Elise Freda
P.O. Box 3
Callicoon, NY
(845) 701-1135
elise@elisefreda.com
elisefreda.com
P.O. Box 3
Callicoon, NY
(845) 701-1135
elise@elisefreda.com
elisefreda.com
Through March 30: Losing Winter: Lynn Cazabon presents a unique and site-specific realization of Losing Winter, an ongoing participatory artwork and archive of memories and emotions about winter, revealing the personal and cultural ties we have to the season and reflecting upon what we are collectively losing due to climate change impacts on seasonal patterns. Opening April 4: A Hole Hanging in the Air, works by Kate Conlon. Through a meticulous process of archival research and digital modeling, Conlon recreates illusion-generating, precise reconstructions of mechanical devices from the history of cinematic visual effects as cut-paper constructions.
Read moreThe Museum has a permanent collection focusing on American art, rotating exhibitions of contemporary, regional artists, and a gallery focused on the artist Meta Vaux Warrick Fuller. Ongoing: Tina Feingold: Wishful Thinking; Tim McDonald: The Diamond Sea; Selfhood, featuring work by Alice Dillon, Scott Foster, Kathryn Geismar, Lisa Tang Liu, and Keith Morris Washington. See website for hours and membership information.
Read morePortland Gallery, through January 4: Light in Every Room: Gail Spaien & Lynne Drexler. January 10–March 8: Kate Hargrave: The Journal. Falmouth Gallery, through February 1: Who Knows What Grows in the Morning Light.
Read moreThrough April 5: The Music of Sight, a spring exhibition kicking off the season with a collection of new works from the Guild’s members. Opening April 12: Of Dusk and Dawn—Paintings by Dennis Sheehan, a solo exhibition of the renowned contemporary artist’s most recent series of Tonalist landscapes. Opening reception: Saturday, April 12, 3–5 p.m.
Read moreThrough April 17: AAMARP Group Exhibition. Curator: Marlon Forrester. The African American Masters Artists in Residency Program presents artworks from eighteen intergenerational artists, encompassing a variety of mediums and genres that reflect an array of approaches to the art of Africa and the African diaspora.
Read moreApril 4–May 21: Travels, mixed media paintings of Tom Arsenault. Deftly merging paint and historical artifact, Arsenault creates ethereal scenes that evoke curiosity and emotion. Blending objects of art from both Eastern and Western traditions, his work seemingly transcends time and place, instead drawing the viewer into a mysterious dreamscape of rich color and surprising depth. Reception: Friday, April 4, 5:30 p.m.
Read moreOpening March 7: Edvard Munch: Technically Speaking. Discover the experimental methods of Edvard Munch, who creatively explored materials and techniques across media. Join the Harvard Art Museums to celebrate the opening of this exhibition by hearing from the exhibition organizers and specialists from the Munchmuseet, Oslo on Thursday, March 6.
Read moreFresh Paint Artists
Cultural Center of Cape Cod Studios
307 Old Main St.
S. Yarmouth, MA
(508) 294-9946
clairemarcus@yahoo.com
clairemarcus.com
freshpaintartists.com
Through March 27: Members Juried 2: Collage, Crafts, Drawing, Graphics, Mixed Media, Photography, Printmaking (Main Gallery) and Tracey Maroni + Linda Hammett Ory (Members Gallery). Opening April 3: Liberation Textiles: Our Social Fabric (Main Gallery) and Rebecca Mann + Astrid Reischwitz (Members Gallery). Reception: Thursday, April 3, 5:30 p.m.
Read moreThrough March 8: 2025 Vermont Scholastic Art & Writing Awards; Adrienne Elise Tarver: Roots, Water, Air; The Noise of Us, featuring the artwork of Felipe Baeza, Ori Gersht, Simonette Quamina, and Maika’i Tubbs. Opening March 22: Contemporary Ukrainian Folk Art: The Matrix of Resilience; GLASSTASTIC 2025; Yeon Ji Yoo: Wish You Were Here; Carl E. Hazlewood: Infinite Passage; John Kenn Mortensen: Dream Homes; Nye Ffarrabas: Truth IS A Verb. Ongoing: Vanessa Compton: A Night at the Garden. Admission is pay-as-you-wish.
Read moreMarch 6–23: The world as a supermarket is a commentary on consumerism. Cuban artist Janette Brossard and American artist Mary Sherwood both being part of the TransCultural Exchange Conference. Opening reception: Saturday, March 8, 3–5 p.m. Closing reception: Sunday, March 23, 3–5 p.m. April 4–26: Everlasting: Group exhibit by Sarah Alexander, Heather Binder, Anna Kreslavskaya, Lidia Mikhaylova, Olga Privina. Paintings, photography, herbalism, steel sculpture and ceramics—all in pursuit of the human quest for happiness. Opening reception: Saturday, April 5, 3–5 p.m.
Read moreExpressive Landscapes
Cape Elizabeth, ME and Boston, MA
450 Harrison Ave., #225, Boston, MA
(617) 794-6497
marcia.crumley@gmail.com
@marciacrumleyart
marciacrumleyart.com
Ongoing: List Projects 31: Kite. Ongoing: Pedro Gómez-Egaña: The Great Learning. The List Center galleries and programs are always free and open to the public. Visit listart.mit.edu for programming and exhibition updates along with their most up-to-date visitor information.
Read moreMarch 5–30: Main Gallery—Nat Martin: Over Days. Center Gallery and Project Space—Diane Novetsky: On the Cusp, new paintings and prints. Opening reception: Friday, March 7, 5–8 p.m. April 2–27: Main Gallery—Linda Leslie Brown: Circulations. Center Gallery—Bonnie Sennott: Noise Antidote, abstract embroidery. Project Space—Vaughn Sills: Still. Opening reception: Friday, April 4, 5–8 p.m. Artist talk: Saturday, April 19, 2 p.m.
Read moreThrough March 30: Nuclear Family, Mengwen Cao, Jess T. Dugan, Yorgos Efthymiadis, Matthew Leifheit, Laurence Philomene, Anne Vetter; Meditations in an Emergency, Kevin Bennett Moore; An Impossibly Normal Life, Matthew Finley. All exhibitions were created by curator and artist Katalina Simon, in collaboration with Crista Dix, executive director of the Griffin Museum, and exhibition designer Yana Nosenko. Opening April 17: New Horizons: Korean Contemporary Photography.
Read moreThe Gallery’s encyclopedic holdings range from ancient times to the present day and represent cultures from around the globe. Through January 5: The Dance of Life: Figure and Imagination in American Art, 1876–1917. Opening February 21: David Goldblatt: No Ulterior Motive. Free and open to the public.
Read moreFine art & contemporary American craft. Through March 6: Landscapes in oil by Julie Y Baker Albright and hand-crafted furniture by Peter Doubleday. March 7–April 3: Pastels on paper by Raymond Ruseckas and oils on canvas and panel by Janis Sanders.
Read moreMarch 3–April 12: Dream Murals: Public Art with Hartford Art School Alumni invites six artists to paint their dream murals on the walls of Silpe Gallery. The painting process is open to the public. Closing reception and artist talks: Friday, April 4, 4–6 p.m. March 6–April 12, Joseloff Gallery: How Can the Grid Deal with a Messy World? is a multimedia exhibition of work by graphic designer Silas Munro that explores the grid as a design tool with ties to the artist’s Ugandan heritage. Opening reception: Thursday, March 6, 5–7 p.m. Artist talk, Wilde Auditorium: Wednesday, March 26, 5–6:30 p.m. April 19-27: The first round of BFA Thesis Exhibitions features Illustration in Joseloff Gallery and Visual Communication Design in Silpe Gallery.
Read moreSome American Stories is a thematic presentation of works from Colby’s collection in the museum’s Lunder Wing that leads visitors on a journey from before the founding of the United States to the present day. Galleries represent a different topic within the broader narrative of American art and history, reflecting a great diversity of experiences.
Read moreOpening March 7: ShowUp presents A Stone in My Shoe, Caron Tabb’s third solo exhibition, featuring a series of multimedia fiber installations that delve into themes of grief, memory, and resilience. Drawing from the loss of her mother and the rising tide of antisemitism, Tabb weaves personal and collective narratives, visualizing internal struggles to inspire dialogue, reflection, and empathy.
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