.
Mariette Leslie Cotton, Portrait of Hippodale at Six Years Old, c. 1910. The Preservation Society of Newport County. Gift of Ms. Christina C. Anderson. At Newport Mansions.
- RISD Museum
20 North Main St., Providence, RI
(401) 454-6500
risdmuseum.org
Tu, W, F, Sa, Su 10–5, Th 12–8Through May 11: The Art of French Wallpaper Design and From Pineapple to Pañuelo: Philippine Textiles. Through May 4: The Road Less Traveled: Edo’s Nakasendo. Ongoing: Brighten Up!: Contemporary Enamels. Ongoing: Process Work: Intersections of Photography and Print ca. 1825 to Today. Upcoming this summer: Liz Collins: Motherlode.
View of Venice Wallpaper, ca. 1840. Mary B. Jackson Fund. At RISD Museum.
Vermont
- Brattleboro Museum & Art Center
10 Vernon Street
Brattleboro VT 05301
802-257-0124
office@brattleboromuseum.org
www.brattleboromuseum.org
W–Su 10-4Through March 8: 2025 Vermont Scholastic Art & Writing Awards; Adrienne Elise Tarver: Roots, Water, Air; The Noise of Us, featuring the artwork of Felipe Baeza, Ori Gersht, Simonette Quamina, and Maika’i Tubbs. Opening March 22: Contemporary Ukrainian Folk Art: The Matrix of Resilience; GLASSTASTIC 2025; Yeon Ji Yoo: Wish You Were Here; Carl E. Hazlewood: Infinite Passage; John Kenn Mortensen: Dream Homes; Nye Ffarrabas: Truth IS A Verb. Ongoing: Vanessa Compton: A Night at the Garden. Admission is pay-as-you-wish.
Yeon Ji Yoo, Chasing The Horizon, 2023, acrylic, ink, fake fur, cotton on wood panel 33 x 18″. At the Brattleboro Museum & Art Center.
- Burlington City Arts
135 Church St., Burlington, VT
burlingtoncityarts.org
(802) 865-7166
W–F 12–5, Sa 12–8A contemporary art gallery with up to three floors of exhibition space, hosting new exhibitions every fall, winter/spring, and summer, on Burlington’s iconic Church Street Marketplace. Through May 24: Bunny Harvey: Worlds Within Worlds, featuring the landscape paintings of Vermont-based artist Bunny Harvey, with several new works created by the artist over the last year. Stéphanie Morissette: Speculative Future, a selection of works on paper and mixed-media bird-drone sculptures, exploring the conflicting relationship between humans, nature, and technology. Free and open to the public.
Bunny Harvey, A Solid Buzzing, 2024. At Burlington City Arts.
- Hall Art Foundation
544 VT Route 106, Reading, VT
vermont@hallartfoundation.org
hallartfoundation.org
Through December 1: weekends, 10 docent-led tours; 11–4 self-guided tours.The Hall Art Foundation is a museum of contemporary art with a sculpture park and café. Exhibitions are held seasonally, from May through November. On view this year: Barbara Kruger; Ed Ruscha; Sherrie Levine; Doomscrolling by Zorawar Sidhu and Rob Swainston and Icarus Rising by Robert Longo. Advance reservations recommended, yet not required. General admission: $15 adults; $5 children 12 and under.
Barbara Kruger, Untitled (I know what you’re thinking), 1996, photographic silkscreen on vinyl, 121 x 121″ (307.5 x 307.5 cm), © the artist. At Hall Art Foundation.
- Mad River Valley Arts
5031 Main St., #2 Village Square
Waitsfield, VT
(802) 224-6878
info@madrivervalleyarts.org
Tu–Sa 1–5Opening April 10: The Thief, The Spinner and The Fabulist. Reception: Thursday, April 10, 5–7 p.m. Story-telling moths: Thursday, April 10, 5–7 p.m. & Saturday, April 26, 5–7 p.m. This exhibition embraces the stories behind material culture and examines the physical object whether as art, gift, “symbolic other” or that which is used by us. The exhibition is a means to understand who we are through what we collect and how “physical things” interact in our lives. Mad Arts will curate inanimate objects that its community has loaned to them and will utilize the composition and symbolism that the still life genre conveys. This installation will be the tool for storytelling about the “physical world” in our community. Accompanying this exhibition are two story-telling moths where creatives from the community can, although not obliged, share stories of how these objects came into their lives.
Objects from The Thief, The Spinner and The Fabulis at Mad River Valley Arts.
- Mitchell-Giddings Fine Arts
181–183 Main St., Brattleboro, VT
(802) 251-8290
info@mitchellgiddingsfinearts.com
mitchellgiddingsfinearts.com
Th–Sa 11–5, Su 12–5Ongoing: Decade: 2014–2024, commemorating Mitchell • Giddings’ 10th anniversary with an exploration of printmaking by Matt Brown, Liz Chalfin, Elaine de Kooning, Eric Fischl, Stephen Hannock, Emily Mason, Jules Olitski, James Stroud, Dan Welden, and others. Opening a fine art gallery in 2014 provided owners Petria Mitchell and Jim Giddings an ideal opportunity to share conversation among artists, collectors and lovers of the visible creative act.
Emily Mason, Untitled (TAM 70), 1985, litho monotype on paper, 30 x 22″. At Mitchell • Giddings Fine Arts.
- The Current
90 Pond St.,Stowe, VT
(802) 253-8358
thecurrentnow.orgOpening January 16: Timothy Curtis: Two Hundred Years of Painting. Curtis will explore the relationships between Pennsylvania Dutch Stoneware of the 1860s in Philadelphia, 1960s graffiti writing in the same area, and his own artwork, highlighting the thread of influence in one region over 200 years. View original stoneware and new paintings by Curtis, along with a special area dedicated to celebrating the lives and work of 1960s African American Philadelphia graffiti writers.
Timothy Curtis. Courtesy of the artist. At The Current.
- Vermont Artisan Designs
106 Main St., Brattleboro, VT
(802) 246-7245 | (802) 257-7044
vtart.com
M–Sa 10–5, Su 12–5Fine art & contemporary American craft. Through March 6: Landscapes in oil by Julie Y Baker Albright and hand-crafted furniture by Peter Doubleday. March 7–April 3: Pastels on paper by Raymond Ruseckas and oils on canvas and panel by Janis Sanders.
Raymond Ruseckas, Path to the West, pastel on paper. At Vermont Artisan Designs.
NEW HAMPSHIRE
- 3S Artspace
319 Vaughan St., Portsmouth, NH
(603) 766-3330
info@3sarts.org
3sarts.org
W–Sa 11–6, Su 12–5Through March 30: Losing Winter: Lynn Cazabon presents a unique and site-specific realization of Losing Winter, an ongoing participatory artwork and archive of memories and emotions about winter, revealing the personal and cultural ties we have to the season and reflecting upon what we are collectively losing due to climate change impacts on seasonal patterns. Opening April 4: A Hole Hanging in the Air, works by Kate Conlon. Through a meticulous process of archival research and digital modeling, Conlon recreates illusion-generating, precise reconstructions of mechanical devices from the history of cinematic visual effects as cut-paper constructions.
Davis Brothers, Oxen on Pleasant Street, c. 1867. Courtesy of the Portsmouth Athenaeum. At 3S Artspace.
- AVA Gallery and Art Center
11 Bank Street, Lebanon, NH
(603) 448-3117
exhibitions@avagallery.org
avagallery.org
Tu–Sa 11–5April 4–May 10: Featured in AVA’s main, named galleries, Cynthia Atwood and Mark Lorah: Visceral Resonance; Heidi Broner: The Daily; Chris Papa: New Work. March 14–April 26, in the Roesch Gallery: the group exhibition, Shape/Shift: Objects and Non-Objectives. Opening reception for all exhibitions: Friday, April 4, 5–7 p.m.
Cynthia Atwood, Polish, fabric, paint, interior fan, extension cord. At AVA Gallery and Art Center.
- Currier Museum of Art
150 Ash St., Manchester, NH
(603) 669-6144
visitor@currier.org
currier.org
W–Su 10–5Ongoing: Jean-Michel Basquiat and Ouattara Watts: A Distant Conversation brings together six artworks by American artist Jean-Michel Basquiat (1960–1988), one of the most celebrated and influential artists of his generation, and seven large canvases by New York-based Ivorian painter Ouattara Watts (b. 1958). Ongoing: Dan Dailey: Impressions of the Human Spirit. Ongoing: Olga de Amaral: Everything is Construction and Color.
Photographer unknown, Jean-Michel Basquiat and Ouattara Watts, 1988, c-print, from Ouattara Watts’ personal archive. At Currier Museum of Art. Ouattara Watts, Intercessor #0, 1989, mixed media on canvas. © Ouattara Watts. Courtesy the artist and Karma. At Currier Museum of Art.
- Hood Museum of Art, Dartmouth
6 East Wheelock St., Hanover, NH
hood.museum@dartmouth.edu
hoodmuseum.dartmouth.edu
W 11–5, Th–F 11–8, Sa & Su 10–5
Free and open to allOngoing: In East Asian art, non-human subjects have long been represented with agency, coexisting alongside their human counterparts. Experience this inclusive and collaborative relationship in Attitude of Coexistence: Non-Humans in East Asian Art. Ongoing: Cara Romero: Panûpünüwügai (Living Light) presents a thematic examination of Romero’s complex and layered images, which celebrate the multiplicity, beauty, and resilience of Native American and Indigenous experiences. This is Romero’s first major solo museum exhibition.
Choe U-Ram, Silver Insecta Lamp, 2013, metallic material, machinery, magnet, electronic device (CPU board, motor, LED). Hood Museum of Art, Dartmouth: Purchased through the Evelyn A. and William B. Jaffe 2015 Fund; 2024.17.3. © Choe U-Ram. At Hood
Museum of Art, Dartmouth.Cara Romero, Coyote Girl, 2024, archival pigment print. © Cara Romero. Image courtesy of the artist. At Hood Museum of Art, Dartmouth.
- Lamont Gallery
Phillips Exeter Academy
11 Tan Ln., Exeter, NH
(603) 777-3461
gallery@exeter.edu
exeter.edu/lamontgalleryThrough March 7: Catch the end of Jeffrey Augustine Songco: Society of 23’s Conservatory which is an immersive, site-specific installation that creates a multisensory experience. April 1–May 3: Maker Fest presents works from makers in the Phillips Exeter Academy community: students, staff and others. The selections offer both the aesthetic and practical and showcase their community’s ingenuity and imagination.
- the corner gallery
2 Main St., Jaffrey, NH
(603) 738-9445
cornergalleryjaffrey.com
Tu-S 10–5April 4–May 21: Travels, mixed media paintings of Tom Arsenault. Deftly merging paint and historical artifact, Arsenault creates ethereal scenes that evoke curiosity and emotion. Blending objects of art from both Eastern and Western traditions, his work seemingly transcends time and place, instead drawing the viewer into a mysterious dreamscape of rich color and surprising depth. Reception: Friday, April 4, 5:30 p.m.
Tom Arsenault. At the corner gallery.
- The Lakes Gallery at Chi-Lin since 1981
135 Eastman Rd., Laconia, NH
(603) 556-9384
suzanne@thelakesgallery.com
thelakesgallery.com
Th–Sa 11–5, Su 1–5 and by appointmentContemporary fine New England art and photography in a 1780 farmhouse. Through November 11: A Place for the Sacred: Four Artists Reflect Upon A New & Difficult World. Sunday, November 3, 4 p.m.: Closing Arguments & Poetry Reading. Individual and group fall and winter workshops in italic calligraphy, nature cards/journals and raised and tooled gold leaf.
Nature Cards workshop at lakes gallery at chi-lin.
- The Putnam Gallery at Dublin School
18 Lehmann Way, Dublin, NH
(603) 563-8584
dublinschool.org
Daily 10-4Through December 18: A Sculptor’s Watercolors. Sculptor Wendy Klemperer shows her watercolors and drawings, offering a rare glimpse of an artist’s work across mediums. She will display a sculpture recently purchased for the Dublin School’s sculpture park alongside her intimate, fresh and bold watercolor studies. Reception: Friday, December 6, 6-8 p.m.
Wendy Klemperer, Seaver Dark Reflection, 2024, watercolor. Photo: Wendy Klemperer. At Putnam Gallery at Dublin School.
- WREN Gallery
2011 Main St., Bethlehem, NH
(603) 869-9736
hello@wrenworks.org
M–Sa 10–5, Su 11–4March 7–April 25: Vistas and Visions, Kristine Lingle and Kim Druker Stockwell. Reception: Friday, March 7, 5–7 p.m. This exhibition of northern landscapes will evoke calm, peace, and contemplation. WREN is a community organization open to all, providing educational and cultural opportunities in a supportive network. The Gallery at WREN is a state of the art facility providing arts experiences in the heart of the White Mountains.
Kim Druker Stockwell, Cannon Abstract, 2024, oil on canvas. At The Gallery at WREN.