New Hampshire Exhibition

March 7–April 25: Vistas and Visions, Kristine Lingle and Kim Druker Stockwell. Reception: Friday, March 7, 5–7 p.m. This exhibition of northern landscapes will evoke calm, peace, and contemplation. WREN is a community organization open to all, providing educational and cultural opportunities in a supportive network. The Gallery at WREN is a state of the art facility providing arts experiences in the heart of the White Mountains.

Ongoing: In East Asian art, non-human subjects have long been represented with agency, coexisting alongside their human counterparts. Experience this inclusive and collaborative relationship in Attitude of Coexistence: Non-Humans in East Asian Art. Ongoing: Cara Romero: Panûpünüwügai (Living Light) presents a thematic examination of Romero’s complex and layered images, which celebrate the multiplicity, beauty, and resilience of Native American and Indigenous experiences. This is Romero’s first major solo museum exhibition.

April 4–May 10: Featured in AVA’s main, named galleries, Cynthia Atwood and Mark Lorah: Visceral Resonance; Heidi Broner: The Daily; Chris Papa: New Work. March 14–April 26, in the Roesch Gallery: the group exhibition, Shape/Shift: Objects and Non-Objectives. Opening reception for all exhibitions: Friday, April 4, 5–7 p.m.

Through March 30: Losing Winter: Lynn Cazabon presents a unique and site-specific realization of Losing Winter, an ongoing participatory artwork and archive of memories and emotions about winter, revealing the personal and cultural ties we have to the season and reflecting upon what we are collectively losing due to climate change impacts on seasonal patterns. Opening April 4: A Hole Hanging in the Air, works by Kate Conlon. Through a meticulous process of archival research and digital modeling, Conlon recreates illusion-generating, precise reconstructions of mechanical devices from the history of cinematic visual effects as cut-paper constructions.

April 4–May 21: Travels, mixed media paintings of Tom Arsenault. Deftly merging paint and historical artifact, Arsenault creates ethereal scenes that evoke curiosity and emotion. Blending objects of art from both Eastern and Western traditions, his work seemingly transcends time and place, instead drawing the viewer into a mysterious dreamscape of rich color and surprising depth. Reception: Friday, April 4, 5:30 p.m.