WREN Gallery

March 7–April 25: Vistas and Visions, Kristine Lingle and Kim Druker Stockwell. Reception: Friday, March 7, 5–7 p.m. This exhibition of northern landscapes will evoke calm, peace, and contemplation. WREN is a community organization open to all, providing educational and cultural opportunities in a supportive network. The Gallery at WREN is a state of the art facility providing arts experiences in the heart of the White Mountains.

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Paradise City Arts Spring Show

March 21–23: Paradise City Arts hosts New England’s premier and most celebrated shows of contemporary fine and decorative arts. Their Marlborough event draws thousands of attendees of art buyers, designers, and enthusiasts seeking to connect with their 170 exceptional artists and makers from across the country. In MetroWest Boston with free parking, enjoy the special exhibition Living Color, music in the air, and two cafés.

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Cahoon Museum of American Art

Opening March 14: John Enneking: American Impressionist. Enneking is often credited as “America’s first Impressionist.” His continued studies with the great impressionists of Europe influenced the development of his personal style, nurtured his love of nature, and reinforced his drive as a professional artist. He brought these teachings back with him to the U.S. where he painted in Boston and throughout the greater region. Discover New England in a new light through Enneking’s bubbling trout brooks, thickly forested landscapes, solitary clam diggers, and his favorite subject: the brilliant New England twilight.

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Hood Museum of Art, Dartmouth

Ongoing: In East Asian art, non-human subjects have long been represented with agency, coexisting alongside their human counterparts. Experience this inclusive and collaborative relationship in Attitude of Coexistence: Non-Humans in East Asian Art. Ongoing: Cara Romero: Panûpünüwügai (Living Light) presents a thematic examination of Romero’s complex and layered images, which celebrate the multiplicity, beauty, and resilience of Native American and Indigenous experiences. This is Romero’s first major solo museum exhibition.

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Art Museum, University of Saint Joseph

March 21–May 10: A House Divided: Photography and the Civil War, an exhibition documenting aspects of the Civil War as seen through the lens of the most gifted artist-photographers of 19th century America. All works are from the collection of Michael Mattis and Judith Hochberg. The exhibition is organized by art2art Circulating Exhibitions. Opening reception: Thursday, March 20, 5–7:30 p.m. Lecture on
Civil War soldiers: Thursday, March 10, 5:30 p.m., Paul A. Cimbala, Professor Emeritus,
Fordham University.

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Lamont Gallery

Through March 7: Catch the end of Jeffrey Augustine Songco: Society of 23’s Conservatory which is an immersive, site-specific installation that creates a multisensory experience. April 1–May 3: Maker Fest presents works from makers in the Phillips Exeter Academy community: students, staff and others. The selections offer both the aesthetic and practical and showcase their community’s ingenuity and imagination.

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The Mercy Gallery at The Loomis Chaffee School

The Mercy Gallery invites groundbreaking artists working in a variety of media, representing diverse endeavors and cultural + geographic perspectives to share their art with the community. Open to the public. Through January 24: Destiny Palmer: Spoken in a Language You Can’t Ignore. Opening February 6: Khae Haskell: From Rot to Ravish. Haskell constructs luminous installations that combine intricate graphic drawings of botanical life with acrylic and neon light.

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Fitchburg Art Museum

Ongoing: Tara Sellios | Ask Now the Beasts. Sellios is a Boston-based artist whose monumental photographs highlight the beauty of the grotesque. Sellios creates still life vignettes from organic materials including animal bones, insect specimens, and dried flowers which she photographs using a large format 8 X 10 inch camera. Printed at a large scale, Sellios’s photographs capture the vivid details of her materials. Through May: Stephen DiRado, Better Together: Four Decades of Photographs, a career retrospective exhibition featuring the work of Stephen DiRado, the leading contemporary artist and fine art photographer in Central Massachusetts.

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Boston Sculptors Gallery

Through March 30: Mags Harries, An Artist’s Chair and Jonathan Latiano, Scaling a Pyramid. First Friday, March 7, 5–8:30 p.m. Artists’ reception and artists’ talks: Saturday, March 1, 3–5 p.m.; talks begin at 3:30 p.m. Opening April 3: Andy Zimmermann, Snulpture and Anna Kristina Goransson, Topia. First Fridays, April 4 & May 2, 5–8:30 p.m. Artists’ talks: Sunday, April 13, 3 p.m. Snulpture live music event: Thursday, April 10, 7:30 p.m.

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Norman Rockwell Museum

Home of American Illustration. Opening March 1: All for Laughs: The Artists of the Famous Cartoonist Course. Through May 26: Anita Kunz: Original Sisters, Portraits of Tenacity & Courage. Ongoing: Illustrators of Light: Rockwell, Wyeth, and Parrish from the Edison Mazda Collection. Guided gallery tours; virtual exhibition and field trips. Museum Store (and online store). Save time with online tickets. More at NRM.org.

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Fairfield University Art Museum

Bellarmine Hall Galleries, through April 12: Dawn & Dusk: Tonalism in Connecticut. This exhibition explores Tonalism in Connecticut from the 1880s to the early 20th century, through artists from the Northeast. Walsh Gallery (Quick Center), through March 29: To See This Place: Awakening to Our Common Home. To See This Place, curated by Al Miner and David Brinker, presents work by Athena LaTocha, Mary Mattingly, and Tyler Rai, three contemporary artists looking at environmental threats and climate change.

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Worcester Art Museum

Through March 9: Twentieth-Century Nudes from Tate. Explore more than two dozen iconic paintings traveling from Tate in London, and discover how these boundary-pushing artists used the nude to challenge preconceptions about age, race, gender, and sexuality. Opening March 29: Reflections of a Changing Japan: The Evolution of Shin Hanga. Delve into an era of change in Japan, when Shin Hanga, or “new prints,” emerged as an art form that was both distinctly Japanese and internationally resonant.

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The Bruce Museum

The Bruce Museum is a world-class institution offering a changing array of exceptional exhibitions and educational programs that cultivate discovery and wonder through the power of art and science. Opening March 6: On Thin Ice: Alaska’s Warming Wilderness. Opening April 4: Isamu Noguchi: Metal the Mirror. Through April 27: Blanche Lazzell: Becoming an American Modernist. Kenji Nakahashi: Strange Beauty. Ongoing: The Art of Work: Painting Labor in Nineteenth-Century Denmark. Nature’s Impressions: The Modernist Landscape. Hockney/Origins: Works from the Roy B. and Edith J. Simpson Collection. Tara Donovan: Aggregations. Gabriel Dawe: Plexus no. 43. The Robert R. Wiener Mineral Gallery. Permanent Science Galleries: Natural Cycles Shape our Land. Admission: Adults $20, Students/Sr. Citizens $15. Free for children under 5; free on Tuesdays.

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Burlington City Arts

A contemporary art gallery with up to three floors of exhibition space, hosting new exhibitions every fall, winter/spring, and summer, on Burlington’s iconic Church Street Marketplace. Through May 24: Bunny Harvey: Worlds Within Worlds, featuring the landscape paintings of Vermont-based artist Bunny Harvey, with several new works created by the artist over the last year. Stéphanie Morissette: Speculative Future, a selection of works on paper and mixed-media bird-drone sculptures, exploring the conflicting relationship between humans, nature, and technology. Free and open to the public.

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Bannister Art Gallery at Rhode Island College

Through March 21: RaMell Ross: Spell, Time, Practice, American, Body. RaMell Ross explores the meaning and mythology of the American South and of Black identity through this new exhibition of large-scale photographs and mixed-media sculptures. April 3–25: Lani Irwin & Alan Feltus—Selected Works. Curated by Professor Richard Whitten, this exhibition opens up a dialogue on sexuality and identity in contemporary figurative painting.

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3S Artspace

Through March 30: Losing Winter: Lynn Cazabon presents a unique and site-specific realization of Losing Winter, an ongoing participatory artwork and archive of memories and emotions about winter, revealing the personal and cultural ties we have to the season and reflecting upon what we are collectively losing due to climate change impacts on seasonal patterns. Opening April 4: A Hole Hanging in the Air, works by Kate Conlon. Through a meticulous process of archival research and digital modeling, Conlon recreates illusion-generating, precise reconstructions of mechanical devices from the history of cinematic visual effects as cut-paper constructions.

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Danforth Art Museum at Framingham State University

The Museum has a permanent collection focusing on American art, rotating exhibitions of contemporary, regional artists, and a gallery focused on the artist Meta Vaux Warrick Fuller. Ongoing: Tina Feingold: Wishful Thinking; Tim McDonald: The Diamond Sea; Selfhood, featuring work by Alice Dillon, Scott Foster, Kathryn Geismar, Lisa Tang Liu, and Keith Morris Washington. See website for hours and membership information.

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Brattleboro Museum & Art Center

Through March 8: 2025 Vermont Scholastic Art & Writing Awards; Adrienne Elise Tarver: Roots, Water, Air; The Noise of Us, featuring the artwork of Felipe Baeza, Ori Gersht, Simonette Quamina, and Maika’i Tubbs. Opening March 22: Contemporary Ukrainian Folk Art: The Matrix of Resilience; GLASSTASTIC 2025; Yeon Ji Yoo: Wish You Were Here; Carl E. Hazlewood: Infinite Passage; John Kenn Mortensen: Dream Homes; Nye Ffarrabas: Truth IS A Verb. Ongoing: Vanessa Compton: A Night at the Garden. Admission is pay-as-you-wish.

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Brickbottom Gallery

March 6–23: The world as a supermarket is a commentary on consumerism. Cuban artist Janette Brossard and American artist Mary Sherwood both being part of the TransCultural Exchange Conference. Opening reception: Saturday, March 8, 3–5 p.m. Closing reception: Sunday, March 23, 3–5 p.m. April 4–26: Everlasting: Group exhibit by Sarah Alexander, Heather Binder, Anna Kreslavskaya, Lidia Mikhaylova, Olga Privina. Paintings, photography, herbalism, steel sculpture and ceramics—all in pursuit of the human quest for happiness. Opening reception: Saturday, April 5, 3–5 p.m.

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Kingston Gallery

March 5–30: Main Gallery—Nat Martin: Over Days. Center Gallery and Project Space—Diane Novetsky: On the Cusp, new paintings and prints. Opening reception: Friday, March 7, 5–8 p.m. April 2–27: Main Gallery—Linda Leslie Brown: Circulations. Center Gallery—Bonnie Sennott: Noise Antidote, abstract embroidery. Project Space—Vaughn Sills: Still. Opening reception: Friday, April 4, 5–8 p.m. Artist talk: Saturday, April 19, 2 p.m.

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Griffin Museum of Photography

Through March 30: Nuclear Family, Mengwen Cao, Jess T. Dugan, Yorgos Efthymiadis, Matthew Leifheit, Laurence Philomene, Anne Vetter; Meditations in an Emergency, Kevin Bennett Moore; An Impossibly Normal Life, Matthew Finley. All exhibitions were created by curator and artist Katalina Simon, in collaboration with Crista Dix, executive director of the Griffin Museum, and exhibition designer Yana Nosenko. Opening April 17: New Horizons: Korean Contemporary Photography

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Hartford Art School Galleries

March 3–April 12: Dream Murals: Public Art with Hartford Art School Alumni invites six artists to paint their dream murals on the walls of Silpe Gallery. The painting process is open to the public. Closing reception and artist talks: Friday, April 4, 4–6 p.m. March 6–April 12, Joseloff Gallery: How Can the Grid Deal with a Messy World? is a multimedia exhibition of work by graphic designer Silas Munro that explores the grid as a design tool with ties to the artist’s Ugandan heritage. Opening reception: Thursday, March 6, 5–7 p.m. Artist talk, Wilde Auditorium: Wednesday, March 26, 5–6:30 p.m. April 19-27: The first round of BFA Thesis Exhibitions features Illustration in Joseloff Gallery and Visual Communication Design in Silpe Gallery.

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Armenian Museum of America

Ongoing: Filtered Identity: The Art of Tigran Tsitoghdzyan. Tigran is a New York-based artist whose photo-realistic paintings merge an interest in classical and modern art with an emphasis on his own experiences as a father and an immigrant. He has exhibited widely including Art Basel Miami, Cube Art Fair in Times Square, and globally in cities such as Dubai, Singapore, Zurich, and Brussels.

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Three Stones Gallery

September 11–October 20: Edge of Dreams. Patricia Ganek’s paintings radiate with an impasto style. Natasha Dikareva’s surreal sculptures are conduits to contemplation. Lyca Blume’s paintings, inspired by kintsugi (mending with gold), evoke healing the psyche through dreams. Reception: Saturday, September 21, 6–8 p.m. Opening: October 23: Belle Terre. Jonathan MacAdam’s paintings capture the tranquility of New England landscapes. Jennifer Johnston’s abstract photographs highlight elements that shape the land. Colleen Pearce’s paintings interpret geological formations and plants. Reception: Saturday, November 2, 6–8 p.m.

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Mattatuck Museum

The museum showcases American art and cultural history through its collection of over 15,000 objects, provides access to a research library and archives, hosts lectures, workshops, and community events, and offers spaces for corporate, wedding, and holiday rentals. Through January 5: Poskas, Father and Son. Through January 12: Federico Uribe’s Menagerie. Ongoing: O’Keeffe in Conversation. Opening January 12: Mixmaster 2025: Juried Members’ Exhibition. Opening January 19: Gordon Parks, Homeward to the Prairie I Come. Opening celebrations: Sunday, January 19.

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The Current

Opening January 16: Timothy Curtis: Two Hundred Years of Painting. Curtis will explore the relationships between Pennsylvania Dutch Stoneware of the 1860s in Philadelphia, 1960s graffiti writing in the same area, and his own artwork, highlighting the thread of influence in one region over 200 years. View original stoneware and new paintings by Curtis, along with a special area dedicated to celebrating the lives and work of 1960s African American Philadelphia graffiti writers.

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