Montserrat College of Art
Fiber artist, Haley Wood, explores the classic imagery of alchemy—such as the three stages of blackening, whitening and reddening, and the hermaphroditic form—through intricate textiles and layered compositions.
Contemporary Art and Culture Magazine

Fiber artist, Haley Wood, explores the classic imagery of alchemy—such as the three stages of blackening, whitening and reddening, and the hermaphroditic form—through intricate textiles and layered compositions.

Low Light brings together an interdisciplinary group of artists, each uniquely interpreting the allure of low light as their stage. Featuring work from several Montserrat alumni and curated by alumni David Ferreira and Sean Carney, Low Light explores a range of disciplines to interpret darkness, shadow, and subtle illumination.

to give what is due by Ena Kantardžić is an experiential exhibition at Montserrat College of Art’s FRAME 301 Gallery. The show features UAV (unmanned aircraft vehicle) documentary footage of Kantardžić’s ongoing land work echo 2 as a 2-channel laser projection, as well as new material created from harvested narcissi (daffodils).

Through April 5: Historic Presence is curated by Terri Moore and features Brooklyn-based artist Taha Clayton’s portraits inspired by the 1930s to 50s, honoring the resilience, joy, culture, and dignity of elders. The exhibition includes works in oil, charcoal, and graphite, enhanced with props from the artist’s creative process. Through these intimate and powerful depictions, Clayton invites viewers to reflect on legacy, identity, and the enduring beauty found in everyday life.

Cambridge-based architect Theodore “Ted” Galante had been in practice for thirty-some years designing municipal, commercial and institutional buildings throughout the…

There is a thoughtful energy to ceramicist Stephen Procter that is one part nature, and one part nurture; the latter,…

“I change the title every ten seconds,” Judith (Judy) Brassard Brown says, paused in front of a canvas displayed on…