Art Museum, University of Saint Joseph

January 14–March 8 An English Master of Engraving: Robert Sargent Austin examines the work of an artist considered one of the most accomplished British engravers of his time. Austin produced a highly-regarded body of work in the 1920s, including the prints presented in this exhibition. These prints feature great delicacy and fine detail, reflecting Austin’s admiration for the traditional folkways and historic architecture of England.

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Hood Museum of Art, Dartmouth

Ongoing: In East Asian art, non-human subjects have long been represented with agency, coexisting alongside their human counterparts. Experience this inclusive and collaborative relationship in Attitude of Coexistence: Non-Humans in East Asian Art. Opening January 18: Cara Romero: Panûpünüwügai (Living Light) presents a thematic examination of Romero’s complex and layered images, which celebrate the multiplicity, beauty, and resilience of Native American and Indigenous experiences. This is Romero’s first major solo exhibition.

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AVA Gallery and Art Center

January 17–March 1: Scaffolding: This unique group exhibition will feature a variety of artwork installed throughout all three levels of AVA’s beautiful historic textile mill building. The exhibition is themed around the term “scaffold” or “scaffolding” implicating lifting or providing support. Unique programming details are to be announced, visit the website for information. Opening reception, Friday, January 24, 5–7 p.m.

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The Mercy Gallery at The Loomis Chaffee School

The Mercy Gallery invites groundbreaking artists working in a variety of media, representing diverse endeavors and cultural + geographic perspectives to share their art with the community. Open to the public. Through January 24: Destiny Palmer: Spoken in a Language You Can’t Ignore. Opening February 6: Khae Haskell: From Rot to Ravish. Haskell constructs luminous installations that combine intricate graphic drawings of botanical life with acrylic and neon light.

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Fitchburg Art Museum

Opening January 18: Tara Sellios | Ask Now the Beasts. Sellios is a Boston-based artist whose monumental photographs highlight the beauty of the grotesque. Opening February 1: Stephen DiRado, Better Together: Four Decades of Photographs is a career retrospective exhibition featuring the work of Stephen DiRado, the leading contemporary artist and fine art photographer in Central Massachusetts. DiRado has taught photography at Clark University in Worcester since 1982, and his work has been exhibited, collected, and published internationally for over forty years.

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Montserrat College of Art Gallery

Montserrat Gallery, January 27–March 5: Jay Critchley, Democracy of the Land, Inc.—FLAGrancy. Reception and performance: Tuesday, January 28, 6–8 p.m. Extending his decades-long critique of patriotism, democracy and corporatism, Provincetown artist Jay Critchley’s exhibition features his compelling uses of the American flag, drawing on his research and work around American symbolism, mythology, history, settler occupation, Native Nations and ecological concerns through various media. See Spotlight Review.

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Armenian Museum of America

Ongoing: Filtered Identity: The Art of Tigran Tsitoghdzyan. Tigran is a New York-based artist whose photo-realistic paintings merge an interest in classical and modern art with an emphasis on his own experiences as a father and an immigrant. He has exhibited widely including Art Basel Miami, Cube Art Fair in Times Square, and globally in cities such as Dubai, Singapore, Zurich, and Brussels.

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Atlantic Works Gallery

January 4–25: Dark and Light, group exhibition by gallery members exploring concept of dark and light within any medium. Opening reception: Saturday, January 4, 3–6 p.m. Third Thursday reception: January 16, 6–9 p.m. February 1–22: New Members Exhibition, Duygu Aytaç, Jean M Bernstein, Jeff Briggs, Elsa Campbell, Nick Di Stefano, Daniel Gaviani, Katie Kimbrell. Opening reception: Saturday, February 1, 3–6 p.m. Third Thursday reception: February 20, 6–9 p.m.

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Boston Sculptors Gallery

Through January 26: Cori Champagne, Water Mgmt and Christina Zwart, La Pucelle. First Friday reception: January 3, 5–8:30 p.m. January 30–February 23: Ravel: Associate Artists Group Exhibition. First Friday reception: February 7, 5–8:30 p.m. Artists’ reception: Saturday, February 15, 2–5 p.m. Closing reception: Sunday, February 23, 3–5 p.m. Opening February 27: Mags Harries, An Artist’s Chair and Jonathan Latiano, Scaling A Pyramid.

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Norman Rockwell Museum

Home of American Illustration. Ongoing: Anita Kunz: Original Sisters, Portraits of Tenacity & Courage; Illustrators of Light: Rockwell, Wyeth, and Parrish from the Edison Mazda Collection. Through February 23: Norman Rockwell: Home for the Holidays. Guided tours of Rockwell’s Studio and galleries by reservation. Museum Store (and online store). Save time with online tickets. More at NRM.org.

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Fairfield University Art Museum

Bellarmine Hall Galleries, opening January 17: Dawn & Dusk: Tonalism in Connecticut. This exhibition explores Tonalism in the United States from the 1880s to the early 20th century, through artists from the Northeast. Walsh Gallery (Quick Center), opening January 24: To See This Place: Awakening to Our Common Home, curated by Al Miner and David Brinker, will present work by Athena LaTocha, Mary Mattingly, and Tyler Rai, three contemporary artists looking at environmental threats and climate change.

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Worcester Art Museum

Through January 20: Im/Perfect Modernisms: Asian Art and Identity Since 1945. Experience the range and originality of modernist styles across Asia, and learn how artists worked within this Western art-historical construct to explore cultural identity, resistance, and transformation. Through March 9: Twentieth-Century Nudes from Tate. Explore more than two dozen iconic paintings traveling from Tate in London, and discover how these boundary-pushing artists used the nude to challenge preconceptions about age, race, gender, and sexuality.

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The Bruce Museum

The Bruce Museum is a world-class institution offering a changing array of exceptional exhibitions and educational programs that cultivate discovery and wonder through the power of art and science. Opening February 6: Blanche Lazzell: Becoming an American Modernist. Kenji Nakahashi: Strange Beauty. Through February 9: Conservation Through the Arts: Celebrating the Federal Duck Stamp. Ongoing: The Art of Work: Painting Labor in Nineteenth-Century Denmark. Nature’s Impressions: The Modernist Landscape. Hockney/Origins: Works from the Roy B. and Edith J. Simpson Collection. Tara Donovan: Aggregations. Gabriel Dawe: Plexus no. 43. The Robert R. Wiener Mineral Gallery. Permanent Science Galleries: Natural Cycles Shape our Land. Admission: Adults $20, Students/Sr. Citizens $15. Free for children under 5; free on Tuesdays.

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Burlington City Arts

A contemporary art gallery with up to three floors of exhibition space, hosting new exhibitions every fall, winter/spring, and summer, on Burlington’s iconic Church Street Marketplace. Through February 1, 2025: Passages: Identity, Memory, and Transformation, a group of contemporary artists who embrace themes of journey and transformation in their art. Through January 18, 2025: Between the Covers: Works by Jane Kent, artist books, broadsheets, and working drawings created by the artist in collaboration with eight authors over the past 25 years. Free and open to the public.

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Bannister Art Gallery at Rhode Island College

January 23–February 7: Graphic Design: Konkuk University. Facilitated by Rhode Island College Professor Heemong Kim, this exhibition features selected works from graduating students studying at Konkuk University in Seoul, South Korea. Opening February 20: RaMell Ross. RaMell Ross is an artist, filmmaker, and liberated documentarian, known for his 2018 documentary Hale County This Morning, This Evening and his upcoming drama film Nickel Boys.

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Three Stones Gallery

September 11–October 20: Edge of Dreams. Patricia Ganek’s paintings radiate with an impasto style. Natasha Dikareva’s surreal sculptures are conduits to contemplation. Lyca Blume’s paintings, inspired by kintsugi (mending with gold), evoke healing the psyche through dreams. Reception: Saturday, September 21, 6–8 p.m. Opening: October 23: Belle Terre. Jonathan MacAdam’s paintings capture the tranquility of New England landscapes. Jennifer Johnston’s abstract photographs highlight elements that shape the land. Colleen Pearce’s paintings interpret geological formations and plants. Reception: Saturday, November 2, 6–8 p.m.

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Danforth Art Museum at Framingham State University

The Museum has a permanent collection focusing on American art, rotating exhibitions of contemporary, regional artists, and a gallery focused on the artist Meta Fuller. Through January 26: Ileana Doble Hernandez: My Dear Americans, It’s Not Enough; DM Witman: Ecologies of Restoration; Suzanne Révy: A Murmur in the Trees. Opening February 15: Tina Feingold, Tim McDonald, Kathryn Geismar, Alice Dillon, Lisa Tang Liu, Scott Foster. See website for hours.

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Brattleboro Museum & Art Center

Through February 9: Desire Lines featuring the artwork of Alex Callender, Nandini Chirimar, Tara Geer, Maggie Nowinski, Dana Piazza, James Siena; Susan Mikula: Island. Ongoing: Adrienne Elise Tarver: Roots, Water, Air; The Noise of Us, featuring the artwork of Felipe Baeza, Ori Gersht, Simonette Quamina, and Maika’i Tubbs, and Vanessa Compton: A Night at the Garden. Opening February 14: 2025 Vermont Scholastic Art & Writing Awards. February 15–23: Explore the wild, wonderful, Artful Ice Shanties outdoor exhibit in connection with Retreat Farm. Admission is pay-as-you-wish.

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Brickbottom Gallery

January 3–28: AWAKE—An Exhibition of Mindfulness & Presence in Art. Opening reception: Friday, January 3, 6–8 p.m. Curated by Jack Energy. February 6–28: Paint, Cut, Fold, Stitch. Opening reception: Sunday, February 9, 3–5 p.m. Closing event: Sunday, February 23, 3–5 p.m. Curated by Diane Novetsky, this show explores the ideas and creative process of four abstract artists—Denise Bergman, Yildiz Grodowski, Novetsky and On Kyeong Seong—all are expressive colorists who have
thoughtfully invented ways of reinvigorating modern abstraction. 

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Kingston Gallery

January 2–February 2, Main, Center and Project Spaces galleries: Phyllis Famiglietti and Debra Samdperil: We Are Not the Stories We Tell Ourselves: Intersecting Thoughts—Parallel Play. Opening reception: Friday January 3, 5–8 p.m. February 5–March 2, Main and Center galleries: Cree Bruins in collaboration with Martin and Erik Demaine: (In)Secure. Project Space Gallery: Brian Littlefield: Again. Opening reception: Friday, February 7, 5–8 p.m.

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Mattatuck Museum

The museum showcases American art and cultural history through its collection of over 15,000 objects, provides access to a research library and archives, hosts lectures, workshops, and community events, and offers spaces for corporate, wedding, and holiday rentals. Through January 5: Poskas, Father and Son. Through January 12: Federico Uribe’s Menagerie. Ongoing: O’Keeffe in Conversation. Opening January 12: Mixmaster 2025: Juried Members’ Exhibition. Opening January 19: Gordon Parks, Homeward to the Prairie I Come. Opening celebrations: Sunday, January 19.

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Hartford Art School Galleries

January 30–February 22, Joseloff Gallery: The 2025 Alexander A. Goldfarb Juried Student Exhibition invites University of Hartford students to submit their best works to be selected for exhibition by invited juror Chenoa Baker. Of the works chosen, two receive Purchase Prizes and enter the Goldfarb Memorial Collection. Opening reception and awards: Thursday, January 30, 5–7 p.m. January 13–31, Silpe Gallery: The annual Connecticut Scholastic Art Awards Exhibition recognizes the best student artwork from public, parochial, and private schools throughout Connecticut.

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Colby College Museum of Art

Ongoing: Some American Stories is the newly installed thematic presentation of works from Colby’s collection in the museum’s Lunder Wing that leads visitors on a journey from before the founding of the United States to the present day. Galleries represent a different topic within the broader narrative of American art and history, reflecting a great diversity of experiences.

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The Current

Opening January 16: Timothy Curtis: Two Hundred Years of Painting. Curtis will explore the relationships between Pennsylvania Dutch Stoneware of the 1860s in Philadelphia, 1960s graffiti writing in the same area, and his own artwork, highlighting the thread of influence in one region over 200 years. View original stoneware and new paintings by Curtis, along with a special area dedicated to celebrating the lives and work of 1960s African American Philadelphia graffiti writers.

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Williams College Museum of Art

Through December 22: Teddy Sandoval and the Butch Gardens School of Art is the first museum retrospective dedicated to Teddy Sandoval (1949–1995), a central figure in Los Angeles’s queer and Chicanx artistic circles who was an active participant in avant-garde movements. Through December 22: Pallavi Sen: Colour Theory is an immersive installation of new work by interdisciplinary artist and Williams College assistant professor of art Pallavi Sen.

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Paradise City Arts Festival

Paradise City Arts hosts New England’s premier and most celebrated shows of contemporary fine and decorative arts. The Marlborough event draws thousands of attendees of art buyers, designers, and enthusiasts seeking to connect with 175 exceptional artists and makers from across the country. In Metrowest Boston (with free parking), enjoy the special exhibition Styling the Seasons, music in the air, and two cafés.

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Cahoon Museum of American Art

Through December 22: Varujan Boghosian: Material Poetry. This exhibition presents collages and mixed-media pieces that span Boghosian’s career, including rarely seen artworks from the collection of his daughter, Heidi Boghosian. Well-known as an art professor at major American universities, Boghosian played a large role in the Provincetown art colony, influencing generations of artists and writers.

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Nantucket Historical Association—Whaling Museum

Through December 31: Tony Sarg: Genius at Play is the first comprehensive exhibition exploring the life, art, and adventures of Tony Sarg (1880–1942). Known as the father of modern puppetry in North America and the originator of the iconic Macy’s Thanksgiving Day parade balloons, Sarg was an accomplished illustrator, animator, designer, and nimble entrepreneur who summered on, and took inspiration from, Nantucket for nearly twenty years. Organized and in partnership with the Normal Rockwell Museum. Made possible in part by funding by the National Endowment for the Arts.

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Mitchell-Giddings Fine Arts

Ongoing: Decade: 2014–2024, commemorating Mitchell • Giddings’ 10th anniversary with an exploration of printmaking by Matt Brown, Liz Chalfin, Elaine de Kooning, Eric Fischl, Stephen Hannock, Emily Mason, Jules Olitski, James Stroud, Dan Welden, and others. Opening a fine art gallery in 2014 provided owners Petria Mitchell and Jim Giddings an ideal opportunity to share conversation among artists, collectors and lovers of the visible creative act.

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Hall Art Foundation

The Hall Art Foundation is a museum of contemporary art with a sculpture park and café. Exhibitions are held seasonally, from May through November. On view this year: Barbara Kruger; Ed Ruscha; Sherrie Levine; Doomscrolling by Zorawar Sidhu and Rob Swainston and Icarus Rising by Robert Longo. Advance reservations recommended, yet not required. General admission: $15 adults; $5 children 12 and under.

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3S Artspace

Opening November 22: Two exhibits, Noticing Light and Kinship Compositions, works by Christina Watka and Margaret Jacobs, respectively. Watka creates joyful spaces that reflect the interplay between light, fullness, movement, and stillness. Juxtaposed with Watka’s delicate suspended sculptures, Jacobs uses steel for her sculpture and powder coated brass in her jewelry, developing organic textures and surfaces. Free and open to the public.

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