Exhibitions

Openings and events around the region

Connecticut

  • Art Museum, University of Saint Joseph

    1678 Asylum Ave., West Hartford, CT
    (860) 231-5399
    usj.edu/artmuseum
    W–Sa 11–4

    Opening March 23: (R)evolution: Identity and Power in Puerto Rican and Diasporican Art. This exhibition, inspired by a painting by Miguel Luciano created in response to the 1998 centennial of the U.S. annexation of Puerto Rico, brings the painting together with works by other artists to explore the historical and contemporary complexities of colonialism and resistance. Opening reception: Friday, March 22, 5–7:30 p.m. Saturday, April 13: Family Bomba/Plena Workshop, 1–4 p.m.; and Noche Boricua, 7:30 p.m., celebrate Puerto Rican music and dance, featuring William Cepeda.

    Miguel Luciano (b. 1972), Cómo se dice Boricua en Inglés, 1998, acrylic on wood, 48 x 84″. Lent by Anthony De Jesús and Madeline Pérez De Jesús.
    © 1998, Miguel Luciano. Art Museum, University of Saint Joseph.

  • ECOCA

    51 Trumbull St., New Haven, CT
    (203) 507-7320
    info@elycenter.org
    elycenter.org
    April 14–June 2: W, Th, Su 12–5

    This spring ECOCA’s gallery will be filled with works that touch upon the many aspects of the environment and climate change. The Spring Heat exhibitions include solo shows by Sariah Park, Hanlyn Davies, and group exhibitions from Yvonne Short & Rebecca West, Thinking about Water, Water Women, Nua Collective and more. Opening reception: Sunday, April 14, 1–3 p.m.

    Hanlyn Davies, Celebrity (mock orange), 2021–23, digital print. Courtesy of the artist. At ECOCA.

  • Fairfield University Art Museum

    Fairfield University
    200 Barlow Rd., Fairfield, CT
    (203) 254-4046
    fairfield.edu/museum
    Tu–Sa 11–4, Th 11–8

    Through April 27, Walsh Gallery (Quick Center): Streaming: Sculpture by Christy Rupp. A robust survey of eco-artist and activist Rupp’s wall installations and free-standing sculptures of animals, created from detritus from the waste stream. Through March 16, Bellarmine Hall Galleries: Helen Glazer: Walking in Antarctica. Photographs, sculpture and audio narrative by Glazer transport the viewer on a journey to an extraordinary, remote environment. Opening April 5: Suzanne Chamlin: Studies in Color. Landscape and still life paintings with harmoniously focused color palettes.

    Christy Rupp, Aquatic Larvae, 2019–2020, welded steel and collected single use plastics. At Fairfield University.

  • Greenwich Historical Society

    47 Strickland Rd., Cos Cob, CT
    (203) 869-6899
    greenwichhistory.org
    W–Su 12–4

    Opening March 6: LIFE: Six Women Photographers presents the work of pioneering women photographers employed by LIFE magazine between the late 1930s and early 1970s, whose iconic images captured an evolving world and helped create modern photojournalism. Featuring over 70 images by Margaret Bourke-White, Nina Leen, Lisa Larsen, Hansel Mieth, Martha Holmes, and Marie Hansen, the exhibition details how these photographers and their work were integral to LIFE founder and editor-in-chief Henry R. Luce’s vision for an “American Century.” Organized by the New-York Historical Society.

    Margaret Bourke-White, photograph from “Franklin Roosevelt’s Wild West,” LIFE, November 23, 1936. © LIFE Picture Collection, Dotdash Meredith Corp. At Greenwich Historical Society.

  • Hartford Art School Galleries

    Hartford Art School, University of Hartford
    200 Bloomfield Ave., West Hartford, CT
    (860) 768-5522
    hartford.edu/galleries
    M–Th 12–6, F-Sa 1–5

    Through March 23: Twice the Legal Minute, a solo exhibition by Jonathan Herrera Soto in Joseloff Gallery, explores the stakes of mistranslation, plausibility, and solitude in printmaking. Artist talk: Wednesday, March 20, 5–6:30 p.m. April 4–16: The first round of BFA Thesis Exhibitions features Illustration in Joseloff Gallery and Photography and Printmaking in Silpe Gallery. Opening reception: Saturday, April 6, 6–8 p.m. April 25–May 7: BFA Thesis Exhibitions continue with Visual Communications Design in Joseloff Gallery and Ceramics, Painting, and Integrated Media Arts in Silpe Gallery. Opening reception: Saturday, April 21, 6–8 p.m.

    Jonathan Herrera Soto, Through (installation view), 2023, shellac, used motor oil, ash, charcoal, saw dust, and clay powder on stretched drop cloth over wooden 2x4s, courtesy of the artist. Photo: Pat Garcia Jr. At Joseloff Gallery.

  • New Britain Museum of American Art

    56 Lexington St., New Britain, CT
    (860) 229-0257
    nbmaa@nbmaa.org
    nbmaa.org

    Ongoing: The Land Carries Our Ancestors: Contemporary Art by Native Americans. Curated by artist Jaune Quick-to-See Smith (Citizen of the Confederated Salish and Kootenai Nation), the exhibition highlights artworks by nearly 50 living Native artists that powerfully visualize Indigenous culture and knowledge of the land. Brought together by Smith, this multigenerational, diverse group of artists works across the U.S. and spans a range of practices, including weaving, beadwork, sculpture, painting, drawing, photography, performance, and video.

    Steven Yazzie (Diné/Pueblo of Laguna, New Mexico/European descent), Orchestrating a Blooming Desert, 2003, oil on canvas, Collection of Christy Vezolles.
    © 2003 Steven J. Yazzie. All rights reserved. Courtesy of the Heard Museum, photo by Craig Smith. At New Britain Museum of American Art.

  • Spectrum Art Gallery and Artisan Store

    61 Main St., Centerbrook, CT
    (860) 767-0742
    events@spectrumartgallery.org
    spectrumartgallery.org
    W–Sa 12–6, Su 12–5

    Voted Best Gallery for Art and Gifts on the Shoreline, Spectrum offers painting, mixed media, sculpture, photography, and a Store with artisan crafts. March 22–May 11: Reaching for the Sky, established and emerging artists present original artwork that explores the wonder and vastness of “the sky.” Work reflects the beauty, legends, and beliefs of this timeless theme. Artisan Store offers pottery, glass, fiber, home décor, jewelry and accessories. Shop online: SpectrumAnytime.com. Shipping throughout U.S.

    Robert Thomas, Angry Nimbus, 2023, limited edition fine art photograph. At Spectrum Art Gallery.


  • The Mercy Gallery at The Loomis Chaffee School

    4 Batchelder Rd., Windsor, CT 
    christian_ryan@loomis.org
    loomischaffee.org/arts/mercy-gallery
    M–F 10–5, Su 1–5 (September–June)

    From September through June, The Mercy Gallery invites groundbreaking artists working in a variety of media, representing diverse endeavors and cultural + geographic perspectives to share their art with the community and public. Opening April 4: Traci Talasco: TIPPING POINT. Presenting a series of conceptual sculptures that use architecture as a social/political space dealing with power imbalances stemming from gender, race, and identity.


  • Tremaine Gallery at The Hotchkiss School

    11 Interlaken Rd., Lakeville, CT
    (860) 435-3663
    hotchkiss.org/arts
    Tu–Sa 10–4, Su 12–4, when school is in session

    Opening April 2: Dialogue: Art in Conversation explores the work and processes of Valerie Hammond and Nathaniel (Tate) Klacsmann. Their work reverberates around questions of social inequity, magic, myth, and the environment, creating a group of pieces filled with reflective echoes, offering opportunity for intersection and dialogue.


  • Yale University Art Gallery

    1111 Chapel St., New Haven, CT
    (203) 432-0600
    artgallery.yale.edu
    Tu-F 10-5, Sat & Sun 11–5

    The Gallery’s encyclopedic holdings range from ancient times to the present day and represent cultures from around the globe. Ongoing: Munch and Kirchner: Anxiety and Expression and Sheila Levrant de Bretteville: Community, Activism, and Design. Opening March 15: Year of the Dragon. Free and open to the public.

    Sheila Levrant de Bretteville, Women in Design: The Next Decade, 1975, Diazo lithograph on paper. Courtesy Sheila Levrant de Bretteville. At Yale University Art Gallery.


Maine

  • Bates College Museum of Art

    75 Russell St., Lewiston, ME
    (207) 786-6158
    bates.edu/museum
    M, W 10–7:30, Tu, Th–Sa 10–5, and by appointment. Closed holidays and between exhibitions.

    Through March 4: Exploding Native Inevitable, an exhibition of contemporary Indigenous art from a land we now call America. Through March 4: Brad Kahlhamer: Nomadic Studio, Maine Camp, an exhibition of many sketchbooks, accompanied by a selection of related paintings and prints. Opening April 8: Senior Thesis Exhibition 2024, work selected from thesis projects of graduating seniors majoring in Studio Art. Opening April 8: Neue Slowenische Kunst | Monumental Spectacular, an exhibition of prints and multi-media by this Slovenian art collective.


  • Colby College Museum of Art

    5600 Mayflower Hill, Waterville, ME
    (207) 859-5629
    colby.edu/museum
    Tu–Sa 10–5, Th 10–9, Su 12–5

    Located on the campus of Colby College in Waterville, Maine, the Colby College Museum of Art inspires connections between art and people through distinctive exhibitions, programs, publications, and an outstanding collection that emphasizes American and contemporary art. Ongoing: The World Outside: Louise Nevelson at Midcentury. Through May 12: A Lot More Inside: Esopus Magazine. Ongoing: Painted: Our Bodies, Hearts, and Village. Through March 29: Alex Katz: Repetitions.

    Installation view, Painted: Our Bodies, Hearts, and Village. Photo: Stephen Davis Phillips. At Colby College Museum of Art.

  • Moss Galleries

    100 Fore St., Portland, ME
    (207) 804-0459
    251 US-1, Falmouth, ME
    (207) 781-2620
    liz@elizabethmossgalleries.com
    elizabethmossgalleries.com
    Portland: Tu–Sa 10–5
    Falmouth: Tu–Sa 10–5

    Through April 6, Portland Gallery: Alice Jones. Through March 16, Falmouth Gallery: Robert Wieferich: Deep in the Woods. Through March 16: Sarah Meyers Brent: Wild Things. Opening March 22: Brita Holmquist and Lynn Sisler.

    Robert Wieferich, Hiking Baxter, oil on canvas, 40 x 30″. Courtesy of the artist. At Moss Galleries.

  • The Colby Museum’s Joan Dignam Schmaltz Gallery of Art @ the Paul J. Schupf Art Center

    93 Main St., Waterville, ME
    (207) 859-5629
    museum.colby.edu
    W–M 11–7

    The Colby College Museum of Art’s Joan Dignam Schmaltz Gallery of Art at the Paul J. Schupf Art Center offers a place in downtown Waterville, Maine, for connections between art and people through distinctive exhibitions and programs. The art center is also home to Waterville Creates and the diverse film, visual, and performing arts programming presented through its Maine Film Center, Ticonic Gallery + Studios, and the Waterville Opera House. Through April 22: Playscape: Contemporary Art from the Colby Museum’s Collection.


Massachusetts

  • Alpha Gallery

    450 Harrison Avenue, #55, Boston, MA
    (617) 536-4465
    alphagallery.com
    W–F 12–6, Sa 12–5 and by appointment

    March 1–30: ransome, a delicate balance. ransome’s newest body of work explores themes of Black migration and identity through portraiture, cityscapes, still lifes and assemblages. This is ransome’s second solo exhibition with Alpha Gallery. Opening reception: Friday, March 1, 6–8 p.m.

    Elijah, 2023, acrylic and collage on wood panel, 30 x 30″. At Alpha Gallery.

  • Art Complex Museum

    189 Alden St., Duxbury, MA
    (781) 934-6634
    artcomplex.org
    W–Su 1–4

    Through May 5: Zach Horn: Saturdays. Opening April 28: National Association of Women Artists Massachusetts (NAWAMA) Chapter: Where Do We Come From? What Are We? Where Are We Going? Opening April 28: Cassatt and Beyond: Women Printmakers. Opening May 12: DIG, Joe Caruso, Jennifer Liston Munson, Christine Palamidessi and Marsha Odabashian. Reception: Sunday, May 12, 1–4 p.m. Ongoing: Nora Valdez: Passage. Admission is always free.

    Jennifer Jean Okumura, Where are we going?, oil on canvas. At Art Complex Museum.

  • Atlantic Works Gallery

    80 Border St., East Boston, MA
    (857) 302-8363
    contact@atlanticworks.org
    atlanticworks.org
    F–Sa 2–6 or by appointment

    March 2–30: Contemporary Dialogues, Richard Dorff, John Greiner-Ferris and Joan Ryan. Opening reception: Saturday, March 2, 2–6 p.m. Third Thursday: March 21, 6–9 p.m. Performance: Stations of the XX: Saturday, March 23, 3 p.m. April 5–27: In the Woods, Nature-Inspired Paintings and Drawings by Joan Ryan and Julie C Baer. Opening reception: Saturday, April 6, 4–7 p.m. Third Thursday: April 18, 6–9 p.m.

    Joan Ryan, Picnic By The Wall, 2023, oil on paper. At Atlantic Works Gallery.


  • Boston Sculptors Gallery

    486 Harrison Ave.
    Boston, MA
    (617) 482-7781
    bostonsculptors@gmail.com
    bostonsculptors.com
    W–Su 11–5

    Through March 31: Ed Andrews, Random Order and Leslie Wilcox, OUTWITS. First Friday: March 1. Artists’ reception: Saturday, March 16, 2–5 p.m. with artist talks at 3 p.m. Opening April 4: Jessica Straus, Packing for Mars and Marilu Swett, Off Center. First Fridays: April 5 and May 3, 5–8:30 p.m. Artist’s reception: Saturday, April 13, 2:30–5 p.m. with artist talks at 2:30 p.m.

    Ed Andrews, Not Knotted Now, 2024, acrylic paint on perforated aluminum, 24″ diameter X 1.5″. At Boston Sculptors Gallery.
    Leslie Wilcox, WIT’heads, 2022, driftwood, steel screen, oil pastel, 36 x 18 x 18″ (detail). At Boston Sculptors Gallery.
    Jessica Straus, Missing You, 2023, wood, paint, inkjet on paper, found object, 18 x 16 x 15″. At Boston Sculptors Gallery.
    Marilu Swett, Snafu, 2023, mixed media, 24 x 7 x 11″. Photo: Julia Featheringill. At Boston Sculptors Gallery.

  • Boston University Galleries

    855 Commonwealth Ave., Boston, MA
    bumfa2024.cargo.site
    Tu-Sa 11-5 

    April 2-20: Boston University’s 2024 MFA Thesis Exhibition presenting work from the painting, sculpture (satellite: 1270 Commonwealth Ave.), print media and photography, graphic design, and visual narrative programs will be on view in Stone Gallery and 808 Gallery. Support Boston’s emerging artists and join them for a public reception on Friday, April 12 from 6-8 p.m. in Stone Gallery; and Friday, April 19 from 6-8 p.m. in 808 Gallery.

    Ellen Weitkamp, April-June, 30 x 23 ½”, oil paint and colored pencil on panel, 2023. At Boston University Galleries

  • Brickbottom Gallery

    1 Fitchburg St., Somerville, MA
    (617) 766-3410
    gallery@brickbottom.org
    brickbottom.org
    Th–Sa 12–5

    Through March 24: CITIES HERE AND THERE: Today’s cities exist in a constant state of change… highlights work by five artists: Fred Leveille and Liliana Marquez. Curated by Alexandra Rozenman. Reception: Saturday, March 2, 3–5 p.m. April 4–28: THE FIRE WITHIN: COLOR AND EXPRESSION in the paintings of Jo Ann Rothschild, Jeannie Motherwell, Philip Gerstein and Gordon Fearey. Curated by Philip Gerstein. Reception: Saturday, April 6, 3–5 p.m.


  • Cahoon Museum of American Art

    4676 Falmouth Rd. (Route 28), Cotuit, MA
    (508) 428-7581
    info@cahoonmuseum.org
    cahoonmuseum.org
    Beginning March 13: W–Su 10–4

    Opening March 13: Bold Women and Vivid Dreams: Sarah Peters and Don Nakamura features ceramic sculptures and drawings celebrating the human figure by Sarah Peters and Don Nakamura. Peters explores the intricacy of the human body, while Nakamura’s works are a freewheeling channeling of his inner spirit. Highlights include Peters’ Wondergrrrl series of teapots and ceramic sculptures by Nakamura.

    Sarah Peterson, Wondergrrrl Teapot, 2023, cast terracotta, underglazes, glazes. At Cahoon Museum of Art.

  • Concord Art

    37 Lexington Rd., Concord, MA
    (978) 369-2578
    info@concordart.org
    concordart.org
    Tu–Sa 10–4:30, Su 12–4

    Through March 22: Members Juried 2: Collage, Crafts, Drawing, Graphics, Mixed Media, Photography, Printmaking 2024 (Main Gallery) and Chasing Color: Christiane Corcelle and Carole Rabe (Members Gallery). Opening March 28: Reshaping Abstraction (Main Gallery) and Juni Van Dyke and Caryl Hull Leavitt (Members Gallery). Reception: March 28, 5:30 p.m.

    Bonny Leibowitz, Small Shifts and Massive Alterations, 2018, wax, pigment, and ink on Masa paper, 86 x 73″. At Concord Art.

  • Danforth Art Museum at Framingham State University

    14 Vernon St.
    Framingham, MA, Floor 2
    (508) 215-5110
    danforthartmuseum@framingham.edu
    danforth.framingham.edu

    The Museum has a permanent collection focusing on American art from the 19th century to the present day, with rotating exhibitions of contemporary, regional artists. Ongoing: Sandra Matthews: Unearthing; Jennifer Davis Carey and Scarlett Hoey: Not a Story to Pass On; and Harvest, Foraged, Found, featuring work by Madge Evers, Lynda Goldberg, Bob Kephart, Saberah Malik, and Sarah Sockbeson. See website for hours and events.

    Sandra Matthews, Amira and Nancy in 1989; Amira and Samari in 2008, 2008. At Danforth Art Museum.

  • Davis Museum at Wellesley College

    106 Central St., Wellesley, MA
    (781) 283-2051
    thedavis.org
    Tu–Su 11–5

    The first retrospective of an artist who has been a critical voice in performance, conceptual, and feminist art for more than four decades, the exhibition of Lorraine O’Grady: Both/And represents a homecoming for the artist in her hometown and at her alma mater. Ongoing, free, and open to the public.

    Lorraine O’Grady (American, born 1934), Family Portrait 1 (Formal, Composed), 2020, Fujiflex print, 60 x 48″ (152.4 × 121.9 cm). Edition of 10 plus 3 artist’s proofs. © Lorraine O’Grady/Artists Rights Society (ARS), New York . At the Davis Museum at Wellesley College.

  • Fitchburg Art Museum

    185 Elm St., Fitchburg, MA
    (978) 345-4207
    info@fitchburgartmuseum.org
    fitchburgartmuseum.org
    W–F 12–4, Sa & Su 11–5
    First Thursdays 12–7

    Ongoing: On Her Terms: Feminine Power Embodied features New England artists who foreground the human body in their work to engage contemporary issues around women’s rights. Also on view: Ria Brodell: Butch Heroes and Portrayed by Eakins: Ella Crowell as Model and Student. Opening March 2: Africa Rising: 21st Century African Photography, including photographs by Zanele Muholi, Lalla Essaydi, and Aida Muluneh, and others.

    Maria Yolanda Liebana, The World according to April 26th, 2023, acrylic, molding paste, and mixed media collage on wood panel. Courtesy of the artist. At Fitchburg Museum of Art.

  • Fountain Street Gallery

    460C Harrison Ave., Suite 2, Boston, MA
    (857) 302-3067
    director@fsfaboston.com
    fsfaboston.com/book-an-appointment
    Th–Su 12–4

    Through March 24: Gladly Beyond. Taken from e. e. cummings’ poem “somewhere i have never travelled, gladly beyond” the Gallery’s final exhibition, by artists working in a variety of media, is a tribute to the irrepressible nature of creative endeavors and to the artists of Fountain Street as we prepare to close our doors on March 31, 2024. SoWa First Friday Reception: March 1, 5–8 p.m.


  • Fuller Craft Museum

    455 Oak St., Brockton, MA
    fullercraft.org
    Tu–Su 10–5
    All are welcome, completely free of charge

    Through March 31: Face Value: Portraits from the Arthur S. Goldberg Collection. Ongoing: Maria Molteni: Soft Score. Ongoing: Pop! Color Stories from the Permanent Collection. Ongoing: The Red Dress. Opening March 30: Beau McCall: Buttons On! Opening April 13: Hand in Hand: Works from the Fleur S. Bresler Collection. Fuller Craft Museum’s wide-ranging exhibitions and outdoor sculpture showcase the finest contemporary craft in a spectacular organic modernist building and woodland setting.

    The Red Dress worn by artisan Freya Lusher. Photo: Sophia Schorr-Kon. At Fuller Craft Museum.

  • Griffin Museum of Photography

    67 Shore Rd., Winchester, MA
    (781) 729-1158
    griffinmuseum.org
    Tu–Su 12–4

    Opening April 4: The Griffin is pleased to present Traces of Existence. Featuring the work of Muriel Hasbun, Alejandro Cartagena, Alejandro Luperca Morales, Rodrigo Valenzuela, and Ileana Doble Hernandez, Traces of Existence combines photography, installation, and the moving image to investigate notions of migration and identity and in Latin American communities.

    Pulse: Seismic Register 2020.02.26.013 (Terremoto, 1986), 2020 Seismic registers, Archivo General de la Nación

  • Hammond Castle Museum

    80 Hesperus Ave., Gloucester, MA
    (978) 283-2080
    info@hammondcastle.org
    hammondcastle.org
    April 5–28: Su–Sa 10–4

    The Gertrude Cawein at Hammond Castle Museum exhibition will feature nearly sixty works by American artist Eric Pape (1870–1938) spanning his entire career. The catalog, most of which is on loan by Pape collector and biographer, Dr. Gregory Conn, presents a rare example of his work as a society portraitist and includes examples of Pape’s celebrity portraits created during the Great Depression not publicly displayed since his death.

    Gertrude Cawein, 1907, oil on canvas, 75 x 52″ framed. At Hammond Castle Museum.

  • Harvard Art Museums

    32 Quincy St., Cambridge, MA
    (617) 495-9400
    harvardartmuseums.org

    Opening March 1: LaToya M. Hobbs: It’s Time. Immerse yourself in a day in the life of contemporary artist, LaToya M. Hobbs, through a tour de force of monumental printmaking. See how Hobbs shares the labor and intimacy of her private life in these prints, centering the negotiations she brokers daily to balance her manifold responsibilities—as a wife, mother, educator, and artist. Opening March 1: Future Minded: New Works in the Collection. Examine the museums’ recent acquisitions, spanning centuries and media. The works are by roughly 30 artists, including Jean (Hans) Arp, Edward Mitchell Bannister, Willie Cole, Pietro Damini, Svenja Deininger, Jeffrey Gibson, Baldwin Lee, Ana Mendieta, Lucia Moholy, Toyin Ojih Odutola, Noriko Saito-, Melissa Shook, Jane Yang-D’Haene, and many others.

    LaToya M. Hobbs, Scene 5: The Studio, from Carving Out Time, 2020–21, woodcut on cotton paper. Harvard Art Museums/Fogg Museum, Margaret Fisher Fund, 2022.224.5. © LaToya M. Hobbs. Photo: Ariston Jacks; courtesy of the artist. At Harvard Art Museums.
    Noriko Saitō, Japanese, Sunbeam, 2002, ink and color on paper; drypoint with aquatint. Harvard Art Museums/Arthur M. Sackler Museum, Purchase through the generosity of the David L. Klein, Jr. Foundation in memory of Sylvan Barnet and William Burto, 2018.200. © Noriko Saitō. At Harvard Art Museums.

  • Inner Space Fine Arts

    189 Main St. (Rt 28), North Reading, MA
    (978) 223-8438
    innerspace.finearts@gmail.com
    innerspace-fineart.com
    Th & F 1–6, Sa & Su 12–4

    Opening May 4: Juni Van Dyke: Color is one of my favorite things. A Cape Ann treasure, Juni’s colorist paintings are informed by the area’s natural beauty; the light sweeping across granite; coastal views; hillside vistas—Cape Ann is an ever-present force in her work. Using abstract forms, Juni invites the viewer to experience her work without interruption of title. Energized by the interaction, she finds the varied interpretations fascinating and exciting—valid without exception. Artist reception: Saturday, May 4, 5–7 p.m.


  • Iris & B. Gerald Cantor Art Gallery

    College of the Holy Cross
    Prior Performing Arts Center
    1 College St., Worcester, MA
    (508) 793-3356
    holycross.edu/cantorartgallery
    M by appt, T–F 10–5, Sa 12–5

    Through April 9: Sneha Shrestha: Ritual and Devotion. Nepali-born, Boston-based painter Shrestha interprets acts of ritual and devotion and what they can come to mean through themes of home, identity, and legacy.

    Sneha Shrestha, Worlds Apart (left), 2023, acrylic on canvas, 30 x 40″. At Iris and B. Gerald Cantor Art Gallery.

  • Kingston Gallery

    450 Harrison Ave., No. 43, Boston, MA
    (617) 423-4113
    info@kingstongallery.com
    W–Su 12–5 or by appointment

    Through March 31: Mira Cantor, DIG, and Phyllis Ewen, My Mind’s Eye. Cantor’s paintings are influenced by the subterranean landscapes of The Burren in Ireland and others. Reception: Friday, March 1, 5–8 p.m. April 3–28: Kingston Associates exhibition: Everything Leaves a Mark. Reception: Friday, April 5, 5–8 p.m.

    Mira Cantor, Listen, 2023, acrylic on canvas, 42 x 52″. At Kingston Gallery.
    Stacey Cushner, Towards a Blue Planet No. 2, 2023, color pencil on wood, 11 x 14″. At Kingston Gallery.

  • Krakow Witkin Gallery

    10 Newbury St., Boston, MA
    (617) 262-4490
    Info@krakowwitkingallery.com
    krakowwitkingallery.com
    Tu–Sa 10–5:30

    March 2–April 10: Kiki Smith: Sometimes; Janet Passehl: Here Is Why.

    Kiki Smith, Evening Star, 2023, aqueous archival inkjet, acrylic archival inkjet, white gold leaf on Hahnemüle rag paper, 59¾ x 42¾” (151.8 x
    108.6 cm). At Krakow Witkin Gallery.


  • Milton Academy: Nesto Gallery, Art & Media Center

    Arts Commons Gallery,
    Kellner Performing Arts Center
    170 Centre St., Milton, MA
    (617) 898-1798
    milton.edu/arts/nesto-gallery
    M–F 9–4

    Through April 25: Class of 2009 Alumni Exhibit. Artists: David Bruce ’09, Sarah Diamond ’09, Dougan Khim ’09, Jasmine Reid ’09. Opening reception: Thursday, April 25, 5:30–7 p.m. This exhibit features four graduate artists who have continued to make paintings professionally, showing work from the classical, post-modern, and contemporary traditions.


  • MIT List Visual Arts Center

    20 Ames St., Cambridge, MA
    (617) 253-4680
    listinfo@mit.edu
    listart.mit.edu
    Tu 12–6, W 12–7, Th 12–7, F 12–6, Sa & Su 12–6

    Through March 10: Carlos Reyes: 18. Opening March 7: List Projects 29: Brittni Ann Harvey and Harry Gould Harvey IV. Opening April 4: Hana Mileti´c: Soft Services. Opening April 4: Basel Abbas and Ruanne Abou-Rahme: Only sounds that tremble through us. The List Center galleries and programs are always free and open to the public. Visit listart.mit.edu for programming and exhibition updates along with their most up-to-date visitor information.

    Hana Miletić, Materials, 2021–22, handwoven and hand-knit textile (pale blue repurposed mercerised cotton, recycled nylon, repurposed plastic, rose pink organic raw wool, variegated blue organic silk and white gauze yarn), 7½ × 8¼× 13/16″. Courtesy the artist and The Approach, London. Photo: GRAYSC. At MIT List Visual Art Center.

  • Montserrat Galleries

    Montserrat College of Art
    23 Essex St., Beverly, MA
    (978) 921-4242
    gallery@montserrat.edu
    montserrat.edu/galleries

    Through March 6 in the Montserrat Gallery: Karmimadeebora McMillan, Wondering stars…for whom it is reserved…the blackness..the darkness..forever. Through March 16 in the Carol Schlosberg Galleries: Loretta Park, About to Thaw. Opening March 27 in all galleries: Senior Thesis Exhibitions.


  • New Bedford Whaling Museum

    18 Johnny Cake Hill, New Bedford, MA
    (508) 997-0046
    whalingmuseum.org
    T–Sa 9–4, Su 11–4

    Through May 5: Framing the Domestic Sea: Photographs by Jeffery Becton evokes New England’s varied histories, the maritime world, and the impacts of climate change on coastal communities. Through April 21: Paintings by Roy Rossow picture New Bedford’s working waterfront, contemporary maritime activities, and historic celestial navigation in The Stars that Guide Us.

    Jeffery C. Becton (American; b. 1947), Waking Up, 2021, photomontage on aluminum, 20 x 34″, image courtesy of the artist. At New Bedford Whaling Museum.

  • New England Visionary Artists Museum

    518 Pleasant St., Northampton, MA
    (413) 588-4337
    neva-museum.org
    Tu-Sa 1-6

    March 8-30: Sasha Statman-Weil presents ‘Sonhood,’ work from three artists: a mother, a father, and a son. California artist Ron Weil’s (1944–2019) black charcoal abstractions are presented alongside Leah Statman’s (1954–2011) vibrant portrait quilts juxtaposed with their son’s films and poetry. The show investigates Statman-Weil’s artistic inheritances beyond his parent’s actual creations. Reception: Friday, March 8, 5-8 p.m. Plus, four hundred artworks are on display in five additional showrooms.


  • Norman Rockwell Museum

    9 Glendale Rd./Rte. 183, Stockbridge, MA
    (413) 298-4100
    nrm.org
    Sa & Su 10–5; M, Tu, Th, F 10–4; closed W

    Home of American Illustration, featuring new exhibitions: Between Worlds: The Art & Design of Leo Leonni, a first-ever U.S. retrospective on the illustrator (Frederick, Cornelius, Pezzettino +) and graphic designer; and Mystery & Wonder: Highlights from the Illustration Collection. Plus Rockwell’s 323 Post Covers. New guided gallery tours by reservation. Museum Store (and online store). Save with online tickets.

    More at NRM.org.

    Leo Lionni (1910–1999), cover illustration for Frederick, 1967 (Knopf), mixed media collage. BDC Rex Rotary M-4, n.d., Brochure for BDC (Bond Duplicator Company, New York, New York). © Leo Lionni. All rights reserved. Courtesy of the Lionni Family. At Norman Rockwell Museum.

  • Paradise City Arts Festival

    Royal Plaza Trade Center
    181 Boston Post Road West (Rt. 20 W)
    Marlborough, MA
    (800) 511-9725
    paradisecityarts.com
    F 10–5, Sa 10–6, Su 11–5

    March 22–24: Paradise City Arts hosts New England’s premier and most celebrated shows of contemporary fine and decorative art. This MetroWest Boston event draws thousands of collectors, designers, and art enthusiasts seeking to connect with 170 curated exhibitors from across the country. It’s the go-to destination for imaginative home decor, fine art and sculpture, handcrafted fashion, jewelry, and gifts that transcend expectations. With music in the air, two cafes, and the themed exhibit Fresh Greens!, it’s not to be missed.

    Kate Gakenheimer, Crazy Days, glass. At Paradise City Arts.

  • ShowUp (formerly Beacon Gallery)

    524B Harrison Ave., Boston, MA
    contact@showupinc.org
    showupinc.org
    Th, F & Sa 12–5, Su 11–4 & by appointment

    March 1–April 28: Extra, featuring Rixy, Ja’Hari Ortega, and Wavy Wednesday. This exhibit transforms the gallery into a safe space for Black and Brown women to be themselves, embrace their strengths, and transcend white supremacy and patriarchy. Curated by Chenoa Baker, the artists use their creative expression to address societal barriers in their work. Event details online.


  • South Shore Art Center

    119 Ripley Rd., Cohasset, MA
    (781) 383-2787
    info@ssac.org
    ssac.org
    M–Sa 10–4

    Bancroft Gallery, April 4–May 18: Out of Darkness, a national show juried by Marjorie Kaye, founder and director emeritus, Galatea Fine Art. Opening reception: Thursday, April 4, 6 p.m. Opening May 30: Young Black Woman | Old White Man, curated by James Burke featuring works by James Burke and Devyn Case. Opening reception: Thursday, May 30, 6 p.m.


  • Springfield Museums

    21 Edwards St., Springfield, MA
    springfieldmuseums.org
    Tu–Sa 10–5, Su 11–5

    One admission: five museums and the Dr. Seuss National Memorial Sculpture Park. Through March 24: A Gathering: Works from Contemporary Black American Ceramic Artists. Through May 5: The Outwin 2022: American Portraiture Today. Opening April 27: Look Again: Portraits of Daring Women by Julie Lapping Rivera. Ongoing in the Dr. Seuss Museum: Original art by Theodor Seuss Geisel, aka Dr. Seuss.

    Julie Lapping Rivera, Ruth Bader Ginsberg, woodcut, 2021. Collection of the artist. At Springfield Museums.

  • The Guild of Boston Artists

    162 Newbury St., Boston, MA
    (617) 536-7660
    bostonguild@gmail.com
    guildofbostonartists.org
    Tu–Sa 10:30–5:30

    Through March 23: Waking to Beauty, a spring exhibition kicking off the season with a collection of new works from the Guild’s members. Opening March 30: All About Boston—Paintings by Frederick Kubitz, a solo retrospective exhibition of cityscapes in oil and watercolor from the forty-year career of a nationally recognized artist and prominent local architect. Opening reception: Saturday, March 30, 3–5 p.m.

    Frederick Kubitz, Reflections—Trinity Church, watercolor, 22 x 30″. At The Guild of Boston Artists.

  • The Umbrella Arts Center

    40 Stow St., Concord, MA
    (978) 371-0820
    theumbrellaarts.org

    Through March 24: Portraits in Red: Missing & Murdered Indigenous People Painting Project, by Nayana LaFond. Reception and artist talk: Thursday, March 7, 5–7 p.m. March 16 & 17: The Umbrella Open Studios, including Kaleidoscope: Changing as We Change exhibition, on view through March 20. March 29–April 5: Artrageous Art Auction and Exhibition. Opening April 10: TAPPED IN: Moving Hearts and Minds through Art and Science, curated by Stephanie Marlin-Curiel and Dr. Linda Booth Sweeney. Reception and panel discussion: Thursday, April 11, 5:30–8:30 p.m.


  • Three Stones Gallery

    115 Commonwealth Ave., Concord, MA
    (978) 254-5932
    info@threestonesgallery.com
    threestonesgallery.com
    M 12–5, Tu–F 10–6, Sa & Su 10–5

    Through March 24: Contained and Unbound: Vessel paintings by Judy Bramhall; pastels by Cindy Crimmin; photographs of Norway by Ellen Harasimowicz. March 27–May 5: Chiaroscuro: Coastal watercolors by Jillian Demeri; mixed media portraiture by Cynthia Brody; acrylic landscapes and florals by Avery Schuster Bramhall. New works by represented artists. Reception: Saturday, April 6, 6–8 p.m.

    Cynthia Brody, GenZ Warrior, mixed media oils, collage and bike parts on linen, 30 x 24″. At Three Stones Gallery.

  • UMass University Museum of Contemporary Art

    151 Presidents Dr., Amherst, MA
    (413) 545-1986
    fac.umass.edu/umca
    Tu–F 11–4:30, Sa & Su 12–4, First Thursday 11–8

    Through May 10 (and fall 2024): BREACH: LOGBOOK 24 | STACCATO by Shinnecock artist Courtney M. Leonard features paintings, sculptures, and video exploring the life and kinship ties of Staccato, a North Atlantic right whale killed by a ship strike in 1999. Leonard explores marine biology, Indigenous food sovereignty, migration, and human environmental impact. March 27–May 10: FAINT/HIDDEN/SHROUDED: Contemplating Obscurity, a graduate curatorial exhibition. Free and open to the public.

    Rib bone of Staccato, North Atlantic right whale (Eubalaena glacialis), UMass Natural History Collections. Photograph by Stephen Petegorsky. At the UMass University Museum of Contemporary Art.

  • Walden Pond State Reservation Gallery

    915 Walden St., Concord, MA
    (978) 369-3254
    pcrottyart@gmail.com
    patriciacrotty.com
    Daily 10–3

    Through April 30: Sky Water: Reflections on Walden Pond. The colorful abstract paintings and collages of local artist Patricia Crotty are inspired by the connection with nature that Walden Pond provides visitors. They celebrate the beauty of nature in all of its forms and seasons. Co-sponsored by Friends of Walden Pond. The exhibit is free; parking fees apply.

    Patricia Crotty, Blue Water, 2021, oil on canvas, 24 x 18″. At Walden Pond State Reservation Gallery.

  • Williams College Museum of Art

    15 Lawrence Hall Dr., Williamstown, MA
    (413) 597-2429
    wcma@williams.edu
    artmuseum.williams.edu
    Tu–Su 10–5

    Ongoing: Combining historical materials and the perspectives of seven contemporary Black artists, Emancipation: The Unfinished Project of Liberation visualizes what freedom and the enduring legacy of emancipation look like today and beyond. March 7: Dr. Frances Jones-Sneed will discuss “What does emancipation mean in the Berkshires?”

    John Quincy Adams Ward, The Freedman, 1863. At Williams College Museum of Art.

  • Worcester Art Museum

    55 Salisbury St., Worcester, MA
    (508) 799-4406
    worcesterart.org
    W–Su 10–4

    Through March 17: Faith Ringgold: Freedom to Say What I Please—Deeply personal, celebratory of African American culture, and rooted in political activism, explore the art and storytelling of Faith Ringgold. Opening April 6: New Terrain: 21st-Century Landscape Photography—Discover how artists are using different photographic processes to explore the idea of landscape.

    Faith Ringgold, Tar Beach #2, 1990, silkscreen on silk, 1st edition, ed. 1. © Faith Ringgold/Artists Rights Society (ARS), New York, Courtesy ACA Galleries, New York. At Worcester Art Museum.

RHODE ISLAND

  • Bannister Art Gallery at Rhode Island College

    600 Mt. Pleasant Ave., Providence, RI
    (401) 456-9765
    bannistergallery@ric.edu
    ric.edu/bannister
    M–F 12–8 or by appointment

    Through March 22: Range of Motion, Landscapes by Charles W. Goolsby. Goolsby’s landscape imagery builds on 19th century American landscape painting traditions and implies a sense of contemporary issues. April 1–19: Paper Trails: Selections from the RIC Print Trade. Since 2005, students and faculty of the Rhode Island College Printmaking Department have taken part in a print exchange. Selections curated by Sam Nehila.


  • Chazan Gallery at Wheeler

    228 Angell St., Providence, RI  
    (401) 528-2227
    info@chazangallery.org
    chazangallery.org

    Through March 6: COLOURED.AESTHETICA. Solo show by Triton Mobley. Mobley is a new media artist and researcher whose interventionist works and guerrilla performances have been exhibited nationally and internationally. Mobley’s research and praxis cull together critical making methodologies across performative installations, programmable fabrications, and speculative industrial design—fashioning polemical art object assemblages that engender public reexamination.


Vermont

  • Brattleboro Museum & Art Center

    10 Vernon Street
    Brattleboro VT 05301
    802-257-0124
    office@brattleboromuseum.org
    www.brattleboromuseum.org
    W–Su 10–4 (Closed March 10–15)

    Through March 9: Aurora Robson: Human Nature Walk; Paper Made; Fawn Krieger and David B. Smith: Home Bodies; Michael Smoot: And To This World; Art Costa: Sounds Deep. Ongoing: Hannah Morris: Moveable Objects. Opening March 16: In Nature’s Grasp; John Newsom: Painting the Forest of the Happy Ever After; Edward Holland: Celestial Sea; Samira Abbassy: Out of Body; Francheska Alcántara: The Inner Order of the pppPoof and the fffPop.

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  • Burlington City Arts

    135 Church St., Burlington, VT
    burlingtoncityarts.org
    (802) 865-7166
    W–F 12–5, Sa 12–8

    A contemporary art gallery with up to three floors of exhibition space, hosting new exhibitions every fall, winter/spring, and summer, on Burlington’s iconic Church Street Marketplace. Opening February 9: Here Now: Art and Migration, international and regional artists whose work explores concepts of borders, movement, and migration across local urban centers and global geographies; Margaret Jacobs: Kinship, steel sculptures and finely crafted jewelry, exploring the tensions and harmonies between the man-made and natural worlds. Free and open to the public.

    Teresa Baker, Low Pitched, 2023, beads, yarn, willow, buckskin, artificial sinew on artificial turn, 78 x 93.5″. At Burlington City Arts.

  • Long River Gallery

    49 S Main St., White River Junction, VT
    (802) 295-4567
    art@longrivergallery.com
    longrivergallery.com
    W–Sa 11–5

    Nestled in the heart of White River Junction, Long River Gallery features the art and craft of over eighty local artists from Vermont and New Hampshire. Through May 1: Artist Prue Merton displays her work from a selection of collages of decorated papers that suggest surprising perspectives using color and pattern. Opening reception: Friday, March 1, 5–7 p.m.

    Prue Merton, Untitled, (framed), paper collage, 26.75 x 18.75″. At Long River Gallery.


  • Mad River Valley Arts

    5031 Main St., #2 Village Square
    Waitsfield, VT
    (802) 224-6878
    info@madrivervalleyarts.org
    Tu–Sa 1–5

    March 7–April 26: RISE: Trees; Our Botanical Giants features twenty artists paying homage to the “tree” in the creative process. Artists salute to their relationship with wood materials reclaimed or formally crafted and in doing so push the conversation between man-made and nature into one of collaborative celebration. Discussion: Thursday, April 18, 5 p.m. with Shelby Perry, Wildlands Ecologist with Northeast Wilderness Trust. Free and open to the public.

    Julie Comnick, Uproot III, 2021, charcoal on paper, 36 x 46″. At Mad River Valley Arts.

  • Studio Place Arts

    201 N Main St., Barre, VT
    (802) 479-7069
    studioplacearts.com
    W–F 11:30–5, Sa 11:30–4

    March 13–April 20: Main Gallery: Up and Down, In and Out: Embroidery and its Kin. Second floor gallery: Hiding in Plain Sight by Amy Schachter. Third floor gallery: The Grand Assemblage by Axel Stohlberg. Visit studioplacearts.com for info on the Quick Change Gallery and SPA annex locations. Studio Place Arts is a working art center with art exhibits, artist studios, classroom, and a sculpture tour.


  • The Current

    90 Pond St.,Stowe, VT
    (802) 253-8358
    thecurrentnow.org

    Through April 11: In the Garden, a platform for artists, poets, and performers. Within the walls of The Current, artists present a disparate array of topics through work that uses the garden as a motif, setting the stage for connection and cultivation. Artists in this exhibition use the metaphor of a garden to address climate change, decolonization, feminism, societal tensions, and our endangered environment. Artists include: Carlos Amorales, Cameron Davis, Wylie Garcia, Valerie Hammond, Mary Mattingly, Ebony G. Patterson, Paul Anthony Smith.

    Ebony G. Patterson, …there is a rumble as the garden folds, rolls, shreds, devours…itself, 2021–22, digital print on archival watercolor paper with hand-cut and torn elements, construction paper, plastic, feathers mounted on artist designed wallpaper. Image courtesy of the artist, Monique Meloche Gallery and Hales Gallery. At The Current.

  • Vermont Artisan Designs

    106 Main St., Brattleboro, VT
    (802) 246-7245
    vtart.com
    Daily 10–5

    Fine art and contemporary American craft. March 1–April 3: Oil paintings of landscapes around Northern New England by Stefan Pastuhov and Gary Shepard. April 5–May 2: Paintings in oil and pastel of New England by Kate Beetle and abstract paintings by colorist E. Joseph McCarthy.

    Kate Beetle, Two Trees, Winter, oil on linen/panel. At Vermont Artisan Designs.

NEW HAMPSHIRE

  • Alva de Mars Megan Chapel Art Center

    100 Saint Anselm Dr., Manchester, NH
    (603) 641-7470
    chapelartcenter@anselm.edu
    anselm.edu/chapelart
    Tu–W 10–4, Th 10–7, F 10–4 (Gallery open only during scheduled exhibitions)

    The Chapel Art Center features special exhibitions and houses a permanent collection of over 400 objects. March 7–April 19: The Intimacy of Seeing: Elsa Voelcker—A Retrospective, celebrates Voelcker’s long career as a photographer and member of the Fine Arts Department at Saint Anselm College. Voelcker has specialized in various photographic methods, including photograms, gelatin silver prints and, more recently, digital. Opening reception with the artist: Friday, March 22, 4–6 p.m. Free and open to the public.

    Nancy, 2002, gelatin silver print, 12 x 10″. Image courtesy of the artist. At Alva de Mars Megan Chapel Art Center.

  • AVA Gallery and Art Center

    11 Bank Street, Lebanon, NH
    (603) 448-3117
    exhibitions@avagallery.org
    avagallery.org
    Tu–Sa 11–5

    Through March 30: Alternative Processes in Contemporary Photography: Linda Bryan, Cathy Cone, Chris Esten, Rachel Portesi, Vaune Trachtman, Mary Zompetti; Milkweed: Louise Hamlin; A Matter of Time: Justin O’Rourke. Opening March 8: Form + Texture: A group exhibition of contemporary fiber art. April 12–27: Illumination: AVA’s Annual Benefit Exhibition.

    Nancy Sepe, Tied to the Rails, wood, silk and other fabric, metal, wire, plastic, paint. At AVA Gallery and Art Center.

  • Currier Museum of Art

    150 Ash St., Manchester, NH
    (603) 669-6144
    visitor@currier.org
    currier.org
    W, Th, F, Sa, Su 10–5

    The Currier Museum features paintings, sculpture, decorative arts, and photographs, including works by Monet, Picasso, O’Keeffe, Hopper, and Wyeth. The museum also owns two Frank Lloyd Wright designed homes available to view by tour (tour season runs April through December yearly). Through March 31: Toward the New: A Journey into Abstraction. Through May 27: Kara Walker: Harper’s Pictorial History of the Civil War (Annotated). Opening March 7: I live a journey of a thousand years: Raphaël Barontini. Opening April 12: Filippo de Pisis and Robert Mapplethorpe: A Distant Conversation.

    Kara Walker, Confederate Prisoners Being Conducted from Jonesborough to Atlanta. From Harper’s Pictorial History of the Civil War (Annotated), 2005, offset lithography and silkscreen on paper, 39 x 53″, © Kara Walker, courtesy of Sikkema Jenkins & Co. and Sprüth Magers. At Currier Museum of Art.

  • Hood Museum of Art, Dartmouth

    6 East Wheelock St., Hanover, NH
    hood.museum@dartmouth.edu
    hoodmuseum.dartmouth.edu
    W 11–5, Th–F 11–8, Sa & Su 10–5
    Free and open to all

    Through April 13: And I’m Feeling Good: Relaxation and Resistance features selections from the Hood Museum’s photography collection that celebrate joy in African American life. Simultaneously, it considers the pleasures and challenges in achieving and maintaining that “good feeling” in the United States. Outgoing Gilded: Contemporary Artists Explore Value and Worth, a traveling exhibition from the Weatherspoon Art Museum at UNC Greensboro, features artists turning to the ancient practice of gilding as a means to reconsider our modern value systems.

    Kwame Brathwaite, Changing Times, 1973 (printed 2021), archival pigment print. Hood Museum of Art, Dartmouth: Purchased through the Contemporary Art Fund and the Sondra and Charles Gilman Jr., Foundation Fund; 2023.1.3. © Kwame Brathwaite. At Hood Museum of Art.
    Angela Fraleigh, These things are your becoming, 2014, oil, 23k gold leaf, metal leaf, and galkyd on canvas, 67 x 90″. Courtesy of the artist. © Angela Fraleigh, photo by Ken EK, courtesy of the artist. At Hood Museum of Art, Dartmouth.

  • Lamont Gallery

    Phillips Exeter Academy
    11 Tan Ln., Exeter, NH
    (603) 777-3461
    gallery@exeter.edu
    exeter.edu/lamontgallery
    Reservations required

    March 19–April 13: Hidden Treasures 6 celebrates the creative work of Phillips Exeter Academy colleagues across media and departments. This year’s exhibition includes fiber arts, stained glass, painting, and landscape photography as well as events and programs showcasing music and literary arts. Opening reception: Thursday, March 28, 5–7 p.m.


  • WREN Gallery

    2011 Main St., Bethlehem, NH
    (603) 869-9736
    hello@wrenworks.org
    wrenworks.org
    M–Sa 10–5, Su 11–4

    March 9–April 12: Total Eclipse of the Art features work by Douglas Arion, emeritus professor and dark sky defender, dark sky photographs; and eclipse themed work from over twenty WREN members. Opening reception: Friday, March 9, 5 p.m. Snow date: Saturday, March 10, 5 p.m. Visit WREN to shop the work of over 120 local artists and makers. The Gallery is located just a short distance from full totality of the Solar Eclipse on April 8, 2024.

    Photo: Doug Arion. At The Gallery at WREN.