Harold Garde Exhibition Rescheduled!


Portfolio Contributors
Abigail Goodman
Alicia Faxon
All Blogs
Amy Lilly
Anna Buckley
Anthony Merino
Anya Ventura
Arlene Distler
Art Basel Miami Beach
Bansie Vasvani
Bonita McBride
Bonnie Barrett Stretch
Bret Chenkin
Carl Little
Celina Colby
Christian Holland
Christina Wheeler
Collin Dunbar
Craig Stockwell
David Raymond
Debra Cash
Demelza Durston
Dennis Kois
Dina Deitsch
Donna Fleischer
Elizabeth Fennell
Ethan Gilsdorf
Fran Bull
Fran Siegel
Frances Folsom
Henry McMahon
Jenny Miller Sechler
Julia Kelley
Kat Kiernan
Kathleen Morrison
Kay Tobler Liss
Leah Triplett
Lois Tarlow
maggie jensen
Mark Gabriele
Martha Buskirk
Martha Hoppin
Mary Bucci McCoy
Miami 2012
Miami 2013
Monroe Denton
Olivia J Kiers
Pam Campanaro
Patricia Rosoff
Rebecca Uchill
Robert Moeller
Shawn Hill
Stephen V Kobasa
Susan Mulski
Susan Rand Brown
Trevor Fairbrother

ANE Portfolio Posts

Nov 1, 2011
Crazy Spheroid- Two Entrances

By Julia Kelley

DeCordova Sculpture Park and Museum in Lincoln, Massachusetts, recently acquired a piece by artist Dan Graham, Crazy Spheroid- Two Entrances. This addition to the sculpture park is the fourth in a series of recent acquisitions, and it was chosen because its unique hybrid of styles, lending a modern architectural element to the park.

Andy Ryan

Crazy Spheroid – Two Entrances is a half-ellipse made of mirrored glass, with its interior divided into two unequal parts, each accessible through cutout doorways. The reflective glass makes the piece seem composed entirely of its surroundings—the trees, the sky, the people viewing the work—aside from its sparse steel supports. Viewers are encouraged to enter the sculpture and experiment with their distorted reflections.

“There’s something in it for everyone,” according to Graham. For example,...

Oct 11, 2011
Tracing the Fore

By Julia Kelley

The City of Portland, Maine, removed a large public art sculpture in late September, after a year’s worth of meetings, debates, and petitions. The work, Tracing the Fore by Shauna Gillies-Smith, was featured in our July/ August issue in Kris Wilton’s “Public Art Under Siege.” The story was recently picked up by the New York Times.

Gregory Rec, The Portland Press Herald

The sculpture, constructed in 2003 in Boothby Square, was meant to imitate the neighboring Fore River, with long grass billowing between stainless-steel waves. Unfortunately, the combination of nature and location set the piece up for failure. Weeds took over, and the central city placement made it difficult to maintain. As Wilton wrote in her article,...



©2017 Art New England, All Rights Reserved
Designed and Developed By: T. Montgomery