Boston University Galleries

April 2-20: Boston University’s 2024 MFA Thesis Exhibition presenting work from the painting, sculpture (satellite: 1270 Commonwealth Ave.), print media and photography, graphic design, and visual narrative programs will be on view in Stone Gallery and 808 Gallery. Support Boston’s emerging artists and join them for a public reception on Friday, April 12 from 6-8 p.m. in Stone Gallery; and Friday, April 19 from 6-8 p.m. in 808 Gallery.

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UMass University Museum of Contemporary Art

Through May 10 (and fall 2024): BREACH: LOGBOOK 24 | STACCATO by Shinnecock artist Courtney M. Leonard features paintings, sculptures, and video exploring the life and kinship ties of Staccato, a North Atlantic right whale killed by a ship strike in 1999. Leonard explores marine biology, Indigenous food sovereignty, migration, and human environmental impact. March 27–May 10: FAINT/HIDDEN/SHROUDED: Contemplating Obscurity, a graduate curatorial exhibition. Free and open to the public.

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New England Visionary Artists Museum

March 8-30: Sasha Statman-Weil presents ‘Sonhood,’ work from three artists: a mother, a father, and a son. California artist Ron Weil’s (1944–2019) black charcoal abstractions are presented alongside Leah Statman’s (1954–2011) vibrant portrait quilts juxtaposed with their son’s films and poetry. The show investigates Statman-Weil’s artistic inheritances beyond his parent’s actual creations. Reception: Friday, March 8, 5-8 p.m. Plus, four hundred artworks are on display in five additional showrooms.

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Alva de Mars Megan Chapel Art Center

The Chapel Art Center features special exhibitions and houses a permanent collection of over 400 objects. March 7–April 19: The Intimacy of Seeing: Elsa Voelcker—A Retrospective, celebrates Voelcker’s long career as a photographer and member of the Fine Arts Department at Saint Anselm College. Voelcker has specialized in various photographic methods, including photograms, gelatin silver prints and, more recently, digital. Opening reception with the artist: Friday, March 22, 4–6 p.m. Free and open to the public.

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Brattleboro Museum & Art Center

Through March 9: Aurora Robson: Human Nature Walk; Paper Made; Fawn Krieger and David B. Smith: Home Bodies; Michael Smoot: And To This World; Art Costa: Sounds Deep. Ongoing: Hannah Morris: Moveable Objects. Opening March 16: In Nature’s Grasp; John Newsom: Painting the Forest of the Happy Ever After; Edward Holland: Celestial Sea; Samira Abbassy: Out of Body; Francheska Alcántara: The Inner Order of the pppPoof and the fffPop.

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MIT List Visual Arts Center

Through March 10: Carlos Reyes: 18. Opening March 7: List Projects 29: Brittni Ann Harvey and Harry Gould Harvey IV. Opening April 4: Hana Mileti´c: Soft Services. Opening April 4: Basel Abbas and Ruanne Abou-Rahme: Only sounds that tremble through us. The List Center galleries and programs are always free and open to the public. Visit listart.mit.edu for programming and exhibition updates along with their most up-to-date visitor information.

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WREN Gallery

March 9–April 12: Total Eclipse of the Art features work by Douglas Arion, emeritus professor and dark sky defender, dark sky photographs; and eclipse themed work from over twenty WREN members. Opening reception: Friday, March 9, 5 p.m. Snow date: Saturday, March 10, 5 p.m. Visit WREN to shop the work of over 120 local artists and makers. The Gallery is located just a short distance from full totality of the Solar Eclipse on April 8, 2024.

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Greenwich Historical Society

Opening March 6: LIFE: Six Women Photographers presents the work of pioneering women photographers employed by LIFE magazine between the late 1930s and early 1970s, whose iconic images captured an evolving world and helped create modern photojournalism. Featuring over 70 images by Margaret Bourke-White, Nina Leen, Lisa Larsen, Hansel Mieth, Martha Holmes, and Marie Hansen, the exhibition details how these photographers and their work were integral to LIFE founder and editor-in-chief Henry R. Luce’s vision for an “American Century.” Organized by the New-York Historical Society.

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Paradise City Arts Festival

March 22–24: Paradise City Arts hosts New England’s premier and most celebrated shows of contemporary fine and decorative art. This MetroWest Boston event draws thousands of collectors, designers, and art enthusiasts seeking to connect with 170 curated exhibitors from across the country. It’s the go-to destination for imaginative home decor, fine art and sculpture, handcrafted fashion, jewelry, and gifts that transcend expectations. With music in the air, two cafes, and the themed exhibit Fresh Greens!, it’s not to be missed.

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Springfield Museums

One admission: five museums and the Dr. Seuss National Memorial Sculpture Park. Through March 24: A Gathering: Works from Contemporary Black American Ceramic Artists. Through May 5: The Outwin 2022: American Portraiture Today. Opening April 27: Look Again: Portraits of Daring Women by Julie Lapping Rivera. Ongoing in the Dr. Seuss Museum: Original art by Theodor Seuss Geisel, aka Dr. Seuss.

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Cahoon Museum of American Art

Opening March 13: Bold Women and Vivid Dreams: Sarah Peters and Don Nakamura features ceramic sculptures and drawings celebrating the human figure by Sarah Peters and Don Nakamura. Peters explores the intricacy of the human body, while Nakamura’s works are a freewheeling channeling of his inner spirit. Highlights include Peters’ Wondergrrrl series of teapots and ceramic sculptures by Nakamura.

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The Colby Museum’s Joan Dignam Schmaltz Gallery of Art @ the Paul J. Schupf Art Center

The Colby College Museum of Art’s Joan Dignam Schmaltz Gallery of Art at the Paul J. Schupf Art Center offers a place in downtown Waterville, Maine, for connections between art and people through distinctive exhibitions and programs. The art center is also home to Waterville Creates and the diverse film, visual, and performing arts programming presented through its Maine Film Center, Ticonic Gallery + Studios, and the Waterville Opera House. Through April 22: Playscape: Contemporary Art from the Colby Museum’s Collection.

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Hood Museum of Art, Dartmouth

Through April 13: And I’m Feeling Good: Relaxation and Resistance features selections from the Hood Museum’s photography collection that celebrate joy in African American life. Simultaneously, it considers the pleasures and challenges in achieving and maintaining that “good feeling” in the United States. Outgoing Gilded: Contemporary Artists Explore Value and Worth, a traveling exhibition from the Weatherspoon Art Museum at UNC Greensboro, features artists turning to the ancient practice of gilding as a means to reconsider our modern value systems.

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Fountain Street Gallery

Through March 24: Gladly Beyond. Taken from e. e. cummings’ poem “somewhere i have never travelled, gladly beyond” the Gallery’s final exhibition, by artists working in a variety of media, is a tribute to the irrepressible nature of creative endeavors and to the artists of Fountain Street as we prepare to close our doors on March 31, 2024. SoWa First Friday Reception: March 1, 5–8 p.m.

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Inner Space Fine Arts

Opening May 4: Juni Van Dyke: Color is one of my favorite things. A Cape Ann treasure, Juni’s colorist paintings are informed by the area’s natural beauty; the light sweeping across granite; coastal views; hillside vistas—Cape Ann is an ever-present force in her work. Using abstract forms, Juni invites the viewer to experience her work without interruption of title. Energized by the interaction, she finds the varied interpretations fascinating and exciting—valid without exception. Artist reception: Saturday, May 4, 5–7 p.m.

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Hartford Art School Galleries

Through March 23: Twice the Legal Minute, a solo exhibition by Jonathan Herrera Soto in Joseloff Gallery, explores the stakes of mistranslation, plausibility, and solitude in printmaking. Artist talk: Wednesday, March 20, 5–6:30 p.m. April 4–16: The first round of BFA Thesis Exhibitions features Illustration in Joseloff Gallery and Photography and Printmaking in Silpe Gallery. Opening reception: Saturday, April 6, 6–8 p.m. April 25–May 7: BFA Thesis Exhibitions continue with Visual Communications Design in Joseloff Gallery and Ceramics, Painting, and Integrated Media Arts in Silpe Gallery. Opening reception: Saturday, April 21, 6–8 p.m.

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Chazan Gallery at Wheeler

Through March 6: COLOURED.AESTHETICA. Solo show by Triton Mobley. Mobley is a new media artist and researcher whose interventionist works and guerrilla performances have been exhibited nationally and internationally. Mobley’s research and praxis cull together critical making methodologies across performative installations, programmable fabrications, and speculative industrial design—fashioning polemical art object assemblages that engender public reexamination.

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Hammond Castle Museum

The Gertrude Cawein at Hammond Castle Museum exhibition will feature nearly sixty works by American artist Eric Pape (1870–1938) spanning his entire career. The catalog, most of which is on loan by Pape collector and biographer, Dr. Gregory Conn, presents a rare example of his work as a society portraitist and includes examples of Pape’s celebrity portraits created during the Great Depression not publicly displayed since his death.

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The Mercy Gallery at The Loomis Chaffee School

From September through June, The Mercy Gallery invites groundbreaking artists working in a variety of media, representing diverse endeavors and cultural + geographic perspectives to share their art with the community and public. Opening April 4: Traci Talasco: TIPPING POINT. Presenting a series of conceptual sculptures that use architecture as a social/political space dealing with power imbalances stemming from gender, race, and identity.

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Colby College Museum of Art

Located on the campus of Colby College in Waterville, Maine, the Colby College Museum of Art inspires connections between art and people through distinctive exhibitions, programs, publications, and an outstanding collection that emphasizes American and contemporary art. Ongoing: The World Outside: Louise Nevelson at Midcentury. Through May 12: A Lot More Inside: Esopus Magazine. Ongoing: Painted: Our Bodies, Hearts, and Village. Through March 29: Alex Katz: Repetitions.

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Fuller Craft Museum

Through March 31: Face Value: Portraits from the Arthur S. Goldberg Collection. Ongoing: Maria Molteni: Soft Score. Ongoing: Pop! Color Stories from the Permanent Collection. Ongoing: The Red Dress. Opening March 30: Beau McCall: Buttons On! Opening April 13: Hand in Hand: Works from the Fleur S. Bresler Collection. Fuller Craft Museum’s wide-ranging exhibitions and outdoor sculpture showcase the finest contemporary craft in a spectacular organic modernist building and woodland setting.

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The Current

Through April 11: In the Garden, a platform for artists, poets, and performers. Within the walls of The Current, artists present a disparate array of topics through work that uses the garden as a motif, setting the stage for connection and cultivation. Artists in this exhibition use the metaphor of a garden to address climate change, decolonization, feminism, societal tensions, and our endangered environment. Artists include: Carlos Amorales, Cameron Davis, Wylie Garcia, Valerie Hammond, Mary Mattingly, Ebony G. Patterson, Paul Anthony Smith.

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Studio Place Arts

March 13–April 20: Main Gallery: Up and Down, In and Out: Embroidery and its Kin. Second floor gallery: Hiding in Plain Sight by Amy Schachter. Third floor gallery: The Grand Assemblage by Axel Stohlberg. Visit studioplacearts.com for info on the Quick Change Gallery and SPA annex locations. Studio Place Arts is a working art center with art exhibits, artist studios, classroom, and a sculpture tour.

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Fitchburg Art Museum

Ongoing: On Her Terms: Feminine Power Embodied features New England artists who foreground the human body in their work to engage contemporary issues around women’s rights. Also on view: Ria Brodell: Butch Heroes and Portrayed by Eakins: Ella Crowell as Model and Student. Opening March 2: Africa Rising: 21st Century African Photography, including photographs by Zanele Muholi, Lalla Essaydi, and Aida Muluneh, and others.

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ShowUp (formerly Beacon Gallery)

March 1–April 28: Extra, featuring Rixy, Ja’Hari Ortega, and Wavy Wednesday. This exhibit transforms the gallery into a safe space for Black and Brown women to be themselves, embrace their strengths, and transcend white supremacy and patriarchy. Curated by Chenoa Baker, the artists use their creative expression to address societal barriers in their work. Event details online.

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Art Complex Museum

Through May 5: Zach Horn: Saturdays. Opening April 28: National Association of Women Artists Massachusetts (NAWAMA) Chapter: Where Do We Come From? What Are We? Where Are We Going? Opening April 28: Cassatt and Beyond: Women Printmakers. Opening May 12: DIG, Joe Caruso, Jennifer Liston Munson, Christine Palamidessi and Marsha Odabashian. Reception: Sunday, May 12, 1–4 p.m. Ongoing: Nora Valdez: Passage. Admission is always free.

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Atlantic Works Gallery

March 2–30: Contemporary Dialogues, Richard Dorff, John Greiner-Ferris and Joan Ryan. Opening reception: Saturday, March 2, 2–6 p.m. Third Thursday: March 21, 6–9 p.m. Performance: Stations of the XX: Saturday, March 23, 3 p.m. April 5–27: In the Woods, Nature-Inspired Paintings and Drawings by Joan Ryan and Julie C Baer. Opening reception: Saturday, April 6, 4–7 p.m. Third Thursday: April 18, 6–9 p.m.

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The Umbrella Arts Center

Through March 24: Portraits in Red: Missing & Murdered Indigenous People Painting Project, by Nayana LaFond. Reception and artist talk: Thursday, March 7, 5–7 p.m. March 16 & 17: The Umbrella Open Studios, including Kaleidoscope: Changing as We Change exhibition, on view through March 20. March 29–April 5: Artrageous Art Auction and Exhibition. Opening April 10: TAPPED IN: Moving Hearts and Minds through Art and Science, curated by Stephanie Marlin-Curiel and Dr. Linda Booth Sweeney. Reception and panel discussion: Thursday, April 11, 5:30–8:30 p.m.

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Boston Sculptors Gallery

Through March 31: Ed Andrews, Random Order and Leslie Wilcox, OUTWITS. First Friday: March 1. Artists’ reception: Saturday, March 16, 2–5 p.m. with artist talks at 3 p.m. Opening April 4: Jessica Straus, Packing for Mars and Marilu Swett, Off Center. First Fridays: April 5 and May 3, 5–8:30 p.m. Artist’s reception: Saturday, April 13, 2:30–5 p.m. with artist talks at 2:30 p.m.

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Norman Rockwell Museum

Home of American Illustration, featuring new exhibitions: Between Worlds: The Art & Design of Leo Leonni, a first-ever U.S. retrospective on the illustrator (Frederick, Cornelius, Pezzettino +) and graphic designer; and Mystery & Wonder: Highlights from the Illustration Collection. Plus Rockwell’s 323 Post Covers. New guided gallery tours by reservation. Museum Store (and online store). Save with online tickets.

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Fairfield University Art Museum

Through April 27, Walsh Gallery (Quick Center): Streaming: Sculpture by Christy Rupp. A robust survey of eco-artist and activist Rupp’s wall installations and free-standing sculptures of animals, created from detritus from the waste stream. Through March 16, Bellarmine Hall Galleries: Helen Glazer: Walking in Antarctica. Photographs, sculpture and audio narrative by Glazer transport the viewer on a journey to an extraordinary, remote environment. Opening April 5: Suzanne Chamlin: Studies in Color. Landscape and still life paintings with harmoniously focused color palettes.

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Bates College Museum of Art

Through March 4: Exploding Native Inevitable, an exhibition of contemporary Indigenous art from a land we now call America. Through March 4: Brad Kahlhamer: Nomadic Studio, Maine Camp, an exhibition of many sketchbooks, accompanied by a selection of related paintings and prints. Opening April 8: Senior Thesis Exhibition 2024, work selected from thesis projects of graduating seniors majoring in Studio Art. Opening April 8: Neue Slowenische Kunst | Monumental Spectacular, an exhibition of prints and multi-media by this Slovenian art collective.

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Danforth Art Museum at Framingham State University

The Museum has a permanent collection focusing on American art from the 19th century to the present day, with rotating exhibitions of contemporary, regional artists. Ongoing: Sandra Matthews: Unearthing; Jennifer Davis Carey and Scarlett Hoey: Not a Story to Pass On; and Harvest, Foraged, Found, featuring work by Madge Evers, Lynda Goldberg, Bob Kephart, Saberah Malik, and Sarah Sockbeson. See website for hours and events.

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Mad River Valley Arts

March 7–April 26: RISE: Trees; Our Botanical Giants features twenty artists paying homage to the “tree” in the creative process. Artists salute to their relationship with wood materials reclaimed or formally crafted and in doing so push the conversation between man-made and nature into one of collaborative celebration. Discussion: Thursday, April 18, 5 p.m. with Shelby Perry, Wildlands Ecologist with Northeast Wilderness Trust. Free and open to the public.

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ECOCA

This spring ECOCA’s gallery will be filled with works that touch upon the many aspects of the environment and climate change. The Spring Heat exhibitions include solo shows by Sariah Park, Hanlyn Davies, and group exhibitions from Yvonne Short & Rebecca West, Thinking about Water, Water Women, Nua Collective and more. Opening reception: Sunday, April 14, 1–3 p.m.

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Burlington City Arts

A contemporary art gallery with up to three floors of exhibition space, hosting new exhibitions every fall, winter/spring, and summer, on Burlington’s iconic Church Street Marketplace. Opening February 9: Here Now: Art and Migration, international and regional artists whose work explores concepts of borders, movement, and migration across local urban centers and global geographies; Margaret Jacobs: Kinship, steel sculptures and finely crafted jewelry, exploring the tensions and harmonies between the man-made and natural worlds. Free and open to the public.

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