Tremaine Gallery, The Hotchkiss School

Through April 5: Historic Presence is curated by Terri Moore and features Brooklyn-based artist Taha Clayton’s portraits inspired by the 1930s to 50s, honoring the resilience, joy, culture, and dignity of elders. The exhibition includes works in oil, charcoal, and graphite, enhanced with props from the artist’s creative process. Through these intimate and powerful depictions, Clayton invites viewers to reflect on legacy, identity, and the enduring beauty found in everyday life.

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Fairfield University Art Museum

Through July 25: In the Bellarmine Hall Galleries and the Walsh Gallery (Quick Center): For Which It Stands… Commemorating the 250th Anniversary of the U.S., this major loan exhibition explores key moments in our country’s history through artworks depicting the American flag, from WWI to the present day. Artworks on view will challenge viewers to consider who the American flag truly represents and whether justice is available to all.

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Art Museum, University of Saint Joseph

>Through December 13: Painted Pages: Illuminated Manuscripts, 13th–18th Centuries highlights the golden age of hand-written and illuminated volumes, many of which included elaborate gold leaf decoration and intricate ornamentation. This exhibition is organized by the Reading Public Museum, Reading, Pennsylvania. At the University of Saint Joseph, the exhibition is supported in part by the Karen L. Chase ’97 Fund. Film Screening: The Secret of Kells (2009), Sunday, November 9, 3 p.m.

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The Wadsworth

Opening November 6: Peter Waite: Social Memory, Paintings 1987–2025. What if absence were a presence? The Wadsworth presents an exhibition of paintings by Peter Waite, known for his large-scale architectural scenes that explore spaces where history, memory, and perception meet. Working in acrylic on rigid panels, Waite’s compositions capture the beauty and poignancy of overlooked corners, faded surfaces, and traces of life that remain when people are gone.

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Greenwich Historical Society

Greenwich Historical Society presents two concurrent exhibitions that celebrate the legacy of Cos Cob as the cradle of American Impressionism. Permanent Collections Gallery: Rediscovering the Cos Cob Art Colony: A Tribute to Susan G. Larkin, features the artwork that led Dr. Larkin to become the foremost expert on American Impressionism in Connecticut as well as many other etchings, watercolors, and books by art colony authors from her personal collection. October 8–March 8: The Holley Boarding House: Inspiring American Impressionism. Josephine Holley and her daughter Constant Holley MacRae were skilled managers of the Holley boarding house which attracted artists, writers and others to their charming 18th century home on the Mianus River in Cos Cob. The picturesque setting inspired the creativity of their guests and led to the founding of the first Impressionist art colony in Connecticut.

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The Glass House

Ongoing: Structure, Light, Land features Kasten’s work from multiple series, including Architectural Sites, Collisions, and Progressions, as well as new iterations of digital projections, cyanotypes, and sculptures. With a striking interplay of light, color, and form, Kasten’s work infiltrates the grounds of The Glass House and responds to the site’s varied built environment and landscape. Advanced tickets required.

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Lyman Allyn Art Museum

Opening September 7: Louise McCagg: The Artist’s Eye presents modern and contemporary art from the collection of artist Louise McCagg (American, 1936–2020). This exhibition celebrates friendship and collaboration while showcasing McCagg’s own art in conversation with the work of notable artists such as Elaine de Kooning, Romare Bearden, Louise Bourgeois, Chuck Close, Philip Guston, Sol LeWitt, Yoko Ono, Alice Neel, and Cindy Sherman, among others.

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Florence Griswold Museum

Opening September 27: Inside Out: Contexts for American Art. The Florence Griswold Museum is a unique institution rooted in the context of its site-specific environment. Inspired by this multi-sensory setting, Inside Out investigates the power of contextualizing selected artworks from the Museum’s collection, turning them “inside out” for viewers to engage with paintings, sculpture, prints, textiles, and photographs in creative ways. Works of art are placed in conversation with archival materials, period music, artmaking tools, and interactive activities.

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